With our free press under threat and federal funding for public media gone, your support matters more than ever. Help keep the LAist newsroom strong, become a monthly member or increase your support today .
This is an archival story that predates current editorial management.
This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.
Laura Mvula's Retro-Soul Sound Dubbed As Adele-Meets-Nina-Simone
When Laura Mvula's debut album "Sing to the Moon" was released last year, critics compared the British singer's voice to the likes of Amy Winehouse, Nina Simone and Adele. But it's hard to quite pinpoint where her music lies since her tracks range from upbeat pop orchestral tunes to gospel and soulful jazz. Her song "Little Girl Blue," most reminiscent of Simone's voice, was featured in the 12 Years a Slave soundtrack.
The 27-year-old British singer made her way out to Coachella this year and LAist caught up with her following her afternoon performance in the Gobi Tent over the weekend. While she told us that she was most blown away by The Knife's performance at the 3-day music fest in the desert, we also chatted about her past as a teacher, how U.K. festivals are different from Coachella, and more.
On Her Influences
Miles Davis is someone whose music is something I always [go to], my default. When I’m not sure what to listen to, that’s what I listen to. But I’m definitely inspired by church music; I grew up with church. And some classical music when I started playing violin when I was younger. I’d been hearing orchestral music music, that really impacted me, really moved me. And also movie scores. I became obsessed with TV and film music when I was young. Disney was a big part of my upbringing...I like to just be moved, generally. At the moment I’m just listening to a lot of old soul, a lot of James Brown.
Support for LAist comes from
On Being a Music Teacher
I used to work in school as a teacher there—secondary school...I was a supply music teacher. I struggled. I did it straight after university which was quite difficult. I wasn’t really prepared [and] I wasn’t trained as a teacher. I just had all this passion for music and thought I could just waltz into a school and change everybody’s lives. It was more about behavior management and crowd control which wasn’t really my bag. I learned a lot. It was tough.
On Coachella
To me, it doesn’t feel like a festival. It feels like a music holiday resort. It’s because it’s so clean and everybody’s happy and everyone dresses really well. In the U.K., it’s more about being at home, being muddy and wet and cold, [and] drinking. A festival is not a place in the U.K. to put on your best.
Who She Gets Compared To The Most
[The] biggest one is Nina Simone. That comes up a lot. I don’t know yet. I’ve gone from rejecting it entirely to being completely baffled by it. I’m somewhere in the middle.
On Becoming A Singer
Support for LAist comes from
I always had a focus or a yearning to be creative, to do something. But I didn’t know what, I didn’t know how. So when I was signed, so when I did the album, that was the first moment—my first sort of realized dream. Being in a studio and working with musicians and having put the music out was a huge step for me. I didn’t know what format this was going to take. I was going to do my masters at one point. For me, it was just sort of a homecoming.
What Her Younger Self Would Think Now
My ten-year-old me would be very chuffed. [I] was very shy. I have memories of being in performances and crying because I couldn't deal with it in the moment. It’s been a long journey.
At LAist, we believe in journalism without censorship and the right of a free press to speak truth to those in power. Our hard-hitting watchdog reporting on local government, climate, and the ongoing housing and homelessness crisis is trustworthy, independent and freely accessible to everyone thanks to the support of readers like you.
But the game has changed: Congress voted to eliminate funding for public media across the country. Here at LAist that means a loss of $1.7 million in our budget every year. We want to assure you that despite growing threats to free press and free speech, LAist will remain a voice you know and trust. Speaking frankly, the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news in our community.
We’re asking you to stand up for independent reporting that will not be silenced. With more individuals like you supporting this public service, we can continue to provide essential coverage for Southern Californians that you can’t find anywhere else. Become a monthly member today to help sustain this mission.
Thank you for your generous support and belief in the value of independent news.
Chip in now to fund your local journalism
(
LAist
)
Trending on LAist
-
The study found recipients spent nearly all the money on basic needs like food and transportation, not drugs or alcohol. -
Kevin Lee's Tokyo Noir has become one of the top spots for craft-inspired cocktails. -
A tort claim obtained by LAist via a public records request alleges the Anaheim procurement department lacks basic contracting procedures and oversight. -
Flauta, taquito, tacos dorados? Whatever they’re called, they’re golden, crispy and delicious. -
If California redistricts, the conservative beach town that banned LGBTQ Pride flags on city property would get a gay, progressive Democrat in Congress. -
Most survivors of January's fires face a massive gap in the money they need to rebuild, and funding to help is moving too slowly or nonexistent.
Best of LAist