One year ago, Congress defunded public media. Now that we're 100% community funded, please become a sustaining member or increase your existing membership today.
This is an archival story that predates current editorial management.
This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.
Salute Noir: 'Absolute Black' at Zombie Joe's Underground
Tyler McAuliffe, Willy Romano-Pugh, and Andrew Hansen in 'Absolute Black' (photo by Vanessa Cate).
Vanessa Cate's dapper murder mystery, Absolute Black, is currently playing at Zombie Joe's Underground Theatre in North Hollywood. This homage to film noir whodunits follows a nameless, witty private eye and two bumbling police officers as they try to interrogate suspects after the untimely death of an up-and-coming Hollywood starlet. While the acting and overall flow of Absolute Black is at times so bad it is almost funny, strangely enough, the production emerges as a stylish and entertaining period piece peppered with a few spikes of theatrical brilliance.
Performance quality varies greatly between the players in Absolute Black. Carolyn Hayver plays central character Minnie, a rising Hollywood actress at the crux of her career. Hayver does not consistently deliver her dialog convincingly but does indeed shine during key scenes and Minnie's moments of despair. She imparts her final scene perfectly with a dramatic and gory exit that makes the whole play truly worth seeing. Hayver and Irina Costa (playing aging movie star Verna Meyers) have excellent stage chemistry as rivals vying for the attention of A-lister Harvey Milestone (Jeff Cowan). They bring out the best in each other, fostering a complex atmosphere of understanding amid disgust and tension.
Willy Romano-Pugh and Melissa Gentry in 'Absolute Black' (photo by Vanessa Cate).
Melissa Gentry gives the best overall performance of the bunch with her animated, rapid fire speech delivery that easily recalls Rosalind Russell in His Girl Friday. Gentry breathes life into the often subdued work, bringing energy and zest.
Finally, Willy Romano-Pugh plays the nameless, but crucial Private Eye character. At times Romano-Pugh seems uncomfortable with the hard-nosed aspects of his role but aptly brings light to the detective's modesty and empathy.
Frequent pauses and performer exits between scenes makes Absolute Black feel unfluid and choppy, but Cate's direction works well during the most important parts of the plot. The production is wonderfully atmospheric with killer period costuming by Natalie Hyde, a sparse yet rich set and original music by Carmelita Thomas and Joshua Kranz. As is the tradition for Zombie Joe's, the production features lots of loud and gruesome surprises that make the audience utterly giddy.
When all is said and done, at the end of the day it is truly a pleasure to visit Zombie Joe's Underground - a venue that, despite its macabre leanings, is a warm, welcoming and completely endearing theatre marching to its own tune to the delight of its youthful patronage.
Sponsored message
Absolute Black is playing through February 24. Tickets are $15 and available online or via phone at 818-202-4120.
One year ago, Congress voted to defund public media, eliminating a critical $1.7 million from our budget every year going forward. But they couldn’t silence us, and we’re not going anywhere. LAist is now 100% community funded and that means we’re taking our future into our own hands and turning to you to keep local reporting strong.
You come to LAist because you want independent reporting and trustworthy local information. Our nonprofit newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our communities. We are free to follow facts wherever they lead and to hold power to account without fear or favor. Our only loyalty is to our readers and listeners and our mission: to inform, engage, and strengthen Southern California’s communities.
If this story helped you, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.
You come to LAist because you want independent reporting and trustworthy local information. Our nonprofit newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our communities. We are free to follow facts wherever they lead and to hold power to account without fear or favor. Our only loyalty is to our readers and listeners and our mission: to inform, engage, and strengthen Southern California’s communities.
If this story helped you, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.
Senior Vice President News, Editor in Chief
