Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

YΔCHT, Bobby Birdman @ Temporary Spaces 2 10/23/09

This story is free to read because readers choose to support LAist. If you find value in independent local reporting, make a donation to power our newsroom today.

Not 24 hours after the Twitterverse was abuzz with YΔCHT's stellar CMJ performance, the Portland, Oregon duo of Jona Bechtolt and Claire Evans could be found delivering their manifesto-driven laptop-pop to a sweaty crowd at last night's MFG-curated Discotheque party held at the newly opened Temporary Spaces Two.

The night opened with earnest and adorable Bobby Birdman (and computer) crooning lovely melodies over layered Casio keyboard beats and loops, aiding and abetting the notion that boys in bands are girl-magnets, given the singular gender of his fairly sizable fan club.

At a little past midnight YΔCHT took the stage with a bit of stand-up, letting the crowd know that tonight "would have a lot of talking", a warning that was thrown by the wayside the moment the synth hit the monitors. Channeling Grace Jones' View to A Kill persona (both deadly and fashionable), Evans' lithe, black-clothed frame vogued her way around partner Bechtolt's white-suited air-drumming, as the two frenetic moving targets powered through their new DFA Records release, See Mystery Lights.

Coupled with a seizure-inducing slide show of pulsating black and white triangles, the stark, yet visually jarring stage experience could have been taken from the Eurythmics playbook circa 1983, had Annie Lennox and Dave Stewart had a penchant for meth. Naturally, the crowd ate up every pose, pogo, and pop-hook in a mass frenzy usually reserved for a basement Matt and Kim show, making the night a free-for-all to be remembered.

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive from readers like you will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today