The Brief

Los Angeles is in the midst of a pizza renaissance.

Pizzaiolos across the city are slicing up unique takes on pies that pull from multiple influences — local, global, and everything in between — just like Los Angeles itself.

It's like when you create a playlist for your friends with all your favorite songs. There’s a little jazz, rock, hip-hop, country, pop.

That’s L.A.-style pizza.

Because the region isn't beholden to any specific standards for pizzas, chefs get to use all the best parts of what makes for a great pie. And, I would argue, that means L.A. is currently making pizza which is better than any other city across the globe.

Fighting talk, I know, but this is a hill I'm willing to die on.

Now, as LAist’s food editor, I’m often asked where to go to get pizza. So I’ve put together a list of my favorite picks. It's clearly not exhaustive, and it's not a list that tells you where to get "the best" pizza. Instead, it's a snapshot of L.A.-style pizza right now — my take on what stands out in terms of creativity and skill.

Listen 24:56

Apple

Spotify

#265: It's time for another Food Fridays! And that means Gab Chabrán is hitting the streets with HTLA host Brian De Los Santos to grub on our favorite food: Pizza. L.A. is going through what many artisans are calling a pizza renaissance right now. Hundreds of gourmet pizzerias have popped up around L.A. in recent years, taking advantage of the abundance of fresh produce in the region and marrying uniquely SoCal flavors and influences.

The Case For L.A. Pizza

#265: It's time for another Food Fridays! And that means Gab Chabrán is hitting the streets with HTLA host Brian De Los Santos to grub on our favorite food: Pizza. L.A. is going through what many artisans are calling a pizza renaissance right now. Hundreds of gourmet pizzerias have popped up around L.A. in recent years, taking advantage of the abundance of fresh produce in the region and marrying uniquely SoCal flavors and influences.

Subscribe

• Apple
• Spotify

LaSorted’s: Silver Lake

Tommy Brockert was an L.A. event photographer when his then-girlfriend, now wife, gave him an Ooni pizza oven. That led him to enroll in a one-day pizza-making class, where he was hooked and began stumbling down the rabbit hole of crafting his own naturally leavened sourdough pizza crusts.

When his income dried up at the start of the pandemic, he had the crazy idea of selling his homemade pizzas off the front porch of his home in Echo Park.

Tommy and Erin Brockert started selling pizzas during the pandemic. The pizzeria recently have celebrated their four year anniversary.

(

Daviston Jeffers @davefotogram

/

Courtesy LaSorted's

)

It was so successful that he now runs his own pizza shop, LaSorted’s, in Silver Lake, just down the road from where he used to sell his porch pizzas.

A good place to start is the Mamba, prepared as a regular cheese slice or with pepperoni. Its name comes from the late Laker great Kobe Byrant, who once said he ate a pepperoni pizza before scoring 81 points in a single game in 2006. Brockert, who grew up worshiping the Lakers and Dodgers, chose the name.

The Upside Down Mamba is perhaps the most texturally interesting pie on the menu.

The Upside Down Mamba at LaSorted's in Silver Lake. One of the most texturally exciting pizzas in all of Los Angeles.

(

Tommy Brocket

/

Courtesy La Sorted's

)

According to Brockert, this style of pizza has roots in Philadelphia, which he learned about from some of his Philly-born employees. The name is exactly what it is: their cheese pizza, with its toppings, flipped, with a three-cheese blend serving as its base, then topped thoroughly with tomato sauce, sprinkled with flaky sea salt, and Sicilian oregano. The thin layer of cooked cheese underneath the sauce forms a buffer between the sauce and the pizza crust, making for a uniquely excellent texture that many West coasters, such as yours, truly haven’t experienced before visiting LaSorted’s.

Another standout is the sausage and pepper pie. It's topped with their housemade sausage mixed with roasted green peppers and onions and then drizzled with spicy tomato Arrabbiata sauce and Calabrian chili oil. This is the pizza version of a sausage and pepper sandwich from an Italian deli.

Think about how a producer takes a snippet of a song and creates a new song based on it. Brockert accomplishes something similar with his pizza—it's both specifically Los Angeles and distinctly his own.

Quarantine Pizza Co: Eastside pop-up

If you've ever visited Smorgasburg LA, there’s a good chance you’ve encountered Quarantine Pizza Co., a pizza pop-up run by Brandon and Carolina Conaway. Like many kids who grew up in Southern California, they draw from various influences, both from their respective cultural backgrounds and a slew of others that they’ve picked up along the way.

Brandon is Asian (Chinese and Vietnamese) and white. Carolina is Latina (Mexican and Colombian). Both grew up in Orange County, where they met before moving to Los Angeles for college.

Brandon and Carolina Conaway of Quarantine Pizza Co. draw from their diverse background to create fun and inventive pizzas at their pop up.

(

Robert Haleblian

/

Courtesy Quarantine Pizza Co.

)

Brandon worked in Italian restaurants, and Carolina has a background in set design for television and film. The couple has been experimenting with sourdough starters since 2015, which they would trade with friends. When the pandemic hit, they started selling pizzas out of their backyard in Highland Park (you may sense a theme here), which is how they came up with the name Quarantine.

It's led to some outstanding combinations, such an Banh Mi pies, Char siu pies, and birria sausage, salsa roja and red corn sourdough.

When you bite into a slice of their sourdough “Neapolitan-ish inspired pizza", its fluffy, airy texture is like a breath of fresh air. It's a revelation. The outer rim of the crust features the perfect amount of “leoparding,” which occurs when the naturally fermented dough is cooked under high heat and creates little dark spots.

The al-pastor pizza is the stuff dreams are made of! A pizza that taste like a taco!

(

Courtesy Quarantine Pizza

)

I suggest you try the al pastor. The soft crust feels like a thicker-style tortilla because they use Masienda, a single-origin heirloom masa harina infused into the dough. It features sausage from A’s BBQ, topped with sliced pineapple purchased from a local street vendor and salsa verde, onion, and cilantro.

The sausage cups up like pepperoni, pairing exceptionally well with the pineapple's sweetness and the masa in the pizza dough. Each bite contains a rush of freshness.

Yes, that’s right. It's the best of both worlds: pizza and tacos. What a time to be alive in Los Angeles.

Apollonia's Pizza in Mid-City 

The busy entryway to Apollonia's Pizzeria on Wilshire Boulevard.

(

Brian Feinzimer

/

LAist

)

Justin De Leon, owner and head pizza maker at Apollonia's Pizza, grew up on pizza. His first job was working at a pizza restaurant when he was 13. The modest menu might make you wonder if this is really some of the best pizza in Los Angeles. But you'll quickly understand why after your first bite — or encountering the long lines outside his standing-room only, cash-only pizzeria off Wilshire Boulevard.

De Leon has been a lifelong student who has broken down pizza into its fundamental elements. If you ask what defines his pizza craft, he’ll say his job is to “simplify it.”

“I've challenged myself to create something that I want. Not necessarily what there's a market for.”

I suggest you start with a traditional slice of De Leon's cheese pie. “I was looking for something thin, light, and crispy,” De Leon said. Well, he found it. This is the cheese slice all others should be judged against.

Some of the best pizza you can find in L.A., and it's sold by the slice at Apollonia's Pizzeria on Wilshire Boulevard.

(

Brian Feinzimer

/

LAist

)

Next, try the square slice, but take a look before taking a bite — notice that crispy, frico cheese crust that rises up on the sides, giving it a 3-D effect. Contrast that with the square slice's light and spacious interior and you'll know why I think this is one of the best in Los Angeles.

De Leon is quick to point out that he doesn’t use specific names, such as Detroit style, Siciliana, or Grandma’s style to describe his pizza. Instead, he likes to think of it as a combination of all of them wrapped into one, as well as his own background and that of his employees: DeLeon is Latino, and many of the staff members he works with at the small pizzeria are Latino.

LAist food editor, Gab Chabran and How To L.A. Host Brain De Los Santos with Apollonia's Pizzeria owner Justin DeLeon

(

Aaricka Washington

/

LAist

)

Listening to De Leon describe his square slice is like listening to an artist talk about their most recent work, which makes sense given his background in photography. He describes it as “graphic” with “a strong visual representation,” stating that the flavor of the slice itself should match the visual.

DeLeon describes L.A.-style pizza as a mixture of various styles, and believes that combination gives it a unique taste.

In his own words, "To me, L.A. pizza is a mix of everything."

The Academy of Motion Picture Arts and Sciences has announced several significant rule changes for the 99th Oscars, including AI protections for actors and writers as well as expanded eligibility for international films.

In a statement to NPR, the Academy on Saturday said the changes are in response to listening to the global filmmaking community and addressing barriers to entry in its eligibility process.

The Academy added that its rules and eligibility standards have always evolved alongside technologies such as sound, color, and CGI, and that AI is no different. Awards rules and guidelines are reviewed and refined each year.

A blow for Tilly Norwood 

Among the most noteworthy changes, the Academy now explicitly states that only roles, "demonstrably performed by humans with their consent" are eligible for Acting awards. In other words, AI creations like the much-hyped Tilly Norwood cannot hope to win a Best Actress Oscar anytime soon.

Particle6, the production company behind Norwood, did not immediately respond to NPR's request for comment on Saturday about its creations' ban from consideration. In March, Norwood commented, "Can't wait to go to the Oscars!" in an Instagram post announcing its newly released music video.

The Academy also requires screenplays to be "human-authored" and said it reserved the right to investigate the use of generative AI in any submission.

Meanwhile, qualifying flesh-and-blood human actors can now be nominated for multiple performances in the same category if those performances get enough votes to land in the top five. So, someone like Anne Hathaway, who has five major movies scheduled for release in 2026, could now theoretically sweep the nominations – though that outcome seems extremely unlikely.

"If an actor has an extremely prolific year, might we even see someone swallow up three of the five nominations?," wrote Deadline's awards columnist and chief film critic Pete Hammond about the changes. "Probably won't happen, but it's now possible."

Under previous rules, an actor could only receive one nomination per category. If they had two high-ranking performances in Best Actor, for example, only the one with the most votes would move forward.

International films prioritizes filmmakers over countries

While international films can still be the official selection of their countries, now they can qualify by winning the top prize at a major international festival such as the Palme d'Or at Cannes, the Golden Lion at Venice, or the World Cinema Grand Jury Prize at Sundance.

Historically, countries "owned" the nomination, and only one film per country was allowed. The new rules allow multiple films from the same country to compete if they are critically acclaimed, and it shifts the honor from a geopolitical entity to the filmmakers themselves.

Largely positive response

The changes have prompted a largely positive reaction from the film community on social media, such as on the popular The Shade Room entertainment and celebrity-focused Instagram feed, where commenters widely praised the "human-only" move to protect creative jobs.

The Academy's Awards Committee oversees the rules in tandem with branch executive committees, the International Feature Film Executive Committee and the Scientific and Technical Awards Executive Committee.

The rules are scheduled to go into effect next year, covering films released in 2026.

Copyright 2026 NPR

Los Angeles changes fast, and oftentimes that means some of the architectural relics of our shared past get swept up and paved over in all the "progress." (RIP Garden of Allah.)

But there are still places where you can find ruins that tell a tale, like a long-forgotten speakeasy reputedly for old Hollywood near La Crescenta.

The ruins are still there 

On a recent afternoon, author and local historian Mike Lawler led me just beyond the boundary of Crescenta Valley Park. Joggers like me might have seen an old, towering stone arch shrouded by bushes there — and wondered what lies beyond.

Turns out there was once a place called the Verdugo Lodge back there and Lawler has spent years excavating its history.

A car speeds away from the lodge onto New York Avenue. The stone archway that still stands can be seen in the background.

(

Kadletz Family Archives)

)

“It was a very high-end speakeasy for a time,” Lawler, who also helps run the Historical Society of the Crescenta Valley, said. “An amazing thing. And all the ruins are still here, just like this arch.”

Lawler said we don’t know exactly when the lodge was built, but we do have some of the picture starting in the late 1920s. The place was set up kind of like a timeshare where people bought 10 x 10 foot ‘tent lots’ that gave them access to on-site amenities. There was a golf course, stables, trout stream, a swimming pool — and a lodge with gambling and alcohol.

“The Crescenta Valley in the teens and '20s was a hotbed of moonshine, prostitution, all that stuff," Lawler said. "It was a quiet little community. But in all these canyons up here, stuff was going on. Illegal stuff!”

We don’t have a full guest list, but Lawler said it’s likely at least a few Hollywood types had gone up to the lodge to circumvent Prohibition era laws.

In some ways, it was kind of like the original glamping. Lawler said patrons probably weren’t doing much sleeping, though.

“They might have been unconscious!” he said with a chuckle.

Lawler led me to a road that swooped around a meadow. We passed by a massive swimming pool nestled into the hillside.

Once known as the “Crystal Pool,” it’s now empty and fenced off, with pitch black locker rooms below.

The exterior of the locker rooms for the old Crystal Pool.

(

Robert Garrova / LAist

)

We continued our journey up the hill and eventually arrived at a cascading stone stairway.

And at the top, the big show: overgrown with orange monkey flowers and goliath agaves lies the foundation of the old Verdugo Lodge, with lofty stone fireplaces the only guardians keeping the surrounding oak trees at bay.

Lawler takes out a floorplan that one of the former owners drew up for him.

“This is what it was laid out like on the inside. So a dancehall, and band stand on that side... And then upstairs was the gambling,” Lawler said.

Lawler had in hand a copy of a Los Angeles Times article from 1933 he found. The headline reads: “Revelers Flee in Lodge Raid.”

“The police that raided it were here at 3 o'clock in the morning. And there were still 500 people here. And they said it was the classiest joint they had ever raided... Anyway, people were diving out of windows and everything,” Lawler explained.

In a ruin like this, covered with moss and overgrowth, the imagination can run wild, too.

The archway that still stands outside of what's now known as Mountain Oaks.

(

Robert Garrova / LAist

)

Lawler pointed out a questionable door jam below the old dancefloor that’s been cemented over.

“That is a door. So what is behind there? So there’s a room in there that got walled in for some reason,” he said.

What we do know is that, sometime after the raid, the tawdry Verdugo Lodge and the surrounding land were purchased and then renamed Mountain Oaks by the Kadletzes — an entrepreneurial family who had run everything from a Turkish bath to a mini golf course. Over the next few decades, the family would rent the place out to local groups for recreational retreats.

The future of Mountain Oaks 

After they sold it in the ‘60s, Lawler said Mountain Oaks faced a “nightmare” of development threats. Over the years, some of the subdivided "tent lots" had been combined and sold off, Lawler said. A dozen private homes now stand on these pieces of land, next to the ruins of the Verdugo Lodge.

A map showing the Mountain Oaks public property acquired by The Mountains Recreation and Conservation Authority (MRCA).

(

Courtesy MRCA

)

Last year, with help from the City of Glendale, a U.S. Department of Housing and Urban Development grant among other funding sources, the Mountains Recreation and Conservation Authority (MRCA) put up $6.1 million to acquire 33-acres of the land — not including the private lots where the homes stand — so the public can continue to roam the meadow and ruins.

Paul Edelman, MRCA's director of natural resources and planning, said his group will continue to manage the land, doing things like brush clearance, trash pickup and sign maintenance. And he said there are no current plans to remove the ruins or make any major changes to the property.

“If somebody comes up with a grand idea where they can find some funding for us to do something to enhance it, we’re always open to it,” Edelman said.

The purchase was good news for local preservationist Joanna Linkchorst.

“I grew up directly up the hill. But I always saw the sign that said ‘private property’ and didn’t really think about it until several years ago when I finally asked Mike. And he said, ‘Oh yeah, we got a resort speakeasy down the street,’” Linkchorst said standing among the oaks and overgrowth.

Linkchorst, who founded the group Friends of Rockhaven to preserve another nearby historic site, said it’s been amazing to see all of the decaying structures that were still hiding out at Mountain Oaks.

“There’s almost like these little ghosts in your head as you imagine what it was like when there was a beautiful wood floor and there was a second floor that people came jumping out of,” Linkchorst said.

Now, let’s check in to the Overlook Hotel.

That’s the fictional place Stanley Kubrick brought to life in his 1980 film The Shining, loosely based on Stephen King’s novel of the same name.

A local architect who hails from South Pasadena meticulously crafted a 3D model of the iconic space so Shining fans everywhere never have to check out.

‘I just couldn’t stop’ 

At his day job, architect Anthony Chieh mainly works on residential and boutique commercial spaces. But over the course of five months, he spent his nights meticulously recreating a virtual replica of the Overlook Hotel from the film that first scared him when he was 12.

Of course he started with the deeply haunted Room 237. That’s where Jack Torrance, played by Jack Nicholson, has a terrifying encounter with a ghostly woman.

Chieh's 3D rendering of Room 237

(

Anthony Chieh

)

“But once I started, I just couldn’t stop,” Chieh told LAist.

“I ended up modeling the Colorado Lounge, and then after that I was thinking maybe I should make the lobby and then arriving to the Gold Room, and then Grady’s bathroom.”

“It’s like a rabbit hole,” he said.

Users who download Chieh’s free 3D model can fly through all of those spaces, immersed in atmospheric sounds and music from the film.

“It’s interesting to dive into these kind of fictional environments and try to make sense of it,” Chieh said. “And the hope is people will get a different perspective once they’re in there.”

Kubrick’s take on the Overlook was famously inspired by real hotels like the Timberline Lodge in Oregon and the Ahwahnee in Yosemite. But the interiors you see in the film were created on sound stages in England.

“Real architecture, physical buildings, are built for people to live. And for movies, these are more meant to express the emotional aspect of things. It’s a psychological construct,” Chieh said.

In a recently published video essay on YouTube, Chieh dives deep into those psychological constructs and how, as he puts it, “Kubrick designed the Overlook Hotel not as a backdrop, but as the film's true villain.”

How spaces scare 

Chieh said during the monthslong process he was reminded of the power of architecture and design in the real world too – whether it’s an uncomfortably repetitive carpet design or a claustrophobic hallway.

“A physical construct can affect your emotion,” Chieh said.

“You can use it in a way to make people feel comfortable and you can also use it in a way to create fear.”

Chieh's 3D rendering of the Torrance's apartment in 'The Shining'

(

Anthony Chieh

)

What’s next for this architect moonlighting as a 3D modeler?

Chieh says he’s thinking about giving the spaceship from “2001: A Space Odyssey" the virtual treatment next. Or maybe turning to a local non-fictional space, like the Stahl House.

That is, of course, if he can ever escape the Overlook.