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  • Why and how we reported on putrid odors
    Vernon-Rendering Plant

    Topline:

    Southeast L.A. residents have grappled with the stench of rotting flesh for decades, on top of other environmental ills.

    Why now: LAist reporter Julia Barajas recounts two bus rides — one as a student waiting for her ride to high school and the other as a reporter that got her thinking about where the terrible smells she grew up with in Southeast L.A. originated.

    Why it matters: Barajas goes deep into what's happened since her student days in the early 2000s and why the odors continue to this day. She reports: "What was most startling was that all this was happening after air quality officials adopted a rule intended to prevent those very odors."

    When I was still in high school, my bus stop was on the corner of Miles and Saturn avenues, in the city of Huntington Park. It was across the street from an elementary school, and a stone’s throw from city hall, the public library, and a very nice little park.

    Each weekday morning, I’d stand on that corner to wait for a yellow LAUSD school bus to pick me up and take me to a magnet school in the South Bay. Every so often, a putrid odor would fill the crisp morning air. I’d hold my breath to avoid taking it in. Then, I’d stare down the street, hoping the bus would get there early and whisk me away.

    In some ways, that's where the reporting for this series started — back in the early 2000s, back when I was still in high school and experiencing those bad smells that still occur today.

    During daytime, a young woman dressed in mostly black stands at the corner of a street with a light-blue house and white fence behind her. She appears to be waiting for a bus.
    LAist reporter Julia Barajas stands at the corner in Huntington Park, where she waited for the school bus as a child.
    (
    Samanta Helou Hernandez
    /
    LAist
    )

    What a 'Toxic Tour' of Southeast L.A. has to do with this investigation

    I recently hopped on another bus in Huntington Park — two decades later and now a reporter for LAist. I was with a group of high school students on a “Toxic Tour” of the area where I’d grown up.

    The “Toxic Tour” is hosted by Communities for Better Environment (CBE), a nonprofit that’s advocated for clean air, soil, and water since the late 1970s. The tour takes you on a four-hour journey that highlights the impact of industrial polluters on residents’ health and quality of life. It also emphasizes how community members have fought back against environmental ills, this as a means of inspiring the next generation of activists. In September 2022, our tour was specifically designed for residents of Southeast L.A.

    That day, the bus took us to:

    • Park Avenue Elementary School in the city of Cudahy, which was shut down after parents and teachers raised concerns about the petroleum waste that bubbled up on the playground.
    • It also took us to Linda Esperanza Marquez High School in Huntington Park, named for a community member who fought to clean up the site it sits on, once known as La Montaña for debris from the 1994 Northridge earthquake. For years, local residents dealt with the dust that blew from 600,000 tons of concrete ruins from the collapse of the Santa Monica Freeway stored there.
    • And we made a stop at Exide Technologies in the city of Vernon.

    For decades, this battery recycling plant spewed lead into surrounding neighborhoods. After this came to light, the company filed for bankruptcy, leaving it up to California taxpayers to pay for the removal of contaminated soil from schools, parks, and thousands of homes.

    Smelling that familiar stench

    As we stood outside the battery plant, I recognized a stench: the same one I used to smell while waiting for the bus. A student from South Gate High recognized it, too. She said it was something she often encountered on her campus.

    A mural of a pig in a green filed and a sign that reads "Farmer John & Co. First Ham" "Goodness for more than half a century" "Santa Fe Trail 1871"
    Farmer John's Vernon facility, which closed earlier this year, is covered in murals depicting pastoral scenes with happy pigs.
    (
    Samanta Helou Hernandez
    /
    LAist
    )

    Our tour guides told us that Southeast L.A. residents often attribute this dead animal odor to the Farmer John slaughterhouse in Vernon, which is renowned for its hauntingly picturesque pig murals. (Farmer John shut down the facility earlier this year.) On the tour, the guides pointed out that Vernon is also home to facilities that recycle animal remains from slaughterhouses, grocery stores, restaurants, and shelters. Through a process called “rendering,” those remains are turned into materials that can be used for other products.

    I thought about the rendering plants on my drive home from work a few days later. While heading south on the 5 Freeway near the city of Commerce, a nauseating smell entered my car. I rushed to roll up the windows, but the stench still left me with a sharp headache.

    I looked around to see where it could be coming from, wondering if anyone monitored odor emissions. When I got home, I checked.

    What I learned about who was responsible for regulations

    A truck blurs by the front of a bland white and orange building with the words "Vernon Industrial Park" upon it.
    Vernon is a primarily industrial city near Downtown Los Angeles and Boyle Heights.
    (
    Samanta Helou Hernandez
    /
    LAist
    )

    The South Coast Air Quality Management District (AQMD) is tasked with monitoring and improving air quality in most of L.A. County. I also learned that community members can file odor complaints. Then, through CBE, I found out that AQMD was in the process of shutting down a rendering plant that the agency said had repeatedly broken the rules.

    I mentioned all this to my editor, Mary Plummer, and she encouraged me to file public records requests with AQMD. Our goal was to get a better sense of the odors’ impact on local communities.

    One of my first requests called for all air quality complaints from August 2022 to the present filed in Vernon, along with neighboring areas and some non-adjacent cities. I also requested all air quality complaints associated with Baker Commodities, Inc. the rendering plant that I'd heard was being shut down by regulators. In this case, we asked for records dating back to August 2019.

    The first batch of public records data was illuminating. In recent years, AQMD has received hundreds of complaints about rendering plant odors. As I read through them, I noticed that some were from local schools, while others were from local businesses. One complainant said “IT SMELLS LIKE ROTTING DEAD BODIES EVERY SINGLE DAY.” Another person said that the “ODOR IS SO BAD THAT EVERYONE HAS LEFT THE OFFICE, AGAIN.”

    What is a rendering plant?

    A rendering plant is a facility that converts livestock and pet carcasses, as well as kitchen grease and wastewater, into industrial-use fats and oils. Once converted, these materials are used to manufacture soaps, cosmetics, and many other products.

    • What type of companies send dead animals and other materials to rendering plants? Typically slaughterhouses, restaurants, supermarkets, and animal shelters. 
    • For example, many grocery stores collect meat and bone scraps from their butcher departments and send them to rendering plants.
    • Good to know: Not all facilities process the same type of items. According to AQMD, some rendering companies process animals from shelters, while others, like Baker Commodities, Inc., primarily render livestock and poultry.

    The complainants also said the stench made it difficult for them to breathe. They said it gave them headaches and made their stomachs churn, that it made their eyes itch and throats burn. Some community members reported smelling it in the evenings, others encountered it while dropping off their kids at school. Many said it was worse on hot days, and that they had to close their windows to avoid it. Some said the stench wouldn’t let them sleep. Some said they’d been smelling it for days in a row. Others were outraged because they’d been smelling it for years.

    What was most startling was that all complaints were filed after air quality officials adopted a rule intended to prevent those very odors.

    Understanding why regulators shut down Baker Commodities, Inc.

    With this in mind, I looked into what was behind the shutdown of Baker’s rendering company. After scouring dozens of court documents, I confirmed that the company has sued AQMD for $200 million in damages. Perhaps more significantly, the lawsuit also aims to bar the agency from shutting down the plant again in the future.

    These are the steps I took to fully understand what’s on the line with this lawsuit:

    • Reached out to dozens of stakeholders, including rendering plant workers who could potentially lose their jobs. 
    • Repeatedly called Baker’s headquarters in Vernon and their lead attorney on the case, and spent many hours researching the company.
    • I spoke with environmental justice activists and local officials who’d lodged complaints on behalf of their constituents. 
    • Then, to learn more about how rendering helps the environment,  I spoke with two agricultural experts. 
    • To better understand how the odors can wreak havoc on community members’ health and quality of life, I spoke with experts in public health. 
    • I asked a historian/geographer to delve into Vernon’s long-term relationship with its neighbors.
    • I also reached out to an attorney who is well-versed in environmental conflicts to help me navigate court records. 
    • I visited every rendering plant repeatedly and noticed that one didn’t have any signage to let passersby know where to report odors, which has been required since late 2017 under AQMD's Rule 415 to minimize the odors. 
    • And through this reporting, I realized that two of the rendering plants are within walking distance from Exide. 

    Why the area's history was so important

    Exide’s proximity to the rendering plants matters to those with ties to the area. Over the course of my reporting, I spoke at length with community members throughout Southeast L.A., as well as Boyle Heights and unincorporated East Los Angeles. We chatted on the phone, on social media, and in person, often at parks or in front of their homes. In some cases, I left notes in their mailboxes — in English and in Spanish.

    Two stacks of papers, one is in English, and one is Spanish. The papers ask people if they've noticed bad smells in their neighborhood. A business card for reporter LAist reporter Julia Barajas is attached to the papers.
    Flyers distributed by LAist reporter Julia Barajas during her reporting process.
    (
    Julia Barajas
    /
    LAist
    )

    Time and again, local residents said they felt their communities had been pummeled by environmental injustice. Some brought up the Delta jet that dumped fuel on a school in Cudahy in 2020. Others brought up the explosion at a scrap metal recycler in Maywood in 2016. Many underscored that Exide was allowed to operate without permits for decades. To ask community members to endure the stench of decaying carcasses while the soil in many homes is still being remediated, they said, is to add insult to injury.

    These interviews included Cristina Garcia, a former state Assemblymember who grew up in Bell Gardens and taught math at Huntington Park High.

    Garcia said that when she was teaching, she often had to choose between opening the windows and letting in the stench, or keeping them closed and subjecting her students to a hot room without air conditioning. She said it was hard for students to learn in those conditions. And it was hard for her to teach.

    Communities like ours “have been treated like dumping grounds,” Garcia said. She’s certain that the ongoing stench of rotting flesh would not be tolerated in more affluent parts of town, so “why is this how we have to live?”

    That question has stayed with me.

    Credits

    This story is part of a series that was reported over the course of many months and required extensive interviews in the community and a dozen public records requests. Julia Barajas is the lead reporter and Mary Plummer is the main story editor.

    More on the LAist team behind this investigation:

    Reporting:

    Editing:

    Visuals:

    Other support:

    The Jane and Ron Olson Center for Investigative Reporting helped make this project possible. Ron Olson is an honorary trustee of Southern California Public Radio. The Olsons do not have any editorial input on the stories we cover.

  • Malibu and Pasadena agree to lift SB 9 bans
    A wide look at two workers bent over on top of a wooden house frame using tools to work on it. One is wearing bright orange, while the other is in bright yellow.
    Construction workers build a home to replace one destroyed by the Eaton Fire on March 19, 2026, in Altadena.

    Topline:

    Duplex projects will be allowed to move forward once again in two Southern California cities affected by last year’s fires. It comes after advocates for denser housing challenged the legality of the local restrictions on state law.

    What is SB 9? The state housing law SB 9 allows single-family homeowners to subdivide their lots and build duplexes. They can create up to four units in some cases.

    How this started: After the Palisades and Eaton fires, local jurisdictions were allowed to suspend SB 9 projects in certain areas. Advocates for increased housing development sued them and the state, alleging the bans were not legal.

    About the result: Pasadena and Malibu are now backing out of the lawsuit, agreeing to settle with the plaintiffs. The two cities have until the end of September to repeal their SB 9 bans. L.A. County, the city of L.A. and the state are still fighting the lawsuit. However, a proposed state housing bill could impact what happens next in Altadena.

    Read on…. to learn more about what the settlement means.

    Duplex projects will be allowed to move forward once again in two Southern California cities affected by last year’s fires. The change of course is the result of a court showdown between advocates for denser housing and local elected officials who wanted to ban more units from cropping up in burn zones.

    The cities of Malibu and Pasadena have agreed to settle with the plaintiffs who brought forward a lawsuit that challenges local jurisdictions’ suspension of Senate Bill 9 in high fire risk zones, according to documents obtained by LAist.

    Sonja Trauss, executive director of YIMBY Law, a plaintiff in the lawsuit, said the result will help residents get more out of their properties.

    “I want them to know that they can build,” Trauss said.

    How we got here

    SB 9 allows single-family homeowners across the state to build duplexes and split their lots. It became state law in 2021. SB 9 applicants can use the law to create up to four units where a single-family home once stood, in some cases. The law takes away the ability of local governments to block these projects.

    However, after the 2025 fires, some homeowners affected by the fires erupted with anger over the prospect of their burned-down neighborhoods being rebuilt with denser housing. They argued more homes — and the additional residents that come with them — would clog evacuations and hurt neighborhood character.

    In July 2025, Gov. Gavin Newsom signed an order giving local leaders the power to block the law in very high fire hazard areas within the Palisades and Eaton fire burn zones.

    Elected officials in L.A. city, the county of L.A., Pasadena and Malibu followed suit and adopted policies to stop processing SB 9 applications in those areas.

    Advocates for increased housing development, including YIMBY Law, sued the governments, alleging they didn’t have the authority to suspend laws passed by the legislature.

    Trauss told LAist housing advocates believe the order is being misused for political purposes.

    “ It chips away at the policy,” she said. “Especially in the Palisades, everybody could watch the political back-and-forth that caused that to happen.”

    The backlash on social media to SB 9 projects in the Palisades was led by former reality TV star Spencer Pratt, who lost his home in the fire and later mounted an unsuccessful campaign for L.A. mayor.

    What the settlement means

    According to the settlement documents, Malibu and Pasadena have agreed to repeal the local ordinances that blocked SB 9 projects by the end of September. The settlements still require City Council action to undo those bans.

    The cities are also supposed to process any pending SB 9 applications that were submitted, paused or rejected.

    Another plaintiff in the lawsuit — Andrew Slocum, CEO of Green Development Company — said he thinks Newsom never should have signed the executive order in the first place.

    Slocum said he hopes to see recovering homeowners have more options when rebuilding their properties. Last year, he told LAist he was working with homeowners on SB 9 projects.

    The settlement “allows for the people to hopefully be able to come back and resubmit that application,” Slocum said, “because most people who are doing SB 9 are the homeowners themselves.”

    The Pasadena City Council took the first step toward repeal on July 20, according to city spokesperson Lisa Derderian. She said they’ll start processing SB 9 applications once the vote is finalized.

    “The City reached a conditional settlement with YIMBY in recognition of the uncertainty inherent in litigation and the significant passage of time since the Eaton Fire in January 2025,” she said in a statement.

    LAist contacted officials in the city of Malibu for comment but has not heard back.

    What’s next

    The county and city of L.A. are still fighting the lawsuit. They control land use in Altadena and the Pacific Palisades, home to the lion’s share of properties affected by the Eaton and Palisades fires.

    State officials also continue to defend the restrictions. Newsom’s office stands behind the executive order and plans to defend it in court, according to a state official.

    Trauss said the parties met for  a trial setting conference a few days ago.

    “ I want the folks in the county and in the city of L.A. who could build … to have hope,” she said.

    The lawsuit is playing out while state legislators are moving forward with a new bill, SB 1090, which would expand the ban on SB 9 to all of Altadena.

  • Sponsored message
  • Historic theater set to reopen

    Topline:

    The Cinerama Dome – one of the most famous movie theaters in the world – has been closed since the COVID pandemic. But it's now got a new lease on life, thanks to SONY Pictures and Alamo Drafthouse Cinema.

    The backstory: The Cinerama Dome was built in 1963 by William Forman – the founder of Pacific Theaters, who had popularized drive-in cinemas. Forman commissioned a French architect who had studied under R. Buckminster Fuller, a designer of other geodesic structures. The theater was originally made to showcase Cinerama, a format developed in the 1950s that was part of the widescreen craze designed to lure viewers away from television and back to cinemas. Parent company Pacific Theatres and Aclight Cinemas filed for bankruptcy in 2021.

    New life for the Dome: The studio announced it will lease, restore and reopen the famous theater in 2028; Alamo Drafthouse plans to program and operate it and 14 other screens at the adjoining multiplex. Sony has promised to preserve the Cinerama Dome's history while ensuring its future.

    One Hollywood icon is prepping for a comeback. The Cinerama Dome – one of the most famous movie theaters in the world – has been closed since the COVID pandemic. But it's now got a new lease on life, thanks to SONY Pictures and Alamo Drafthouse Cinema.

    The studio announced it will lease, restore and reopen the famous theater in 2028; Alamo Drafthouse plans to program and operate it and 14 other screens at the adjoining multiplex.

    "Hot damn! We're bringing the Dome back, baby," SONY Pictures Entertainment Motion Picture Group CEO Tom Rothman said in a statement. "We believe in moviegoing down to our soul, and no venue on Earth stands more for that than the one-of-a-kind Dome."

    "There's a lot of passion behind this theater," says Michael O'Leary, who heads Cinema United, the global association of movie theater owners. He says while the Cinerama Dome's closing was a symbol of the pandemic, its recovery is proof the pandemic is behind us and movie theater-going is back.

    "It's really exciting," agrees Escott Norton, former executive director and current board member of the Los Angeles Historic Theatre Foundation. "There's been a lot of people waiting with baited breath to see when the dome is going to reopen. People think of this as the ultimate Hollywood experience."

    As an LA native and former film production designer, Norton has great memories of going to the Cinerama Dome. He says it was always an immersive experience to watch movies inside the geodesic-shaped auditorium designed to show wide screen movies.

    "When I saw Close Encounters on this giant screen curved around me, it knocked my socks off," he says, adding he was also blown away watching Apocalypse Now at the Dome. "The movie opens up with this wide screen of just a quiet jungle, birds tweeting and then it explodes. Being surrounded by that on the curved screen, it still gives me tingles thinking about it."

    Closeup of a sign, hanging on a building, that reads, "cinerama."
    The Cinerama Dome in October 2021.
    (
    Mario Tama
    /
    Getty Images
    )

    The Cinerama Dome was built in 1963 by William Forman – the founder of Pacific Theaters, who had popularized drive-in cinemas. Forman commissioned a French architect who had studied under R. Buckminster Fuller, a designer of other geodesic structures. The theater was originally made to showcase Cinerama, a format developed in the 1950s that was part of the widescreen craze designed to lure viewers away from television and back to cinemas.

    Forman was able to get the theater constructed in 16 weeks … just in time for the world premiere of a madcap comedy called, It's a Mad, Mad, Mad, Mad World. The movie ran four hours long, with an intermission. Filmmakers had originally planned to use the Cinerama format, but abandoned it, shooting in Ultra Panavision 70 millimeter instead.

    Still, it featured a who's who of comedy at the time – including Sid Caesar, Edie Adams, Milton Berle, and Buddy Hackett. Buster Keaton even makes a ten second cameo. "It's a Mad, Mad, Mad, Mad World played at the Cinerama Dome, the brand new theater, for two years without stopping," recalled Karen Sharpe, the widow of the movie's director, Stanley Kramer. The former TV actress and producer spoke at a rally to preserve the Cinerama Dome last year, and talked about the star-studded premiere.

    "It was a real happening," she remembered. "Bobby Kennedy came, Adlai Stevenson came and President and Mrs. Kennedy accepted the invitation to attend the opening. A few days before, they called to say 'So sorry, we have to [decline] the invitation because President and Mrs. Kennedy have to go to Dallas.' And we know what happened in Dallas."

    Over the decades, the theater became a mecca for cinephiles. The dome was sometimes costumed like the movies it screened. Once, a replica Godzilla appeared to burst through the egg-like roof. Another time it was painted green with ears to resemble Shrek's head. Figures depicting the Pink Panther, Spider Man and the Minions have perched or crawled atop the Dome.

    And fans were treated to countless premieres and special events, like when filmmaker Quentin Tarantino personally welcomed audiences to his 2019 feature Once Upon a Time in Hollywood. For the film, he included exterior shots of the Dome.

    Two years later, after the Cinerama Dome's operators went bankrupt during the pandemic, Tarantino talked about how it was one of his favorite LA landmarks.

    "I don't know if I could 100% afford it, but I would love to own the Cinerama Dome," he said on The Jess Cagle Show on SiriusXM. "That would be fantastic."

    Tarantino already owns two other historic LA cinemas. But other preservationists and activists have been working to revive the dormant theater. Many of them credit the efforts of Benjamin Steinberg, a 27-year-old filmmaker and actor who appeared on Brooklyn Nine-Nine.

    "The Cinerama Dome is the most famous movie theater in the world," Steinberg said, standing outside the boarded-up theater. "It seemed like it was going to be a demolition by neglect. So I was, like, something has to be done."

    Steinberg created a campaign to save the Cinerama Dome. He organized a few street rallies, and wrote an online petition that amassed more than 30,000 signatures.

    Images of two men and the words "reopen the dome" are projected onto a white domed building.
    Ben Steinberg projected images onto the dome as part of a campaign to save the theater.
    (
    Ben Steinberg
    )

    Then in March, Steinberg went even further to get the attention of the Forman family, which still owns the property: he projected images of the owners' faces onto the outside of the Dome, asking them to reopen the theater.

    "We actually projected it for two hours and then they called the police on us," Steinberg explains. "We didn't get arrested; The police just said that the ownership considered it an escalation and harassment. I never wanted to anger the owner, so we stopped immediately."

    Steinberg's stunt created a lot of buzz, and may have moved the needle, says theater preservationist Norton. His group had been consulting with architects on restoration plans in hopes that someone would save the day.

    "We were all working behind the scenes. But Ben Steinberg really got on board on social media to save the dome," says Norton. "I'm very happy he did. You know, you sort of have to rattle the chains sometimes."

    Meanwhile, Sony has promised to preserve the Cinerama Dome's history while ensuring its future.
    Copyright 2026 NPR

  • Why LA’s federal homelessness money is in limbo
    A man sleeps on a bus bench during daylight, using a backpack as a pillow.
    An unhoused man sleeps on a bus bench in the heart of Skid Row in downtown Los Angeles.

    Topline:

    A pair of federal court battles unfolding in the coming weeks could reshape the future of homelessness funding across the Los Angeles region.

    What’s at stake: Two separate lawsuits challenging recent actions by the U.S. Department of Housing and Urban Development (HUD) will help determine whether L.A.’s embattled lead homelessness agency can compete for up to $241 million in federal grants this year and how that money can be spent.

    What’s on the docket: One lawsuit challenges HUD’s suspension of the L.A. Homeless Services Authority from federal grant activity pending a federal investigation into alleged financial mismanagement. The other seeks to overturn HUD’s new grant regulations capping permanent housing at no more than 60% of local spending plans.

    Read on… to learn how L.A. homelessness officials and service providers are preparing to deal with the outcomes of these cases.

    A pair of federal court battles unfolding in the coming weeks could reshape the future of homelessness funding across the Los Angeles region.

    Two separate lawsuits challenging recent actions by the U.S. Department of Housing and Urban Development (HUD) will help determine whether L.A.’s embattled lead homelessness agency can compete for up to $241 million in federal grants this year and how that money can be spent.

    Both legal challenges reflect a broader fight over the Trump administration's efforts to remake federal homelessness policy and crack down on perceived misspending by local governments overseeing federal assistance programs.

    Will lead L.A. agency stay suspended?

    The lawsuits center on HUD’s national Continuum of Care grant competition, the largest source of federal homelessness dollars flowing to L.A. each year.

    Since the 1990s, HUD has required metropolitan areas like L.A. County to submit one single application for the region’s entire chunk of annual funding. The L.A. Homeless Services Authority, known as LAHSA, has been responsible for submitting that application on behalf of the region.

    That changed in June, when HUD suspended LAHSA from federal grant activity pending a federal investigation into alleged financial mismanagement. The federal agency said LAHSA’s suspension meant it was not allowed to apply for this year’s grants, even though the agency has been working on an application.

    LAHSA sued to overturn the suspension and is moving forward with its application while awaiting guidance from the court. U.S. District Judge David O. Carter has scheduled a hearing for Aug. 6 on LAHSA’s motion for a preliminary injunction.

    HUD has since formally invited homeless service providers to apply directly for the federal homelessness money, bypassing LAHSA entirely.

    Meanwhile, the L.A. County Development Authority has offered to apply for the region instead of LAHSA, if necessary.

    HUD’s application deadline is Aug. 26. That’s when LAHSA, or an alternative applicant, would submit its final application to the federal government.

    Shift away from permanent housing

    The second lawsuit between HUD and local officials focuses on how federal homelessness dollars can be spent.

    The L.A. Continuum of Care historically spends about 90% of its more than $200 million federal funding allocation on permanent housing interventions — including subsidies to help cover people’s rent, according to LAHSA.

    That approach is part of a philosophy and strategy known as “housing first,” which prioritizes providing unhoused people with a stable place to live as the first step towards recovery from life on the streets. Additional issues, like unemployment, addiction, mental illness or other health problems, are typically addressed only after first moving someone indoors.

    But that approach is now under fire from the Trump Administration, which has made multiple attempts to remake the federal Continuum of Care program to fund fewer permanent housing beds and focus more on drug treatment, recovery and enforcement.

    As the Trump administration geared up to pivot away from the “housing first” model, HUD initially proposed rules limiting permanent housing to 30% of local spending. Last year, the city of L.A. and other municipalities joined litigation challenging the HUD guidance.

    This June, Judge Mary McElroy struck down the proposed HUD rules, but denied cities’ request for a permanent injunction.

    HUD had already issued new grant regulations, this time capping permanent housing at no more than 60% of local spending plans, forcing the states to start over with a new legal complaint assigned to the same federal judge.

    A heavyset man in a dark suit shakes hands with a dark-skinned man wearing a pink polo, in front of the White House rotunda.
    U.S. President Donald Trump greets United States Secretary of Housing and Urban Development Scott Turner during the congressional picnic on the South Lawn of the White House on May 19, 2026 in Washington, DC.
    (
    Heather Diehl
    /
    Getty Images
    )

    States push back

    Last month, nearly two dozen states, including California, sued HUD over those regulations, asking McElroy to again throw out HUD’s new funding rules.

    The proposed rules put more than 5,000 Angelenos at risk for homelessness, according to projections by the National Alliance to End Homelessness, a nonprofit research and advocacy group.

    The states hope for a ruling by Aug. 10, so that regions like L.A. have time to align their applications. The lawsuit argues the restrictions conflict with federal law and undermine the federal government's long-standing “housing first” strategy.

    The Trump administration says the new rules are intended to move federal policy toward approaches emphasizing mental health treatment, addiction recovery and personal accountability.

    If HUD prevails, local officials warn the consequences could ripple across L.A. County, affecting one of the region’s largest sources of funding for permanent supportive housing and other homelessness programs.

    The federal funding at stake has been roughly a quarter of LAHSA’s annual budget in recent years and is among the largest single sources of money for the region’s homelessness programs, which are also funded by the state, county and city.

    The story behind the Trump admin’s LAHSA fight

    HUD imposed the suspension earlier this year amid mounting scrutiny of LAHSA's financial oversight and operations. Auditors and local officials have raised longstanding concerns about the agency’s internal controls, contract monitoring and oversight of homelessness funds.

    LAHSA argues HUD's suspension is unlawful and could jeopardize the region's ability to secure funding.

    On July 2, Carter directed HUD and LAHSA to propose an order to temporarily keep the current funding process in place while the case moves forward. The two sides couldn't agree on the terms.

    LAHSA sent an email to service providers last week urging them to continue with the current process.

    “Please do not let this notice disrupt your current application preparation,” the letter said. “We strongly urge all service providers to stay the course.”

    Other regional homelessness officials clarified they’re moving forward with the consolidated application and working to protect existing program funding.

    Sarah Mahin, director of L.A. County’s new Department of Homelessness and Housing, said the county expects to receive more direction from the court before or at the August 6 hearing. Until then, Mahin said, “The existing competition process and LAHSA’s role as collaborative applicant should remain undisturbed while the court considers the preliminary injunction motion.”

    A man walks at night in a blue outfit surrounded by other people, along a road with buildings in the background, as someone points in the direction the man is looking.
    U.S. District Judge David O. Carter walks on a tour of the VA's West LA facilities on Wednesday, Aug. 21, 2024 in West Los Angeles, CA.
    (
    Brian van der Brug / Los Angeles Times via Getty Images
    /
    Los Angeles Times
    )

    How the feds are planning for court decisions

    In a July 21 court filing, HUD said it intends to delay any final action against the L.A. Continuum of Care until Aug. 10, or whenever the court rules on LAHSA’s request for a preliminary injunction.

    HUD also said that if the suspension holds and LAHSA and the court determine local applicants must apply directly, the federal agency will give providers an additional 30 days to submit their applications.

    Carter is also overseeing a major L.A. legal settlement stemming from a lawsuit by the L.A. Alliance for Human Rights over the city and county’s response to the homelessness crisis. Carter ordered all of the parties in the Alliance settlement to also appear at the Aug. 6 hearing in the case between LAHSA and HUD.

    How service providers are preparing

    Homeless service providers, caught in the middle of HUD’s legal battles with LAHSA and with states, say they want to make sure services aren’t disrupted.

    LAHSA’s own deadline for local homeless service providers to submit their individual applications as part of the collaborative application process was last week. More than 100 local nonprofit service providers have already submitted theirs.

    Several organizations told LAist they’re prepared to submit applications directly to HUD, including Hope the Mission, a large homeless services provider operating primarily in the San Fernando Valley.

    “While larger organizations have the administrative capacity to pivot quickly, we are concerned about smaller, specialized community providers who may struggle to navigate a direct HUD submission without localized technical assistance,” said Ivet Samvelyan, a vice president at Hope the Mission.

    Service providers told LAist they’re watching the two court cases closely, and awaiting clearer guidance from local officials about what to do next.

    “Our concern is less about the application process itself and more about the policy direction it represents, which is an attempt to take funding away from evidence-based practices such as permanent supportive housing and instead fund programs that require sobriety and compliance,” said Tian Martinez, a spokesperson at Union Station Homeless Services.

  • Voters will decide whether to ban data centers
    In the foreground of a crowded meeting room is a sign that reads "No Data Center" held up by a woman who's face is obscured by the sign.
    Hundreds packed into Monterey Park City Hall to call for a moratorium on data centers.

    Topline:

    The Alhambra City Council voted unanimously Monday to put a measure on the November ballot that will ask local voters to ban data centers citywide.

    Why it matters: Alhambra could become the second city in California to pass a ban on data centers through a public vote. Monterey Park became the first city to pass such a ban in June.

    The details: The new ballot measure proposes expanding an existing prohibition on data centers in Alhambra's office and industrial zones. It would effectively ban data centers in all of the city.

    The backstory: Local citizens and groups like No Data Centers San Gabriel Valley and No Data Center in Monterey Park have been organizing to oppose the construction of data centers and other infrastructure that supports them, such as battery energy storage systems.

    Read on... for more on Alhambra's new ballot measure.

    The Alhambra City Council voted unanimously Monday to put a measure on the November ballot that will ask local voters to ban data centers citywide.

    Why it matters

    If the measure passes, Alhambra could become the second city in California to pass a ban on data centers through a public vote.

    In June, Monterey Park became the first city to pass such a ban.

    The details

    Council members previously voted to establish an official definition of what qualifies as a data center. At an earlier meeting last month, they also added data centers to a list of prohibited facilities in office and industrial zones.

    The new ballot measure proposes expanding the prohibition. It would effectively ban data centers in all of the city.

    Residents weigh in

    Andrew Yip, an Alhambra resident and an organizer with the group SGV Progressive Action, spoke about the importance of ballot language during Monday’s council meeting.

    Yip said the name of Monterey Park's June ballot measure — Measure NDC, which stood for "No Data Center" — left some data center opponents unsure about whether to vote yes or no.

    “It was very confusing,” Yip said. “I encourage the city to consider a different acronym if possible, maybe BAN, so people know to vote yes on a ban.”

    The backstory

    Local citizens and groups like No Data Centers San Gabriel Valley and No Data Center in Monterey Park have been organizing to oppose the construction of data centers and other infrastructure that supports them, such as battery energy storage systems.

    Plans for a proposed data center in Monterey Park were pulled in March, and the Covina Planning Commission voted down a proposed storage system in June following public input.

    What’s next

    Alhambra voters will decide the fate of data centers in the city in the general election on Nov. 3. The ban needs a simple majority of support from local voters in order to pass.

    How to keep tabs on the Alhambra City Council

    The Alhambra City Council tends to meet a few times per month, generally on Mondays. Meetings typically start at 6 p.m.

    Here’s how you can follow along: