Support for LAist comes from
Local and national news, NPR, things to do, food recommendations and guides to Los Angeles, Orange County and the Inland Empire
Stay Connected
Listen

Share This

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts and Entertainment

LAist Film Calendar: Whose House? Mafia's Grindhouse!

Congress has cut federal funding for public media — a $3.4 million loss for LAist. We count on readers like you to protect our nonprofit newsroom. Become a monthly member and sustain local journalism.

house.jpg
()

Head's up! | Photo courtesy of Janus Films

It's only March, but I can already guarantee House is the weirdest film you'll see in a theater this year. The slice of '70s pscyhedelia takes a band of Japanese school-girls, sends them to an old house, and severs all ties to sanity. House deftly melds art-house tricks with gore and slapstick, and turns on a dime. There's new-wave editing, laser ghost cats, gorgeous lighting, dancing skeletons, faux newsreel footage, martial arts, haunting melodies and a series of deaths so outrageous I don't even know how to put them to words. It opens at the New Beverly on Friday, where it plays for an entire week. And considering all the amazing films the Bev only screens a couple nights...

If scary cats and surrealism are your thing, there's Alice at the Downtown Independent. Leave the glasses at home - this is the 2D Czech import from stop-motion master Jan Svankmajer. If scary cats and surrealism aren't your thing, take the cannoli to the Egyptian Theatre for a double dose of mafioso. Grindhouse Releasing world-premieres their exhaustive (15 years in the making!) reconstruction of Gone With The Pope, documenting a sleazy scheme to kidnap The Pope for a dollar ransom from every Catholic in the world. The one-off program includes a Q&A with unnamed cast and crew, as well as the ultra-violent Godfather cash-in Massacre Mafia Style. The current DVD is sourced from a tape master, so this may be your only chance to see all the gritty details fully restored in 35mm!

Support for LAist comes from

Full list appears below. See you at the movies!

()

Pimp's up, gunned down! | Photo courtesy of Grindhouse Releasing

All Week
Ajami (2009) (Laemmle's Music Hall 3)
American Radical: The Trials Of Norman Finkelstein (2009) (Laemmle's Music Hall 3)
The Art of the Steal (2009) (The Landmark) (Laemmle's Playhouse 7) (Laemmle's Sunset 5) (Laemmle's Town Center 5)
Children of Invention (2009) (Downtown Independent)
Cry of the Owl (2009) (Laemmle's Music Hall 3)
Mother (2009) (The Landmark) (Laemmle's Playhouse 7) (Laemmle's Sunset 5)
Mystery Team (2009) (Nuart Theatre)
Ondine (2009) (Laemmle's Fallbrook 7)
Surviving Crooked Lake (2008) (Laemmle's Sunset 5)
Toe to Toe (2009) (Laemmle's Sunset 5)
The White Ribbon (2009) (Laemmle's Royal Theatre)
The Yellow Handkerchief (2008) (Laemmle's Monica 4-Plex)
The Young Victoria (2009) (Laemmle's Town Center 5)

Thursday 3/11
Beetle Queen Conquers Tokyo (2009) (w/ director Jessica Oreck) (Cinefamily @ Silent Movie Theatre) (What's Up, Docs?)
Beyond the Years (2006) (free event) (Korean Cultural Center)
Brooklyn's Finest (2009) (Arclight Sherman Oaks) (21+ screening)
Collaborative Dreams: Videos by David Finkelstein (w/ David Finkelstein) (Echo Park Film Center)
The Crazies (2010) (Arclight Hollywood) (21+ screening)
Four Friends (1981) / Eyewitness (1981) (Egyptian Theatre)
Harmony and Me (2009) (free event) (Melnitz Movies)
Key Largo (1948) / Murder My Sweet (1944) (Aero Theatre)
Lady Vengeance (2005) (Downtown Independent)
Plan 9 From Outer Space (1958) (w/ live comedy by L.A. Connection) (Laemmle's Royal Theatre)
A Prophet (2009) (Arclight Hollywood) (21+ screening)
Shadow of a Doubt (1943) / Saboteur (1942) (New Beverly Cinema)

Friday 3/12
Alice (1988) (Downtown Independent)
American Radical: The Trials Of Norman Finkelstein (2009) (w/ Norman Finkelstein at first evening show) (Laemmle's Music Hall 3)
The Art of the Steal (2009) (w/ director Don Argott, producer Sheena Joyce and executive producer Lenny Feinberg at 7:20pm show) (The Landmark)
The Bed Sitting Room (1969) / A Boy and His Dog (1975) (Cinefamily @ Silent Movie Theatre) (Post-Apocalypse Now!)
The Big Lebowski (1998) (Nuart Theatre) (Cine-Insomnia Midnight Movie)
Carnival Atl‚ntida (1952) / O Cangaceiro (1953) (UCLA Film & Television Archive @ Hammer Museum) (Brazilian Films of the 1950s)
Gone With the Pope (1976) / Massacre Mafia Style (1978) (world premiere w/ special guests) (Egyptian Theatre)
House (1977) (New Beverly Cinema)
San Francisco (1936) (Old Town Music Hall)
This Is Spinal Tap (1984) (Art Theatre of Long Beach) (Mondo Fridays)
Toe to Toe (2009) (w/ filmmaker Emily Abt at 7:10pm show) (Laemmle's Sunset 5)
Toni (1935) / Swamp Water (1941) (LACMA) (The Films of Jean Renoir)
Vertigo (1958) (Aero Theatre) (Larger Than Life: 70MM)
Who Was Walter Ruttman? / Berlin: The Restoration of a City (1927) (w/ discussion led by Stefan Droessler of the Munich Film Museum) (Echo Park Film Center) (Los Angeles Filmforum)

Saturday 3/13
Ajami (2009) (weekend morning show) (Laemmle's Monica 4-Plex)
The Art of the Steal (2009) (w/ director Don Argott, producer Sheena Joyce and executive producer Lenny Feinberg at 7:20pm show) (The Landmark)
Broken Embraces (2009) (weekend morning show) (Laemmle's Monica 4-Plex)
Dark Passage (1947) / Dead Reckoning (1947) (UCLA Film & Television Archive @ Hammer Museum) (Here's Looking at You, Humphrey Bogart)
French Cancan (1955) / The Golden Coach (1953) (LACMA) (The Films of Jean Renoir)
The Girl on the Train (2009) (weekend morning show) (Laemmle's Monica 4-Plex)
The Graduate (1967) / Games (1967) (w/ Katherine Ross) (Aero Theatre)
House (1977) (New Beverly Cinema)
Idiocracy (2006) (w/ Peruvian/Japanese fusion food truck Lomo Arigato) (Cinefamily @ Silent Movie Theatre) (HFS: Stoopid Futures)
The Outsiders (1983) (Regency Academy) (Insomniac Cinema Midnight Movie)
The Messenger (2009) (weekend morning show) (Laemmle's Monica 4-Plex)
Rocky Horror Picture Show (1975) (Sins O' The Flesh Midnight Show) (Nuart Theatre)
Rocky Horror Picture Show (1975) (Midnight Insanity Midnight Show) (Warner Grand Theatre)
San Francisco (1936) (Old Town Music Hall)
Sansho the Bailiff (1954) (Cinefamily @ Silent Movie Theatre) (Masters of the Long Take)

Support for LAist comes from

Sunday 3/14
Ajami (2009) (weekend morning show) (Laemmle's Monica 4-Plex)
Broken Embraces (2009) (weekend morning show) (Laemmle's Monica 4-Plex)
David Finkelstein: Marvelous Discourse (Egyptian Theatre) (Los Angeles Filmforum)
Deadline-U.S.A. (1952) / The Enforcer (1951) (UCLA Film & Television Archive @ Hammer Museum) (Here's Looking at You, Humphrey Bogart)
Freebie and the Bean (1974) (w/ Michael Cera) (Cinefamily @ Silent Movie Theatre)
The Girl on the Train (2009) (weekend morning show) (Laemmle's Mo
House (1977) (New Beverly Cinema)
The Messenger (2009) (weekend morning show) (Laemmle's Monica 4-Plex)
Raging Bull (1980) (The Bay Theatre)
San Francisco (1936) (Old Town Music Hall)
Taking Off (1971) / Catch-22 (1970) (w/ Buck Henry) (Aero Theatre)
Top Hat (1935) / Roberta (1935) (Egyptian Theatre)

That's all for this week. Next week, we conquer Tokyo! I've got 8 plans that are the bees' knees!

Compiled, as always, by the amazing and diligent Edward Yerke-Robins (and family!)

As Editor-in-Chief of our newsroom, I’m extremely proud of the work our top-notch journalists are doing here at LAist. We’re doing more hard-hitting watchdog journalism than ever before — powerful reporting on the economy, elections, climate and the homelessness crisis that is making a difference in your lives. At the same time, it’s never been more difficult to maintain a paywall-free, independent news source that informs, inspires, and engages everyone.

Simply put, we cannot do this essential work without your help. Federal funding for public media has been clawed back by Congress and that means LAist has lost $3.4 million in federal funding over the next two years. So we’re asking for your help. LAist has been there for you and we’re asking you to be here for us.

We rely on donations from readers like you to stay independent, which keeps our nonprofit newsroom strong and accountable to you.

No matter where you stand on the political spectrum, press freedom is at the core of keeping our nation free and fair. And as the landscape of free press changes, LAist will remain a voice you know and trust, but the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news from our community.

Please take action today to support your trusted source for local news with a donation that makes sense for your budget.

Thank you for your generous support and believing in independent news.

Chip in now to fund your local journalism
A row of graphics payment types: Visa, MasterCard, Apple Pay and PayPal, and  below a lock with Secure Payment text to the right
(
LAist
)

Trending on LAist