Are you looking to be more mindful about where you spend your money? If you want to shop local this holiday season, we can help with this guide to some of our favorite places to drop some dough IRL.
Why now? Because the day after Thanksgiving is Small Business Saturday, a reminder that while we all love the convenience of online shopping, there's still something to be said for supporting the local stores, shopkeepers and boutiques that breathe so much life into our neighborhoods.
Why it matters: These days, retailers take a risk in establishing a brick-and-mortar location to showcase their collections and share their vision. Reward their courage with your presence, positive feedback and sense of community. Every shop represents a dream in the making.
What's next? Check out a few of our favorite places to #ShopLocal in L.A., hitting a variety of locations, wares and price points. You'll also find over 100 other local retailers in the LAist Holiday Gift Guide, which curates dozens upon dozens of gift ideas to help you shop local this holiday season.
Shopping online may be efficient, but there is no substitute for the experience of stepping through the entrance of a well-considered store and delighting in the joy of discovery in person.
These days, retailers take a risk in establishing a brick-and-mortar location to showcase their collections and share their vision. Reward their courage with your presence, positive feedback and sense of community. Every shop represents a dream in the making.
As a counterpoint to Black Friday and Cyber Monday, we're highlighting just a few of our favorite places to #ShopLocal in L.A., hitting a variety of locations, wares and price points.
But this is just a starting point: You'll find over 100 other local retailers in the LAist Holiday Gift Guide, which curates dozens upon dozens of gift ideas to help you shop local this holiday season.
This season, meet not only the makers, but the merchants in your neighborhood and celebrate their contribution to making SoCal so uniquely our own:
Tía Chucha’s in Sylmar
(
Courtesy Tia Chucha’s Centro Cultural & Bookstore
)
Located in Northeast San Fernando Valley, Tía Chucha’s Centro Cultural & Bookstore is dedicated to making culturally relevant books and literacy available to an intergenerational and diverse BIPOC community.
Established by Los Angeles Poet Laureate Luis J. Rodriguez in 2001, the mission of the founder and his impassioned retail team is to highlight literature and storytelling that puts an emphasis on Xicanx and Latinx history and culture with an eye toward social justice and transformative healing. Home to more than 7,000 books, including bilingual children’s books, art, poetry, antiracism, queer/LGBTQIA, social change and more, the booksellers also offer book clubs, literary arts workshops, author events, and children’s story time. Some stores offer more than merchandise and this is one of them.
Museum stores are the perfect place to shop for unique and thoughtful gifts and Southern California has some of the very best. One of our favorites is the Huntington Store at the Huntington Library, Art Museum, and Botanical Gardens due to its extensive and ever-changing mix of creative, quality merchandise with wide ranging appeal.
Inspired by the institutions’ many gardens, art collections, geography and local interests, home decor, art, books, jewelry, personal care items, kid stuff, gardening products and more are displayed in a bright and airy atrium designed with warm natural wood. The store also stocks exclusive collections of botanical prints and logo merchandise as well as books, keepsakes and ornaments specific to the museum’s collections and tea room.
Don’t miss the opportunity to take a stroll through the art and gardens while you are there for a truly enriching experience — consider it the mental health break we all need in this busy season! Consider becoming a member, too, to receive store discounts starting at 10% and up depending on membership level. It makes a great experiential gift for those who don't want more "stuff."
Move over Willy Wonka, Letterpress Chocolate has gold tickets too. David and Corey Menkes, the Los Angeles-based artisanal makers who roast and stone-grind every small batch of their intricately hand pressed treats, offer discovery tours that include an inside look at the cacao tree and fermentation process, sampling of cacao juice and beans, and an introduction to the machines to see how the magic is made.
Tours at their Robertson Boulevard location are $20 for ages 12 and up, and finish in the Letterpress boutique where the chocolate equivalent of sweet sommeliers guide you through a tasting of dark chocolate bars — and you'll also find a wide assortment of gift sets. We can’t think of a better way to select holiday gifts this season — or next. If you're still hungry after visiting Letterpress, here's a list of places to dine nearby. You can save some chocolate for dessert! Here are 20 more gift ideas for the foodie on your holiday gift list.
A “Refill Station” in modern terms is a store aimed at helping consumers reduce plastic consumption and waste by allowing us to bring our own containers (or purchase a reusable container) and buy refills on everything from lotion, shampoo and conditioner to laundry detergent and dish soap when the bottle is empty. No more buying giant plastic jug after giant plastic jug, destined for the landfill when finished. With three locations in Long Beach, BYO Long Beach offers a wide selection of refillable products in addition to a well stocked supply of eco-minded merchandise, home goods, clever gifts, plants and more. Encourage a greener world with less waste by supporting the refill station closest to your home or consider a visit to a BYO Long Beach branch. It’s a gem. Also, check out our list of 17 gifts that are also kind to the planet.
The Last Bookstore in downtown L.A. is not just a place to shop, it’s an experience to be savored. A nirvana of sorts for book lovers since 2011, the 22,000 square-foot literary gorilla in the Spring Arts Tower is organized into creatively conceived sections to display more than a quarter-million books inside the century-old bank building. Yes, the store is a gold mine for IG selfies, but stopping only to take photos of the book tunnel, the fantastical sculptural displays and vintage architectural details would be telling only half the story. The store is a treasure trove for readers looking for everything from graphic novels and travel guides to rare books, vinyl records and beyond. Book clubs, author events and sleepovers at the iconic institution are also on offer. It's in-person shopping at its finest. And if you find yourself in DTLA, here are LAist's recommendations for where to grab a bite. Check out more book gift ideas here.
Founded by Los Angeles artist Angie Myung and her partner, husband Ted Vadakan with the launch of a colorful pocket-sized wallet in 2003, Poketo has evolved into a creative powerhouse brand collaborating with forces such as Nike, MOCA, the Guggenheim, and Disney.
Their flagship Santa Monica store reflects that energy. Guided by the philosophy: Art for you every day, the bright, cheerfully designed store with a crisp, modern feel is a ray of sunshine no matter what the forecast. The store also serves as a hub for the community of artists and makers Poketo seeks to inspire, and as a result, the team received the Edge Award for Positive community impact from the Los Angeles Design Festival. Poketo's wares also land on our holiday list of best gifts to thank a party host or hostess.
Do you know a hopeless romantic? This is the place to experience the meet-cute of your dreams — not to mention getting your hands on the perfect holiday gift. The Ripped Bodice Bookstore — as the name suggests — is devoted entirely and passionately to the celebration of romance novels. The store is proudly woman and queer owned by sisters Lea and Bea Koch, and the well-built shelves heave with a lusty selection of diverse and LGBTQIA+ inclusive fiction as well a wide and deep selection of gift items with a focus on supporting independent, woman-owned businesses. In addition, the bookstore team undertakes several large projects to advance their genre each year including, The Ripped Bodice State of Racial Diversity in Romance Report, the Read, Romance, Repeat subscription box, which would make a great holiday gift, and the development of television projects based on romance novels in association with Sony Pictures Television. In 2023, the store unveiled their second location in Park Slope, Brooklyn — and the adventure continues. We have suggestions for places to dine in Culver City, too, without breaking the budget (so you'll have more to spend on holiday gifts).
The home goods and textiles designed by Los Angeles-based creative Heather Taylor have been featured in publications such as Vogue, House Beautiful, and Domino and are stocked by trendsetting retailers such as John Derian, Nickey Kehoe and Le Bon Marche but the best place to experience them is in Taylor’s own brick and mortar store in Westwood Village.
Opened in 2018, Heather Taylor Home features not only her namesake collection, handcrafted in Chiapas, Mexico, but also a well-curated merchandise mix aimed at complimenting and enhancing her signature, eclectic style. For more shopping inspiration, check out our list of 17 unique, handcrafted gifts you can find right here in L.A.
It’s a store, it’s a studio, it’s an experience. Shopping at the 5,000 square-foot Match Stoneware showroom in Culver City means browsing the finished collections on display while a team of artists work on creating new pieces nearby. Visitors are welcomed to enjoy a personalized tour of the studio space and offered insight into the process of how the work is created. It is as close as you can get to making the pottery without tying on an apron and getting your hands in the clay.
In addition, the handcrafted, contemporary platters, plates, cups and bowls can be seen gracing the tables of some of the finest restaurants in the region owing to collaborating with chefs across the city, including at restaurants such as Vespertine, Destroyer and Somni, to name a few. If it’s good enough for chefs Mei Lin and José Andrés, we’re in. Allow yourself enough time to shop as well as to watch the artists practice their craft. For the budget-minded, the showroom also offers a number of one-off pieces that have been discounted for slight imperfections. Score! Here are 20 more gift ideas for the foodie on your holiday gift list.
The place to go for first-edition books. Located just off the Sunset strip, the store exclusively stocks first editions and first state copies of collectible literature and boasts an abundance of books signed or inscribed by their authors — including Winston Churchill, John F. Kennedy, Ernest Hemingway, J.K. Rowling and Dr. Seuss. In addition, the store also offers shooting scripts signed by the authors as well as the celebs who headlined the film adaptations. Actor Michael Caine once said the shop is, “like the most wonderful museum, except you get to buy the exhibits.” If you are looking to browse for something special where Oprah, Angelina Jolie, Bono, Nicole Kidman and others also shop, this is the place. Dark glasses optional. And since you love clearly love reading, check out our list of 17 picture books that make great gifts for kids — and adults, which also includes a guide to other children's book stores across L.A.
With their luscious Los Angeles area locations (Beverly Grove, Culver City, Studio City, and the OC pop-up at Coco Republic), Rolling Greens has established a signature style that captures the essence of the aspirational California lifestyle. At once elegantly luxe and relaxed, the stores offer plants, decor and home goods creatively displayed inside spaces you’ll want to move into. Browse for gifts, greenery or inspiration and soak in the style. To linger longer, check out the schedule of workshops or meet with a botanical barista at the Arrangement Bar to create something completely unique. Also check out our list of the 15 best L.A. gifts for plant lovers.
Inspired by a heritage of adventure and travel, Joanna Williams established Los Angeles-based Kneeland Co. Rarities on West Adams Boulevard as a tribute to her family’s passion for discovery. Located in the West Adams neighborhood, her store offers an eclectic mix of globally sourced home goods, jewelry, art and textiles. The location also serves as the headquarters for Williams’ textile archive, online website and advisory service for both residential and commercial clientele. Rarities, William’s word for the one-of-a-kind art and decor she curates from around the world, can be shopped according to country or featured artist and her passion for design and spirited style infuses the store with a meaningful sense of place. For more unique gifts, check out our curated list of artisanal gifts you can only find right here in L.A.
Vintage items have soul. They are also a great way to imbue your space with personality and individual style. Southern California has some of the best vintage markets in the country — in fact you’re likely to see them featured on design shows like HGTV’s Flea Market Flipand topping vintage shopping lists on the regular. Go for the people watching (celebrities, designers, trend setters), hidden treasures, and the fascinating stories behind the merchandise. The vendors know their stuff. Find out everything you can about what you are buying — and return home with stories of your own. Here are a few of our favorites:
The smoke from a fire that appeared to have reignited in Boyle Heights.
(
Jessica Perez
/
The LA Local
)
Topline:
A large plume of white smoke billowed out of a cold storage facility on Friday afternoon, two days after the fire first ignited at the Boyle Heights warehouse.
What materials were burned in the fire?: The fire first broke out Wednesday at Lineage, a logistics company that offers cold storage services, according to the company’s website. The fire spread across the building’s rooftop solar panels. The fire also reached an ammonia line, causing it to off-gas the chemical, and adjacent structures were evacuated to keep people from breathing it in. The ammonia is not toxic to individuals unless they have respiratory issues or come into direct contact with it, fire officials said.
Air quality after the fire: A particle pollution advisory was in effect until at least Saturday afternoon for an area including Boyle Heights, central LA and parts of Northeast LA. At a press conference Thursday morning, LAFD officials said air quality was being monitored in the area. However, residents in Boyle Heights reported concerns over smoke, ash and the lingering smell; the air remained acrid and smelled like plastic on Thursday morning.
A large plume of white smoke billowed out of a cold storage facility on Friday afternoon, two days after the fire first ignited at the Boyle Heights warehouse.
Residents near the facility on S. Los Palos Street reported smelling came out of their homes to see the smoke and vehicles driving in that direction turned around as it appeared that the fire reignited shortly before 5 p.m.
Firefighters were at the scene dousing the building.
"Due to an expected change in wind conditions, there was a flare-up inside the structure, which was anticipated by crews on scene," the Los Angeles Fire Department said in a statement. "More smoke is currently visible in the area of this incident; however, there is no additional hazard. Crews will continue to flow large amounts of water into the building for an extended period of time."
The fire first broke out Wednesday, prompting an hours-long shelter-in-place order due to hazardous materials, including ammonia.
The South Coast Air Quality Management District early Thursday afternoon extended a particle pollution advisory for an area including Boyle Heights, central Los Angeles, and parts of Northeast LA following Wednesday’s fire.
Early monitoring showed particles were generally present at background levels, AQMD said, but for several seconds at a time, they found increased levels of bromine and chlorine.
“Bromine and chlorine are typically found at trace levels during structural fires and the levels seen were below short-term health-based exposure thresholds,” AQMD said. “Concentrations below this level are not expected to cause adverse health effects. No significant levels of air toxic metals were seen.”
The U.S. men's national soccer team advanced to the knockout round at the World Cup despite the absence of injured forward Christian Pulisic, beating Australia 2-0 today.
The context: A deep U.S. roster overcame Pulisic’s absence to clinch a knockout berth after only two matches for the first time.
Where was Pulisic? Pulisic, who plays for AC Milan and has 33 goals in 87 international appearances, missed today’s match because of a calf injury.
How'd they win? Alex Freeman, the youngest player on the team at 21 and son of Super Bowl champion Antonio Freeman, gave the Americans a 2-0 lead in the 43rd minute off a set piece.
SEATTLE — For days, questions about the health of star winger Christian Pulisic's left calf had loomed large over the U.S. men's national soccer team: After being kicked in the leg during last week's Paraguay game, would he be available in the pivotal second U.S. game of the FIFA World Cup?
In the end, it didn't matter.
The U.S. dominated Friday's match against Australia, winning 2-0 even as Pulisic, who was ultimately deemed unavailable before kickoff, watched his teammates from the sidelines.
The scoring started early when American striker Folarin Balogun streaked down the left side of the field and powered a pass into the penalty area, where Australian defender Cameron Burgess booted it into his net for an own goal in the 11th minute.
"I want to be dangerous. I want to create opportunities. And it might not always be myself that scores, but if I can force an error that gives us the lead, for me that's like a goal as well," Balogun said. "It was a special start to the game to give us the momentum, and then I think we carried it out."
The U.S. added a second goal when defender Alex Freeman knocked in a header just before halftime. The chippy match resulted in seven total yellow cards, three for the U.S. on defenders Antonee Robinson and Chris Richards and Balogun.
After the game, U.S. head coach Mauricio Pochettino praised his team and their approach. "We build the victory in our attitude," he said.
The win guarantees that the U.S. will advance to the knockout stage of the tournament, and it puts the Americans in the driver's seat to win Group D. That would set up the team for a more advantageous path through the knockout round, which begins Sunday, June 28.
Cristian Volpato #20 of Australia and Weston McKennie #8 of the United States battle for the ball during the team's World Cup Group D match on Friday in Seattle.
(
Emilee Chinn
/
Getty Images
)
About 90 minutes before kickoff, Pochettino told Fox that Pulisic would be unavailable due to the nagging left calf injury suffered last Friday. "It is hoped, as soon as possible, [that he] can be ready to be selected again to be part of the team," Pochettino said.
In his place, forward Ricardo Pepi made the start on the left side. For Freeman, his first career World Cup goal was the latest step in a remarkable trajectory for a 21-year-old player who made his first appearance for the U.S. national team just over a year ago.
It was unclear whether Pulisic would be available for the third and final U.S. group stage game, a match against Turkey set for next Thursday.
Whether that game will matter depends on the outcome of Friday night's Turkey-Paraguay matchup; if Turkey draws or loses, the U.S. is guaranteed the top spot. If Turkey wins, that sets up next week's head-to-head game to determine the group winner.
Turkey, whose roster features stars like Arda Güler of Real Madrid and Kenan Yıldız of Juventus, had been considered by some analysts to be the strongest team in the group.
The U.S. victory over Australia was the second win in the group stage — the first time the American men have done that in a World Cup since 1930.
Copyright 2026 NPR
Keep up with LAist.
If you're enjoying this article, you'll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.
Kevin Tidmarsh
is a producer for LAist, covering news and culture. He’s been an audio/web journalist for about a decade.
Published June 19, 2026 4:38 PM
Dancers performing Bernard Brown's work "Sissies: Something Perfect Between Ourselves."
(
Courtesy Pieter Performance Space
)
Topline:
To preserve the history of L.A.’s Black queer underground clubs, Bernard Brown recreated them in his dance performance "Sissies" at the Pieter Performance Space in Lincoln Heights June 20.
The inspiration: The show is drawn in large part from Brown's own experiences before he became a choreographer. “I won't say my age. I don't wanna get nobody in trouble,” he joked. “But I went to clubs like The Catch — The Catch One — and The Study on Hollywood and Western and places like that that are no longer with us.”
What to expect: “The invitation to everyone who is a guest in the show, who has bought a ticket is: Let it go,” said Rosalie Tucker, Pieter Performance Space's executive director. “Let yourself be in the club. React. You don't have to be quiet. This isn't a silent setting. This is not a traditional theater setting, and that is intentional.”
The performers: Many of Brown’s dancers have performed with people like Beyoncé, but they’re also artists doing their own thing. The score for the show is by DJ DeFacto X, a co-founder of Black Bass Collective, a staple of L.A.’s warehouse scene. It'll also turn into something of a dance party after the performance wraps.
How to see the performance and exhibit: The performance will be at 8:30 p.m. on Saturday, June 20. If you can’t make it, the installation will also be on view in the afternoon throughout Juneteenth weekend. Brown told LAist he also hopes to find a permanent home for the archives and exhibits he’s amassed.
Bernard Brown grew up going to parties all around Los Angeles. Maybe a little before he was supposed to.
“I won't say my age. I don't wanna get nobody in trouble,” he joked. “But I went to clubs like The Catch — The Catch One — and The Study on Hollywood and Western and places like that that are no longer with us.”
Brown went on to become a contemporary dancer and choreographer, and he remembers watching those dancers, and the tenderness they had for each other. He told LAist that was exactly what informed his new art installation and dance performance, “Sissies: Something Perfect Between Ourselves,” at the Pieter Performance Space this Juneteenth weekend.
“ I thought a lot about how intergenerational learning was starting to slip away, and what does it mean to learn how to be a Black queer person?” Brown said. “Where are those spaces, and how did I learn how to be this way? And so making this work has been about this labor, this love, this intergenerational learning, and also community.”
What to expect
“Sissies” has two components: an installation on view Friday through Sunday, and a dance performance featuring some of L.A.’s most prominent dancers and voguers this Saturday night at 8:30 p.m.
Rosalie Tucker, director of Pieter Performance Space, said this will look a little different from other dance performances you may have been to.
“The invitation to everyone who is a guest in the show, who has bought a ticket is: Let it go,” she said. “Let yourself be in the club. React. You don't have to be quiet. This isn't a silent setting. This is not a traditional theater setting, and that is intentional.”
That’ll culminate after the performance, when the audience will also be invited to join the dancefloor.
If you can’t make it to the performance, the installation will also be on view in the afternoon throughout Juneteenth weekend. Brown told LAist he also hopes to find a permanent home for the archives and exhibits he’s amassed.
How to see 'Sissies'
The performance will be from 8:30 p.m. to 10 p.m. on Saturday night. Tickets are available here, and they will not be available at the door.
To see the free exhibition, you can RSVP here. Here are the opening hours:
Friday, June 19 from 1 p.m. to 5 p.m.
Saturday, June 20 from 1 p.m. to 4 p.m.
Sunday, June 21 from 11 a.m. to 2 p.m.
The inspiration behind ‘Sissies’
Normally, projects of this kind involve archival research, and that’s certainly a big part of the work. But for Brown, who was actually there at clubs watching vogue practitioners work the dancefloor, the research process looks a little different.
Brown calls the work “autoethnographic” — that’s to say, a big part of what you’ll see is based on his own experiences watching others over the decades.
“ We're talking about vogue, all of the elements: hand performance, floor performance, catwalk, duck walk,” Brown said. “All of those things appear in the work, but it's based on the truth, uh, and the authenticity of our people.”
The themes in Brown’s work resonated with Tucker, especially in this political moment.
“What we're seeing is our histories being not just erased, but violently erased, and, uh, excluded and lied about,” she said. “So we really have, I think, a responsibility to the future, to ourselves, to claim the truth of, this is what happened then, this is what's happening now.”
How to support Pieter Performance Space
You can find more information on supporting the nonprofit performance space here.
Brown’s collaborators
Los Angeles has a long history of queer Black underground clubs and events, one that continues to this day in underground parties and warehouse shows.
“ Bernard has built this with the people who are the Black underground in Los Angeles as well, so it's not just like a theoretical thing,” Tucker said.
Many of Brown’s dancers have performed with people like Beyoncé, but they’re also artists doing their own thing. The score for the show is by DJ DeFacto X, a co-founder of Black Bass Collective, a staple of L.A.’s warehouse scene.
“They are creating their own work,” Brown said. “They are making spaces where people congregate, and they're doing the Lord's work in that regard, finding their way to the movement of our queer ancestors.”
Though Brown won’t be performing in the show, he said he’s moved when he sees younger people go through the same movements as the voguers and other dancers he used to see in clubs.
“I am filled with joy — literal joy — and sometimes tears at how beautiful it is to see Black queer men being together intimately, folding into each other their individual kikis and lalas that happen during performance, the authenticity of their visceral connection to each other,” he said.
James Burrows, who helped create volumes of laughter as director of more than a thousand episodes of such classic television comedies as "Cheers," "Taxi," "Friends" and "Will and Grace," died today. He was 85.
What we know: His family confirmed his death in a statement to People, saying he "passed away peacefully today surrounded by his family." No location or cause of death was provided.
About his career: Burrows got his start in television relatively late at age 35 in 1974, directing episodes of "The Mary Tyler Moore Show," "The Bob Newhart Show," and "Laverne & Shirley." He co-created "Cheers," directing 243 of the 273 episodes, as well as all 246 episodes of "Will and Grace." He also helmed multiple episodes of such hits as "Frasier," "Friends" and "Mike & Molly," and the pilots of "Two and a Half Men" and "The Big Bang Theory."
LOS ANGELES — James Burrows, who helped create volumes of laughter as director of more than a thousand episodes of such classic television comedies as "Cheers," "Taxi," "Friends" and "Will and Grace," died Friday. He was 85.
His family confirmed his death in a statement to People, saying he "passed away peacefully today surrounded by his family." No location or cause of death was provided.
Burrows spent his career behind the camera specializing in situation comedies. Few viewers recognized him or knew his name, other than to see it flash quickly on the screen in the opening credits. But they knew his work.
Burrows got his start in television relatively late at age 35 in 1974, directing episodes of "The Mary Tyler Moore Show," "The Bob Newhart Show," and "Laverne & Shirley."
He co-created "Cheers," directing 243 of the 273 episodes, as well as all 246 episodes of "Will and Grace."
He also helmed multiple episodes of such hits as "Frasier," "Friends" and "Mike & Molly," and the pilots of "Two and a Half Men" and "The Big Bang Theory."
"When I direct a television show, I try to reach that sweet spot where the best script meets the best performance and the best chemistry between performers," Burrows wrote in his 2022 memoir "Directed by James Burrows." "Hitting that exact moment, where these factors land in combination, results in the sweetest and most enduring laugh."
His family said, "Burrows understood that great comedy was never simply about laughter. It was about humanity, connection, and truth. That understanding became the foundation of a career that forever changed television.
"But beyond his remarkable achievements, Burrows will be remembered for something even greater: his kindness, generosity, and unwavering belief in the people around him. He possessed a rare ability to make everyone better and was known for remembering every person he met by name, making colleagues at every level feel seen, valued, and appreciated," the family statement said.
Born James Edward Burrows on Dec. 30, 1940, in Los Angeles, he moved to New York when he was 5 years old. He spent five years in the Metropolitan Opera Children's Chorus until his voice started to change. He attended LaGuardia High School of Music & Art.
His father was writer, director and producer Abe Burrows, whose Broadway hits included "Guys and Dolls" and "Can-Can." The elder Burrows also mentored Larry Gelbart, future creator and producer of the TV show "M(asterisk)A(asterisk)S(asterisk)H."
The younger Burrows spent hours of his youth in theaters and studios watching his father work, dining with him at such famed New York haunts as Sardi's and Gallagher's and meeting celebrities who attended his father's New Year's Eve parties.
After earning a bachelor's degree from Oberlin College, Burrows attended the graduate program of the Yale School of Drama, where his classmates included actor-comedian Robert Klein, playwright John Guare and film director John Badham.
At Yale, he was required to take directing classes and he got hooked.
Burrows' first sitcom experience was as Burl Ives' dialogue coach on "O.K. Crackerby!" which was directed by his father and ran for one season on ABC in 1965.
From there, he was an assistant on "The Patty Duke Show." He moved back to New York and worked for Broadway producers Lee Guber, Frank Ford and Shelly Gross. He first met actor Moore while working on the Broadway production of "Holly Golightly," an adaptation of "Breakfast at Tiffany's" that was directed by his father.
Burrows eventually worked as a stage manager for various road productions, where he met such actors as Hugh O'Brien, Zsa Zsa Gabor and Julie Harris.
By 1974, after working in dinner theater and summer stock, he turned on his television and saw Moore's eponymous TV show. He wrote her a letter asking if there was any opening "small or smaller" at her production company that he could fill, according to his memoir.
Moore's husband and business partner, Grant Tinker, invited Burrows to Los Angeles to direct an episode of the comedy. He apprenticed for MTM Enterprises, which had four sitcoms on the air at the same time.
Burrows cited his theater background for learning how to give actors direction and block out scenes. He's credited for being one of the first sitcom directors to increase the typical multi-camera television shoot from three to four cameras.
The common thread between Burrows' shows were the bonds between friends and unrelated families, whether it was the motley crew of regulars meeting at the bar in "Cheers" or the drivers working toward a better life in "Taxi" or the 20-somethings sharing the same apartment building in "Friends."
"The best sitcoms transcend the screen and reach out and grab the audience by the throat and by the heart," Burrows wrote in his memoir.
He relished discovering new acting talent while directing more than 75 pilots that were picked up as series.
"Having directed over a thousand shows means that almost any night you can turn on your television or go online and find a show that I directed. I'm very proud of that," he wrote in his memoir.
In 2019, Burrows was an executive producer on live productions of "All in the Family" and "The Jeffersons" with famous actors re-creating episodes of those 1970s comedies.
Burrows was married in 1997 to Debbie Easton, whom he met when she worked as a hairstylist on "Frasier." Daughters Kat Schatzow, Ellie Gluck and Maggie Burrows, who followed her father into directing, are from his first marriage to Linda Solomon, who died in 2004. His stepdaughter Paris is from his wife's previous marriage. He has a sister, Laurie Burrows Grad, and seven grandchildren.
Copyright 2026 NPR
