Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

Movie Review: Feast of Love

One year ago, Congress defunded public media. Now that we're 100% community funded, please become a sustaining member or increase your existing membership today.

I walked into Feast of Love with high expectations. Despite his reputation in some corners as a lightweight (probably only because he hostedTalk Soup all those years ago), I think Greg Kinnear is a profoundly underrated actor. His recent work, especially in Auto Focus, The Matador and Little Miss Sunshine has been wonderfully understated. That he would be joined by a bevy of equally solid, unflashy actors--Morgan Freeman, Jane Alexander, Radha Mitchell, Selma Blair--assured me that I was in for a good viewing experience.

Unfortunately, that wasn't the case. Feast of Love certainly isn't a bad movie, but it is surprisingly mediocre. Allison Burnett seems to have adapted far too much of Charles Baxter's original book. The movie overflows with plot to such a degree that some events feel terribly abrupt and without sufficient background to motivate them. Director Robert Benton surely deserves significant blame for this. He didn't cut the script in pre-production and he certainly didn't put his foot on the neck of his editor. Because of that, the film is sometimes a mess.

Of course, love is messy (that may be Burnett and Benton's point) and messy movies about love can work (think Love Actually), but Feast of Love has such a hazy focus (and a few glaringly bad scenes with Fred Ward) that it just sort of ends with a whimper. All of the actors do a fine job (obviously the ones mentioned above, along with Billy Burke and Alexa Davalos), but the stories they serve are so mundane that you end up not caring very much by the end of the movie. The performances are interesting but not particularly memorable.

It's too bad really. Benton has assembled a cast that is not only talented but incredibly game (I can't remember the last movie I saw where so many of the actors had a nude scene--Mitchell, especially, just totally goes for it). Ultimately, though, all of the sex is just a welcome curiosity instead of an integral part of the story. I can't recommend seeing Feast of Love in the theaters, but it may be worth a rental in the future. It will almost surely become a staple on Mr. Skin. Freeze-framers with 1080p TVs: ready your remote controls!

Photos courtesy of MGM

One year ago, Congress voted to defund public media, eliminating a critical $1.7 million from our budget every year going forward. But they couldn’t silence us, and we’re not going anywhere. LAist is now 100% community funded and that means we’re taking our future into our own hands and turning to you to keep local reporting strong.

You come to LAist because you want independent reporting and trustworthy local information. Our nonprofit newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our communities. We are free to follow facts wherever they lead and to hold power to account without fear or favor. Our only loyalty is to our readers and listeners and our mission: to inform, engage, and strengthen Southern California’s communities.

If this story helped you, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today