Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

CD Review: CINEMATIC: Classic Film Music Remixed

This story is free to read because readers choose to support LAist. If you find value in independent local reporting, make a donation to power our newsroom today.

Artist: Various
Album: CINEMATIC: Classic Film Music Remixed
Label: Six Degrees Records
Release Date: 09/11/2007

Finally an album for hardcore cinephiles and downtempo/electronica fans - lucky me, I'm a denizen of both camps. Producer Bob Duskis paired up film classics by Ennio Morricone, Henry Mancini, and Nino Rota with electronica producers like: King Britt, the Bombay Dub Orchestra, Bent, and Gaudi.

OK, let's be careful here, there are hardcore cinephiles who will demand that nobody mess with soundtracks as iconic as: They Call Me Mr. Tibbs; The Taking of Pelham 1, 2, 3; Fellini's Roma; Ben Hur; For A Few Dollars More; Paris Blues; and several others. But these are remixes, not remakes - these tracks are not meant to accompany the films, but to evoke the films in a completely separate musical context.

With a couple of notable exceptions I felt that all of these remixes were lush, interesting and articulate interpretations of the original scores. A couple truly unique takes on the material were Gaudi's ultra-layered "Theme from Carrie" (holy crap WTF?!!) and Tom Middleton's dubbed out "Inherit the Wind Main Title". My favorites were Shrift's "Goodbye Colonel" (from For a Few Dollars More) and Bombay Dub Orchestra's "Love Theme From Ben Hur".

As I said, there were a couple of exceptions. These were the hip hop tracks "Hour of the Gun Main Title" remixed by Mark de Clive Lowe and "They Call Me Mr. Tibbs Main Title", the King Britt vocal reinterpretation (King Britt's instrumental version, at the beginning of the album, is excellent however). The hip hop vocals bring nothing to this music, they were a totally annoying distraction and I found myself forwarding through those on my second listen-through which is what that button is for I guess. Have no fear, that leaves 12 other very good tunes, some of which inspired me to Netflix several movies I haven't seen in ages.

Shawn Lee's Ping Pong OMD Remix of "The Birdman of Alcatraz Theme"




Sponsored message

Powered by Podbean.com

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive from readers like you will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today