The Brief

Tucked away in the Central Valley, Central California Women's Facility sits off Highway 99 between Fresno and Merced. Farmland surrounds much of the prison, and visitors are rare.

The 640-acre facility is the largest women’s prison in California, and holds more than 2,000 women, nonbinary and transgender people. In total, women make up just 4% of the state's prison population.

For these reasons and more, the prison in Chowchilla seems an unlikely place to have its own newspaper. But last year, an organization for prison journalism helped open up a media center and started training journalists there.

Central California Women’s Facility in Chowchilla is California's largest prison. More than 2,000 women, nonbinary and transgender people are incarcerated there.

In September, they put out their first issue of The Paper Trail , an in-house newspaper written and edited by incarcerated people. Its supporters say it's the first effort of its kind at a women's prison in the U.S.

" It's been amazing to be a part of something starting here for women that inspired a lot of women," said Megan Hogg, a writer for the paper who has been incarcerated at CCWF for 12 years. "The first issue that came out, people were like 'Oh, wow, we have a newspaper.' You cannot find a copy now. People are like, 'Can I look at yours?'"

I visited the prison in December. It was so huge that my escort told me corrections officers use tricycles to get around. It took us more than a half hour to walk from the prison's front gates into the media center. Along the route were long, sparse yards, check points and a cafeteria.

The prison grounds were mostly quiet on the Friday morning of my visit, but the newsroom was abuzz. A handful of staff members sat in front of desktop computers while others gathered around a table to discuss story ideas and works-in-progress.

Behind them, writing on a whiteboard declared: "Journalism: providing information to people so they can make informed decisions in their lives."

Leaders of The Paper Trail talk about editorial goals with advisor Jesse Vasquez.

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Libby Rainey

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Ice, lizards & unexpected stories

The Paper Trail has the look of a local paper, and in some ways its content mirrors that style, with coverage of community events like an in-prison farmer's market and pickleball games .

Other stories illustrate the oddities and surprises of prison life. A recent piece by Hogg compared lizards to Fendi bags — because it's become popular to capture and keep them as pets. Another incarcerated reporter, Brenda Bowers, wrote a story about ice and how most people can't get ahold of it at the prison.

"It's something that people probably wouldn't think about, because they get it so freely out there, but in here, you gotta pay for it, or bargain and wheel and deal," she said.

The paper also includes tips and guides to life inside. A recent issue featured two pieces on experiencing menopause behind bars.

"Although CCWF is a women’s facility, there is a never-ending need for sanitary products," Delina Williams wrote in one of them. "It adds an extra layer of stress for women trying to care for their very private needs, not to mention the overall difficulty of striving for 'normalcy' within the razor wires."

The paper is distributed in print, on tablets available inside the facility, and online. It's funded by the nonprofit The Pollen Initiative . That group's executive director Jesse Vasquez drives from Oakland twice a week to work with the paper’s staff.

Vasquez was himself formerly incarcerated at San Quentin State Prison, where he served as the editor of a newspaper there called The San Quentin News . (Full disclosure: I volunteered for that paper several years ago.)

"The men have always gotten the majority of attention by the fact that there are far more men. Most of the programming, most of the services revolve around the majority of people they're going to serve," Vasquez said. "So in this endeavor with The Paper Trail, I've noticed that they have a sense of empowerment."

The Paper Trail is the first newspaper out of women's prison in the country.

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Reporting from the inside

The Paper Trail launched during a time of change for women's prisons in California. During the COVID-19 pandemic, the number of women in California prisons fell 31% , according to the Public Policy Institute of California. CCWF also began housing transgender women in recent years. One of The Paper Trail's earliest articles was about the facility's first ever LGBTQIA+ Pride Walk .

It also started during a period of scandals at CCWF. In July, a woman died at the prison during a heatwave . In January, a former correctional officer, Gregory Rodriguez, was found guilty of 64 counts of sexual abuse and battery against multiple incarcerated women, including rape.

Editor-in-chief Amber Bray said in December that she’s interviewing people about their experiences with Rodriguez for the paper’s first story looking into the abuse.

" What I would like for us to do is use the opportunity to say, 'Yeah, this is what happened to some people here, and it's sad, and it's unfortunate. But we're not defined by it,'" she said.

Bray has access that would be impossible for an outside journalist to get.

In journalism classes, she said, they were told “don't limit your thinking on what you can cover. If you see that there's a problem, well then go and learn about the problem, pitch the story, and, you know, see where it goes."

Bray will face a different dynamic when the story is ready to publish: The Paper Trail is subject to review by officials with the California Department of Corrections and Rehabilitation.

" They're not able to do hard-hitting, investigative journalism from within a prison. I mean, it's just common sense,” said William Drummond, a journalism professor at UC Berkeley and an advisor to the San Quentin News, which goes through the same review process. “If you do that, and embarrass the warden and the staff, you aren't going to be in business long."

Prison newspapers in California are growing

Prison newspapers are rare, but not new, in California. The San Quentin News dates back to at least 1940 , and was re-launched in 2008. That project has since won awards and been the subject of news coverage itself. Mule Creek State Prison near Sacramento has a newspaper , as does Pelican Bay State Prison in Northern California. The Paper Trail at CCWF is the fourth, and latest, prison newspaper in the state.

There are also a handful of newsletters produced and distributed at state prisons including at California Institution for Women in Southern California, according to Vasquez. The advocacy organization California Coalition for Women Prisoners has a long-running newsletter called The Fire Inside .

Coverage in collaboration with news organizations outside prison walls have grown in recent years, too, with podcasts such as Ear Hustle out of San Quentin and Bay Area radio station KALW's show Uncuffed . Those programs work with incarcerated and formerly incarcerated people to tell their stories, and both recently expanded to California Institution for Women in Chino .

Drummond said the reason prison media projects are expanding is simple: it's an opportunity for incarcerated people to tell their own stories.

" When they get involved in a newspaper, they discover something. And that is, in a very basic sense, you get a following. You get to say stuff people then react to," he said. "It means you're affirming yourself and your identity. And I've seen this happen dozens of times."

For Megan Hogg at CCWF, this meant being seen as someone who’s more than the crime that landed her in prison.

"We're still mothers, we're still sisters, we're still daughters," Hogg said. "We will never deny, yes, I did something horrible, and yes, someone was harmed by it in unimaginable ways. However…we don't want to be defined only by that."

For Delina Williams, the newspaper represents a step forward for all women who are affected by the criminal justice system.

" The opening of this media center starts a whole new era of women being able to speak their truths," she said.

More writers being trained

A new cohort of incarcerated people at CCWF are now training to join and contribute to The Paper Trail, Vasquez said. As the paper grows, he said its challenge is two-fold: writing "news you can use" for people inside California's prisons, and getting their voices heard by those on the outside.

While chasing those bigger goals, the new journalists are in a day-to-day grind that is all too familiar to any working writer: pitching stories, getting edited and trying their best to reflect and communicate the world around them.

"Writing is not easy," said the paper's features editor Sagal Sadiq. "But when the perfect sentence is down on paper, it's like, yes, it's beautiful. [There's] nothing like it."

WASHINGTON — President Donald Trump announced Friday that he was scrapping U.S. tariffs on beef, coffee, tropical fruits and a broad swath of other commodities — a dramatic move that comes amid mounting pressure on his administration to better combat high consumer prices.

Trump has built his second term around imposing steep levies on goods imported into the U.S. in hopes of encouraging domestic production and lifting the U.S. economy. His abrupt retreat from his signature tariff policy on so many staples key to the American diet is significant, and it comes after voters in off-year elections this month cited economic concerns as their top issue, resulting in big wins for Democrats in Virginia, New Jersey and other key races around the country.

"We just did a little bit of a rollback on some foods like coffee," Trump said aboard Air Force One as he flew to Florida hours after the tariff announcement was made.

Pressed on his tariffs helping to increase consumer prices, Trump acknowledged, "I say they may, in some cases," have that effect.

"But to a large extent, they've been borne by other countries," the president added.

Meanwhile, inflation — despite Trump's pronouncements that it has vanished since he took office in January — remains elevated, further increasing pressure on U.S. consumers.

The Trump administration has insisted that its tariffs had helped fill government coffers and weren't a major factor in higher prices at grocery stores around the country. But Democrats were quick to paint Friday's move as an acknowledgement that Trump's policies were hurting American pocketbooks.

"President Trump is finally admitting what we always knew: His tariffs are raising prices for the American people," Virginia Democratic Rep. Don Beyer said in a statement. "After getting drubbed in recent elections because of voters' fury that Trump has broken his promises to fix inflation, the White House is trying to cast this tariff retreat as a 'pivot to affordability.'"

Grocery bill worries

Trump slapped tariffs on most countries around the globe in April. He and his administration still say tariffs don't increase consumer prices, despite economic evidence to the contrary.

Record-high beef prices have been a particular concern, and Trump had said he intended to take action to try to lower them. Trump's tariffs on Brazil, a major beef exporter, had been a factor.

Trump signed an executive order that also removes tariffs on tea, fruit juice, cocoa, spices, bananas, oranges, tomatoes and certain fertilizers. Some of the products covered aren't produced in the United States, meaning that tariffs meant to spur domestic production had little effect. But reducing the tariffs still likely will mean lower prices for U.S. consumers.

The Food Industry Association, which represents retailers, producers and a variety of related industry firms and services, applauded Trump's move to provide "swift tariff relief," noting that import U.S. taxes "are an important factor" in a "complex mix" of supply chain issues.

"President Trump's proclamation to reduce tariffs on a substantial volume of food imports is a critical step ensuring continued adequate supply at prices consumers can afford," the association said in a statement.

In explaining the tariff reductions, the White House said Friday that some of the original levies Trump relished imposing on nearly every country on earth months ago were actually no longer necessary given the trade agreements he'd since hammered out with key U.S. trading partners.

Indeed, Friday's announcement follows the Trump administration having reached framework agreements with Ecuador, Guatemala, El Salvador and Argentina meant to increase the ability of U.S. firms to sell industrial and agricultural products in these countries, while also potentially easing tariffs on agricultural products produced there.

During an interview that aired earlier in the week with Laura Ingraham of Fox News Channel, Trump hinted that lower tariffs might be coming.

"Coffee, we're going to lower some tariffs," the president said then. "We're going to have some coffee come in."

Tariff checks?

Despite pulling back on so many tariffs, Trump used his comments aboard Air Force One on Friday night to repeat his past assertions that his administration would use revenue the federal government has collected from import levies to fund $2,000 checks for many Americans.

The president suggested such checks could be issued in 2026 but was vague on timing, saying only, "Sometime during the year." Trump, however, also said federal tariff revenue might be used to pay down national debt — raising questions about how much federal funding would be needed to do both.

Trump rejected suggestions that attempting direct payments to Americans could exacerbate inflation concerns — even as he suggested that similar checks offered during the coronavirus pandemic, and by previous administrations to stimulate the economy, had that very effect.

"This is money earned as opposed to money that was made up," Trump said. "Everybody but the rich will get this. That's not made up. That's real money. That comes from other countries."

The first of 30 Bob Ross paintings — many of them created live on the PBS series that made him a household name — have been auctioned off to support public television.

Ross, with his distinctive afro, soothing voice and sunny outlook, empowered millions of viewers to make and appreciate art through his show The Joy of Painting. More than 400 half-hour episodes aired on PBS (and eventually the Canadian Broadcasting Corporation) from 1983 to 1994, the year before Ross died of cancer at age 52.

Ross' impact lives on: His show still airs on PBS and streams on platforms like Hulu and Twitch . It has surged in popularity in recent years, particularly as viewers searched for comfort during COVID-19 lockdowns. Certified instructors continue teaching his wet-on-wet oil painting technique to the masses , and the Smithsonian acquired several of his works for its permanent collection in 2019. But his artwork rarely goes up for sale — until recently.

In October, the nonprofit syndicator American Public Television (APT) announced it would auction off 30 of Ross' paintings to raise money for public broadcasters hit by federal funding cuts. It pledged to direct 100% of its net sales proceeds to APT and PBS stations nationwide.

Auction house Bonhams is calling it the "largest single offering of Bob Ross original works ever brought to market."

Ross has become synonymous with public broadcasting and some activists have even invoked him in their calls for restoring federal funding to it.

"It's a medium that Bob just cherished," said Joan Kowalski, president of Bob Ross, Inc., in a phone call with NPR. "With the cuts, it's just a natural inclination to support public television."

"Winters Peace," which Ross painted on-air in 1993, was among the first of his works to be auctioned to support public television, in California in November.

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The first three paintings sold in Los Angeles on Tuesday for a record-shattering $662,000. Bonhams says the works attracted hundreds of registrations, more than twice the usual number for that type of sale. Each sold for more than its estimated worth, led by "Winter's Peace," which fetched $318,000 to set a new Ross auction record.

"As anticipated, these paintings inspired spirited bidding, achieved impressive results and broke global auction records, continuing the momentum we've seen building in [Ross'] market," said Robin Starr, the general manager of Bonhams Skinner, the auction house's Massachusetts branch. "These successes provide a solid foundation as we look ahead to 2026 and prepare to present the next group of Bob Ross works."

"Winter's Peace," which Bob Ross painted on-air in 1993, is among his first three works going up for auction in November. He used especially vibrant colors with his TV audience in mind.

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The next trio of paintings will be auctioned in Massachusetts in late January. The rest will be sold throughout 2026 at Bonham's salerooms in Los Angeles, New York and Boston.

How the offering could benefit public broadcasters 

At President Donald Trump's direction, Congress voted in July to claw back $1.1 billion in previously allocated funding for the Corporation for Public Broadcasting (CPB), leaving the country's roughly 330 PBS and 244 NPR stations in a precarious position.

CPB began shutting down at the end of September, PBS has already cut 15% of its jobs, and several local TV and radio stations have also announced layoffs and closures.

Demonstrators dressed as Bob Ross at a Chicago protest calling for the restoration of federal funding to PBS in late September.

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"I think he would be very disappointed" about the CPB cuts, Kowalski said of Ross. "I think he would have decided to do exactly what we're doing right now ... I think this would have probably been his idea."

Kowalski, whose parents founded Bob Ross Inc. together with the painter in 1985, said Ross favored positive activism over destructive or empty rhetoric.

"That just was his nature," she said. "He was like that in real life. So I think this would have been exactly the thing that he would have chosen. I suddenly got really emotional thinking about that."

Ross spent about 26 minutes painting "Home in the Valley" on live TV in October 1993. It's been in storage ever since and will go on sale in November.

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The Ross auction aims to help stations pay their licensing fees to the national TV channel Create , which in turn allows them to air popular public television programs including The Best of the Joy of Painting (based on Ross' show), America's Test Kitchen, Rick Steve's Europe and Julia Child's French Chef Classics.

Bonhams says the auction proceeds will help stations — particularly smaller and rural ones — defray the cost burden of licensing fees, making Create available to more of them.

"This enables stations to maintain their educational programming while redirecting funds toward other critical operations and local content production threatened by federal funding cuts," the auction house says.

Ross' paintings rarely hit the market

The 30 paintings going up for sale span Ross' career and are all "previously unseen by the public except during their creation in individual episodes" of The Joy of Painting, according to Bonhams. Many have remained in secure storage ever since.

They include vibrant landscapes, with the serene mountains, lake views and "happy trees" that became his trademark.

Ross started painting during his 20-year career in the Air Force, much of which was spent in Alaska. That experience shaped his penchant for landscapes and ability to work quickly — and, he later said , his desire not to raise his voice once out of the service.

Once on the airwaves, Ross' soft-spoken guidance and gentle demeanor won over millions of viewers. His advice applied to art as well as life: Mistakes are just "happy accidents," talent is a "pursued interest," and it's important to "take a step back and look."

"Ross' gentle teaching style and positive philosophy made him a cultural icon whose influence extends far beyond the art world," Bonhams says.

While Ross was prolific, his paintings were intended for teaching instead of selling, and therefore rarely go on the market.

In August, Bonhams sold two of Ross' early 1990s mountain and lake scenes as part of an online auction of American art. They fetched $114,800 and $95,750, surpassing expectations and setting a new auction world record for Ross at the time. Kowalski says that's when her gears started turning.

"And it just got me to thinking, that's a substantial amount of money," she recalled. "And what if, what if, what if?"

Bonhams officially estimates that the 30 paintings could go for a combined total between $850,000 and $1.4 million. But Starr, of the auction house, predicted in October that they will continue to exceed expectations, based on their artistic value, nostalgia factor and more.

"Now we add in the fact that these are selling to benefit public television, I think the bidding is going to be very happy," she said. "Happy trees, happy bidding."

Disclosure: This story was edited by general assignment editor Carol Ritchie and managing editor Vickie Walton-James. Under NPR's protocol for reporting on itself, no NPR corporate official or news executive reviewed this story before it was posted publicly.
Copyright 2025 NPR

If you’re mourning the — probably — impending closure of Cole’s downtown or one of the other handful of classic Los Angeles eateries we’ve lost in the past few years, you might find camaraderie in a local social club.

For about a year now, Jake Hook has been hosting monthly meetings of the Diner Preservation Society . "Diner" is a loose term for the group.

At classic joints like Philippe’s and the recently closed Papa Cristo’s , attendees talk about their favorite eateries and what they can do to save the ones we’re at risk of losing.

“Diners are the classic American third space. They are where communities happen. And you can see that by how worked up people get when diners close,” Hook said.

Take the recent closure of the Pantry downtown. Now it looks as if it will be reopening , but Hook said people from across the city showed up in droves before it shuttered.

“So much so that the wait on the last day was about seven hours. And I endured all seven hours,” they told LAist.

A meeting of the Diner Preservation Society

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A philosophy professor by day, Hook’s enduring love of diners led them to compile a massive list of classic joints in our region . And this month, they launched the "Diner Theory" podcast , which delves into topics “at the intersection of food and philosophy.”

Hook, 31, said they think younger generations are looking for spaces that feel more human in an increasingly online world. And diners fill that void.

“It’s something that unites people who have lived here from generation to generation to have these experiences in roughly the same way. And I think that’s valuable for forming some kind of citywide identity,” they said.

Plus, there’s really good, cheap food.

If you’d like to attend the next meeting of the Diner Preservation Society, visit their Substack to learn more.

Upcoming club meetings:

Shakers
601 Fair Oaks Ave.
South Pasadena
Saturday at 10 a.m.

Bun N Burger
1000 E. Main St.
Alhambra
Dec. 13 at 10 a.m.

The Culver City Council has passed a motion to consider creating an "entertainment zone" for its downtown.

Once implemented, it would be the third city in Southern California with a designated area where people can walk around and consume alcohol outside during designated special events.

In May, Santa Monica became the first city in L.A. County to adopt an “entertainment zone” in accordance with California SB 969, which passed in 2024. Long Beach followed suit in August. West Hollywood voted to study the creation of something similar in September.

And now, Culver City wants to be part of a growing trend to boost economic activity and compete with attractions in surrounding cities.

"Century City, Hollywood, Downtown LA ...we're competing with the whole city," Culver City Mayor Dan O’Brien told LAist. "So giving yet another reason for Angelenos to come to Culver City and have a nice night out and enjoy our special events. I think we need to grab it."

A statue in the middle of the proposed entertainment zone.

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What’s the occasion?

“It’s going to be for our special events only,” O’Brien said. “Certainly during the World Cup and throughout the Olympics.”

Other city events listed in the motion include the Summer Concert Series, Independence Day Drone Show and the downtown Tree Lighting ceremony scheduled for Dec. 4.

“ That would be an ideal opportunity to activate for the entertainment zone,” O’Brien said. “But I do not know if we will have everything in place to do so by then.”

Where would it be?

The current entertainment zone proposal encompasses the Downtown Culver City Business Improvement District — of about eight to 10 blocks long and three blocks wide, O'Brien said.

That includes Culver Boulevard between Madison Avenue and Venice Boulevard — and Washington Boulevard between Hughes Avenue and Culver Boulevard. It would also include side streets up to the city boundary.

The Downtown Business Association, which is behind the proposal, is requesting the area that includes the Town Plaza, the Culver Steps and Main Street to be part of the new zone.

The proposed boundaries for the Culver City entertainment zone would span a quarter of a mile.

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What’s next?

The Culver City Council will now need to pass an ordinance approving a plan with information about the exact boundaries of the entertainment zone, its hours of operations and specific events for which they'll be active.

A date for the next vote hasn’t been set.