Topline:
A new study that looked at wildfires around the world says climate change likely made L.A.'s January fires worse. The how is complicated.
A number of factors: Strong winds, high temperatures and dry brush all played a role in driving the fires.
Read on ... to learn more about how climate change came into play.
Strong winds, warm weather, dry brush and a lack of rain: All of those factors and more came together to make L.A.’s January wildfires some of the worst on record.
But were those conditions made worse by climate change?
Authors of a new study published in Earth System Science Data try to quantify the answer, writing that climate change probably made the Eaton and Palisades fires more likely and could have resulted in the burned area being 25 times larger than it would have been without climate change (though there’s a large range of uncertainty in that estimation).
“Those fires in January were just so much more difficult to control because it was so dry, because it was warmer,” said Crystal Kolden, professor and director of the Fire Resilience Center at UC Merced and a co-author of the paper. “And that is where that climate change signal is really strong.”
There’s a clear scientific consensus that climate change is associated with hotter temperatures, which can cause plants to dry out faster than they otherwise would.
However, there’s less certainty around other factors that played a role in January, according to Park Williams, a professor in the Department of Geography at UCLA, whose work was cited in the study but who did not participate in it.
It’s unclear if climate change is causing our rainy seasons to be delayed more often (as was the case in January), though models suggest a trend in that direction, Williams said.
There’s also uncertainty around whether climate change is exacerbating the whiplash between wet and dry years in Southern California — lots of fuel grew in the two wet years prior to a dry 2024.
And how it may be changing the Santa Ana winds, which normally do blow in January.
“These are all things where the effect of climate change is just much murkier,” Williams said.
Modeling our fire future here is further complicated by the highly variable fuel types, the weather, the homes and the vegetation across Southern California’s topographically complex terrain.
Some models may work well in wildlands like forests, where the main thing that’s burning is natural vegetation, Kolden said. But many hard-to-predict human factors are present in the wildland urban interface — places like the Pacific Palisades, where homes are built right up against open natural areas. Those variables can make the models less confident.
“ I think that it's important that people who are living in Southern California understand that actually in the greater L.A. area, coastal Southern California, we have not seen an increase in the number of fires or the area burned,” Williams said.
Northern California is another story, he said.
“The fingerprint of climate change is just unmistakable” with fires in the Sierra Nevada and North Coast.
What humans do next is perhaps the biggest X factor, Kolden said.
“What we always say is we can't model human adaptation,” Kolden said. “We don't model humans adapting to these changes and saying, ‘Yeah, you know what? We actually don't like having our houses burned down, so we're going to start hardening our homes.’”
If you’d like to do just that with your landscaping, we've got some tips here.
Topline:
A report Friday from the Labor Department shows that employers cut 23,000 jobs last month, and job gains for May and June were revised sharply lower.
Why it matters: The unemployment rate dipped to 4.1%, but only because more than 260,000 people dropped out of the workforce.
Why now: It was the second month in a row that the monthly jobs tally came in weaker than forecasters had expected.
The U.S. job market unexpectedly stalled in July.
A report Friday from the Labor Department shows that employers cut 23,000 jobs last month, and job gains for May and June were revised sharply lower.
The unemployment rate dipped to 4.1%, but only because more than 260,000 people dropped out of the workforce.
It was the second month in a row that the monthly jobs tally came in weaker than forecasters had expected.
"We are increasingly hearing from workers that they are anxious about their job security and they are frustrated by the fact that they are stuck in roles that are not necessarily good for them," said Daniel Zhao, chief economist at the job search website Glassdoor. "And that's on top of workers who are not in a job right now and feel frozen out of the job market."
Glassdoor's worker confidence index slumped in July to a record low.
Restaurants and retailers cut thousands of jobs last month, and local government also saw large job losses. Healthcare continued to add workers, but at a more modest pace than earlier in the year.
The softening job market may complicate the Federal Reserve's job, since it's also battling stubborn inflation. The Fed may be more cautious about raising interest rates at a time when the labor market appears less stable.
For people who are working, average wages have risen 3.2% in the last 12 months. That's likely not enough to keep pace with inflation, however, so workers' paychecks don't stretch as far as they used to.
"Part of the reason that workers are feeling bad about today's job market," Zhao says, is that "a lot of those wage gains have been eaten up by rising energy prices."
Copyright 2026 NPR
Topline:
Every Sunday night, a semi-secret event at the tony Los Angeles Athletic Club lets anyone experience a near-private concert from jazz legends — for just $10.
Why it matters: The revolving cast draws from a repertory group of about 15 artists, including: saxophonist Rickey Woodard, who played for Ray Charles, Ella Fitzgerald and more; trumpeter Nolan Shaheed, who backed Duke Ellington, Count Basie, and Stevie Wonder.
Read on ... to find the details of this hidden gem ...
It seems that jazz is everywhere in Los Angeles. Blue Note opened a club last year, venues like Sam First, Catalina’s, Vibrato and the Baked Potato draw large crowds, and hotels and bars are adding jazz to their schedules.
But every week, a semi-secret event at the tony Los Angeles Athletic Club lets anyone experience a near-private concert from legends such as Rickey Woodard, who played saxophone for Ray Charles, Ella Fitzgerald, Sarah Vaughn and others; and Nolan Shaheed, trumpeter for Duke Ellington, Marvin Gaye and more.
That’s before you get to the evening’s singer, who might be 96-year-old pianist Betty Bryant, former Raelette Val Monroe or singer and Grammy-winning songwriter John Proulx.
Until recently, the Sunday night Jazz Salon was free. Now it charges a nominal $10 per person, which is still an outrageous bargain, so be sure to add something to the tip jar on the piano, and maybe try one of the cocktails or the steak frites.
Walking into the club earlier, you see black-and-white photos of all types of healthy pursuits on the walls, as well as trophies and mementos of the club’s nearly century-and-a-half history. Plush sofas, high ceilings and book-filled shelves are the order of the day, and alongside members in gym gear or lugging laptops, you go up in one of the elevators to the third floor, where the Jazz Salon takes place.
Earlier in the day, Dave Ross, 76, was setting up the amps, drum kit, mixer and mic stands. He also administers the website, acts as MC and plays double bass as part of the ensemble. He began the venture over a decade ago, when he persuaded the LAAC, of which he had long been a member, to host concerts in their redecorated restaurant and bar.
Ross draws from a repertory group of about 15 artists, and the concert takes place opposite the bar in a wood-paneled room of just a few dozen leather chairs and tables. This small scale makes the night intimate and unique.
Location: Invention (3rd Floor), The Los Angeles Athletic Club, 646 S Olive St., Downtown Los Angeles
Time: Sundays, 6:00 PM – 8:30 PM (with a brief intermission)
Cost: $10 cover charge at the door
Make reservations and check out the weekly artist schedule
“No gig is ever the same,” says Ross. “We don’t rehearse, and every time we play a song, we're never trying to play it the same way we played it before.”
That makes the night fun, too. Since you’re right near the musicians, you can hear their laughter and banter, as well as their impressive solos. Ross, stage left, stays out of the limelight — which is how he prefers it — and often says he's just happy to be there playing.
“You're there to keep the beat, the pulse of the music,” he says. “And then, secondarily, the notes that you play help the other musicians understand what the chord, what the harmony is. I'm just doing it for the pleasure of playing the music.”
Once a month, Ross and some of his stable join a touring artist — recently five-time Grammy-nominee Karrin Allyson — in the club’s 250-seat ballroom for a more formal ticketed event, but there have been just two complete sellouts of them this year: tributes to Bill Evans and Dave Brubeck/Paul Desmond.
Donations and the tip jar on Sunday evenings sometimes haven’t been enough to break even, either, which led to Ross reluctantly introducing the $10 charge. No matter what, he is determined the Jazz Salon will keep going.
“When I was younger, there was a receptionist I knew who was a nun. She said: “‘You know what your problem is? You’re too optimistic!’”
Topline:
Lime Truck founder and two-time Great Food Truck Race champion Daniel Shemtob is approaching strangers across L.A., asking what their mom's best dish is, and turning it into a taco on his food truck the same day. It's all part of a new five-episode series, Better Than Your Mom, launched on what would have been his mother's birthday.
Why it matters: What starts as a quick, chaotic street-corner challenge opens into something bigger — a Long Beach woman honoring her late mother-in-law's gefilte fish recipe, and a chef processing his own mother's death and the loss of his home in last year's Palisades Fire, one taco at a time.
Read on … for how a stranger's yes turns into a family's story, and what happens when a taco truck becomes a place to grieve, honor and remember.
Daniel Shemtob has been going around Los Angeles asking strangers this question: "What's your mom's best dish?"
He then turns their answers — from Filipino oxtail adobo to the Ashkenazi Jewish favorite of gefilte fish — into a taco for his new five-episode web series, "Better Than Your Mom."
One episode breaks from the format entirely: a head-to-head chopped salad taco challenge between Shemtob and Vanessa Silverton, daughter of famed L.A. chef Nancy Silverton, judged blind by Nancy herself.
A two-time winner of "The Great Food Truck Race" on the Food Network, Shemtob is no stranger to reality TV — he also founded The Lime Truck, serving Cali-Mex cuisine in Orange County.
What starts as a quick, chaotic street-corner challenge opens into something bigger — a Long Beach woman honoring her late mother-in-law's gefilte fish recipe, and a chef processing his own mother's death and the loss of his home in the 2025 Palisades Fire.
Despite loving fine dining, Shemtob said nothing beats the experience of having someone invite him to their mother's home for dinner.
"It's by far my favorite thing," he said.
That urge to connect with other people also came from wanting to celebrate his late mother's legacy and the impact she had on him in the kitchen.
"Eating was like a big part of how we shared and celebrated," Shemtob said. "It was a culture that was built around food."
While most walk past him or decline to talk, Shemtob said he's been surprised by how many strangers say yes almost immediately — like Anne Gundry, a retired biology teacher in Long Beach.
She answered with a dish from her mother-in-law from her first marriage — gefilte fish served cold.
Gundry recalled her first meeting with Dena Levenstein, who would become her mother-in-law. The relationship started out cold — but cooking together changed their dynamic.
"That's where I honestly think we had the deepest bond with her," Gundry said.
Gundry described yearly visits to Levenstein's house as a cooking "apprenticeship," where Gundry was taught to cook by feel — adding ingredients by the handful, testing a dish's consistency by touch.
"She used to say, 'How does it feel?'" Gundry recalled. "And I'd say, 'I don't know, I don't know how it's supposed to feel.'"
Over the years, she learned. Now, Gundry teaches her own children that recipe the same way — without referring to what's written down.
Watching Shemtob cook on "Better Than Your Mom," Gundry was skeptical. Her own process takes over two hours; his took 20 minutes — until she tasted the apple-horseradish slaw he added.
"Brilliant," she said. "I've been trying to duplicate it at home."
You can find Shemtob's videos on his YouTube channel.
Topline:
Phoebe Bridgers is giving Southern California fans an unusual way to hear her new album Lost Weekend with a listening session inside the Orange Coast College planetarium in Costa Mesa.
Why now: Lost Weekend, Bridgers’ first studio album in six years, is out Friday, with listening sessions taking place at dozens of planetariums around the world next week.
The backstory: Orange Coast College already has a tradition of pairing music with visuals through popular laser shows featuring the music of everyone from Pink Floyd to Taylor Swift. But the Bridgers event is by far the most high-profile, pairing the album with both a laser show by Laser Fantasy and a full-dome presentation with imagery by taken by astrophotographer Babak Tafreshi.
Next week Phoebe Bridgers fans in Southern California will get an otherworldly way to enjoy her new album ahead of its official release Friday.
And a Costa Mesa institution will enjoy the chance to introduce indie music lovers to what it does beyond astronomy lectures and field trips.
The Orange Coast College Planetarium is one of dozens of planetariums around the world – and the only in Southern California – hosting listening sessions next week for Lost Weekend, one of the year’s most anticipated indie releases and Bridgers’ first solo studio album in six years.
The Pasadena native is not expected at any of the planetarium shows. But that doesn’t matter to her fan base.
Twelve shows in the 125-seat theater sold out within four hours of going on sale Thursday, according to the planetarium. So staff added 16 more, bringing the total to 28 screenings over four days, Aug. 10 through 13. (At last check, tickets for showings earlier in the day were still available.)
“We have never had an event that was this anticipated,” Rhiannon Graffio, lead speaker and educator at the planetarium.
When: Aug. 10–13. Shows are scheduled throughout the afternoon and evening, with both fulldome and laser show experiences.
Where: Orange Coast College Planetarium, 2701 Fairview Road, Costa Mesa.
Tickets: $20. Tickets are available through Orange Coast College’s ticketing site.
Phone-free: Phones must be placed in locking Yondr pouches during the listening sessions. Smartwatches, cameras, Meta glasses and other recording
There’s two ways to experience the record from start to finish, which is a little over 50 minutes long.
One is a full-dome show featuring images taken by renowned astrophotographer Babak Tafreshi.
“It's gorgeous,” Graffio said. “There's some that are of the night sky, where you can see the paths of the stars as the Earth rotates, or auroras or lightning.”
The other option is a laser show created by Laser Fantasy, with scenes and storylines moving in time with the music.
Graffio said the planetarium had been approached by Bridgers’ label Dead Oceans to host the shows, which are being presented in partnership with Spotify.
The events are strictly phone-free. To prevent album leaks, attendees will have to put their phones in pouches provided by Yondr, a company that works concerts and other events. Smartwatches, and Meta glasses also aren’t allowed.
The Lost Weekend events are the most high-profile but certainly not the planetarium’s first experiment with mixing music and visuals.
The theater regularly hosts laser shows set to music, cycling through different artists like Taylor Swift and Beyoncé each month while keeping some crowd favorites like Pink Floyd in rotation. Graffio said in the last year KPop Demon Hunters laser shows have been especially popular.
Accommodating the Lost Weekend shows has meant bringing extra staff to handle the weekday crowds at the community planetarium.
But Graffio said there's a big upside to introducing music fans to a place they may never have thought to visit.
“It’s a wonderful experience,” she said. “And most of the shows that we do are also educational in some sense. As cool as the visuals are, they are about the universe and what we know about it.”
And for those who can't make it to the planetarium shows, there's a more traditional route to marking Bridgers' new album. A dozen record stores around Southern California are hosting listening sessions at midnight Friday.
