The Brief

From neighborhood celebrations and museum exhibitions to comedy shows and movie screenings, there are lots of fun things you can do in Southern California this Juneteenth on Thursday.

First, if you aren’t already familiar with the history of America’s newest federal holiday and how it’s been celebrated for decades in L.A. (specifically Leimert Park), you can quickly brush up with this article by former LAist associate editor Aaricka Washington.

Then, take your pick of events happening in SoCal on or around Juneteenth (Thursday, June 19):

Juneteenth Eve (Wednesday)

Wednesday, June 18, 7:30 p.m.
Bri Giger’s Prideteenth Show
The Elysian
1944 Riverside Dr., Los Angeles
COST: $16 + $4 fee; MORE INFO

This annual all-queer, all-POC variety show at the nonprofit alt-comedy theater The Elysian features live music, comedy, acting and poetry. The “celebration of Black queer power” is presented by actress, activist and comedian Bri Giger and Club Cleo.

The holiday (Thursday)

8 a.m. - noon 
Black Folk Juneteenth Freedom Day Ride
Baldwin Hills Crenshaw Plaza to Leimert Park
COST: FREE, BUT REGISTRATION REQUIRED; MORE INFO

Join cyclists from all over Southern California for this second annual bike ride that “promotes Black excellence, Juneteenth, and safe cycling in one of the world's best cities.” It’s a 9-, 14-, or 19-mile group ride through central L.A. that ends at the Leimert Park Village Juneteenth Celebration.

11 a.m. - 7 p.m.
Leimert Park Village Juneteenth Celebration
Leimert Park Village, Degnan Boulevard, Los Angeles
COST: FREE; MORE INFO

Celebrate Juneteenth where many say the holiday was first celebrated in L.A. back in 1949, with live music (drum circles, jazz, and DJ sets), poetry, line dancing, health and wellness resources, and a fashion show at Sole Folks at 5 p.m.

Noon - 1:30 p.m.
Altadena Historical Society Juneteenth Celebration and Luncheon
Loma Alta Park
3330 N. Lincoln Ave., Altadena
COST: $30-35; MORE INFO

The historical society’s fourth annual Juneteenth celebration will feature a luncheon, photo exhibition, quilt drawing and an awards ceremony for scholarships awarded to local students affected by January’s Eaton Fire.

The scholarship award is named after Ellen Garrison Clark, a Black educator and civil rights activist who fought against slavery and was buried in an unmarked grave in Altadena after she died in 1892. The historical society raised funds to purchase a headstone for Clark and unveiled it during their 2021 Juneteenth celebration.

Noon - 3 p.m.
Museum of African American Art
Baldwin Hills Crenshaw Plaza
Level 2, Suite 283
3650 W. Martin Luther King Jr. Blvd., Los Angeles
COST: FREE; MORE INFO

Visit the Museum of African American Art on Juneteenth and get a free tote bag (while supplies last) when you bring in a receipt from any Baldwin Hills Crenshaw retailer. Tour the museum’s collection and share what “Freedom Is…” to you.

3 p.m. - 4 p.m.
Gallery Conversation: Costuming Black History with Sharen Davis
Academy Museum of Motion Pictures
6067 Wilshire Blvd., Los Angeles
COST: FREE WITH ADMISSION; MORE INFO

Make a trip to the Academy Museum and enjoy a conversation with Emmy Award-winning and Academy Award-nominated costume designer Sharen Davis (Watchmen, Ray, Dreamgirls) about memorable costume designs from her 30-year career.

5:30 p.m. - 8 p.m.
Repossessions and Reparations
California African American Museum (CAAM)
Figueroa Street and Exposition Boulevard, Los Angeles
COST: FREE WITH RSVP; MORE INFO

Celebrate Juneteenth with a visit to CAAM to check out all their exhibitions, but specifically on the evening of Juneteenth, for a curator-led tour with artists in person from Repossessions (Feb. 14 - Aug. 3), a group exhibition reflecting on reparations for descendants of enslaved African Americans. The event also features a panel discussion with Reparations4Slavery and The Reparations Project, moderated by guest curator Bridget R. Cooks.

8:30 p.m.
The UCB Juneteenth Improv Extravaganza
Upright Citizens Brigade Theatre
5919 Franklin Ave., Los Angeles
COST: $11.96-17.94; MORE INFO

Prepare to laugh — either in person (at the UCB Theatre) or at home (for the livestream, also available for 7 days after) — during this show made up of four teams of Black improvisors. The show is hosted by comedian Ronnie Adrian.

8:35 p.m. and 11:10 p.m. 
Rooftop Cinema's Celebrating Black Cinema Series
888 S. Olive St., 4th Floor, DTLA
COST: FROM $23; MORE INFO

Check out one or both movies screening at Rooftop Cinema for Juneteenth: 1997’s Love Jones starring Larenz Tate and Nia Long, and Gina Prince-Bythewood’s 2000 film, Love & Basketball, starring Omar Epps and Sanaa Lathan. Or if Saturday works better for you, the rom-com Brown Sugar (2002) is playing at 11:10 p.m.

Beyond Juneteenth

Friday, June 20, 7 p.m. - 11 p.m.
KCRW Summer Nights @ CAAM
California African American Museum (CAAM)
Figueroa Street and Exposition Boulevard, Los Angeles
COST: FREE ADMISSION; MORE INFO

This dance party includes after-hours access to CAAM, with food trucks, beer garden and crafts for you to enjoy outside.

Saturday, June 21, noon - 4 p.m.
City of West Hollywood Juneteenth Celebration
647 N. San Vicente Blvd., West Hollywood
COST: FREE; MORE INFO

Head to West Hollywood Park for food, music, live performances, and vendors from Black-owned businesses.

Saturday, June 21, 1 p.m. - 4 p.m.
Culver City Juneteenth Celebration
Ivy Station
8840 National Blvd., Culver City
COST: FREE; MORE INFO

The City of Culver City Juneteenth celebration features food, activities for kids, and live music performances from BriJolie and Friends and Top Shelf Brass Band.

Sunday, June 22, 10 a.m. - 4 p.m.
Juneteenth in South LA: Team Tennis Tournament & Beginners' Clinic
Jackie Tatum Harvard Recreation Center
1535 W. 62nd St., Los Angeles
COST: FROM $17.85; MORE INFO

For tennis lovers and newbies to the sport alike, All-Love Racquet Club and Fortune Tennis are organizing a tennis clinic and tournament, complete with music, food and backyard games.

"Two or more races" or "other": These are the types of boxes that a lot of multiracial people default to checking off on forms and applications. But it paints a narrow picture of the often complicated identities of multiracial people.

So: How do multiracial people identify themselves? What terms do they actually use when talking about their own, often unique and individual identity? On a recent episode of AirTalk, LAist 89.3's daily news program, host Larry Mantle encouraged mixed-race listeners to call in and share the terms they prefer to use when identifying themselves ... and, on the flip side, the ones they take issue with.

Some things they said:

• Many rejected labels they felt were imposed on them by others.
• Many callers said their identity was primarily informed by how they were raised and their lived experiences.
• Some shared the hybridized terms they coined for themselves.

Listen to the full episode above: to hear from one listener who dubs himself a "Filexican."

LOS ANGELES (AP) — The U.S. Justice Department failed to secure felony convictions against most of the 102 protesters arrested in four major cities last year on charges of assaulting federal authorities — a record far below the norm in federal assault prosecutions.

All of the dozen cases that made it to trial, mostly in Los Angeles, ended in acquittal, mistrial or dismissal. Experts say that’s surprising for a department known for its ability to win at trial. The last three felony assault cases, in L.A. and Portland, will go to trial this fall.

The dismal record has raised questions about rushed investigations and aggressive charging tactics by prosecutors under pressure to show the Trump administration is cracking down on people who assault law enforcement. It comes as the Justice Department is facing broader setbacks in politically charged investigations, with grand juries repeatedly refusing to return indictments and trial juries granting acquittals.

“Prosecutors tend to win because they control what cases they pursue and they have a lot of resources and discretion,” said Mary Fan, a former federal prosecutor and law professor at the University of Washington.

The fact that the government failed to win any felony assault convictions at trial calls into question “whether or not these charges should have ever been brought in the first place,” she said.

AP tracked the outcome of 167 arrests

The Associated Press’ analysis focused on arrests made during protests last summer and fall in L.A., Chicago, Portland, Oregon, and Washington, D.C. — cities with significant protests where President Donald Trump sought to or successfully deployed the National Guard.

Then-Attorney General Pam Bondi said those who interfered with federal law enforcement would face “severe consequences.”

Most of the arrests — 102 — were for felony assault on a federal officer, which can carry a sentence of up to 20 years in prison. Of those cases, 41% were dismissed and 34% were pleaded down to misdemeanors. Ten people pleaded guilty to felony assault. Nine people got prison time.

Of those arrested on other charges, seven were sentenced to prison for offenses including arson and obstructing law enforcement. A handful of defendants have diversion agreements, meaning their case will be dismissed if they demonstrate good behavior.

The AP’s analysis shows that the Justice Department’s record failed to meaningfully improve since December, when an initial assessment showed early struggles to prosecute people on the charges for which they were arrested.

The Justice Department said in a statement that federal prosecutors are right to prioritize cases against people accused of assaulting federal officers and that “each case is based on the facts.”

“If there are mitigating factors identified in a case, then prosecutors must also act appropriately to inform the court, and in some cases downgrade or drop charges,” the department said.

Protesters clash with authorities in downtown Los Angeles, June 8, 2025, following the night’s immigration raid protest.

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Juries and judges were unconvinced by prosecutors

It’s rare for federal prosecutors to lose at trial. In 2024, 82% of defendants charged with felony or misdemeanor assault were convicted at trial or with a plea deal, according to data from the Administrative Office of the U.S. Courts. AP’s analysis found that less than half of the protesters charged for either felony or misdemeanor assault were convicted.

In Portland, a jury couldn’t reach agreement on felony assault charges for Oriana Korol, who was playing clarinet in a marching band demonstrating outside the city’s ICE building last October when a scuffle involving officers broke out. Officers pepper sprayed her and pushed her to the ground, where she struck one with her foot, according to court documents.

After a mistrial, prosecutors filed a reduced misdemeanor assault charge. She pleaded guilty and was sentenced Sept. 1 to time served and one year of supervised release.

Her attorneys wrote in a court filing that she “has accepted responsibility for the bad choices she made over a few seconds that caused no injury.”

Jonathan Caravello, a lecturer at California State University Channel Islands, was acquitted of assault on a federal officer after a three-day trial. He was accused of throwing a tear gas canister deployed by immigration agents back at them while protesting a raid at a Southern California cannabis farm.

Caravello said he was trying to get the canister away from the crowd. Videos showed he had tossed it high above officers’ heads and it landed far behind them. The jury acquitted Caravello after a quick deliberation.

“They’re trying to get a chilling effect out of these charges,” said Caravello, who turned down a misdemeanor plea deal.

Michael Rabbitt was among six co-defendants accused of felony conspiracy to impede a government vehicle from accessing an ICE facility near Chicago last September.

The vehicle slowly advanced despite being surrounded by protesters, leading some to put their hands on it, Rabbitt said.

After the government dismissed charges against two of the defendants, defense attorneys requested transcripts of the grand jury proceedings that led to the conspiracy indictment. The government eventually dropped the conspiracy charge and proceeded on misdemeanor counts of impeding a federal officer.

The judge later reviewed the unredacted transcripts and admonished prosecutors for improper behavior before the grand jury. The charges were dismissed days before trial.

Rabbitt said he was proud they fought the charges.

“This case was bigger than us,” he said. “I’m proud that we won this case, not just for us, but for protesters across the country.”

Many protesters pleaded down to misdemeanors

Though many federal criminal cases end in plea deals, some legal experts say it’s rare for felony assault to be pleaded down and may signal overcharging — filing a more severe initial charge so defendants will be more willing to plead guilty to one with a lighter sentence.

“I think when prosecutors bring charges ethically, they should be prepared to prove them beyond a reasonable doubt,” said Laurie Levenson, a former federal prosecutor who is a professor at Loyola Law School in Los Angeles.

The U.S. Attorney’s office overseeing Los Angeles said it brought the prosecutions in response to a “wave of violence against law enforcement officers who were doing their jobs.” It voluntarily dismissed charges against some defendants after further investigation, it said.

L.A. prosecutors have arrested three additional people for felony assault at immigration-related protests this year. One pleaded guilty to a felony and two to misdemeanors.

In Chicago, all but one of 19 felony assault cases were dismissed. The U.S. Attorney’s offices in the Northern District of Illinois, District of Columbia and Oregon did not respond to requests for comment.

DOJ has won notable cases around the country

A man accused of throwing a Molotov cocktail at a hotel outside Los Angeles where federal authorities were staying was sentenced to five years in prison. Two others were sentenced to more than three years after pouring lighter fluid on a burning California Highway Patrol vehicle.

Federal judges sentenced eight people to decades in prison for their participation in a demonstration outside a detention center in Texas last July where a police officer was shot in the neck.

Three people were convicted at trial of conspiracy to impede or injure an officer for protesting outside a detention facility in Spokane, Washington, last June. The Spokane and Texas cases were not included in AP’s analysis because they did not occur in one of the four cities where Trump tried to or deployed troops.

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Rush reported from Portland, Oregon. Associated Press writers Eric Tucker and Alanna Durkin Richer contributed from Washington.

Bob Mackie, a prolific costume and fashion designer whose dazzling, over-the-top creations helped define some of the most memorable moments in 20th century entertainment, died at 87 years old Monday of pneumonia in Palm Springs, Calif.

Mackie's official Instagram channel shared news about the designer's death.

"It is with a heavy heart that we share the news that Mr. Bob Mackie passed away today," the statement on Instagram said. "He lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer, which is all he ever wanted to do. His genius and extraordinary designs will live on forever, continuing to bring beauty into this world."

Over a career spanning more than six decades, Mackie dressed generations of stars from Bette Midler to Taylor Swift. Some of his designs became as famous as the performers who wore them, such as Marilyn Monroe's risqué, rhinestone-encrusted sheath dress worn while singing to President John F. Kennedy in 1962 (which he sketched for his employer, French designer Jean Louis), and Cher's jet-black, bondage-inspired ensemble topped with a feathered Mohawk headdress at the 1986 Oscars.

"The way you dress is your way of telegraphing to the person that's looking at you, who you are and where you're coming from," Mackie told NPR in 1990.

Cher and Bob Mackie attend the premiere of "Bob Mackie: Naked Illusion" in 2024 in Los Angeles. The pair enjoyed a long performer-designer partnership.

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While Mackie was celebrated as a haute couture designer, he was far more passionate about crafting one-of-a-kind looks for entertainers. "I think there are people who design runway fashion who say they're like telling a story. No, they're not. They're just making a cute frock and hope somebody buys it," he told the NPR-distributed podcast Bullseye with Jesse Thorn in 2025.

Growing up in Southern California, Mackie's fascination with glamour came from Hollywood, not high fashion. "I never looked in a fashion magazine when I was a kid. But I looked in all the movie magazines and theater magazines," he said on Bullseye. "That was more interesting to me."

Mackie dropped out of his studies at the Chouinard Art Institute — now part of California Institute of the Arts — when he was spotted by the legendary designer Edith Head and landed a job sketching for Paramount Studios in 1961. His career quickly took off, and he forged lasting relationships with such entertainment royalty as Whitney Houston, Bette Midler, Tina Turner, Diana Ross and Carol Burnett.

For The Carol Burnett Show, which started in the late 1960s and ran for more than a decade, Mackie designed an estimated 17,000 costumes — about 50 per week. One of his most famous creations was the outrageous dress for Burnett's 1976 Gone With The Wind parody where she appeared as "Starlett O'Hara" wearing a green velvet dress made from curtains — with the curtain rod still attached. That dress now resides in the Smithsonian Institution's National Museum of American History.

"Not all of our sketches were gems. Some were bombs," Burnett recalled in a 2003 Fresh Air interview. "Sometimes he would put me in stuff that would literally save the sketch."

Perhaps nothing captured Mackie's theatrical sensibility more than the ludicrous Donald Duck costume — complete with webbed booties and oversized rear end — that Elton John wore while performing at a 1980 concert in New York's Central Park.

"It was very difficult for me to play the piano, plus the fact I'd never walked in flippers before," John reminisced in Who Is Mackie?, a short film about the designer. "I was dancing across the stage, falling over myself, and I just couldn't sing for laughing – because it looked ridiculous, but it looked fabulous."

Miley Cyrus in Bob Mackie as she performs onstage in 2024 at the 66th GRAMMY Awards in Los Angeles.

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Mackie continued dressing major 21st-century stars such as Miley Cyrus, Zendaya and Pink. He also collaborated with Mattel on a line of Barbie dolls. His awards included nine Emmys, a Tony Award, three Oscar nominations, and lifetime achievement awards from the Council of Fashion Designers of America and RuPaul's Drag Race. He had served as the show's first guest host and jokingly referred to himself in some media interviews as "the patron saint of drag queens."

"I know exactly which outfits he did because there is a rhythm and a movement and a choice of proportions of color that no one else does like that," RuPaul said in the 2024 documentary Bob Mackie: Naked Illusion. "That's how you know that someone is channeling the divine."
Copyright 2026 NPR

A month into the school year, teachers in the Los Angeles Unified School District are still adapting to the district’s new policy that bans screen time for its youngest kids and will soon place significant restrictions on older students.

One first grade teacher has switched to jigsaw puzzles instead of having her students complete activities on a learning app. A middle school science teacher is considering how to teach Newton’s Third Law of physics with toy cars instead of a video simulation. Some teachers say they are struggling to adjust after years of technology woven into their curriculum.

“Our goals haven’t changed whether we’re on screens or not,” said Armaghan Khan, an eighth grade teacher at Johnnie Cochran Jr. Middle School. “The idea is still to provide quality standards of mind instruction. And so, what does that look like when you’re not on a screen? And for a lot of the newer teachers, myself included, we’ve never really taught that way.”

Passed in June, LAUSD’s policy generally prohibits use of district-issued devices for students in early education through first grade. It places caps on every other grade level — the higher the grade, the more screen time is allowed. And by the time students reach high school, they are allowed up to 90 minutes per week in each subject area.

The new policy followed months of organizing by parents who argued that students — and teachers — had become too dependent on digital devices in classrooms. They argued that schools should prioritize teacher-led instruction, hands-on activities and interaction with peers. Some also said their children’s struggles to regulate their emotions were a direct result of using screens in the classroom.

But the new restrictions on screen time have also meant that teachers have to rethink lessons built around laptops, tablets and digital instructional programs. Many are concerned about students with disabilities and English language learners who may disproportionately rely on technology, even though accommodations are possible.

Corinne Hyde, a professor of education at USC, said she worries that the policy could unnecessarily restrict teachers’ ability to use technology when they believe it would benefit students.

“We should trust teachers to make good instructional decisions, and that as long as we equip them with appropriate professional development and support, that they are fully capable of making the appropriate decisions about how to use technology in their classrooms, or if they should use technology in their classrooms,” said Hyde.

No screen time for LAUSD’s youngest learners

Last year, the youngest daughter of Julie Edwards, a parent and member of the group Schools Beyond Screens, would come home obsessed with JiJi, a penguin cartoon that appears on a gamified learning platform. Now, Edwards’ first grader comes home eager to talk about her friends and her school’s ticket-based rewards system, she says.

“There’s still more work to do,” said Edwards. “But I think everything is like moving in such a great direction, and I’m just really hoping that because this is happening on an institutional level, it really starts to filter down into families’ personal lives.”

Edwards’ daughter’s teacher has made a number of changes to go screenless. So has Martha Medina, a first grade teacher at Logan Academy of Global Ecology, who also lost other classroom support. This year, she no longer has instructional coaches, who help with targeted learning interventions, or teachers’ aides.

Medina had planned to have students rotate among three 15-minute stations so she could provide individualized attention. One station would be with her, another in the library and a third would use a learning app on an iPad.

Under the new policy, Medina can no longer use the app as planned. Instead, students at the third station work on jigsaw puzzles or art-related activities designed to reinforce uppercase and lowercase letters.

She said the changes have made it much more difficult to run the three groups, limit constant disruptions and keep children on task.

“Parents are worried that the kids are going to be on the iPad all day,” she said. “That’s just not the case in primary. There’s no way we can have the kids on iPads all day. There’s too much to teach.”

Teachers prepare for changes ahead

Khan is among the upper-grade teachers who are adjusting their lesson plans to comply with limits that will go into effect in January.

Under the policy, middle school students will be limited to one hour of screen time each week in each subject area.

“I feel a lot of times the district leadership comes up with these ideas, and however well intentioned they are, they leave it to the rest of us to kind of figure out how to implement them, or just what the best case looks like,” Khan said.

He added that he has spent the past eight years building his curriculum around electronic devices. Like many schools nationwide, his school had been a “one-to-one,” meaning each student has access to a device. Those devices had largely replaced textbooks, and, to some extent, paper and pencil.

“We were using a lot of digital resources, and some of them have been really amazing,” he said.

One of Khan’s favorite tools is Gizmos, a program that allows him to show students simulations to explore science concepts that can be difficult to demonstrate in a classroom. For example, students visualize the heart pumping blood through veins and arteries throughout the body. Or, they can explore Newton’s Third Law — the concept that for every action, there is an equal and opposite reaction — through a simulated car crash.

“I can always get two toy cars and have them crash together so they can see the law and effect,” Khan said. “But with the simulation, it lets me just get much more granular and just deeper into just how it applies to their everyday lives.”

He also said technology has been particularly important for students with disabilities and English language learners, who may rely on digital tools for accommodations and language support.

The district told EdSource that it has made professional learning opportunities available to school administrators and teachers, both in-person and virtually, to help with the transition.

“Our goal is to ensure that all school sites are well-prepared with the tools, understanding, and support needed to effectively implement these guidelines in a way that supports student learning and well-being,” LAUSD said in a statement.

Khan said he has not had access to that support yet. Still, despite what he described as “growing pains,” he remains optimistic about the changes.

“I do think there is merit in the idea. I don’t just want to be doom and gloom about having to switch,” Khan said. “I’m looking forward to the challenge.”