Support for LAist comes from
Audience-funded nonprofit news
Stay Connected
Audience-funded nonprofit news
Listen

Share This

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts and Entertainment

CD Review - Warren Zevon's 'The Envoy'

With our free press under threat and federal funding for public media gone, your support matters more than ever. Help keep the LAist newsroom strong, become a monthly member or increase your support today. 

()

Artist: Warren Zevon
Album: The Envoy
Label: Rhino
re-Release Date: 03/27/2007

Three and a half years after his death, Rhino has rereleased Warren Zevon's sixth album, The Envoy. An unlikely rock and roll star, the sometime Californian and LA denizen had risen to pop status with his 1978 release, Excitable Boy, but he had experienced some major alcohol and substance abuse rollercoaster rides since that peak.

1982's The Envoy was probably his most brilliant release since Excitable Boy but it was received very poorly and Asylum Records dropped Zevon, sending him into a tailspin of alcoholism and a major stint in rehab which kept him clean for the rest of his life.

Support for LAist comes from

The title track is definitely the reason to buy/listen to this album. It's based on/dedicated to Philip Habib, US special envoy to the Middle East during an Israeli/Syrian/Lebanese/Iraqi crisis that is all just too familiar. Most of the other tracks are Zevon's typical swings between melancholia and heartfelt crooning but there are some standouts. "The Hula Hula Boys" really sounds like a joke, and it is one since it is based on some lyrics written by Hunter S. Thompson. One thing that strikes you when listening to this that it is an _album_ directed towards the LP format. Side two of the record would have started with the punk-rawk-esque "Ain't That Pretty At All", a stomper that steers away from some of the synth augmented format typical of the other tracks.

The bonus tracks with this reissue are outtakes and alternate takes that are fairly unremarkable with the exception of Zevon's take of the Troggs' classic "Wild Thing" - very enjoyable, but not nearly as meaningful and heavy duty as "The Envoy."

Warren Zevon - the Envoy



At LAist, we believe in journalism without censorship and the right of a free press to speak truth to those in power. Our hard-hitting watchdog reporting on local government, climate, and the ongoing housing and homelessness crisis is trustworthy, independent and freely accessible to everyone thanks to the support of readers like you.

But the game has changed: Congress voted to eliminate funding for public media across the country. Here at LAist that means a loss of $1.7 million in our budget every year. We want to assure you that despite growing threats to free press and free speech, LAist will remain a voice you know and trust. Speaking frankly, the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news in our community.

We’re asking you to stand up for independent reporting that will not be silenced. With more individuals like you supporting this public service, we can continue to provide essential coverage for Southern Californians that you can’t find anywhere else. Become a monthly member today to help sustain this mission.

Thank you for your generous support and belief in the value of independent news.

Chip in now to fund your local journalism
A row of graphics payment types: Visa, MasterCard, Apple Pay and PayPal, and  below a lock with Secure Payment text to the right
(
LAist
)

Trending on LAist