The Brief

This isn’t a story of stylish renovations, or of celebrity filmmaker intervention. This is the story of one family who fell in love with a movie theater and did (and even lost) everything to keep it up and running.

The single-screen Gardena Cinema has been owned by the Kim family since 1976, and has always figured out ways to serve its community — even through some very difficult financial times.

After struggling through a pandemic and ill-fated efforts to bring people back through its doors, Gardena Cinema finally hit some success after it stopped dealing with first-run releases and pivoted to repertory films. Many nights at this South Bay theater, you can catch a newish — or oldish — classics like La La Land and Invasion of the Body Snatchers.

The Kim family

The Gardena Cinema has always been a movie theater. It opened in 1946 as the Park Theatre, and operated consistently through the years showing first and second run feature films until it went up for sale in the 1970s.

That’s where the Kim family comes in. John and Nancy Kim immigrated from South Korea and had the goal of operating their own business. They dabbled in a few different industries when Nancy found the theater.

“My mom fell in love with it as soon as she came and saw it,” says current Gardena Cinema owner Judy Kim.

It's an incredible space, tucked between a gym and a Superior Grocers on Crenshaw Boulevard. It’s way bigger inside than it looks — at 800 seats, it’s easily one of the biggest theaters in the city. For comparison, The Chinese in Hollywood seats 932.

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#250: As we continue our series "Revival House," How To LA producer Victoria Alejandro is taking us to the South Bay of LA and the Gardena Cinema. The theater has been owned by the Kim family since 1976, and is now a non-profit run by Judy Kim and a team of 40 volunteers. Kim has saved the cinema from closures a handful of times now, and has recently pivoted to showing repertory films at the theater.

Listen to the How to LA episode

#250: As we continue our series "Revival House," How To LA producer Victoria Alejandro is taking us to the South Bay of LA and the Gardena Cinema. The theater has been owned by the Kim family since 1976, and is now a non-profit run by Judy Kim and a team of 40 volunteers. Kim has saved the cinema from closures a handful of times now, and has recently pivoted to showing repertory films at the theater.

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There are still fireproof window covers in the projection room, a holdover from old film screening safety practices. And there are “cry rooms” upstairs from the 1940s, balcony seating with speakers and a glass window where patrons could sit with a crying baby and not interrupt their viewing experience.

Kim reminisces about her father using a pole hand to change the letters on the marquee. However, she admits that she lacks the arm strength for such a technique, which led her to invest in a scissor lift.

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Kim updates the marquee letters approximately once a week to reflect the upcoming movies that will be showing at the theater.

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Now it's got that vintage hue.

“Now it's cool! It's really cool!,” says Kim. “Now that I have dreams of trying to raise money to make changes, people are like, don't change anything!”

The early days

When the Kims bought the theater, they saw an underserved audience in Gardena. There was a drive-in theater nearby in Torrance called the Roadium that played Spanish-language movies every Wednesday, and the place would be packed.

One day, Judy Kim says, her parents decided to change the format of the theater from English speaking second-run movies from Hollywood to second-run Spanish language movies. In the 1970s and the 80s, the Kims named the theater Teatro Variedades — “variety theater” in Spanish — and focused on Spanish-language films and live events with Latino filmmakers and actors. If the Torrance drive-in was ever rained out, or if folks wanted to catch a movie in Spanish on another day of the week, they’d head to the Gardena.

“It was meant to be like a neighborhood theater that was typical in the post-war era,” says Kim. “There was always a neighborhood movie theater that you could walk to from your home, just a few blocks away … all of those theaters are now gone.”

The Kims held on to their theater and in 1995 renamed it the Gardena Cinema. Judy Kim and her brother helped run the theater and neighborhood kids showed up too, offering to clean or help out in other ways in exchange for a movie ticket.

It served as a community hub.

“We were almost kind of like a Boys and Girls Club,” recalls Kim. After the movie, kids “would hang out in the lobby, and we would play video games, or talk about what was cool and what was not and, as an adult at that time, I made sure that all the kids that were here did their homework.”

“I tutored them,” she adds. “I made sure that they were doing OK in school.”

Kim always expected them to go to college.

Trouble sets in

Despite the joy found in the theater, like most teens, Judy Kim wanted to get away from her parents and spread her wings, so to speak. She left for college out east and had dreams of moving to New York and becoming a Broadway producer.

Then the calls started coming — a lot of calls from her parents. Sometimes twice a day, begging her to return to L.A. She didn’t really understand what the urgency was all about, but she came home and found her parents — and the theater’s — finances in disarray.

“I realized that they were under extreme financial hardship, and they were embroiled in lots of legal problems,” she says.

Kim explains that her parents had been defrauded multiple times. The Kims lost their house, their car. To help, Judy Kim went to law school, became a lawyer and dug in to help untangle them. It took almost 15 years to get everything sorted. “We were basically surviving off of, like, 99 cent hamburgers,” she says.

The upside in all of this — and the part of this story that might be the reason Gardena Cinema is still around — is that about five years ago, Kim negotiated the purchase of a parking lot.

It was a big-time play. Gardena is one of very few independent theaters in L.A. with its own parking and, says Kim, “it saved our butt when the pandemic came.”

“Nobody was open and I had this big parking lot that I could show movies outdoors where people could sit in their car, safely, away from other people and watch a movie,” she says. “All they had to do was tune into the FM station that I told them to tune into.”

A bumpy road to recovery

As theaters in the city started welcoming folks back inside, the Kim family then had to navigate another major loss. “That time period is when my mom was fighting cancer,” says Kim. Nancy Kim died in 2022.

An altar of Kim's mother, Nancy Soo Myoung Kim, is placed in the lobby of the theater in remembrance of her beloved mother.

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John and Judy Kim closed the theater and took a few months to grieve. Judy Kim sold her condo and moved in with her father, putting that money towards the cinema.

“And then I said to my dad, we’re running out of money.”

The Gardena Cinema reopened with Black Panther: Wakanda Forever, expecting it to be a huge hit. But only 10 people showed up to the first screening. Reopening the cinema with first-run movies meant that Kim was actually losing money.

New releases are “loss leaders” for movie theaters. Most of the ticket price is going straight back to the film’s distributor, and contracts mean that new films have to be shown for a certain number of weeks. If a theater isn’t bringing in enough audience members to turn a profit on concessions, theater owners are spending more than they’re making by running a first run film.

“So 2023, I’m running out of money,” says Kim. She says her father was ready to retire and use his “senior citizen card for all the national parks.” Why not sell the theater? Neither Kim nor her brother have children, so “there’s nobody to leave the theater to,” she says.

The theater hit the market, but didn’t sell.

Judy Kim made another last ditch pivot and came up with another plan: “I’m going to set up a nonprofit organization.”

With her father’s blessing, Kim began the process in April of 2023. The theater got official recognition as a nonprofit in July. Between that and the success of summer films like The Super Mario Bros. Movie and Barbie, the Gardena Cinema had a future.

Volunteer 'grandchildren'

Judy Kim was now running a theater and a nonprofit entirely on her own. But, as she learned years earlier, you can’t underestimate the number of people willing to trade work for a free movie. It took months, but Kim now has a team of 40 volunteers who help her run the theater.

“I’ve got a really good core group of people that are very supportive.”

It’s those volunteers who convinced Kim to move away from first-run movies and start programming repertory screenings. Without the strict scheduling and tiny profit margins of a first-run movie, Kim suddenly had a lot more flexibility. If she needed to step away and take care of her father, or just close the theater on a slow night, those options were now on the table.

Movie posters adorn the lobby walls of the Gardena Cinema.

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The Gardena Cinema volunteers are invaluable to the space. They run concessions, clean the theater, sell tickets, run the projector — and this past November, Kim left the theater in their hands entirely to take a trip with her father. “They did a fantastic job … it’s still standing,” she says.

Cifen, a local filmmaker, helps organize events in the theater. He put together a singles’ night and a screening of his independent film, Age of Embellished Relic, this past February. He calls the theater a “safe haven.”

Conor Holt makes the drive to Gardena from East Hollywood. A former ArcLight Cinemas employee, he says he cares about making sure cinemas stay open. “If you care about something, you gotta go the extra mile.”

Adela Tobon used to manage a single-screen movie theater in Northern California. A friend told her about the Gardena Cinema and she says, “I just lost it. I’m like, this is exactly where I belong.”

And Bill DeFrance has taken over a lot of John Kim’s duties in the cinema — cutting trailers, ripping tickets at the box office, building the show in the projector.

It’s a family affair for DeFrance too. On Valentine’s Day, he programmed Wild at Heart — his and his wife’s favorite movie. “I programmed it for Valentine’s Day so I could be at the theater and on a date at the same time.”

A sign his daughter made hangs on the side of the ticket booth, and boldly states in red crayon: “NO PRANK CALLS!”

“For a long time, my dad was like, well, we don’t need to leave a legacy. There’s no grandkids,” says Kim. But the volunteers pipe up with a chorus: “We can be your grandchildren!”

Gardena Cinema owner Judy Kim.

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Judy Kim is now planning on leaving an endowment for the theater, so it can continue after she and her family have moved on. And intentional or not, the Gardena Cinema now has a legacy of community building and a fighting spirit.

Keep an eye on the Gardena Cinema’s calendar. You can catch anything from a karaoke party screening of La La Land to Dawn of the Dead in 3D to film festivals featuring shorts from local filmmakers.

A federal judge said she’ll need more time to decide whether to grant a temporary court order to give immigrants detained at Adelanto ICE Processing Center immediate relief.

Immigrants rights groups and a private firm filed a lawsuit against Immigration and Customs Enforcement and the Department of Homeland Security in January. They allege that the approximately 2,000 people currently held at the Adelanto complex are subject to inhumane treatment.

On top of squalid conditions, plaintiffs say detainees are fed cold, unsanitary food and expected to drink dirty water. They also allege detainees must often wait several months to see a doctor, if they ever do.

“The conditions in which these non-citizens are being held in the Adelanto detention facility, as alleged in the petition, are certainly concerning,” said Judge Sunshine Sykes at a hearing Tuesday for the Central District of California. “I think that each of us would never want to be in that position.”

Still, Sykes said she was tentatively inclined to “deny the motion [for a preliminary injunction] without prejudice or to allow plaintiffs to withdraw the motion and refile it,” which would give the immigrants rights groups a chance to address her concerns. She then gave the attorneys the opportunity to respond and, potentially, convince her otherwise.

What’s happening at Adelanto?

Adelanto is about 90 miles away from downtown Los Angeles. According to the lawsuit, the detention center does not accommodate detainees with special needs. Detainees with mobility issues, for instance, are assigned top bunks. And in a sworn declaration, one detainee described being put in handcuffs and ankle chains when she is taken to court appointments, even though she uses a cane.

Plaintiffs also say solitary confinement is used to retaliate against detainees who speak out against these conditions and to isolate those who are experiencing mental health crises. An LAist analysis of the most recent ICE data found that as of January, Adelanto is among the top 10 facilities that put immigrant detainees in solitary confinement across the country.

The detention center is run by The GEO Group Inc., one of the largest private prison operators in the United States.

The federal government has declined LAist's request for interviews and comments, and The GEO Group has not responded to those requests.

The arguments for and against an injunction

In the hearing, Judge Sykes raised concerns that The GEO Group and the Adelanto warden are not named in the lawsuit. She also questioned how the court could enforce an order for immediate relief and wondered if there might be a more “efficient” way for the plaintiffs to proceed.

The federal government has asked the judge to dismiss the lawsuit altogether. Pushkal Mishra, representing ICE and DHS, said “between the government and the alleged injury are the independent, discretionary, uncertain and speculative day-to-day activities of a third party.” The GEO Group and its employees, he argued, “are the proper defendants in the case, not [the] government.”

The advocates' lawsuit underscores that companies like The GEO Group are subject to inspection by the federal government. Recently, ICE gave the Adelanto ICE Processing Center a “good” rating. Since September 2025, at least four people have died in detention at Adelanto, the most recent March 25.

At the hearing, Vanessa Young Viniegra, a fellow at Public Counsel, refuted the federal government’s argument that ICE and DHS should not be named defendants in the case.

“The Supreme Court has been clear that the government has a constitutional duty to care for the people in its custody and the people that it chooses to detain,” she said, “regardless of whether it employs a private company.”

Judge Sykes interjected: “I don't think I'm saying that the government is not a proper defendant. I'm saying that The GEO Group [and] the warden of Adelanto may need to be joined or brought in as defendants as well.”

Young Viniegra noted that the motion for the emergency court order provides the government “some leeway” in terms of how it obligates Adelanto to provide adequate care for detainees.

“We're not asking the court to order, you know, a specific number of staff,” she said. “It's up to the government to comply with its constitutional obligations and exactly how it does that and its relationship with GEO is for it to decide.”

What's next?

Sykes said she’ll need more time to make a decision. In addition to the preliminary injunction, she is also navigating the federal government’s motion to dismiss the case and a motion by the plaintiffs to make this a class action lawsuit, meaning the court’s outcome would apply to all Adelanto detainees.

Learn more about Adelanto

• Is Adelanto's ICE detention facility a ‘concentration camp’? And does it matter?
• Adelanto ICE facility's use of solitary confinement is among 10 highest in US, data shows
• These Angelenos journeyed to Adelanto to protest conditions at immigrant detention centers

When it was first built nearly 100 years ago, the Jardinette Apartments building in Hollywood made international headlines for its radical design. At the time, Los Angeles had never seen anything quite like architect Richard Neutra’s iconoclastic vision of what apartment living could look like.

But by the end of the century, the Jardinette had become dilapidated, its historic significance hidden behind years of neglect.

Now, this pioneering piece of L.A. architecture is coming back to life.

Developer Cameron Hassid bought the nationally registered building in 2020 after previous owners tried but failed to restore it. With the renovation now nearing completion, the Jardinette’s original concept once again is coming into clear view.

“It was a big, heavy lift,” Hassid said, describing the project as the most complicated in his career. “There are so many apartment buildings in L.A. But none of them will have the story or any of the significance that this does.”

First steps for a now-famous architect

In the 1920s, Neutra was a young Austrian architect who had recently moved to the United States to work with Frank Lloyd Wright and fellow Austrian émigré Rudolph Schindler.

Historians cite the style he would go on to develop — with its flat roofs, expansive windows, deep overhangs and blending of the indoors and outdoors — as defining the language of mid-century California modernism.

Neutra's Palm Springs Kaufmann Desert House from 1946 and his Silver Lake VDL Research House II from 1965 became iconic homes of the period.

Richard Neutra's family lived in the VDL Research House II, located in Silver Lake and designed by Neutra with his son, Dion.

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But the Jardinette, built in 1928, was Neutra’s first major commission in L.A., coming just a few years after his arrival in the United States.

Architecture historians say Neutra’s goal was to strip down the Jardinette’s design, maximizing light and fresh air in the building’s 43 modestly sized apartments, all in keeping with the burgeoning International Style.

Long ribbon windows are the most striking feature in an otherwise unadorned facade. Windows join at corners and stretch across nearly entire walls, connecting living rooms and kitchens. Panes in the walls of interior closets bring “borrowed light” into shadowy interiors.

Neutra outfitted many of the apartments with balconies that cantilever off reinforced concrete. The balconies were ideal for outdoor plants — hence the name Jardinette, or Little Garden.

The restoration of the Jardinette Apartments is nearly complete.

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Barbara Lamprecht, an architectural historian who consulted on the preservation of the Jardinette, said Neutra’s approach would have seemed utterly alien amid the 1920s development boom in L.A.

“All these other revival styles were happening: Tudor Revival, Spanish Colonial Revival,” said Lamprecht, the author of Neutra: Complete Works from the publisher Taschen. “This was not a milieu that encouraged, fostered or remotely understood the tenets of early modernism.”

Once-lauded edifice falls on hard times

The Jardinette helped secure Neutra’s fame far beyond the confines of Southern California. His work on the Jardinette was included in a landmark 1932 architecture exhibition at the Museum of Modern Art in New York.

But by the 1990s, the Jardinette had all but lost its visionary purity. It was painted pink and green. The previously uniform steel windows were mismatched, using cheap materials. The walls were graffitied.

By the late 20th century, the Jardinette had fallen into disrepair.

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“It was sad,” said Corey Miller with June Street Architecture, who worked on the renovation.

“It's just what happens when buildings get neglected,” he said. “It's important to look back on these ideas and not lose them and try to maintain them and not cover them up. Now, hopefully for another 100 years, more generations of people can experience the design the way it was originally intended.”

Working with the limits of a century-old building

The team behind the Jardinette’s renewal said the building was not easy to renovate. It was originally built without a cooling system. Its electrical system couldn’t meet modern energy needs. It didn’t have stand-up showers.

Installing those modern amenities while preserving Neutra’s original design proved challenging at times, said Anant Topiwala with June Street Architecture.

The team preserved whatever original materials they could, Topiwala said, but they needed to order custom tiles, windows and other parts in order to match historic photographs and documents.

A historic photograph shows the Jardinette in its original state.

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“We were like archeologists, in a way,” he said. “There was a lot of peeling back. What do we think the paint color was? What do we think that wood detail was?

“Neutra didn't like angles. We needed to make sure, for example, the casing around the doors didn't meet at a mitered corner. There's just so many interesting things.”

Pulling permits for a protected landmark

The Jardinette has multiple historic designations. It’s in the U.S. National Register of Historic Places. And it’s protected as a Los Angeles Historic-Cultural Monument. Those classifications limit what kinds of changes are allowed in a renovation. Getting all the necessary permits was a job in itself, one handled by Michael Norberg with Cali Planners.

“Everything you can think of that could come up did come up on this building,” Norberg said. “But I think the bones have been reinforced. The historic aspect has been retained. The entire nature and history and spirit of this building is still here.

“And I love the fact that the city was willing to work with us on maintaining that,” he said.

How the past informs future plans

Hassid said the renovation should be completed by this summer. He added that he’s not yet sure what the building’s future will be, but he won’t sell it to a typical real estate investor. He recently put it on the market with Neema Ahadian of Marcus & Millichap.

“We've sold some really beautiful buildings, but nothing that has the history that you can find here,” Ahadian said. The buyer will need to be someone who understands the value of preserving a piece of architectural history, he said.

“This building's been through a few ownerships that have not necessarily had the same vision,” Ahadian said.

Two windows join at a right angle and a door opens to a balcony in one corner of a Jardinette apartment.

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When he first took on the project, Hassid said, colleagues told him he was nuts. But he said ultimately the effort was worth it to preserve an L.A. architectural gem.

“I hope we made Richard Neutra proud, bringing his building back to life,” he said.

What does real luxury look like? 

Neutra built the Jardinette at a time when movie studios were growing. The Paramount studio lot is just a few blocks away.

Barbara Lamprecht, an architectural historian with expertise in Neutra's work, consulted on the preservation of the Jardinette.

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Lamprecht, the Neutra historian, said she’s looking forward to seeing how people occupy the apartments. She said Neutra designed the Jardinette to bring a new kind of luxury to occupants who might have included up-and-coming actors or below-the-line production workers.

“The luxuries in life are access to sunlight, to views,” Lamprecht said. “This was the raison d'être for this entire building: to provide graceful, expansive lives to people who weren’t in single-family dwellings in the Hollywood Hills.”

Whoever the next tenants will be, Lamprecht said, “I feel like, for the first time, this building is not invisible any longer.”

Pasadena Unified will hear from the public Tuesday night as it considers plans to close and consolidate several schools within the district.

The campus closures are in response to declining enrollment that has left PUSD with a budget deficit that recent layoffs have not solved.

What’s happening

Parents and community members will hear from the School Consolidation Advisory Committee (SCAC) about its recommendations for which schools should be closed or consolidated.

It is the second of two town halls offered by the district. The first one was virtual.

There will be a public comment portion for attendees to give their input on the recommendations presented.

Which schools are in danger?

The advisory committee recommended a handful of schools be closed.

For TK through 8th grade, the recommended closures include Don Benito Fundamental School, Webster Elementary and Norma Coombs Elementary. The schools McKinley and Eliot Arts Magnet would merge, with the McKinley campus closing.

For high schools, the committee recommended consolidating Thurgood Marshall and Blair High School.

“But those are also six through 12 campuses, so the proposals being considered would split up those schools to nine through 12 and six through eight,” said David Wilson, a reporter for the Pasadena Star-News who spoke to Larry Mantle on LAist's daily news program AirTalk.

What’s next?

The advisory committee will present its recommendations to the Board of Education on May 28.

The board will then vote in June.

"PUSD remains committed to an unbiased process, guided at every step by Total School Solutions (TSS), the District’s independent consultant," a PUSD spokesperson said in a statement. "We remain committed to transparency and care for our community throughout this process."

How to attend the town hall

The district is hosting the in-person town hall from 6:30 to 8:30 p.m. Tuesday at Pasadena High School, 2925 E. Sierra Madre Blvd.

Monday's arraignment of 31-year old Cole Tomas Allen, a California man who is charged with attempting to assassinate President Donald Trump over the weekend, opened legal proceedings that many extremism experts will be watching closely.

Allen, a high school tutor with a background in mechanical engineering and computer science, allegedly attempted to storm the annual White House Correspondents Association Dinner on Saturday night, where Trump and other high-level administration officials were gathered with the Washington press corps. He was stopped by federal law enforcement officers before getting close to his presumed targets.

According to a White House official, Allen's sister told the Secret Service and local law enforcement that her brother was known to make "radical" statements. The official was not authorized to speak publicly and NPR has not confirmed this with Allen's family members. But this characterization has puzzled some experts who track extremism, who say that it does not align with writings and social media activity that are believed to link to the defendant.

"You look at the social media profiles that have been attributed to this suspect and they're really not that radical," said Jared Holt, senior researcher at Open Measures, a company that tracks online threats and narratives. "Oftentimes it's like quite centrist, pretty moderate left wing, if anything."

An affidavit filed by an FBI agent in support of the charges claims that Allen sent an email to members of his family moments before initiating the attack. The email specifies some grievances against Trump administration officials and policies.

"I'm not the person raped in a detention camp. I'm not the fisherman executed without trial. I'm not a schoolkid blown up or a child starved or a teenage girl abused by the many criminals in this administration," the letter states. The letter appears to reference a range of issues from immigration detentions under the Trump administration, U.S. strikes on alleged drug boats in the Caribbean, the bombing of a girls' school in Iran and the Epstein scandal.

In an apparent reference to Trump, the letter also says "I am no longer willing to permit a pedophile, rapist, and traitor to coat my hands with his crimes."

But Holt and others say these views, however pointed some of the terminology may be, fall within a modern mainstream left. He and others say it is very unclear what may have tipped the individual from such widely held views into an alleged violent plot.

"That's part of what's troubling, is when you start to have people who are kind of seemingly normal, law-abiding members of society feeling like violence is the solution," said Cynthia Miller-Idriss, founding director and chief vision officer at the Polarization and Extremism Research and Innovation Lab, or PERIL, at American University.

"I think there's a little bit of nihilism reflected here," Miller-Idriss said. "This idea that there is no more solution, violence is the answer, nothing else is going to change, nothing else is going to be effective."

The alleged assassination attempt is the latest high-profile data point in a growing environment of political violence in the U.S. over the last decade. While most of that is attributed to the far right, there is alarm about rising violence from the left. Even amidst this backdrop, however, Holt and Miller-Idriss both note that the weekend incident at the Washington Hilton hotel stands out.

For starters, Holt said he's seen no indication that the defendant was steeped in conspiratorial thinking. He said that more typically, people behind acts of violent extremism are nursing grievances fed by false narratives.

"If you were to just kind of randomly bump into one of these people on the street, you might get the sense that something was a little off," Holt said. "Whereas this seems -- just looking at, you know, this BlueSky profile that's been attributed to the suspect and this document that's been attributed to the suspect – I'm not getting that same kind of read."

In addition, Miller-Idriss said the defendant's presumed writings suggest that he felt personally responsible for not having taken action sooner against the administration. She said they do not appear intended to incite others to take similar action, or to spread a particular ideological message. The tone is one of "defeatism," Miller-Idriss said, which contrasts with a more typical pattern of political violence, particularly from the far right.

"I don't think you usually see the defeatism on the far right, [which is] more of a mobilization of martyrdom, of wanting attention, of wanting to launch a movement, to be a firestarter, that kind of thing," she said. "This is like a much more hopeless kind of language and rhetoric being used."

Holt said this tone is troubling, not simply because of how it may connect to the violence that Allen is alleged to have been planning. But also because it may signal that on the left, there may be a growing perception that the levers of democracy can no longer work to effect change.

"That is a bleak point for an individual to get to," Holt said. "But I also think that people are getting to that point now should be cause for reflection for people who work in politics or who work in advocacy, or whatever it may be, that [with] the many problems that we're up against today, there is a subset of the American population that's losing hope and is having a hard time imagining a way out of it."
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