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  • How to eat your way through Grand Central Market
    GUIDE-TO-GRAND-CENTRAL-MARKET
    Grand Central Market: many tastes of L.A., all in one place

    Topline:

    Grand Central Market in DTLA can feel overwhelming. Where to go? What to eat? How to decide? We get it. That's why we put together this guide for eating your way through one of the most popular food destinations in L.A.

    Why it matters: Grand Central Market is a downtown Los Angeles landmark, not to mention a great destination to sample a wide variety of cuisines. This guide is designed to help you try as much as possible in one visit.

    Why now: Whether you are entertaining family from out of town this holiday season or looking to go on a food adventure with friends, follow our guide of tips, hacks and tricks to try a little bit of everything at GCM.

    The iconic Los Angeles Grand Central Market is a must-visit for both out of towners and Angelenos. Somehow the grand dame of downtown dining manages to combine great 100 plus year old character with today's burgeoning and creative food scene.

    But with over 40 vendors offering tempting food, it can get a little overwhelming. (We've been there, we understand!)

    This is our guide to hacking Grand Central Market — what to skip, what you can't miss — so you can try as many delicious things as possible.

    Start small

    It’s easy to experience sensory overload when you first start walking through the various stalls, and you’ll immediately start to see things you like. But remember — you're in for the long haul. Pick some shareable dishes to keep things light. For now.

    Here's where you should start:

    The shrimp cocktail at Broad Street Oyster Co.

    Five plump, cooked shrimp sit on a bed of crushed ice in a metal tray: The shrimp are perfectly oriented around a serving of cocktail sauce, and a wedge of lemon is placed just so on the edge of the sauce cup.
    Get ready to squeeze and dip.
    (
    Brian Feinzimer
    /
    LAist
    )

    Sure, you can go for lobster rolls or a seafood tower, but if you want to go the distance at GCM, the shrimp cocktail from Broad Street Oyster Co. is the way to go. Four plump shrimp arrive over crushed ice with a side of cocktail sauce and a slice of lemon. Having a shrimp cocktail is always a good idea. There’s something about dipping shrimp spritzed with a bit of citrus into quality cocktail sauce that stirs the soul. It’s enough to share with others and won’t fill you up on the long food journey to come.

    The currywurst platter at Berlin Currywurst

    Two side-by-side sausage offerings: On the left, the sausage is served in a roll, and drizzled with sauces including a mustard, and served atop a brown paper square laid out inside a cardboard tray. On the right, the sausage is served sliced, with a wooden fork for spearing, and a heel of bread. Both trays are sitting atop a white stone counter.
    You can choose to have your bread on the side at Berlin Currywurst, or go all in and have your sausage delivered in a roll.
    (
    Brian Feinzimer
    /
    LAist
    )

    Next up: The currywurst from Berlin Currywurst. The dish consists of sliced sausage, with a choice of pork, chicken, veal, beef, or tofu kielbasa, topped with a sweet currywurst sauce containing hints of tomato, vinegar, and spices accompanied by a nice round bun. It makes for a lovely snack to share with others. Dip the sausage into the curry sauce and place it on a torn piece of bread, and you'll feel like you’ve reached some kind of culinary nirvana.

    The Korean fried chicken at Shiku

    A compact-sized paper to-go container contains several pieces of golden deep fried chicken. Wedged into the side of the container is a creamy green dipping sauce. The tray is sitting on a white picnic table.
    The perfect app: The Korean fried chicken from Shiku.
    (
    Brian Feinzimer
    /
    LAist
    )

    Head to the Korean fried chicken at Shiku. The shareable, sizable chunks of fried chicken are made with a quality batter that’s equally crunchy and flavorful with each bite, especially when it comes topped with either their aji verde or sriracha aioli providing just the right kick. The vegan option, made with pyogo mushrooms, is also a solid choice. Pyogo is the Korean word for shitake and makes for a great non-meat option to try.

    The Cali fries at Maple Block Meat Co.

    A rectangular, brown cardboard box sits atop a white picnic table. The box is open, revealing golden brown French fries piled inside, drizzled with a cheese sauce, a homemade Thousand Island-style dressing and finally topped off with caramelized onions and diced, fried jalapeños.
    These fries are loaded up!
    (
    Brian Feinzimer
    /
    LAist
    )

    Mosey on over to Maple Block Meat Co., located on the outdoor patio section of the market, known for its delicious barbecue. However, our favorite option is their Cali fries. No doubt a play of the popular secret menu option Animal Style fries at In-N-Out, but dare we say we like the ones at Maple Block a tad more? The combination of cheese sauce, housemade thousand island dressing, grilled onions, and chopped chiles always seems to hit perfectly. Not to mention, the fries themselves will pair exceptionally with the cheeseburger from For The Win... which is coming right up.

    Main Event: Entrees

    Yes, that's entrees with an s.

    The cheeseburger at For The Win

    A smashburger with cheese sits atop a white plate, which is in turn placed on a blue serving tray: The burger looks ready to devour, with cheese melting down its side, and pickles peeking out from beneath the bun. Nearby sits a tray of golden brown French fries. The tray is sitting on a white picnic table.
    If you're sharing, why not add on an order of fries?
    (
    Brian Feinzimer
    /
    LAist
    )

    Smash burgers are the gift that keeps on giving. You could throw a dart at a map of the greater Los Angeles area, and there’s a chance you’ll hit a place where you can find a good one. Here at the Grand Central Market, For The Win is where it’s at. The local chain, which has other locations in Hollywood, Glendale, and Whittier, should be on the list for anyone who loves an excellent smashed patty on a soft bun. What differentiates it from other burger joints is that For the Win goes the extra mile regarding the crucial details. The lacy edges on the burger patty tend to be slightly more crispy than most, with just the right amount of fatty flavor. The same goes for the creamy, slightly spicy fry sauce slathered on every burger. While the burger itself isn’t huge, you can cut it into fourths and share, especially if you are still saving room for a few other bites.

    The mixed carnitas taco at Tacos Tumbos A Tomas

    A tray covered in a square of serving paper hold two tacos piled high with carnitas, and then topped off with a diced mix of onions and cilantro. A light-skinned hand is reaching in to squeeze lime over the tacos, and more wedges of lemon and lime sit nearby. There are several tortillas folded over each other in the far end of the tray, ready to be pressed into taco duty.
    Those extra tortillas in the back make for convenient sharing: Everyone gets their own taco!
    (
    Brian Feinzimer
    /
    LAist
    )

    For those looking for the most bang for your buck, the mixed carnitas taco from Tacos Tumbos A Tomas is the winner. It contains various pig parts, including pork shoulder, stomach, skin, and cheeks. It is piled high with meat, along with diced onion, cilantro, and your choice of red and green salsa. They include extra tortillas to assemble leftover makeshift tacos with taco dregs. Your taco cup will run over, and that’s a good thing. One taco can feed four or maybe even five people, depending on the hunger level, which is perfect as we’re only about halfway through our food crawl of GCM.

    The loroco con queso at Saritas Pupuseria

    Two side-by-side dishes sit on disposable plates placed on a wood tabletop: On the left, there are soupy black beans, plantains fried to a deep dark brown, and a generous dollop of sour cream. On the right, there's a pupusa that has been cut into, with the cheese oozing out. The pupusa is drizzled with a ribbon of orange salsa. A plastic knife and fork lay nearby, ready for digging in.
    If you have room in your belly, don't skip the fried plantains and beans from this iconic GCM stall.
    (
    Brian Feinzimer
    /
    LAist
    )

    The iconic Saritas Pupuseria always seems to deliver: The loroco con queso, a personal favorite, is made with an edible flower that looks like a vegetable, similar to asparagus. Go ahead and try it. Its flavors meld perfectly into the cheese griddled stunningly into the fresh-tasting masa outside the pupusa. Top the pupusa off with the pickled slaw known as curtido and salsa roja. Don’t forget to add a side of sweet fried plantains, some black refried beans and crema Salvadoreña. It’s a feast that is perfect for sharing — or for taking home.

    The LA Galbi BBQ rice bowl at Shiku

    A rectangular tray contains a bed of rice, topped off with slices of seasoned and sauced short ribs that still contain the bone. A sprinkling of sesame seeds top off the meat. Ribbons of marinated and grilled onions are part of the traditional sides tucked in alongside the rice.
    This is a favorite on the menu at Shiku.
    (
    Brian Feinzimer
    /
    LAist
    )

    Next up, we're heading back for more at Shiku, but this time for a rice bowl: The LA Galbi. The story goes that when Korean immigrants started moving to Los Angeles and frequenting the various carnicerias searching for meat to grill, they discovered flanken-style short ribs thinly cut across the bone. They decided to marinate it in their galbi sauce, containing sweet and savory flavors with hints of garlic and sesame. The result is tender and saucy and pairs well over a bed of short-grained white rice. To add brightness to the plate, two sides of banchan, traditional Korean side dishes, accompany all rice bowls, making it enough to share. It's a dish celebrating two Los Angeles cultures coming together and Grand Central feels like a fitting location to experience it.

    Save some room for dessert?

    That's right. We're not done yet.

    A tiger tail (and more!) from The Donut Man

    A box with "The Donut Man" branding sits on a stone countertop: Nearby sit two golden brown and enticing donuts. One is round, and has been draped in an icing sugar coat. A syrupy mix of diced and spiced apples are oozing out the side. And then there's the tiger tail donut. It is shaped like a baton, and twisted so that the sweet brown cinnamon center is splitting out the side, creating a swirling stripe.
    Donuts are the right choice, no matter what time of day it is. You can also take these to go and enjoy later.
    (
    Brian Feinzimer
    /
    LAist
    )

    We've been fans of The Donut Man since visiting their original location in Glendora. But no more do we need to make the long trip on the 210 Freeway in order to get our tiger tail fix and their signature seasonal fruit donut options. If you aren't familiar with it, the tiger tail is like an elongated cinnamon twist donut, roughly a foot-long, so it's perfect for sharing. Not to be outdone, the strawberry donut is a glazed donut cut open and then stuffed to the gills with strawberries until it resembles some kind of explosion. They're a little hard to bite into directly, so it's best to cut them up and share them with others who want to join in on the donut fun. When strawberries are not available, choose from donuts filled with diced apples, slices peaches.

    A scoop from McConnell's Ice Cream

    A close-up view of three waffle cones holding generous scoops of ice cream — a chocolate flavor, a berry flavor and a vanilla flavor — all lined up in a row, in a see-through plastic holder
    And this is why we suggested you bring a cooler. Purchase a scoop or a pint to go.
    (
    Courtesy of McConnell's Fine Ice Creams
    )

    You did it! You completed your food journey through Grand Central Market. Why not reward yourself with a scoop of ice cream from McConnell’s Ice Cream at one of the few places you can find this beloved brand in person, outside of its Santa Barbara homestead. There are favorites like coffee, vanilla bean and triple chocolate, but also flavor combos such as honey and cornbread. If you feel pretty full right now, maybe grab that scoop or pint to go and relish in the victory of everything you accomplished.

  • New album, new NoHo studio
    Close-up of Ziggy Marley smiling, wearing a burgundy knit hat and a matching burgundy suit jacket.
    Ziggy Marley breaks emotional and creative ground in his new album Brightside

    Topline:

    Ziggy Marley is back with his first solo album in eight years, a project that includes the first song he's written about his father, Bob Marley. Brightside also marks Marley's experimentation with recording at a different frequency.

    What's the frequency: Marley said he recorded Brightside at 432 hertz — a departure from mainstream music recorded at 440 hertz — to change the emotional listening experience.

    His own space: Marley recorded at Rebel Lion Studio, his newly-built facility in North Hollywood. After more than two decades in L.A., Marley said the city's concentration of creatives has played a major role in his own growth as an artist.

    What's next: Marley says he's already working on his next album, a children's book and a return to film production of some kind, saying he wants to explore his creativity next in a visual medium.

    Reggae star Ziggy Marley has spent decades carrying one of music’s most celebrated legacies. But until now, he had never written a song directly about his father, Bob Marley.

    That’s changed with “Many Mourn for Bob,” a track on Marley’s ninth solo album Brightside, his first release recorded in his new studio in North Hollywood.

    Marley was just 12 when his father died of cancer in 1981. Now 57, Marley says the song instinctually emerged after years of life experience and producing the biopic One Love, which revisited his father’s struggles like an assassination attempt amid political violence in Jamaica.

    “He went through some things that was really tough on a human being – and just understanding him in that light is to have a little bit more emotional, deeper connection to his experience,” Marley said in an interview at his studio.

    Searching for the bright side

    The deeply personal track is part of a splashy return for Marley, who's touring behind Brightside and will perform at the Hollywood Bowl on June 21.

    Reggae Night XXIV featuring Ziggy Marley and Burning Spear, with a DJ set by Zuri Marley

    When: Sunday, June 21, 7 p.m.

    Where: Hollywood Bowl, 2301 N. Highland Ave., Los Angeles

    The new album blends political themes, optimism and musical experimentation.

    Its lead single, “Racism Is a Killa,” featuring Big Boi, pairs the heavy topic with an upbeat groove that he hopes will make the song more accessible to young people.

    “We just wanna come out straightforward, like I never want to come out tiptoeing,” Marley said. “I want to say something that can catch your ears or catch your thoughts.”

    That tension between darkness and hope runs throughout Brightside. Marley described the album as a reflection on enduring difficult periods – from the pandemic to the Los Angeles wildfires – without losing sight of optimism.

    “Sometimes we get lost in that so much that we don't realize that there is always a bright side,” Marley said.

    The 432 Hz experiment

    The album also experiments sonically: Marley recorded Brightside using 432 hertz tuning instead of the standard 440 hertz in most mainstream music. Advocates of 432 hertz believe it produces a warmer, more meditative sound better synced to the natural world. (You can hear the difference for yourself here.)

    “It's a lower musical frequency, but it's a higher frequency in a next sense of your spirituality and emotion,” he said. “So even though the numbers go down, the frequency actually go up.”

    Marley sees the move as part of a larger search for new creative approaches.

    “I'm very open-minded and always trying to evolve and just experiment with life and music,” Marley said.

    The Grammy winner, who joins James Blake and Ed O’Brien of Radiohead as the most high-profile artists to record at the lower frequency, floated the idea of a larger movement among artists.

    “Let's just have a revolution in the music industry,” he said. “Let's change the frequency.”

    Building a dream

    Marley works out of his Rebel Lion Studio in North Hollywood, its name a nod to his 2018 album Rebellion Rises while also a play on the word “rebellion.”

    He described the studio as an extension of the independent spirit his father built with Tuff Gong Studio in Jamaica.

    A spacious rehearsal studio or recording room filled with musical instruments, including guitars, keyboards, a drum kit, and congas, set up on patterned rugs.
    Musicians set up for rehearsal ahead of the next leg of Ziggy Marley's tour.
    (
    Josie Huang
    /
    LAist
    )

    “My father had a dream, and I had a dream too,” Marley said.

    Like with Tuff Gong, Marley also plans to expand the studio operation to include vinyl pressing as records continue their resurgence in the streaming era.

    “There’s always gonna be a vinyl present going on,” Marley said. “A thousand years from now, people that we're still gonna need vinyl records to listen to music.”

    A smiling Ziggy Marley in a black-and-white knit beanie stands next to a framed, colorful, vintage-style concert poster.
    Ziggy Marley in the hallway of his new studio in North Hollywood.
    (
    Josie Huang
    /
    LAist
    )

    For years, Marley said, he worked out of smaller home setups and rented facilities before deciding to build a larger permanent space in L.A.

    Marley said the city has become central to his own creative evolution over the last two decades of living and working here.

    Drawn initially by music, friends and the city's small but tight-knit Jamaican community, he says being surrounded by creatives from different backgrounds helped push his artistry in new directions.

    “I left my safety and my community, my tribe, and come out by myself to L.A.,” he said. “But it's a great experience. It really helped my growth as a human being being here.”

    What’s next

    Fresh off the release of Brightside, Marley says he’s already working on another album – a notably quicker turnaround since his last album, the family-music release More Family Time in 2020,

    “We're doing back to back,” he said.

    Ziggy Marley sings into a microphone with his eyes closed while playing an electric guitar on a brightly lit stage.
    Ziggy Marley will be performing at the Hollywood Bowl on June 21 as part of a tour supporting his new album Brightside.
    (
    Astrida Valigorsky
    /
    Getty Images
    )

    He’s also busy writing a children’s book based on his feel-good hit anthem “True to Myself” and eyeing opportunities in front – or behind the camera – inspired by his time working on One Love and making the video for “Racism Is A Killa.”

    “Same philosophy, same message, but within visuals, you know?” Marley said excitedly. “I want to create some stories and try out. I feel it coming. I can feel it.”

  • Sponsored message
  • A free record shop opens
    A record shop interior with shelves stocked with vinyl records. The words "Record Shop" are overlaid on the image in large red and white script, with a stylized vinyl record graphic and a heart-shaped location pin in the center.

    Topline:

    A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

    The backstory: After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost gear in the fires. Now he’s doing that with vinyl records, too.

    Read on ... to find details.

    A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

    After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost their gear in fires.

    Now he’s doing that with vinyl records, too.

    Record Shop grand opening
    Altadena Music Center
    1260 Lincoln Ave., Suite 1300, Pasadena
    Saturday, May 30
    Record donations starting at 1 p.m. Grand opening party is 6 - 9 p.m.
    For more info and to register a free ticket, check out the Altadena Music Center event page.
    LAist is a media sponsor for the event. 

    “We want to be here to help replace those items and support music in people’s lives that can’t necessarily afford it right now because they’re saving all their pennies just to live and also just to rebuild their homes,” Jay told LAist.

    Jay says they’ve seen roughly 3,000 records donated so far. Now they have a dedicated space on Lincoln Avenue where fire survivors can sign up for time slots and shop for up to 10 records a month.

    “It’s a really lovely distraction but it kind of keeps me going as well just to know that we’re trying to build something great for the community and keep us all moving forward,” Jay said.

    The store will carry copies of the benefit album, Gimme Shelter: Songs for LA Fire Relief. The compilation features cover art by Shepard Fairey and L.A. specific tracks from artists like Elliott Smith ("Angeles" of course), Norah Jones, The Flaming Lips, as well as a cover of "Burning Down the House" by Talking Heads performed by Jay and about 50 other fire-impacted musicians.

  • Path to Measure ULA reforms remains muddled
    A woman with medium-light skin tone with shoulder length dark hair wearing a dark blue blazer and beige blouse leans into a mic from behind a wooden dais with a sign that reads "Jurado."
    Los Angeles City Councilmember Ysabel J. Jurado at a council meeting in April, 2025.

    Topline:

    A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half. Ysabel Jurado, chair of the ad hoc committee on Measure ULA, said it's too early to determine the tax's long-term effects on housing and revenue.

    Why it matters: The proposal by Councilmembers John Lee and Marqueece Harris-Dawson would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

    How we got here: L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department. Critics say the tax has suppressed housing development.

    What's next?: In its final meeting, the committee instead advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects. The ULA committee dissolves this weekend, but the ballot measure proposal was also referred to the City Council's rules committee, which could decide to take it up in the coming months.

    A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half.

    The ad hoc committee on Measure ULA voted 2-1 to set aside a proposal by Councilmembers John Lee and Marqueece Harris-Dawson that would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

    However, the ballot measure proposal was also referred to the City Council’s rules, elections, and intergovernmental relations committee, which could still choose to move it forward.

    Instead, the ad hoc committee advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects.

    The pilot program won't need voter approval in the form of a ballot measure. Committee Chair Ysabel Jurado, who introduced the substitute language, said she believes the city should avoid a ULA ballot measure because it’s still too early to evaluate the measure’s long-term effects.

    “ I'm against going to the ballot, but I'm for making fixes that make this better,” Jurado said.

    Voters will see a separate proposal on their ballots by the Howard Jarvis Taxpayers Association to effectively repeal Measure ULA.

    If the L.A. City Council does not approve reforming the measure, the only decision on the ballot in November may be whether to keep the mansion tax in its current form or end it.

    About the mansion tax

    L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department.

    The city projects it will generate about $500 million in the coming fiscal year — about half of what proponents initially promised. It has funded about 800 new affordable units and helped stabilize thousands of renters facing eviction, according to the housing department.

    But critics say the tax has suppressed housing development. Several studies link the tax to a slowdown in apartment construction in Los Angeles, but ULA supporters say high interest rates and broader economic conditions are to blame.

    The City Council's ad hoc committee on Measure ULA was formed earlier this year to study how the measure is working and develop potential reforms. That work took on more urgency inside L.A. city hall after the Howard Jarvis Taxpayers Association qualified a statewide ballot measure for November that would effectively repeal Measure ULA entirely.

    Joe Donlin, director of the United to House LA coalition, which campaigned for the original measure, said the City Council committee made the right call by rejecting broader exemptions.

    “By not taking up the extreme calls for broad, 15-year waivers that could cost the program about a third of its revenue, the committee acknowledged that ULA is working,” Donlin said in a statement.

    A separate group of housing developers, union workers and advocacy groups calling itself the “Mend It, Don’t End It” coalition has been urging city hall to make changes to ULA. On Friday, the group said it supports the measure, but believes targeted reforms are still needed.

    “Independent research shows that Measure ULA has slowed housing production in Los Angeles at a time when we need more housing, not less,” said Melanie Mendoza, a coalition spokesperson.

    What the data show

    The debate over ULA's impact played out in the committee room Friday morning. The city's chief legislative analyst reviewed seven independent studies on ULA’s impact. Three of those studies concluded ULA had suppressed housing production and reduced property tax revenues, while four found no meaningful negative impact.

    Before ULA took effect, Los Angeles collected about $22 million a month in transfer tax. After that, it dropped to about $13 million. But city legislative analyst Henry Flatt told the committee a similar decline happened in cities without the tax, including Glendale, Long Beach, Pasadena and Santa Clarita.

    “We are not currently convinced that Measure ULA has had an extremely negative impact on general fund revenues,” Flatt told the committee.

    The county assessor's office read the same period differently. Scott Thornberry, an assistant assessor with L.A. County, told the committee that commercial and industrial property sales are falling in the city but not elsewhere in the county.

    “We are seeing, we believe, a trend line of impact to property tax revenue growth in the city of L.A. specifically," Thornberry said.

    What the committee did

    Instead of the ballot measure, the committee voted to develop a five-year pilot program cutting the ULA tax to 1.5% for newly constructed affordable housing projects that meet specific requirements.

    Lee, whose ballot measure was replaced with language advancing the pilot program, said he hadn't seen the substitute prior to Friday’s meeting and voted against it.

    “This was just placed in front of me,” he said. Lee objected to a provision in the substitute recommendations calling for $30 million in new spending on homelessness support.

    “Without knowing where this money's coming from, I'm going to have to vote no,” he said.

    Lee told LAist he supports stronger oversight and technical improvements to Measure ULA, but believes a ballot measure is the right approach.

    “Voters deserve the opportunity to consider targeted changes that would preserve the intent of the measure while addressing its unintended impacts on housing production and real estate activity in Los Angeles,” the councilmember said, in a statement.

    Friday's meeting was the committee's final scheduled hearing. The committee, which is set to dissolve June 1, also voted to advance a narrower nonprofit tax refund limited to organizations that can prove all sale proceeds went directly to affordable housing.

    The committee continued a separate motion on fire exemptions for Palisades fire victims, which will be heard by another council committee. A motion to loosen eligibility rules for the ULA Citizens Oversight Committee was noted and filed.

    Councilmember Imelda Padilla, who introduced several of the committee's motions, said the process had been guided by a commitment to protect the measure.

    "My goal has always been to listen carefully, bring people into the conversation, and protect ULA while honoring the voters' intent," she said at Friday’s meeting.

    In her closing remarks, Jurado reflected on the three-member committee’s past work.

    “We released $14 million in rental assistance to the most vulnerable Angelenos and $300 million for affordable housing,” she said. “We did in six or seven meetings what others couldn't do in five years.”

    The ad hoc committee's recommendations now move to the full City Council.

    Harris-Dawson and Lee’s ballot measure motion will be considered by the City Council’s rules committee at a later date, officials said.

  • Celebrate movie monsters in Pasadena this weekend
    A light skinned woman wearing eerie makeup that makes her look like a green and pink tinged elf. She's wearing a headpiece made of grass and flowers. Another light skinned woman with tatooed arms, wearing a grey T shirt, is helping to put on the costume and make up.
    L.A.-based Makeup Designory School designs a fantasy woodland creature at a past Monsterpalooza.

    Topline:

    The annual movie-monster bash for horror fans returns to the Pasadena Convention Center this weekend. The event features panel discussions, celebrity photo ops, a monster museum, live makeup demos and over 400 exhibitors.

    What can I expect: Rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at the practical effects that’ll make your flesh creep.

    What should I wear: Cosplay as your favorite filmic haunts or don a classic tee celebrating genre history. Just come ready to adore all things that gnaw and gash.

    Read on... for more details about the event.

    Monsterpalooza, the annual movie-monster bash for horror fans, returns to the Pasadena Convention Center this weekend, starting Friday night (May 29) and lasting through Sunday.

    What to expect

    Now in its 18th year, devotees can rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at practical effects that’ll make your flesh creep.

    Dozens of panels and presentations are scheduled, including a deep-dive into the 95th anniversary of the Dracula and Frankenstein movies by writer Julian David Stone.

    Bright classic horror movie posters for The Vampire and the Bride of Frankenstein make a lively background for a light skinned bald headed man who sits on the stage talking into a microphone.
    Writer Julian David Stone gives a presentation at a past Monsterpalooza event.
    (
    Perry Shields
    /
    Courtesy Julian David Stone
    )

    Stone said that the two classic movies have left a lasting impact.

    Dracula is a movie about supernatural horror..... and Frankenstein is about technological or man-made horror," he said. "You can just trace those two themes all the way forward to this past year with Sinners and Megan 2.0."

    A light skinned man in a baseball hat, blue polo shirt and jeans stands next to "armageddon rat", a hideous human sized rat in medievel armor.
    Richard Redlefsen's Armageddon Rat at the PPI Booth at a past Monsterpalooza.
    (
    Steve Jennings Photography
    /
    Courtesy Visit Pasadena
    )

    Stone first attended the convention in 2008, returning over the years as a fan, spectator and presenter.

    “It’s just a terrific convention that celebrates all things horror,” Stone said. “There’s a lot of celebrities you can meet who were in these horror films and you can get pictures with them." He added that he’ll never forget when he met Carla Laemmle in 2010 — the last living cast member of the original 1931 Dracula.

    Two men with light tone with grey hair and beards stand either side of a clown with grotesque features wearing a filthy clown costume.
    Mike Mekash and Chris Nelson re-created Twisty the Clown on Dan Gilbert at the PPI Booth at a past Monsterpalooza.
    (
    Steve Jennings
    /
    Courtesy Visit Pasadena
    )

    Who's attending

    If you’re jonesing to be photographed with high-profile entertainers (expect a fee for many), this year's event has a line-up that includes musician Alice Cooper, actress Lin Shaye from the Insidious movie franchise and David Howard Thornton, who plays Art the Clown in the popular Terrifier movie series.

    Cosplay and crazy costumes are encouraged, although a T-shirt celebrating a classic horror movie will also do. Just come ready to adore all things that gnaw and gash.

    MONSTERPALOOZA details

    Location: 300 E. Green St., Pasadena

    Ticket prices at the door: Friday $50, Saturday $55, Sunday $55, 3-day pass $99

    Hours: Friday 6 p.m. - 11 p.m., Saturday 11 a.m. - 6 p.m., Sunday 11 a.m. - 6 p.m.

    More details >