Support for LAist comes from
Made of L.A.
Stay Connected

Share This

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts and Entertainment

Box Office Review: Blackjack!

Support your source for local news!
The local news you read here every day is crafted for you, but right now, we need your help to keep it going. In these uncertain times, your support is even more important. Today, put a dollar value on the trustworthy reporting you rely on all year long. We can't hold those in power accountable and uplift voices from the community without your partnership. Thank you.

Non-Asian Jim Sturgess portrays Asian character | Photo courtesy of Sony Pictures

Even though the book on which it was based was infinitely better than the resulting movie, the quasi-racist 21 still managed to dominate the weekend box office in its debut. It pulled in a healthy $23.7M, easily outdistancing the resilient Horton Hears a Who ($17.4M/$117.2M). The pathetic Superhero Movie underperformed at $9.5M in its first weekend, followed by Tyler Perry's Meet the Browns ($7.7M/$32.8M) and Drillbit Taylor ($5.8M/$20.2M).

The bottom half of the top 10 was headed by the non-scary Shutter ($5.3M/$19.1M) and the inept 10,000 B.C. ($4.8M/$84.9M). Newcomer Stop-Loss did the same middling business as its Iraq War-themed brethren ($4.5M). College Road Trip ($3.5M/$38.3M) and The Bank Job ($2.8M/$24.1M), however, continued to hold onto their audience while Run Fatboy Run fell flat ($2.3M). In limited release, Flawless ($5142 per theater), Priceless ($4875) and My Brother is an Only Child ($10,500) all performed okay.

Most Read