Congress has cut federal funding for public media — a $3.4 million loss for LAist. We count on readers like you to protect our nonprofit newsroom. Become a monthly member and sustain local journalism.
This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.
Interview: The Whiskey Saints - Single Malt Sinners

All photos were taken by the very talented Pete Ambrose.
The Whiskey Saints found each other on Craigslist. Each of them had moved to Los Angeles from towns on the Eastern Seaboard to form a rock band.
Drummer, Jeff Bell, knew what kind of band he wanted to join. He posted a list of influences that he wanted his band to incorporate. Due to the high demand for drummers, he got lots of very odd offers including one thrash metal band. Then he got a note from David Sparrow, lead singer, which said in short (and brutally paraphrased by me), "I think you'd like our sound. It includes a lot of influences you mentioned. And if you don't, you can screw yourself." Jeff liked his attitude more than anything and a few days later one of LA's best bar bands was born.
With loud jangly guitars, raw harmonicas, and Sparrow's rich voice, the Whiskey Saints brings to life songs about love, loss, and the struggle of trying to make it in this town. With growing buzz that compares them to Ryan Adams and the Jayhawks after their debut release, West, in October, 2009 should prove to be a big year for the Whiskey Saints. They were kind enough to sit down and talk to me on Tuesday.
The Whiskey Saints - Under LAHow old were you when you picked up instruments?
Jeff Bell: I had to take band class in third grade. They tried to stick me with the clarinet, but I was like “There’s no way in hell I’m playing the clarinet. I’m playing the drums.”
David B: I guess because my friends were doing it. I grew up in a small town and really all you there was to do was either go vandalize stuff or be in a band.
Rob Hughes: I was real young. My parents were really musical. Dad used to put on Michael Jackson’s “Thriller” and have me and my sister stand on the coffee table and sing with a microphone that wasn’t plugged in.
Is your band a democracy or a dictatorship?
Jeff: It’s definitely a democracy.
Rob: Yeah, we’re divided into two sects, me and Jeff versus the two Daves. The two Daves stick together.
David B: Yeah there is no person who can say, “This is how it’s going to be,” and get away with it. (laughs)
What do you like about being a band in LA?
Rob: It’s so saturated out here with people who want to do something creative or start something up. It’s a really great atmosphere.
Do you have any local bands that you really like?
Jeff: There is a band we play with every once in a while, CRAFT Club, they’re cool. Oh and Mini Bar is great too.
David B: I love Nico Vega. They’re so awesome. They have so much energy.
David S: There are a bunch of bands I really want to see live: The Henry Clay People and Radars to the Sky.

What is your favorite venue in LA?
Rob: We love playing the Derby because of the sound, but we hate playing there because of the logistics. You know, just to get in and get out is such a pain in the ass.
Jeff: Yeah or Cinespace. Beautiful venue…that’s all I’m saying.
David B: Pretty much if it’s a lovely venue, there has to be something else wrong with it.
Jeff: We’re not down with pay-to-play places. We like playing at places like the Kibitz Room or O’Briens or The Irish Times that are more accessible. Places you can hang out with your friends.
If you could change one thing about the music industry what would it be?
David S. I wish they would still take chances on an artists like they used to. You know back in the day they would develop an artist even if they had a crappy first record because they saw the potential. But now if you don’t have a great first album, you’re done.
What was the worst show you ever played?
Jeff: Jim’s (Dineen, producer of West) band from out east came and played with us at Happy Endings Bar. It was one of the worst shows and one of the most fun shows we ever played. Our lead singer, I’m not going to name his name, he had a few drinks in him and he had no idea what was going on at all times. His tuner was on and he said his guitar wasn’t working. I don’t know if we should be talking about it with him right here.
Rob: He spent two minutes in front of his amps giving this terrible feedback.
David B. He started playing a song and no one was ready. I was plugging in my pedals and I turned around he started singing.
Rob: Yeah, at that point it was really like, “Fuck it. Let’s start.”
Jeff: Fortunately the crowd was in the same condition, so they all thought it was great.
What is the weirdest thing you ever saw at a show?
Jeff: We did this little mini tour two summers ago in San Francisco. We got the place after eight hours of driving from Oregon. We were exhausted and just wanted to drop off our gear and clean up. There was this guy on stage for the soundcheck who saw us and said, “Oh those guys aren’t playing tonight.” So we called the booker, who assured us that the man was an idiot and that we were playing tonight. I held my tongue pretty well. I can be pretty firery at times. So we go on and the guy who was harassing us is at the bar drunk. We were playing for tips that night and while we were playing he came over and reached into the tip jar.
David B: We stopped literally in the middle of the song.
Jeff: Yeah, I’m not sure how the situation was diffused because I was ready to jump off stage.
David S: We had friends who were there that saw what had happened and got up to talk to the guy.
Jeff: That guy was a douchebag.
David B: He looked exactly like the red-haired rapist in Shawshank Redemption.

Do you have any strange promoter stories?
Jeff: One time we played the Whiskey and the promoter made us wait outside in line to play our own show for like half an hour.
Wait what?
Jeff: It’s true.
Why did you call your album West?
David S: Because they didn’t like my first idea.
What was that?
David S: Lonely Heart.
Aw…
Rob: We thought about calling it Under LA like one of the tracks on the record. West was kind of happy medium because it is rooted in the Americana sound.
Jeff: Also you can equate it with opportunity. There really are more opportunities out here.
Where did you write Under LA?
David B: I lived over in Westwood for awhile. The song is really inspired by the Wilshire corridor area. I jotted down those lyrics after going to the cemetery and looking at all those famous graves. I don’t being around a lot of people who come to West Hollywood, trying to be an actor and working at Best Buy. They try and change themselves so much to try and be like the rich people who come in. The song is really about the transformation of a clerk at a Best Buy becoming a famous guy and what that does. I don’t know. It’s about the lowly versus the really famous in LA.
Are there any bands would dread being compared to?
Rob: Oh it already happens. People compare us to the Gin Blossoms.
David B: There is one band that if we ever got compared to them, I would just quit.
Woah, who is that?
David B: That would be Nickelback.
David S: People say I sound like Neil Diamond. It’s horrible. He’s so schmaltzy and cheesy.
What is the best thing about touring?
Rob: I think we can answer that in two words, Pattie Primetime.
Who the hell is Pattie Primetime?
Rob: She’s our van. It said primetime on the side, so we decided to call her Pattie.
David B: She had all these luxurious seats and amenities, but she broke down when we were two hours outside of San Francisco.
Jeff: Yup, Pattie Primetime let us down…but she was hot.
Be sure to check out the Whiskey Saints at O’Briens on Saturday. It’s free! Can’t beat that.
As Editor-in-Chief of our newsroom, I’m extremely proud of the work our top-notch journalists are doing here at LAist. We’re doing more hard-hitting watchdog journalism than ever before — powerful reporting on the economy, elections, climate and the homelessness crisis that is making a difference in your lives. At the same time, it’s never been more difficult to maintain a paywall-free, independent news source that informs, inspires, and engages everyone.
Simply put, we cannot do this essential work without your help. Federal funding for public media has been clawed back by Congress and that means LAist has lost $3.4 million in federal funding over the next two years. So we’re asking for your help. LAist has been there for you and we’re asking you to be here for us.
We rely on donations from readers like you to stay independent, which keeps our nonprofit newsroom strong and accountable to you.
No matter where you stand on the political spectrum, press freedom is at the core of keeping our nation free and fair. And as the landscape of free press changes, LAist will remain a voice you know and trust, but the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news from our community.
Please take action today to support your trusted source for local news with a donation that makes sense for your budget.
Thank you for your generous support and believing in independent news.

-
If approved, the more than 62-acre project would include 50 housing lots and a marina less than a mile from Jackie and Shadow's famous nest overlooking the lake.
-
The U.S. Supreme Court lifted limits on immigration sweeps in Southern California, overturning a lower court ruling that prohibited agents from stopping people based on their appearance.
-
Censorship has long been controversial. But lately, the issue of who does and doesn’t have the right to restrict kids’ access to books has been heating up across the country in the so-called culture wars.
-
With less to prove than LA, the city is becoming a center of impressive culinary creativity.
-
Nearly 470 sections of guardrailing were stolen in the last fiscal year in L.A. and Ventura counties.
-
Monarch butterflies are on a path to extinction, but there is a way to support them — and maybe see them in your own yard — by planting milkweed.