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The Brief

The most important stories for you to know today
  • Building maintenance staff demands pay raises
    Three people walk towards an arch that says California State University Fullerton
    A union that represents 1,100 plumbers, electricians and other building maintenance staff across the university system is on strike.

    Topline:

    Teamsters Local 2010, which represents trades workers across the Cal State University system, will be on strike through Friday. The union also filed an unfair labor practice charge against the CSU, claiming that the system has refused to honor contractually obligated raises and step increases for its members.

    The backstory: According to Teamsters Local 2010, union members won back salary steps in 2024 “after nearly three decades of stagnation.” That year, the union was on the verge of striking alongside the system's faculty, but it reached a last-minute deal with the CSU.

    Why it matters: The union represents 1,100 plumbers, electricians, HVAC techs, locksmiths and other building maintenance staff. In December 2025, some 94% of workers voted to authorize their bargaining team to call a strike. In a press statement, the union said that “any disruptions to campus operations will be a direct result of CSU’s refusal to pay.”

    What the CSU says: In a press statement, the CSU maintains that conditions described in its collective bargaining agreement with the union — which “tied certain salary increases to the receipt of new, unallocated, ongoing state budget funding”— were not met. The system also said it "values its employees and remains committed to fair, competitive pay and benefits for our skilled trades workforce.”

    Go deeper: Trades worker union says CSU backtracked on contract, authorizes strike

  • 15% households in CA lack access, report finds
    Two light skinned hands are typing on a metallic keyboard, on a desk, in front of a large screen and another laptop.
    About 15% of California households lack access to high-speed internet, according to the latest report from UC Riverside.

    Topline:

    About 15% of California households lack access to high-speed internet, according to the latest report from UC Riverside. Researchers pointed to affordability as one of the biggest barriers to closing the persistent digital divide.

    What does the report say? The average monthly cost can range from $70 to $80. And rural communities are even further isolated because of a lack of infrastructure investments from private companies.

    Read on … for more on the report’s findings.

    About 15% of California households lack access to high-speed internet, according to the latest report from UC Riverside. Researchers pointed to affordability as one of the biggest barriers to closing the persistent digital divide.

    Edward Helderop, associate director at UCR’s Center for Geospatial Sciences and report author, told LAist that the findings weren't surprising.

    “A lot of American households and California households don't have high-speed internet available at home,” Helderop said. “It's sort of just an unfortunate reality that that's the case for the state of California.”

    What does the report say? 

    Nearly one in seven households in California doesn’t have reliable internet access, according to the report. The biggest barrier continues to be affordability. Even in urban areas, like Los Angeles, where broadband internet is more widely available, the average monthly cost can range from $70 to $80 per month.

    But in rural areas, broadband internet is still widely unavailable because of a lack of infrastructure investments from private companies. Only two-thirds of rural households have broadband access at home.

    “This digital divide represents not just a technological failure, but a profound barrier to economic opportunity, educational advancement, and civic participation that undermines California’s potential for shared prosperity,” the report states.

    Experts also call for mandatory broadband data transparency — internet providers should be required to publicly disclose their service speeds, pricing, reliability metrics and coverage areas.

    “Private telecom companies administering the service, they're under no obligation to maintain publicly available data sets in the same way that you might get with other utilities,” Helderop said. “There are issues with the fact that the advertised speeds don't really match up with the actual speeds that people experience at home.”

    Researchers also recommend that broadband providers be regulated as utilities, like water and power, monitoring rates, quality and service obligations.

    “When we regulate something like a utility, it comes with a few regulations that we take for granted,” Helderop said. “Something like a universal service obligation, in which the utility … their primary motive is to provide universal service, so to provide the service to every household in California.”

    As a public utility, officials could ensure that providers are offering the same type of service to every household in the state, as well as regulate rates.

    Why it matters 

    Norma Fernandez, CEO at Everyone On, said access to affordable, high-speed internet is a basic necessity.

    "Still, too many families, particularly those in under-resourced communities, predominantly of color, are still left out,” Fernandez said. “Expanding reliable connectivity means addressing affordability, investing in community-centered solutions, and ensuring that digital access is part of every policy conversation."

    Digital equity advocates say they see the need from local families every day, but available data doesn’t reflect that.

    “On the maps, families appear to live in ‘connected’ neighborhoods, but in reality, they still can’t afford to get online because the monopoly provider’s plans are unaffordable,” Natalie Gonzalez, director at Digital Equity Los Angeles. “The provider-reported broadband maps don’t match what residents experience on the ground, and that gap has real consequences.”

    In L.A., for example, hundreds of thousands of households lack reliable internet, but only a fraction qualify for public funding because available data says they’re already served, Gonzalez added.

    “Public investment alone doesn’t guarantee equity if the underlying data is flawed,” Gonzalez said. “When the only data regulators have come from the providers themselves, the providers end up defining reality. Communities are then forced to prove they’re disconnected, without access to the same information the companies use to claim coverage.”

    Cristal Mojica, digital equity expert at the Michelson Center for Public Policy, said pricing data is intentionally obscured.

    “It makes it harder for people to shop around between internet plans,” Mojica told LAist. “It makes it really challenging for our state legislators to be effective and make effective decisions around affordability when they have to try to dig around for that information themselves.”

    What’s next? 

    California has already invested $6 billion for broadband –called the “Middle-Mile” project –through Senate Bill 156. The 2021 law is the largest state investment in broadband in U.S. history to get more people online.

    Helderop explained that broadband investments are typically made possible through grants or loans to private telecom companies, making the state’s investment critical.

    “It's the first time that any state, or any government in the United States, is taking it upon themselves to build and then own the infrastructure at the end of it,” Helderop said. “I would say that's probably the primary reason that we don't have universal broadband available to households in the United States right now.”

    When completed, the “Middle-Mile” project will open markets to new providers and reduce monopolies, Helderop added.

  • Playboy founder's widow seeks investigation
    Two women holding legal documents with black lines indicating redactions during a press conference. On the left is attorney Gloria Allred, wearing a plaid coat with black buttons. On the right is Crystal Hefner in a white coat.
    Crystal Hefner (right), widow of Playboy founder Hugh Hefner, and attorney Gloria Allred show court filings during a press conference to announce steps they're taking to protect sexual images and information about women in Hefner's personal scrapbooks and diary in Los Angeles on Tuesday.

    Topline:

    Playboy founder Hugh Hefner’s widow, Crystal Hefner, is raising the alarm over her late husband’s foundation collecting about 3,000 of his personal scrapbooks and his diary, which she says contain thousands of nude images of women, some of whom might have been minors at the time the photos were taken.

    Why it matters: In a press conference Tuesday, Hefner said in addition to her concerns about some of the women in the scrapbooks being minors, she's worried that the women and possibly girls in the images didn't agree to their images being kept and about what might happen to the women if the images were made public or posted online.

    What's next: Hefner said she was told that the scrapbooks may be in a storage facility in California. Her attorney, Gloria Allred, says they were informed that the foundation plans to digitize them, but it’s unclear what it plans to do with them.

    Playboy founder Hugh Hefner’s widow, Crystal Hefner, is raising the alarm over her late husband’s foundation collecting about 3,000 of his personal scrapbooks and his diary, which she says contain thousands of nude images of women, some of whom might have been minors at the time the photos were taken.

    In a press conference Tuesday, Hefner and her attorney, Gloria Allred, announced they’ve filed regulatory complaints with California and Illinois attorneys general, asking them to investigate the foundation’s handling of the scrapbooks. The complaints were filed to both attorneys general because the foundation is registered to do business in California but incorporated in Illinois.

    “I believe they include women and possibly girls who never agreed to lifelong possession of their naked images and who have no transparency into where their photos are, how they’re being stored or what will happen to them next,” Hefner said.

    She added the diary includes names of women he slept with, notes of sexual acts and other explicit details.

    Hefner said she was asked to resign from her position as CEO and president of the Hugh M. Hefner Foundation on Monday after raising concerns about the materials. She said after she declined to resign, she was removed from her role.

    She said she was told the scrapbooks may be in a storage facility in California. Allred says they were informed that the foundation plans to digitize them, but it’s unclear what it plans to do with them.

    “This is not archival preservation. This is not history. This is control. I am deeply worried about these images getting out,” Hefner said. “Artificial intelligence, deepfakes, digital scanning, online marketplaces and data breaches means that once images leave secure custody, the harm is irreversible. A single security failure could devastate thousands of lives.”

    In addition to asking for an investigation into the foundation’s handling of the materials, it also asks the attorneys general to take appropriate actions to secure those images.

    LAist has reached out to the Hugh M. Hefner Foundation for comment.

  • McLaughlin was face of Trump's immigration policy

    Topline:

    Tricia McLaughlin, the assistant secretary for public affairs at the Department of Homeland Security, is leaving the agency, the department confirmed on Tuesday.

    The backstory: McLaughlin has become the public face and voice defending the Trump administration's mass deportation policy and immigration tactics over the past year.

    Why it matters: McLaughlin's exit comes at a tumultuous time for the agency. DHS is currently shut down after lawmakers failed to pass a budget to fund it through the end of the fiscal year in September.

    Read on... for more about McLaughlin's exit.

    Tricia McLaughlin, the assistant secretary for public affairs at the Department of Homeland Security, is leaving the agency, the department confirmed on Tuesday.

    McLaughlin has become the public face and voice defending the Trump administration's mass deportation policy and immigration tactics over the past year.

    "McLaughlin started planning to leave in December but pushed back her departure amid the aftermath of the shootings of U.S. citizens Renee Good and Alex Pretti by federal immigration officers, according to the people briefed on her exit," DHS said in a statement to NPR.

    POLITICO first reported her departure. It is not clear where she is going next, or who will become the agency's next spokesperson.

    McLaughlin's exit comes at a tumultuous time for the agency. DHS is currently shut down after lawmakers failed to pass a budget to fund it through the end of the fiscal year in September.

    And high-ranking immigration officials, including DHS Secretary Kristi Noem, have been summoned to Capitol Hill to testify on the immigration crackdown after immigration agents shot and killed Good and Pretti in Minneapolis.


    McLaughlin has been among the most public-facing agency spokespeople, participating in several network interviews. Beyond speaking on DHS' immigration initiatives, McLaughlin also fielded interviews and questions about Noem's handling of national disaster relief and resources, and other parts of the sprawling agency.

    Noem praised McLaughlin's work in a statement online, saying she "served with exceptional dedication, tenacity, and professionalism."

    "While we are sad to see her leave, we are grateful for her service and wish Tricia nothing but success," she wrote on the social platform X.

    Immigration has been the largest part of McLaughlin's portfolio. She often took to network shows and to social media to promote immigration arrests made by the administration, defend actions by DHS agents, and encouraged immigrants to "self-deport."

    House Minority Leader Hakeem Jeffries praised news of her departure online; "Another MAGA extremist forced out of DHS. Noem next," he posted on X.

    Most recently, McLaughlin defended Noem's description of Pretti as a "domestic terrorist" after Customs and Border Protection officers shot and killed him — claims that eventually drew sharp scrutiny from lawmakers, including some Republicans.

    "Initial statements were made after reports from CBP on the ground. It was a very chaotic scene," McLaughlin told Fox Business late last month. "The early statements that were released were based on the chaotic scene on the ground and we really need to have true, accurate information to come to light."

    During last week's congressional hearings, the heads of Customs and Border Protection and Immigration and Customs Enforcement both denied that they, or anyone under their chains of command, had given Noem information to substantiate that claim that Pretti was a domestic terrorist.

    An NPR analysis published in January showed that DHS has made unproven or incorrect claims on social media or in press releases when describing immigrants targeted for deportation or U.S. citizens arrested during protests.

    Copyright 2026 NPR

  • Program brings musicians to a terminal near you
    A person sits behind a makeshift DJ booth in a public airport lounge area, with tall windows opening up to airport runways behind them.
    Purelink's Tommy Paslaski as he DJed at LAX on Feb. 12.

    Topline:

    The “LAX Presents” series brings performances to the airport’s terminals. LAist caught a recent one with the ambient techno trio Purelink.

    About the show: The set was in the West Gates at LAX’s Terminal B, which opened in 2021. It was big enough to almost feel like a concert hall.

    How the performers felt about it: Purelink’s Ben Paulson said an airport made sense to them as performers. “Sometimes it comes up where you get on a plane and you're kind of thinking about your life in a different way,  just because of either traveling to a new place, or you're going to see someone and it can conjure up different types of emotions,” Paulson said. “Our music is kind of catered towards those times anyways.”

    About the program: The show is one of over a dozen that are taking place at LAX’s terminals aimed at seeing travelers off or welcoming them to L.A. The series is run in conjunction with the bookers Rum & Humble and Dublab.

    Read on: …to learn more about the show and the LAX arts program.

    In my time going to shows in and around L.A., I’ve seen DJ sets all over — in parks, backyards, Thai restaurants, quinceañera venues, plus a few other spots I’m not going to blow up here.

    But despite being a big Brian Eno fan, seeing a show at an airport was completely new for me, even though LAX puts on concerts and DJ sets about once every couple weeks as part of their “LAX Presents” performance series.

    So when the opportunity arose for me to check out Purelink, one of my favorite current electronica and techno groups, I had to jump on it. If nothing else, I had to see whether it’s worth booking my flights around the free concerts at the airport next time the stars align.

    About the show

    Purelink’s set was in the West Gates at LAX’s Terminal B, which opened in 2021. It’s a cavernous space with a great view of the airfield, not to mention cozy couches, lots of natural light and high ceilings.

    It was a great backdrop for Purelink’s set, which was a mix of spaced-out, ambient versions of their own tracks — which are already pretty spaced-out — plus edits and remixes of other artists that fit the vibe. For Purelink’s members, airports go hand-in-hand with their style of music.

    “Sometimes it comes up where you get on a plane and you're kind of thinking about your life in a different way,  just because of either traveling to a new place, or you're going to see someone and it can conjure up different types of emotions,” Purelink member Ben Paulson said. “Our music is kind of catered towards those times anyways,  in my mind, and what we try to conjure up with our songs: memory, and looking back while also looking forward.”

    Purelink’s Akeem Asani said it was a challenge to rearrange the music they’ve been playing on their tour before their last two shows at LAX on Feb. 11 and 12.

    “Each different venue we've had kind of has a different context of how it's gonna sound and how we want to deliver that specific song in that setting,” Asani said. “This is the most unique setting, and it's been fun to really strip back a lot of the songs that we've been playing and hearing in a different context.”

    An airport terminal with escalators and a second-story walkway visible. A light-up pink and red sculpture is in the center of the picture.
    Visitors catching Purelink's set at Terminal B's West Gates got to see this fluorescent sculpture.
    (
    Kevin Tidmarsh/LAist
    )

    What it’s like to play there

    Paulson said that although the group was coming off of a tour where they were playing nightclubs, not airport terminals, they stripped their set back to be friendlier to LAX travelers who didn’t buy tickets to see them.

    “ I think it's rare for any airport to have any sort of art focus, so it's cool that they're offering that,” Paulson said.

    Asani said the group will play any venue at least once — in fact, the West Gates reminded him of the churches they’ve played even though in other ways the setting was “the opposite” of a place of worship.

    “People are eating Burger King — a Whopper and some ambient, I guess they go together, huh?” he joked.

    After playing LAX, Asani said that if anyone wants to book Purelink for an airport tour, they’re down.

    “ We're already going to airports all the time, so might as well just do a show while we're there,” he said.

    An empty makeshift DJ booth with Pioneer DJ decks. A piano, empty chairs and several large windows are in the background.
    LAX's art program director Sarah Cifarelli said the piano pictured here is free to use for performing artists who want it.
    (
    Kevin Tidmarsh/LAist
    )

    About the program

    The show is part of a series of concerts at LAX’s terminals run in conjunction with the bookers Rum & Humble and Dublab — Dublab booked Purelink to play there. See the full schedule for this winter and spring here.

    “The reason we added the performing arts program was we definitely wanted to create a more serene, calm, relaxed environment, because the airport can be a hectic, busy place, but also music can create a very welcoming space as well,” said Sarah Cifarelli, the director of LAX’s art program.

    The program also features large works of public art (think the pylons) and smaller installations sprinkled throughout the terminals. It’s all with the goal of representing L.A. and making the airport experience more hospitable.

    “ We've had people who are like, ‘Oh my gosh, I had a really long layover and suddenly seeing this performance just really kind of turned my day around,’” Cifarelli said.

    And though Purelink’s show was calm and blissed out, the airport hosts all kinds of shows across its terminals.

     ”We're really looking for a variety of artists and musicians, so it’s not just one genre of music,” Cifarelli said. “We want to be able to present a really nice array of performers to really reflect the cultural richness of Los Angeles.”