Support for LAist comes from
Made of L.A.
Stay Connected

Share This

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts and Entertainment

Photos: L.A. Street Artists Tackle Politics And Campaign Finance Reform

Our June member drive is live: protect this resource!
Right now, we need your help during our short June member drive to keep the local news you read here every day going. This has been a challenging year, but with your help, we can get one step closer to closing our budget gap. Today, put a dollar value on the trustworthy reporting you rely on all year long. We can't hold those in power accountable and uplift voices from the community without your partnership.

As you (hopefully) know, California's June primary is just days away—and the good people at Hollywood's Stone Malone Gallery decided to commemorate the upcoming election with a limited-run political art show.

"Where Else But The Streets," which opened Saturday and will run until June 7, features art from Shepard Fairey, Teachr, Free Humanity, Lydia Emily, Plastic Jesus, Morley, All The Girls Love Earl, Toolz, Sabo, The PSA Crew, among others. The exhibit runs in conjunction with a new photo journal from Rothco Press called Where Else But The Streets: A Street Art Dossier.

We spoke with gallery director Quentin D. Moses and John Wellington Ennis, who put together the book, about the exhibit, and we are excited to feature an exclusive peek at the work in the show.

Our preview features work by Shepard Fairey, Teachr, Morley and Sabo. The Shepard Fairey images were released as limited edition lithographs earlier this year through Shepard's According to Ennis, Fairey has been a long proponent of campaign finance reform, The four pieces here are part of a limited series handmade on Obey's stylized canvas made from his distinct background material of combined images wrapped onto a wooden backing with multi-layer screen prints.

Support for LAist comes from

Sabo is, according to Ennis, "the lone right wing street artist in the book and the show, and for that matter on the streets of L.A."

Ennis told us that the exhibit itself came about in an unlikely journey from his 2014 documentary Pay 2 Play, which looked at money in politics. As he and his team looked for ways to visualize how individuals were protesting corporate money in the campaign finance system, they started looking at the work being done by street artists. Those interviews ultimately led to the book. According to Moses, artists will also be creating new pieces on the walls around the Melrose gallery.

"From 2010 to 2012, there was an explosion of street art in L.A.," Ennis said, saying that the boom stemmed in part from the release of Exit Through the Gift Shop and Banksy's 2011 visit to L.A. for the Oscars, and then stretched through the Occupy Wall Street movement into early 2012.

"I realized that period of art was pretty special, and I wanted to be able to tell that story," Ennis said. "Street art can be a metaphor for activism and civil disobedience."

"Where Else But The Streets," runs until June 7 at Stone Malone Gallery on 7619 1/2 Melrose Ave., LA, CA 90046. The gallery is open Tuesday through Saturday from 2 p.m. to 10 p.m., and Sunday from 2 p.m. to 7 p.m.

Most Read