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Food

From Taylor's to Dear John's: Angelenos are obsessed with old-school steakhouses

an old time looking dining room with red walls and tiffany lights; there are elegantly dressed people sitting at tables with white tablecloths.
Clearman’s Steak ’n Stein in Pico Rivera, with its signature central fountain and wood-paneled dining room
(
Eric Wareheim
/
Courtesy Ten Speed Press
)

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Listen 20:09
A new book takes a meaty look at the steak houses that make America

How far would you travel for a good steak?

For actor and director Eric Wareheim, best known as half of the pioneering duo Tim & Eric, the answer turned into a three-year journey across the United States, a sprawling tour of iconic dining rooms, veteran servers and the rituals that define America’s most enduring steakhouses.

The result is his new book, Steakhouse: The People, the Places, the Recipes.

Wareheim joined LAist 89.3’s AirTalk recently, talking to host Larry Mantle about how the project grew from a simple “best of” list into a full cultural record.

“Every city has five more, not on anyone’s list,” he said, describing the scale of the country’s steakhouse universe.

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Understanding the appeal

For Wareheim, a great steakhouse is built on atmosphere as much as what’s on the plate. Newer restaurants may source fancier meat, he said, but the old-school places offer a different kind of comfort — a sense of continuity that’s increasingly rare.

A man wearing a white cowboy hat, glasses, and a bright green embroidered suit jacket sits at a restaurant table set with multiple plates of sliced steak and cocktails. He holds a knife and fork with a small piece of steak lifted toward his mouth.
A suited-up Wareheim sampling prime cuts as he documents America’s great steakhouses.
(
Marcus Nilsson
/
Courtesy Ten Speed Press
)

What became clear in reporting the book, he said, is that steakhouses serve as more than dining rooms. They’re gathering places for birthdays, anniversaries and decades-long family traditions. They’re neighborhood anchors. And they’re deeply specific to their cities, each one carrying its own rituals, quirks and regulars.

A black-and-white photo showing a chef in a tall hat standing beside three people seated in a wood-paneled restaurant booth, appearing to review paperwork together.
An archival look at the people who built the classic American steakhouse, one dining room meeting at a time.
(
Courtesy Valley Times Photo Collection
)

The local perspective

It didn’t take long for AirTalk listeners to jump in with their own L.A. favorites.

  • George Petrelli’s Steakhouse in Culver City: “They bring the meat in and butcher everything right there in the shop — cutting, dressing, even grinding the beef on the premises,” said Douglas in Long Beach.
  • 555 East in Long Beach, which recently marked its 40th anniversary: “It was a grand celebration for the regulars — incredible prime rib, as much as you wanted, plus all sorts of other good things. Their steaks were terrific, and for dessert, they served a molten, individually baked pudding in its own little casserole dish," raved Harriet in Seal Beach.
  • Dear John’s in Culver City: “So dark you can’t see for the first five minutes,” joked Michael in Sherman Oaks.
     
  • Magic Lamp in Rancho Cucamonga: Its classic neon signage was singled out by Eric via email.
  • Dan Tana’s in West Hollywood: "The best New York strip in town," said Jennifer in Silver Lake.
  • Valley Inn Restaurant and Martini Bar in Sherman Oaks: Rose emailed that it was once the favorite steakhouse of legendary UCLA coach John Wooden. 
  • Betsy in Altadena: Praised by local resident Peggy as her new go-to, calling its real-wood, fire-seared steaks “a bright spot amongst the ashes” — a nod to the community recovering from the Eaton Fire.
  • Wareheim himself shouted out Taylor’s in Koreatown, the first steakhouse he and his comedy partner Tim Heidecker visited years ago. This formative experience planted the seed for the book.
A book cover featuring a bright red building with bold white letters spelling “STEAK HOUSE” against a clear blue sky; the title reads Steakhouse: The People, The Places, The Recipes by Eric Wareheim with Gabe Ulla.
From neon signs to prime rib rituals, Wareheim’s book captures the soul of the American steakhouse.
(
Courtesy Ten Speed Press
)
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In addition, Steakhouse also makes mention of plenty of other L.A.–based restaurants that make beef their specialty, including:

Clearman’s Steak ’n Stein (Pico Rivera — classic mid-century steakhouse known for prime rib).
Soot Bull Jip (Koreatown — Korean barbecue)
Langer’s Delicatessen (MacArthur Park — famed pastrami)
Thien An Bo 7 Mon (Rosemead — Vietnamese seven-courses-of-beef restaurant)
Niku X (Downtown L.A. — high-end dry-aged/robot-assisted steakhouse)
Musso & Frank Grill (Hollywood — iconic old-school chophouse)
Majordomo (Chinatown — modern Korean-American takes on large-format beef)

Veteran servers

Wareheim argued that the heart of any steakhouse isn’t the cut of meat — it’s the staff. Many of the places he visited have servers who’ve been there 30 or 40 years, passing down the rhythms of the room like a craft.

“You want to go to a serious server, a lifer who knows exactly what the best thing is,” he said. “You can let go and just let these veterans guide you. And that’s a good feeling.”

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