The Frame

The late L.A. artist Carlos Almaráz is the subject of a new exhibition at the L.A. County Museum of Art; filmmaker Gregory Monro spotlights Jerry Lewis' directing career in "The Man Behind the Clown;" playwright Gretchen Law remembers comedian and activist Dick Gregory, the subject of her play, "Turn Me Loose."

First-time director Geremy Jasper drew from his musical past to make "Patti Cake$," the story of an overweight, white female rapper; the film 'La La Land' gets a drag parody that's so bad it's good; summer box office numbers are down 12 percent from last year. What's keeping fans away from the multiplex?

Spotify takes down some white supremacist music; Disney Jr. show "Doc McStuffins" draws praise and some criticism for a recent episode that includes a family with same-sex parents; “Gook,” a new film written, directed by and starring Justin Chon, revisits the 1992 L.A. riots from the perspective of Korean Americans.

Apple plans to spend $1 billion on original content to rival streaming services; "Lemon" filmmakers Janicza Bravo and Brett Gelman channel their own anxieties into an uncomfortable comedy; Adam Langdon plays a character with an unspecified disorder in the stage adaptation of "The Curious Incident of the Dog in the Night-Time."

What goes into playing Jaime Lannister on "Game of Thrones?" Where did Nikolaj Coster-Waldau find the time to make the new movie "Shot Caller?" The Danish actor opens up about all this and more; investigations are underway in Vancouver where a fatal stunt occurred Monday on the set of “Deadpool 2.”

Producer Will Packer has several hit movies under his belt, and now he has the provocative TV series, "Black America," in the works at Amazon; Shonda Rhimes' move is a major development in the networks’ ongoing struggle with the aggressive streaming services.

Choreographer Kenny Ortega talks about his long-time love of musicals and his dream to make a musical about a gay teenager who comes out; Soundcloud was on the brink of shutting down until new investors surfaced; in "Morningside 5," filmmaker Mike Tollin revisits the subjects of "Hardwood Dreams," his film about high school NBA hopefuls.

In part 2 of our chat Steven Soderbergh, he talks about why "Logan Lucky" was the movie to bring him back to filmmaking. Then, we go behind the scenes at the Hollywood Bowl to find out what exactly goes into making that music sound so good out there, and with the TCA press tour over we find out what's to be learned about the state of the TV business.

With "Logan Lucky," Soderbergh returns to the big screen with a new strategy for indie filmmaking; Disney decides to go its own way with plans to launch two streaming services; a new virtual reality experience puts you into flatline mode.

Aubrey Plaza is changing things up with her role in the FX show, “Legion,” and in two movie parts this summer, including the mentally unbalanced title character in “Ingrid Goes West”; When actor Algee Smith auditioned for “Detroit,” director Kathryn Bigelow did not give him the script or tell him much about the film. Smith chats with John about Bigelow’s unusual process.

The writer-director's latest is the Netflix film, "The Land of Steady Habits"; actors and characters from Middle Eastern and North African countries continue to fight stereotypes; the experimental R&B musician Tirzah stirs up a quiet storm.

Michel Gondry directed Carrey in "Eternal Sunshine of the Spotless Mind" and now they reunite for an offbeat Showtime series; Ethan Hawke dons his directing hat for "Blaze," a biopic about C&W singer Blaze Foley; in the wake of the CBS/Les Moonves mess.

The actress was honored at the Telluride Film Festival where her new film, "The Favourite," had its North American debut; speaking of film festivals: it's that time of the year for Hollywood; among the Emmy nominees for best original song is a Queen parody from the Netflix series, "Big Mouth."

Orson Welles didn't finish "The Other Side of the Wind" before he died and Neville chronicles that saga in "They'll Love Me When I'm Dead"; there won't be a Most Popular Movie award at the 2019 Oscars; the U.S. Justice Dept. charges a North Korean spy in the hack of Sony Pictures.

The Emmy-nominated actress is looking forward to season five of the series, despite the departure of creator Kenya Barris; climate change and how Californians are responding is at the core of the play, "Hole in the Sky."

The Oscar-winning actor stars in the true story of teenaged drug dealer (and FBI informant) sentenced to life in prison; the history of the abortion debate is chronicled in the documentary, "Reversing Roe."

The entire show is dedicated to coverage of Aretha Franklin’s memorial service, which was held today in Detroit. Dignitaries and prominent artists included Smokey Robinson and gospel legend Shirley Caeser.

The small festival in the Colorado resort town has a reputation for launching best picture hopefuls and winners; veteran British singer, songwriter and guitarist Richard Thompson is back with a new album; in this era of "peak TV," what's it like to watch television the old-fashioned way?

After the 2016 Presidential election, the singer/songwriter took a cross-country train trip and then wrote a song cycle of character sketches and personal reflections; Taylor Swift's recording contract is about to expire, giving her a world of options; Boots Riley's "Sorry to Bother You" is one of the year's biggest critical hits.

Director Chris Weitz's film 'Operation Finale' tells the amazing story of the capture of Nazi war criminal Adolf Eichmann; fans begin to pay their respects to the Aretha Franklin at the Museum of African American History in Detroit; and Cuban jazz pianist Dayramir Gonzalez is a rising star.

Breaking down the scene between Michelle Yeoh and her would be daughter-in-law, Constance Wu; documentary filmmaker Steve James spent a year inside a Chicago high school for the series, “America to Me”; remembering playwright and screenwriter Neil Simon, who died at the age of 91.

The former "Gilmore Girls" co-star has an Emmy nomination for her role in the dystopian world of "The Handmaid's Tale"; Harvey Weinstein's legal woes seem to be mounting; Aneesh Chaganty, director and co-writer of the film, "Searching," has created a hyper-modern day thriller.