Support for LAist comes from
We Explain L.A.
Stay Connected

Share This

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts and Entertainment

Meg Stuart/Damaged Goods at REDCAT

We need to hear from you.
Today, put a dollar value on the trustworthy reporting you rely on all year long. The local news you read here every day is crafted for you, but right now, we need your help to keep it going. In these uncertain times, your support is even more important. We can't hold those in power accountable and uplift voices from the community without your partnership. Thank you.

ms3.jpg
Photo credit to Eva Wurdinger. Philipp Gehmacher (foreground) and Niko Hafkenscheid (background).


Photo credit to Eva Wurdinger. Philipp Gehmacher (foreground) and Niko Hafkenscheid (background).
REDCAT is bringing an ex-pat home! New Orleans-born, New York-educated and living in Brussels since 1991, Meg Stuart will be staying in LA this Wednesday through Saturday as she and acclaimed Vienna, Austria-based choreographer Philipp Gehmacher present Maybe Forever in our city's home for the new and different. In front of a large-scale visual installation by artist Janina Audick, the two dance artists are joined on stage by Belgian guitarist/composer Niko Hafkenscheid in this dramatic Los Angeles dance theater premiere.

Both collaborating choreographers have individually amassed thick handfuls of international awards and commissions and are considered to be two of Europe's most engaging and eloquent performing artists.

Fueled by hauntingly evocative post-blues songs, promotional materials say that Maybe Forever is a profound and touching duet that beautifully balances the edge-y border between theater and dance. Whirling passions and the fears and anxieties of love are uncovered and then evaporate as in a daydream while Stuart and Gehmacher explore an amped humanity--often idiosyncratic and eccentric in their movement choices and riveting and compelling in performance .

Support for LAist comes from

The New York Times says that Stuart "does not visit these shores often enough [and] a chance to see what she has been up to is not to be missed."

Sounds intriguing!! Check out this link and head to this week's ex-pat compound on Grand Street!

Most Read