Support for LAist comes from
We Explain L.A.
Stay Connected

Share This

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts and Entertainment

Box Office Review: A Monster Weekend!

ohmegan.jpg
Support your source for local news!
Today, put a dollar value on the trustworthy reporting you rely on all year long. The local news you read here every day is crafted for you, but right now, we need your help to keep it going. In these uncertain times, your support is even more important. We can't hold those in power accountable and uplift voices from the community without your partnership. Thank you.

Yeah, I know this picture has nothing to do with this weekend's movies. | Photo courtesy of Paramount

Monsters vs. Aliens stormed past expectations en route to a rousing $58.2M opening weekend win at the box office. The Haunting in Connecticut may just be another generic horror pic, but it still managed to scare up a healthy $23M worth of business. Last week's champ, Knowing, slipped to third but still had a distressingly strong weekend ($14.7M/$46.2M) as did the very funny I Love You, Man ($12.6M/$37M). The bloom is apparently off Julia Roberts' rose as Duplicity showed weakness in its second frame ($7.5M/$25.6M).

The entirely unnecessary Race to Watch Mountain ($5.6M/$53.2M) edged newcomer 12 Rounds ($5.3M) while the plug was officially pulled on The Watchmen as it shed almost three-quarters of its theaters ($2.7M/$103.2M). The resilient Taken is still printing money ($2.7M/$137M) as is The Last House on the Left ($2.6M/$28.4M). The limited release crowd was led by The Cross: The Arthur Blessit Story ($327,000 but only $1480 per theater). Both Goodbye Solo ($13,500 per) and Shall We Kiss? ($7750) were much stronger.

Most Read