The Brief

As California expands transitional kindergarten at public schools to all four-year-olds, teachers have run into a more-common predicament: how do you help kids who are not potty-trained?

“It is very normal in the younger grades that those teachers will deal with accidents in the classrooms — it's just been more of a shift to students coming to school that are still in diapers and pull ups. That is a little bit different,” said Mara Harvey, president of the Natomas Teachers' Association in Northern California.

Most children are potty-trained by age 4, according to the Academy of Pediatrics, but that can also vary based on a child’s development. And even if they are potty-trained, accidents and regressions can still happen.

Teachers — unlike staff at childcare centers — typically can’t directly help a child go to the bathroom, or change their pullups or clothes. It’s not in the purview of their job descriptions, Harvey explained.

“As teachers, we don't have specific training. And I know that a lot of people think like, “oh, it's just changing a diaper, right? But we are not in a position to have any kind of contact with a student that would allow us to change a diaper … that is not part of our jobs,” she said.

What does the state require?

The California Department of Education requires districts to admit all eligible students, regardless of if they’re potty-trained or not, but leaves it up to districts on how to best address the needs of those students. The agency created a toileting tool kit for districts.

At some districts, aides and nurses can help assist kids, but at Harvey’s district, there isn’t staff trained to help (except for students who have Individualized Education Programs). When a child has an accident, or needs to change a pullup, the schools will call their parents, she said.

“For teachers, it's really just that they need direction and support as to who is responsible for this,” Harvey said.

So what can parents of TK students expect when it comes to toileting assistance for their children? Bottom line: Ask your school or district. 

At Rowland Unified School District, health assistants, instructional aides, and personal care assistants are trained to help students use the restroom or help if they have an accident.

“So everybody has at least a health assistant and most everyone has one of the other two. And sometimes parents prefer to come themselves because there's parents that stay at home or closeby to the school,” said Annette Ramirez, director of student services in the Rowland Unified School District.

Coming up with a support plan 

She said teachers ask parents of young students to bring an extra set of clothes, and other supplies, like pullups or wipes. If a student has an accident, they typically call the parents, but the staff on site can also help. She said teachers are often talking about what a student needs at back-to-school-nights or at conferences.

“We have a strong line of communication between school and home. And that is the first most important line to make sure that the children are safe and secure at the school site and feel good about themselves,” she said.

At Long Beach Unified, “teachers are not required to assist with toileting needs, [but] have the option to volunteer,” said a spokesperson. The district also has paraprofessionals, instructional aides and health techs who are among the staff trained in changing students.

What are teachers told?

The California Department of Education’s guidance says “[d]istricts, schools, and programs may also need to analyze current duty statements for teachers and staff and engage in bargaining with union representatives about which jobs will include direct toileting support activities such as assisting a child with changing clothing or cleaning themselves.”

At Los Angeles Unified School District, teachers, like in many other school districts, provide verbal assistance.

“Let's say there’s an accident, so we verbally talk through it with them… “Here’s a change of clothes....Change, wipe yourself. Here’s the front of your pants,’” explained Dean Tagawa, the head of LAUSD’s Early Childhood Education Division. “Meanwhile, we're reaching out to the family if they need to come and help.”

Prevention is also key. Parents should ask teachers about how often kids get bathroom breaks. Tagawa said especially toward the beginning of the year, breaks might be every 15-20 minutes.

Learning from friends might also benefit kids in getting potty-trained. “When kids go together and they see other children going and learning how to toilet train, it makes it easier for them to have a model … A lot of times it takes them, a week or two weeks to become fully potty trained,” Tagawa said.

It's not your mother's podcast — or your father's, or anyone else's. The Washington Post's new offering, "Your Personal Podcast," uses artificial intelligence to customize podcasts for its users, blending the algorithm you might find in a news feed with the convenience of portable audio.

The podcast is "personalized automatically based on your reading history" of Post articles, the newspaper says on its help page. Listeners also have some control: At the click of a button, they can alter their podcast's topic mix — or even swap its computer-generated "hosts."

The AI podcast immediately made headlines — and drew criticisms from people questioning its accuracy, and the motives behind it.

Nicholas Quah, a critic and staff writer for Vulture and New York magazine who writes a newsletter about podcasts, says the AI podcast is an example of the Post's wide-ranging digital experiments — but one that didn't go quite right.

"This is one of many technologically, digitally oriented experiments that they're doing" that is aimed at "getting more audience, breaking into new demographics," he says. Those broader efforts range from a generative AI tool for readers to a digital publishing platform. But in this case, Quah adds, "It feels like it's compromising the core idea of what the news product is."

On that help page, the newspaper stresses that the podcast is in its early beta phase and "is not a traditional editorial podcast."

Bailey Kattleman, head of product and design at the Post, calls it "an AI-powered audio briefing experience" — and one that will soon let listeners talk back to it.

"In an upcoming release, they'll be able to actually interact and ask follow up questions to dig in deeper to what they've just heard," Kattleman says in an interview with NPR.

As technically sophisticated as that sounds, there are many questions about the new podcast's accuracy — even its ability to correctly pronounce the names of Post journalists it cites. Semafor reported that errors, cited by staffers at the Post, included "misattributing or inventing quotes and inserting commentary, such as interpreting a source's quotes" as the paper's own stance.

In the newspaper's app, a note advises listeners to "verify information" by checking the podcast against its source material.

In a statement, the Washington Post Guild — which represents newsroom employees and other staff — tells NPR, "We are concerned about this new product and its rollout," alleging that it undermines the Post's mission and its journalists' work.

Citing the paper's standing practice of issuing a correction if a story contains an error, the guild added, "why would we support any technology that is held to a different, lower standard?"

So, why is the Post rolling out an AI podcast? And will other news and audio outlets follow its lead?

Here are some questions, and answers:

Isn't AI podcasting already a thing?

"The Post has certainly gone out on a ledge here among U.S. legacy publishers," Andrew Deck tells NPR. But he adds that the newspaper isn't the first to experiment with AI-generated podcasts in the wider news industry.

Deck, who writes about journalism and AI for Harvard University's Nieman Lab, points to examples such as the BBC's My Club Daily, an AI-generated soccer podcast that lets users hear content related to their favorite club. In 2023, he adds, "a Swiss public broadcaster used voice clones of real radio hosts on the air."

News outlets have also long offered an automated feature that converts text articles into computer-generated voices.

Even outside of the news industry, AI tools for creating podcasts and other audio are more accessible than ever. Some promise to streamline the editing process, while others can synthesize documents or websites into what sounds like a podcast conversation.

Why do publishers want to experiment with AI podcasts?

"It's cost-effective," says Gabriel Soto, senior director of research at Edison Research, which tracks the podcast industry. "You cut out many of the resources and people needed to produce a podcast (studios, writers, editors, and the host themselves)."

And if a brand can create a successful AI virtual podcast in today's highly competitive podcasting market, Soto adds, it could become a valuable intellectual property in the future.

Deck says that if the Post's experiment works, the newspaper "may be able to significantly scale up and expand its audio journalism offerings, without investing in the labor that would normally be required to expand."

In an interview, Kattleman stresses the new product isn't meant to replace traditional podcasts: "We think they have a unique and enduring role, and that's not going away at the Post."

What's unique about the Post AI podcast?

For Deck, the level of customization it promises is an innovation. Being able to tailor a podcast specific to one person, he says, "is arguably beyond what any podcast team in journalism right now can produce manually."

In an example the Post published, listeners can choose from voice options with names like "Charlie and Lucy" and "Bert and Ernie."

Kattleman says her team was working from the idea that for an audience, there isn't a "one size fits all" when it comes to AI and journalism.

"Some people want that really straight briefing style; some people prefer something more conversational and more voicey," she says.

Quah says that adding an AI podcast is a bid to make stories accessible to a broader audience.

He says that with the podcast, the Post seems to be trying to reach young people who "don't want to read anymore, they just want to listen to the news."

A key goal, Kattleman says, is to make podcasts more flexible, to appeal to younger listeners who are on the go.

Outlining the process behind the Post's AI podcast, Kattleman says, "Everything is based on Washington Post journalism."

An LLM, or large language model, converts a story into a short audio script, she says. A second LLM then vets the script for accuracy. After the final script is stitched together, Kattleman adds, the voice narrates the episode.

Will listeners embrace an AI news podcast?

Soto, of Edison Research, says that 1 in 5 podcast consumers say they've listened to an AI-narrated podcast.

But, he adds that for podcast listeners, "many prefer the human connection, accepting AI tools to assist in creating the content, but not in executing or hosting the podcast."

The new AI podcast reminds Deck a bit of the hyper-personalized choices for users offered by TikTok and other social media.

"There is a level of familiarity
and, arguably, comfort with algorithmic curation among younger audiences," he says.

But while younger audiences tend to be tech savvy, many of them are also thoughtful about authenticity and connection.

"Community is at the core of why people listen to podcasts," Soto says.

Then there's the idea of a host or creator's personality, which drives engagement on TikTok and other platforms.

"These creators have built a relationship with their audience — and maybe even trust — even if they haven't spoken to sources themselves," Deck says. "This type of news content is a far cry from the disembodied banter of AI podcast hosts."

What are the potential downsides of AI podcasts?

One big potential consequence is the loss of jobs — and for companies, the loss of talent.

"The automation of it kind of erases the entire sort of voice performance industry," Quah says. "There are people who do this for a living," he adds, who could "produce higher quality versions of these recordings."

There are also concerns that, if AI chooses a story and controls how it's presented, it might create an echo chamber, omitting context or skepticism that a journalist would likely provide.

"AI-based news personalization tends to land firmly in the camp of delivering audiences what they want to know," Deck says.

Deck says he's willing to give the Post's AI podcast a bit of time to see how it plays out. But Deck does have a chief concern: "I can say point blank, generative AI models hallucinate."

And when AI models are wrong, he says, they're often confidently so.

Blurring boundaries between human and AI voices could also raise questions of trust — a critical factor for a news organization.

As Soto puts it, "What happens when your audience expects content from the real you and ends up finding AI instead?"

Storylines about abortion and conversations about it showed up on television 65 times this year, on prestigious dramas like The Pitt and Call the Midwife, on reality shows such as W.A.G.s to Riches and Love is Blind and on lowbrow animated comedies like Family Guy and South Park. That's about the same as last year. In 2024, TV shows featured 66 such plotlines.

But in the past few years, there's been a significant drop in the number of characters who actually went through with an abortion. 37% obtained an abortion in 2025, a 14% decline since 2023.

That's according to the annual Abortion Onscreen report. It comes from Advancing New Standards in Reproductive Health, a research program on abortion and reproductive health based at the University of California San Francisco.

"I think there still is a lot of stigma, even in allegedly liberal Hollywood," says researcher Steph Herold. She says the report, which has come out for about a decade, reflects a profound lack of accurate representation of abortion use in America. For example, she points to research showing that about 60% of real life Americans who seek an abortion deal with some sort of barrier.

"But only about a third of people who are characters on screen face any kind of barrier to abortion," Herold said. "Whether it was not being able to come up with the cost of the abortion, not having somebody to watch their kids or cover for them at work, having to deal with clinics that are miles away, or in other states having insurance that wouldn't cover the cost." Most TV shows in 2025 depicting women struggling to get abortions focused on legal obstacles in the past and present.

On TV, 80% of characters seeking abortions are upper or middle class, but in real life, most abortion patients struggle to make ends meet. "This [disparity] obscures the role that poverty plays in obstructing access to abortion, and perhaps explains why we so rarely see plotlines in which characters wrestle with financial barriers to abortion access," the study says.

This year, a teenager on The Pitt sought abortion pills to end her pregnancy — one of only three stories depicting medication abortion out of 65 plotlines about abortion this year. That's another disparity between representation on-screen and real-world numbers: research shows that abortion pills account for the majority of abortions in the U.S. Another difference: only 8% of people seeking abortion on TV are parents. In real life, most abortion patients have at least one child.

It is unrealistic, says Herold, to expect TV to perfectly reflect current abortion use in the U.S., but she said she was disappointed by certain trends. Fewer characters this year received emotional support around their abortions, and more shows, she said, including Chicago Med, 1923, Breathless and Secrets We Keep featured plotlines that emphasized shame and stigma around abortions, especially because of religion. These storylines, the report says, "both obscure the diversity of religious observance among people having abortions, portraying religious patients as exclusively Christian, and also only associating religion with prohibiting abortion, instead of being a meaningful or supportive part of someone's abortion decision-making and experience."

But even though abortion has long been a hot-button political issue, Herold says millions of Americans have had some sort of experience with abortions. "Whether it's having one themselves or helping a daughter or a friend," she said, adding that stories that reflect a diversity of abortion experiences will be familiar to many viewers.

One bright spot, she added, was that television is doing a better job of reflecting the racial realities of abortion. A slight majority of characters in abortion plotlines are people of color — and although they are by far the majority of abortion seekers in real life, this marks a notable improvement from a decade ago, when TV shows more often portrayed women seeking abortions as wealthy and white.

Geminids, the strongest meteor shower of the year, hit a peak this weekend, sending over 150 meteors per hour through the night sky tonight and Sunday.

Vanessa Alarcon, an astronomical observer at the Griffith Observatory, says despite being the best and brightest every year, these meteors don’t tend to get many fans.

" It's usually not as heavily attended, I think because it's a lot colder in the winter. So it's definitely a deterrent, but technically, it's more meteors per hour than the Perseids are," Alarcon said.

The Perseids are typically visible between July and August, but this summer, they were mostly drowned out because of light pollution from the full moon.

Alarcon says it will be a different story this weekend.

" The Geminids ... there's about a 25% crescent moon. So it's actually going be even better than the Perseids," Alarcon said.

Where to go for the best view

For the best viewing experience, you'll have to brave the cold of the deserts and mountains at night, but it should be worth the trip.

"You should go to a darker sky," Alarcon said. "And basically, you just want to get away from the city lights — anything away from the city lights is going to be an improvement from trying to watch it at home."

When to best see it

The Geminids are notable for being exceptionally bright, burning like fireballs for several seconds. The meteors can be seen after 8 p.m. tonight, Alarcon said, peaking between 1:20 and 2:20 a.m. and visible until 5:20 a.m.