Support for LAist comes from
Made of L.A.
Stay Connected

Share This

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts and Entertainment

Box Office Review: America Still Loves Marley!

marleyx2.jpg
Support your source for local news!
The local news you read here every day is crafted for you, but right now, we need your help to keep it going. In these uncertain times, your support is even more important. Today, put a dollar value on the trustworthy reporting you rely on all year long. We can't hold those in power accountable and uplift voices from the community without your partnership. Thank you.

Photo courtesy of Twentieth Century Fox

Christmas darling Marley & Me had a second strong week as it easily won the box-office race again ($24M/$106.5M). Bedtime Stories surged ($20.3M/$85.3M) ahead of The Curious Case of Benjamin Button ($18.4M/$79M) while Valkyrie enjoyed a strong weekend, too ($14M/$60.6M). After that it was the very unfunny Yes Man ($13.8M/$79.4M), the awfully shitty Seven Pounds ($10M/$60M) and the cute-ish The Tale of Despereaux ($7M/$43.7M).

Doubt enjoyed another strong weekend ($5M/$18.7M) as attendance dropped a miniscule 5% week-over-week. Morons are still seeing The Day the Earth Stood Still ($4.8M/$74.2M). At least, other folks are spending good money on Slumdog Millionaire ($4.7M/$28.7M). In limited release, Defiance was the only newcomer ($60,500 per theater) though the segment stayed strong with Gran Torino ($33,571), Revolutionary Road ($25.763) and The Wrestler ($24,000).

Most Read