The Brief

This month, a two-part documentary on the history of Black television, Seen & Heard was released on HBO Max.

It comes at a tense moment for the genre.

In April, CBS sparked backlash after canceling three Black-led shows in one day: spinoffs of The Equalizer starring Queen Latifah and The Neighborhood featuring Cedric the Entertainer, along with Damon Wayans Sr. and Jr.’s comedy Poppa’s House.

Sharon Waxman, who is the founder and editor of the entertainment news site The Wrap, summarized the moment we're in for the New York Times last month. Its title: “Hollywood is ‘Hot, Horny and White’ Again.”

Her take: “The entertainment industry is nothing if not finely attuned to the social and cultural signals that affect the box office. ... The pendulum that swung all the way left after the killing of George Floyd in 2020, with among other things the installation of DEI leaders at the studios, started to go the other way in 2023.”

Giselle Bailey, a documentary filmmaker and director, had a front row seat to that swing while making Seen & Heard. Even as she was putting the documentary together, shows like Rap Sh!t, a comedy series following two women MCs, and Random Acts of Flyness, a surrealist sketch comedy show led by Terence Nance, got the ax.

How did we get here?

“I  think we're in another moment …” Bailey said, pausing while she searched for a tactful way to put it. “I'm going to say ‘of rebirth.'”

“I think it is very hard right now. Opportunities are rather limited,” she said. “And also, I see from studying this history that this is another time of ingenuity. And I feel that with my peers — other Black filmmakers — are really thinking about, ‘How do I wanna tell this story? Where can I distribute it? How do I do it myself? How do we partner? How do we collaborate?'”

Giselle Bailey and Issa Rae speak onstage following the "Seen & Heard" premiere during the 2025 SXSW Conference in Austin, Texas this March.

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Seen & Heard, produced by Issa Rae, asks those questions in interviews with icons who have shaped the television landscape, including Oprah, Tyler Perry, Shonda Rimes, Debbie Allen, Rae herself and and many more.

The backstory 

The first episode of Seen & Heard highlights the history of Black entertainment as early as the Chitlin circuit of the 1930s, an informal network of venues where Black musicians, comedians and other entertainers performed for Black audiences during Jim Crow era segregation.

These venues were mostly in the eastern, southern and upper Midwest U.S., but the story of Black television takes place here in L.A., in the world of board rooms and sound stages from the '50s to today.

“LA is the central hub, the womb, the battleground of the story that we're telling,” Bailey said.

Bailey noticed there was a cycle to Black TV There would be pockets of time when Black shows were popular, like in the '70s, when the prolific producer and writer Norman Lear created and championed sitcoms like Sanford and Son, Good Times and The Jeffersons — and then those pockets would close.

How the Black TV Renaissance of the '90s and 2000s waned

UPN's ``Girlfriends" featured, from left, Jill Jones, Persia White, Tracee Ellis Ross, and Golden Brooks.

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Al Seib

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To understand this cycle,  Seen & Heard explores what happened in the '90s and early 2000s, when there was a huge renaissance of Black shows on TV.

“In the 90s, 'UPN (United Paramount Network) and WB (Warner Brothers) had many of the Black shows that come to define the era,” Bailey said.

Shows like Girlfriends, Moesha and Sister Sister, which amassed large audiences and helped their respective networks establish their voice and loyal viewership. But then…

“At a certain point in early 2000s, UPN and the WB merged and created the CW. During that acquisition, they started moving to what often is called a ‘mainstream appeal,’” Bailey said. “And so that leaves a lot of things behind, including things that are considered a creative risk — that tends to be voices of people of color.”

Throughout the aughts, CW became known for shows like Gossip Girl rather than Moesha. In Seen & Heard, Ralph Farquhar, co-creator of Moesha said, "Our shows have systematically been used to pump networks since we've been on TV. To pump up the ratings, to pump up the network. And then when they get what they need, they let it go.”

Farquhar also called out Fox — another network — that started running In Living Color, a comedy sketch show starring Keenan Ivory Wayans, in 1990, “until, one day when they bought NFL football and they decided to get rid of everybody. Football meant white males to them. They cancelled everything Black 'cause they considered the Black audience a downscale demographic."

“It is a bit of whiplash,” Bailey said. “Because the most popular shows went from being very Black to being very not in a span of just a couple of years.”

What to do with a fickle Hollywood system? 

Oprah Winfrey and Tyler Perry attend the "Sidney" Premiere during the 2022 Toronto International Film Festival in 2022. Both are highly influential in the entertainment industry.

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Bailey noticed a theme emerge in her interviews for the documentary: Black creatives feeling it was necessary to navigate or bypass the studio system.

“There's controlling how something's getting made, which community is making it, how is that reflected on the screen? […] All of those things are really rooted in having real control of the thing. And the best way to do that is to own the content,” Bailey said.

Tyler Perry's studio — which he takes viewers on a tour of in Seen and Heard has multiple sound stages named after legendary Black performers like Denzel Washington, Whoopi Goldberg and Sidney Poitier. Oprah also talks in the documentary about the importance of owning her own network: OWN, the Oprah Winfrey network.

A push to create or contribute to a system that is not bankrolled by white executives, extends beyond billionaire industry tycoons. After Terence Nance’s Random Acts of Flyness was canceled, Nance came together with other Black creatives in Baltimore to open Lalibela, a space with sound stages and equipment where Black creators can make their own productions without waiting for a studio green light.

“Terence’s Lalibela is really exciting to me,” Bailey said. “Those are the kinds of projects that I believe [are] going to create another kind of renaissance.”

Watch the full interview below.

Around the middle of Bad Bunny's live NFL Super Bowl halftime performance, the Puerto Rican singer is seen handing a Grammy Award to a young Latino boy.

As he kneels down and rubs the boy's head, he says: "Cree siempre en ti" ("always believe in yourself"). Almost immediately, rumors began spreading like wildfire on social media: the boy was none other than Liam Conejo Ramos, an immigrant who has made headlines in recent weeks.

While the concert was rife with symbolism and statement — this happens to not be true. A publicist for Bad Bunny told NPR Music that the little boy on stage was not Liam Conejo Ramos. A representative for the Conejo Ramos family also confirmed to Minnesota Public Radio that it was not the young boy.

A screenshot of Bad Bunny giving a Grammy to a young boy during the Super Bowl performance.

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Who is Liam Conejo Ramos?

Five-year-old Liam Conejo Ramos and his dad, Adrian Conejo, were detained by federal immigration agents on Jan. 20 at their Minneapolis driveway.

A photo taken of the boy carrying a Spider-Man backpack and wearing a blue bunny hat, went viral on social media, and has become one of the symbols of President Trump's harsh immigration crackdown in Minneapolis.

Liam and his dad were sent to a detention center in Dilley, Texas, meant to hold families with minors. They were released earlier this month.

The family, which comes from Ecuador, is claiming asylum. The federal government, however, is pushing to end their asylum claims.

The Department of Homeland Security launched Operation Metro Surge in December, deploying nearly 3,000 federal immigration agents to Minnesota. It has led to hundreds of arrests, including of undocumented immigrants without criminal records, and the killing of two U.S. citizens by federal agents.

A concert filled with symbolism

Bad Bunny's presence at the Super Bowl has been praised — and criticized — for being a predominantly Spanish-language concert, and because of his stance on Trump's immigration enforcement campaign. During his acceptance speech at last week's Grammy Awards, he stated "ICE out… we're not savage We're not animals. We're not aliens. We are humans. And we are Americans."

Sunday's Super Bowl performance was filled with symbolism and contained several strong statements celebrating Latinos and immigrants in America, including when the singer said "God Bless America" and named all of the countries of North, Central, and South America.

Bad Bunny performs during halftime of the NFL Super Bowl on Sunday.

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Copyright 2026 NPR

The impact of HBO Max queer sports romance show Heated Rivalry continues its blaze across pop culture. Last month, the show’s co-stars Hudson Williams and Connor Storrie were the torchbearers for the Winter Olympics and presented the best supporting actress award at the Golden Globes. Later this month, Storrie is slated to host Saturday Night Live.

The show’s impact has also hit the ice.

In January, the ticketing platform Seatgeek reported a rise in National Hockey League ticket sales that coincided with the release of the show. In that span, the ticketing site saw a 9% increase in single-ticket sales, which the site reports is the highest it's ever been for the NHL. Stubhub, another ticket platform, reported a 40% interest in hockey tickets since the show first aired.

LA Kings keep the hype going

In an attempt to tap into the moment the show is having, LA Kings music director Dieter Ruehle has been playing music from the show live at the games. Fans took to Instagram and TikTok sharing videos of t.A.T.u.'s hit “All the Things She Said” and Wolf Parade’s “I’ll Believe in Anything” at the games. It’s a trend that multiple teams in the league are tapping into, including the Seattle Kraken.

“I've been a hockey fan since I was a kid, and I've noticed the growth of the game,” Ruehle said. “However…in recent times whenever I click on social media, there's posts about, ‘oh, we're going to our first hockey game.’ And I think that's so awesome.”

Ruehle says he finds “tremendous joy” in seeing the crowd’s reaction when he plays the songs at the games.

"I'm glad that the show is bringing that to hockey,” he says. “It's pretty phenomenal quite frankly, and I'm just glad to be part of it when I [play] some of the songs from the show."

The show’s creators, Jacob Tierney and Brendan Brady, also collaborated with the Kings in a video where they were live mic’d for two periods of a January 16th game against the Anaheim Ducks.

Since the show came out, Kings senior manager of social content Alec Palmer says there’s been an uptick in influencers coming to the Kings games.

“The fact this [show] was about hockey or set in this hockey world was like the greatest gift to hockey,” Palmer says. “It has gotten so many people exposed to the sport.”

An icy environment that still needs thawing

The impact of the show is also felt through people who play the sport.

Since the show’s release, former hockey player Jesse Kortuem publicly came out and, in part, credited Heated Rivalry for his decision. Kortuem played in the Cutting Edges, an LGBTQ+ hockey association in Vancouver.

“I loved the game, but I lived with a persistent fear,” Kortuem wrote in a Facebook post. “I wondered how I could be gay and still play such a tough and masculine sport.”

Fans have long criticized the sport for not being a safe space for queer folks. In 2023, the NHL created controversy with their decision to ban rainbow-colored “pride tape” on the rink and a separate ban on Pride-themed jerseys during warmups.

“ I think this show has really brought all of those things back up to light and forced people to look in the mirror and have those conversations,” Palmer said, speaking in a personal capacity.

Palmer says the real work comes with engaging with the community through workshops with coaches on inclusive language, hosting community pride nights and supporting LGBTQ+ friendly teams like the Los Angeles Blades.

“ That's where you're making that impact in real life,” he says, “and how we're setting the next generation up to be successful.”

As water agencies across California grapple with the increasingly extreme effects of climate change, they’re also facing another problem: the incoming “silver tsunami.”

That’s the phrase coined by the industry to illustrate the fact that much of the workforce — largely baby boomers — that keeps our water flowing and safe are getting ready to retire.

Nationwide, about a third of the nation’s water workforce is eligible for retirement within the next decade, “the majority being workers with trade jobs in mission critical positions,” the Environmental Protection Agency wrote in a 2024 report.

Climate resilience needs a workforce

To deal with how pollution in our atmosphere is driving longer, hotter droughts, as well as increasingly intense rain when it does come, water agencies across Southern California are working to boost aging infrastructure and invest in more diverse water supplies, such as recycled water.

The lack of people to staff those changes is a problem for pretty much every water agency, urban and rural.

L.A. is the second-largest city in the nation and is spending billions on water recycling and stormwater capture, for example, but it has been struggling to fill needed positions at its four wastewater treatment plants.

The city of L.A. plans to clean all wastewater that flows to the Hyperion plant.

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The city plans to treat nearly all of the Hyperion wastewater facility’s water to drinkable standards in the coming decades. To support that massive expansion, Hi-Sang Kim, the operations director at Hyperion, told LAist in 2022 the facility will need to boost its workforce by at least 30%.

For less urban water agencies, the challenge is even greater. The Eastern Municipal Water District serves close to 1 million people (and growing), as well as agricultural customers in western Riverside County and northern San Diego County.

They estimate as much as half of their workforce could retire within five years.

“Not only are we investing in new infrastructure, but we have aging infrastructure, so we are in dire need of technical skill sets to operate, maintain everything from treatment plants to pipelines, to pump stations,” said Joe Mouawad, the water district's general manager.

Jobs in the water industry — potable water and wastewater treatment operators, engineers, managers, skilled maintenance, public relations and more — are well paid and secure, Mouawad said, but it’s hard to fill the needed positions.

“We are finding it more challenging to backfill retirees,” he said. “It's not so much a lack of interest — I think it's a lack of awareness.”

Building a pipeline for water jobs

Those job gaps are why Eastern Municipal has become a leader in building the water workforce pipeline. For decades, the water district partnered with local schools to provide education about water conservation and what they do. But over the last decade, as the retirement forecast grew more dire, the agency has shifted to prioritize skills-based programming and partnerships with local high schools.

Local high school students tour Eastern Municipal Water District facilities in Perris.

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In 2013, they launched the Youth Ecology Corps program, for young adults between 18 and 24. Many who went through the program and paid internships are now full-time employees, said Calen Daniels, a spokesperson for the agency, who himself went through the program.

In recent years, the water agency has focused on younger potential future employees through a variety of Career and Technical Education programs at local high schools, including in automotive tech, engineering, agriculture, construction and information systems, said Erin Guerrero, Eastern Municipal’s public affairs manager overseeing its education programs.

“We're starting earlier and getting these kids real world experience,” Guerrero said.

Michelle Serrano teaches a two-year pre-apprenticeship Environmental Water Resources program at West Valley High School in Hemet. Students leave the program equipped to take the state-level certification exam for a job as a water treatment operator or water distribution operator once they turn 18.

Clayton Gordon, GIS mapping administrator at EMWD, talks to West Valley High students in the GIS Engineering certification summer program.

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Already more than 200 students have gone through the program since it launched last year. While local community colleges have similar Career and Technical Education programs, this is the first program of its kind targeting high schoolers in the region. Eastern Municipal hopes to expand to other area schools as well.

“Once the kids get out of the program, they're set if this is the direction they want to go,” Serrano said. “We have these students set for a job or a career for the rest of their life.”

She said the program is a gamechanger for students who don’t see themselves going to college or who are unsure of their future career path.

“We really are pushing hard for college, and that's a good push,” Serrano said. “However, we have kids who don't see themselves going to college.  It's opening up an amazing path for students who otherwise may not see a job direction.”

They’re not only finding a stable career path, she said, but fulfilling roles necessary to our society, Mouawad said.

“It's working for us,” he said, “and we want to see this serve as a model for the rest of the industry.”

It takes an icon to know an icon. If you haven’t seen the new Harry Styles video, check it out and you’ll recognize downtown’s Westin Bonaventure in a starring role. The hotel has been in plenty of movies — including True Lies — and now it’s the stage for Styles’ music video for his new single, “Aperture.” Fiona Ng takes you behind the scenes.

Speaking of cool movie settings, Kristen Stewart bought the abandoned Highland Theatre and plans to restore it to its original grandeur. Good news for film lovers.

On tap in the music space this week, Licorice Pizza recommendations include new wave goddess Dale Bozzio and her Missing Persons at the Whisky, rock goddess Melissa Etheridge at the Canyon Club in Agoura or Roxy Music’s Phil Manzanera in conversation onstage at the Roxy — all on Wednesday. Thursday, experimental hip-hop group Clipping is at the Observatory, Atmosphere is at the Novo, UK singer-songwriter Erin LeCount plays the Roxy and Long Beach Dub All Stars & Bedouin Soundclash hit the stage at the Wayfarer. Plus, Aloe Blacc kicks off the first of four nights at the Blue Note.

Elsewhere on LAist, you can find out about the push to make local beaches into a national park, read up on Sinners producer Sev Ohanian’s rise in Hollywood and find the best spots for a fun Galentine’s Day.

Events

Game Night

Tuesday, February 10, 7:30 p.m.
Cheerio Collective
5917 N. Figueroa Street, Highland Park 
COST: $25; MORE INFO

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Nik

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Channel family game night with new friends over drinks in Highland Park at this classic board game night with Cat Darling Agency and Asian American Collective. Play Connect Four, Jenga and Uno while meeting some folks and enjoying a free drink!

Concert reading of Dogfight

Through Sunday, February 15
The Morgan-Wixson Theatre 
2627 Pico Plvd., Santa Monica 
COST: $23; MORE INFO 

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Joel Castro

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Morgan-Wixson Theatre

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Before there was The Greatest Showman, there was Dogfight. Benji Pasek and Justin Paul’s musical about a group of young Marines in San Francisco on the eve of the war in Vietnam is presented in a concert reading at Santa Monica’s Morgan-Wixson Theatre. Dogfight “explores themes of love, loss, and coming of age.”

OXY LIVE! with Robin Coste Lewis in conversation with Alexandra Grant

Tuesday, February 10, 7 p.m. 
Thorne Hall 
Thorne Road, Occidental College 
COST: FREE; MORE INFO

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Courtesy Oxy Arts

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National Book Award winner and former Poet Laureate of Los Angeles Robin Coste Lewis visits Occidental College for poetry and conversation with Oxy Live's host, celebrated visual artist and cultural collaborator Alexandra Grant (you may recognize her from excellent grantLove series… and her red carpet photos with beau Keanu Reeves). A book signing hosted by beloved Pasadena bookstore Octavia’s Bookshelf will follow, and attendees will have the opportunity to have their books signed by the author.

Dance at the Odyssey

Through Sunday, February 15
2055 S. Sepulveda Blvd., West L.A.
COST: $28; MORE INFO 

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Courtesy of Dance at the Odyssey

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Next weekend is the last weekend of Odyssey Theatre’s six-week-long Dance at the Odyssey festival, which features two world premieres: Silent Fiction from Intrepid Dance Project in Odyssey 2, and One World from choreographer Hannah Millar and her Imprints company in Odyssey 3.

Author Lindsay Jill Roth with Dr. Laura Berman

Thursday, February 12, 6 p.m. 
Zibby’s Bookstore
1113 Montana Ave., Santa Monica 
COST: FREE; MORE INFO

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Courtesy Zibby's

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It’s almost Valentine’s Day, and author Lindsay Jill Roth has the questions that will make your new (or long-term!) relationship last. Her new book, Romances & Practicalities, lays out 250 questions you should ask each other to make your love a time- and challenge-tested success — alongside Roth’s own long-distance love story and interviews with couples of all stripes. She’s in conversation with love, sex and relationship therapist Dr. Laura Berman at Zibby’s in Santa Monica.

An evening in conversation with Silversun Pickups’ Brian Aubert & Producer and Musician Butch Vig

Wednesday, February 11, 7 p.m. 
Sid the Cat 
1022 El Centro Street, South Pasadena
COST: $32.75; MORE INFO

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Hometown heroes Silversun Pickups are back with a new album and tour — catch them this week for free at Amoeba’s in-store show on Monday. Then dive deep at this conversation at the new Sid the Cat venue between singer Brian Aubert and producer and musician Butch Vg about the making of their new album, Tenterhooks. Plus, Lyndsey Parker of Licorice Pizza (friend of Best Things to Do) will moderate the chat.

Stronger Together: Nurturing Mind, Body, and Spirit

Monday, February 9, 6 p.m. to 8 p.m.
St. Monica Catholic Community Grand Pavilion 
725 California Ave., Santa Monica
COST: FREE; MORE INFO 

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Courtesy St. John's Foundation

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Recovery is an ongoing process, and the medical and spiritual communities of L.A. are reminding you they're here to help. Providence Saint John’s Health Center and St. Monica Catholic Community are marking the anniversary of the Palisades and Eaton fires with an evening of community, commemoration and healing.