The Frame

The late L.A. artist Carlos Almaráz is the subject of a new exhibition at the L.A. County Museum of Art; filmmaker Gregory Monro spotlights Jerry Lewis' directing career in "The Man Behind the Clown;" playwright Gretchen Law remembers comedian and activist Dick Gregory, the subject of her play, "Turn Me Loose."

First-time director Geremy Jasper drew from his musical past to make "Patti Cake$," the story of an overweight, white female rapper; the film 'La La Land' gets a drag parody that's so bad it's good; summer box office numbers are down 12 percent from last year. What's keeping fans away from the multiplex?

Spotify takes down some white supremacist music; Disney Jr. show "Doc McStuffins" draws praise and some criticism for a recent episode that includes a family with same-sex parents; “Gook,” a new film written, directed by and starring Justin Chon, revisits the 1992 L.A. riots from the perspective of Korean Americans.

Apple plans to spend $1 billion on original content to rival streaming services; "Lemon" filmmakers Janicza Bravo and Brett Gelman channel their own anxieties into an uncomfortable comedy; Adam Langdon plays a character with an unspecified disorder in the stage adaptation of "The Curious Incident of the Dog in the Night-Time."

What goes into playing Jaime Lannister on "Game of Thrones?" Where did Nikolaj Coster-Waldau find the time to make the new movie "Shot Caller?" The Danish actor opens up about all this and more; investigations are underway in Vancouver where a fatal stunt occurred Monday on the set of “Deadpool 2.”

Producer Will Packer has several hit movies under his belt, and now he has the provocative TV series, "Black America," in the works at Amazon; Shonda Rhimes' move is a major development in the networks’ ongoing struggle with the aggressive streaming services.

Choreographer Kenny Ortega talks about his long-time love of musicals and his dream to make a musical about a gay teenager who comes out; Soundcloud was on the brink of shutting down until new investors surfaced; in "Morningside 5," filmmaker Mike Tollin revisits the subjects of "Hardwood Dreams," his film about high school NBA hopefuls.

In part 2 of our chat Steven Soderbergh, he talks about why "Logan Lucky" was the movie to bring him back to filmmaking. Then, we go behind the scenes at the Hollywood Bowl to find out what exactly goes into making that music sound so good out there, and with the TCA press tour over we find out what's to be learned about the state of the TV business.

With "Logan Lucky," Soderbergh returns to the big screen with a new strategy for indie filmmaking; Disney decides to go its own way with plans to launch two streaming services; a new virtual reality experience puts you into flatline mode.

Aubrey Plaza is changing things up with her role in the FX show, “Legion,” and in two movie parts this summer, including the mentally unbalanced title character in “Ingrid Goes West”; When actor Algee Smith auditioned for “Detroit,” director Kathryn Bigelow did not give him the script or tell him much about the film. Smith chats with John about Bigelow’s unusual process.

Liz Feldman talks about her series that stars Christina Applegate and Linda Cardellini and walks a fine line between comedy and tragedy.

The novelist and comic book creator co-wrote the novel with Terry Pratchett, but they couldn't get a production going before Pratchett's death in 2015. The current Amazon series fulfills their dream.

The actress stars as a harsh talk show host in the new movie written by Mindy Kaling.

Craig Mazin talks about his HBO miniseries that challenges our knowledge of the 1986 nuclear meltdown in Russia; record labels are in for a windfall, but how much will artists see?; "Godzilla" lives to romp and stomp again.

Her book is the basis for the Hulu series that stars Aidy Bryant as a young woman who defies being defined by her weight; a stringent abortion law in Louisiana could threaten TV and film production there; veteran pop music critic recounts Elton John's 1970 U.S. debut.

Randall Park and Ali Wong had been talking about making a romantic comedy for years and it's finally come to pass; with William Morris/Endeavor going public, the talent agency's finances are under scrutiny.

The former Texas Congressman's run for the U.S. Senate is documented in an HBO documentary that provides insight into his current presidential campaign; a recap of the Cannes Film Festival; "Echo in the Canyon" owes a lot to "California Dreamin'."

John Horn and Los Angeles Times film writer Jen Yamato are your guides to the Summer movie season. Guests include Kumail Nanjiani ("Stuber"), Olivia Wilde (director of "Booksmart") and Emma Thompson ("Late Night"). With the Elton John biopic coming up ("Rocketman"), we'll hear from the pop music critic who covered Elton's 1970 U.S. debut in L.A. And John reports from the trade floor at CinemaCon where vendors pitch the food and drinks they're trying to get into concession stands.

Why Icelandic artist Ragnar Kjartansson made a 12-hour version of the final aria of Mozart's beloved "The Marriage of Figaro"; Harvey Weinstein and his former studio's board members reach a tentative $44 million settlement with the women who've accused him of sexual misconduct; and art writer Jori Finkel on what inspires artists.

The most lucrative season for studios and cineplexes is usually filled with action films and sequels, but scary movies are making big inroads; a new study indicates that LGTBQ representation in movies improved in 2018; the guitar duo Rodrigo y Gabriela in their element.

The actress went behind the camera for the teen girl comedy, which marks her directing debut; an Amazon TV series and a movie starring Kristen Wiig have canceled plans to shoot in Georgia because of the state's new abortion law; singer, songwriter and guitarist Steve Gunn.

The TV series co-creators, Sarah Schneider and Chris Kelly, talk about their offbeat family comedy; can the video app TikTok take over music streaming?; recreating 1969 in "Once Upon a Time in Hollywood."