The Brief

When she got the news, Bonnie Brimecombe was standing on a sidewalk outside her in-laws’ house in Monrovia, where she had evacuated amid the chaos of this month's fires. It was a video, sent by a colleague, showing the charred remnants of Odyssey South Charter School, where Brimecombe has been principal for three years.

Classrooms, desks, books, the owl murals, the fourth-graders’ quilt project, the newly planted native plant garden — all scorched by the Eaton Fire. Flames still lapped at one building, as the rest of the campus smouldered.

“It was gone,” Brimecombe said, choking back tears. “And then all the text messages from families started coming in. You’re just getting message after message, ‘My home is lost; I have nothing.’ The school didn’t even matter at that point. You just think about the families.”

Odyssey South, a popular TK-8 charter school in Altadena, was among the dozen or so schools destroyed in the Los Angeles fires. At least 40% of the school’s families and 10 staff members lost their homes. As of Friday, 5% of families were still unaccounted for.

Like at all the damaged schools, staff are navigating their own fire hardships while frantically scouring the city for new classroom space. With recovery just beginning, the most important thing, they said, is to bring an element of normalcy to children whose lives have been upended.

Searching for a new school

As soon as she saw the video, Brimecombe and her staff “grieved for a few minutes” and then got to work looking for a new school. They’ve toured other school sites, churches, office buildings, even a vacant Bed Bath & Beyond. They’ve talked to real estate agents and countless property owners who’ve offered to help.

But it’s not easy to find space for 375 students. The first hurdle is enrollment — Brimecome isn’t sure how many students will actually return. Some evacuated to other counties or even other states.

Another challenge is competition. There aren’t that many vacant spaces in the Pasadena area suitable for a school, yet there are at least five schools looking for space. Not all have the same needs, and they’re cooperating when they can, but there’s still not enough space for all the schools who need it.

The next obstacle is more practical. A vacant office building seemed perfect, but where would Brimecombe and her staff find hundreds of school desks and chairs? A nearby school offered to share its campus, but there wasn’t enough space for the entire student body so they’d have to split up — not a desirable option when students need continuity and to be with their friends, Brimecombe said.

And the final obstacle is money. Like many charter schools, Odyssey leases its campus from a school district. The school has insurance but no control over the district’s plans to rebuild. The state and federal governments will provide some funding, but as an independent charter organization, Odyssey is mostly on its own. It can’t raise money through a bond, and it lacks the staff to navigate the labyrinth of grants, permits and other paperwork. Although the school has launched an online fundraiser, staff aren’t sure how much money they’ll need or how much they can expect from various sources.

Odyssey isn’t alone. Los Angeles County has a high concentration of charter schools, and at least a half dozen were damaged or destroyed by the fires. Two charters near Odyssey — Pasadena Rosebud Academy and Aveson Charter School — not only burned down, but the principals also lost their homes.

Charter schools have a long road ahead as they wrangle with school districts and patch together money for rebuilding, said Keith Dell’Aquila, an advocate with the California Charter Schools Association who focuses on greater Los Angeles.

“For some schools, it’s total devastation,” Dell’Aquila said. “People who are leaders in their school communities also have no place to go at the end of the day, no place to put their kids to bed. It’s been unimaginable.”

His group is asking Pasadena Unified, which leases space to several damaged charter schools, to help find new space for those schools and to share funds from a recently passed pair of measures that are slated to bring in nearly $1 billion to district schools.

Pasadena Unified did not immediately respond to an email from CalMatters.

A ‘heartbreaking’ reality

Stacy Connor, head of Odyssey’s parent association, said the Eaton fire was the most terrifying experience of her life. She and her family had to evacuate their home in Pasadena at 4 a.m., as 100 mph winds howled and flames roared a block away.

She, her husband and two children spent a few days at a church in Glendale before moving in with family for 10 days. Their house survived — barely. Half the roof burned off, the siding was scorched and nearly all the contents were destroyed by smoke and ash.

Now she’s spending her days haggling with the insurance company and replacing items lost to the fire. She’s also facing the “heartbreaking” reality that she may have to find a new school for her 9-year-old daughter.

“Every single staff member at that school knew every single child. They truly loved children,” said Connor, who spent countless hours volunteering at Odyssey. “It was such an inclusive community where everyone felt welcome. I don’t know if we can replace that.”

Scenes from Odyssey South Charter School show the fire-damaged campus, top left and bottom right. Bonnie Brimecombe, principal at top right, sits in an unusable classroom in one of the only buildings that didn't burn down on campus. Before the fire, one class had a lesson on wildfires, bottom left.

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Jules Hotz

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For CalMatters

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Doubling down on mental health

Founded in 1999, not long after California legalized charter schools, Odyssey serves about 850 students on two campuses. (The other campus was not damaged in the fire.) Odyssey South is ethnically diverse, reflecting the demographics of Altadena — about 30% Latino, 45% white and the rest a mix of Black, Asian and people who identify as more than one race. About one-third are low-income. Students perform well above the state average in math and reading, and there’s typically a waiting list for enrollment.

The school has a strong focus on social-emotional learning, an approach that will help students and staff recover from the trauma of the fires, Brimecombe said. Students are used to talking about their feelings, listening to their classmates and supporting each other.

“In a way, we are ready for this kind of a situation. Resiliency is already built into our core values; we know how to come back,” Brimecombe said. “But it’s going to be tough. We’re going to need to double down to provide all the mental health support our students will need.”

The most immediate need was finding a place for students to go now. A few days after the fire, the local Boys & Girls Club offered to provide all-day care for the students, where they’ve been playing and talking and spending time together in a low-stress atmosphere. More important, parents can return to work and tend to insurance and rebuilding efforts.

Within a week, the school planned a community event for families in nearby San Gabriel

“We wanted to get everybody back to see each other’s faces. Have a minute to cry together,” Brimecombe said. “Some kids may have lost everything, but they could say, ‘My friend is still here, their mom is still here, my teachers are still here.’ It helps to understand [that] it’s not all gone.”

It was such a success that the school is planning a second event, this time with therapy dogs, mental health counselors, meditation sessions and representatives from the Red Cross, insurance companies and FEMA.

Meanwhile, Brimecombe and her colleagues hope to find a temporary campus and reopen within the next few weeks. The sooner students can get into a routine and resume learning, the faster their recovery will be, she said. She and her staff have been working 18-hour days, toiling through exhaustion and stress.

“It’s just been full force forward ever since the fire, but it’s up to us, right?” she said. “We need to do it for the kids, because they can’t do it for themselves. They need to see our faces. They need to know that beyond this awful thing they’re going through, we know them and we’re there for them.”

A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost their gear in fires.

Now he’s doing that with vinyl records, too.

“We want to be here to help replace those items and support music in people’s lives that can’t necessarily afford it right now because they’re saving all their pennies just to live and also just to rebuild their homes,” Jay told LAist.

Jay says they’ve seen roughly 3,000 records donated so far. Now they have a dedicated space on Lincoln Avenue where fire survivors can sign up for time slots and shop for up to 10 records a month.

“It’s a really lovely distraction but it kind of keeps me going as well just to know that we’re trying to build something great for the community and keep us all moving forward,” Jay said.

The store will carry copies of the benefit album, Gimme Shelter: Songs for LA Fire Relief. The compilation features cover art by Shepard Fairey and L.A. specific tracks from artists like Elliott Smith ("Angeles" of course), Norah Jones, The Flaming Lips, as well as a cover of "Burning Down the House" by Talking Heads performed by Jay and about 50 other fire-impacted musicians.

Reggae star Ziggy Marley has spent decades carrying one of music’s most celebrated legacies. But until now, he had never written a song directly about his father, Bob Marley.

That’s changed with “Many Mourn for Bob,” a track on Marley’s ninth solo album Brightside, his first release recorded in his new studio in North Hollywood.

Marley was just 12 when his father died of cancer in 1981. Now 57, Marley says the song instinctually emerged after years of life experience and producing the biopic One Love, which revisited his father’s struggles like an assassination attempt amid political violence in Jamaica.

“He went through some things that was really tough on a human being – and just understanding him in that light is to have a little bit more emotional, deeper connection to his experience,” Marley said in an interview at his studio.

Searching for the bright side

The deeply personal track is part of a splashy return for Marley, who's touring behind Brightside and will perform at the Hollywood Bowl on June 21.

The new album blends political themes, optimism and musical experimentation.

Its lead single, “Racism Is a Killa,” featuring Big Boi, pairs the heavy topic with an upbeat groove that he hopes will make the song more accessible to young people.

“We just wanna come out straightforward, like I never want to come out tiptoeing,” Marley said. “I want to say something that can catch your ears or catch your thoughts.”

That tension between darkness and hope runs throughout Brightside. Marley described the album as a reflection on enduring difficult periods – from the pandemic to the Los Angeles wildfires – without losing sight of optimism.

“Sometimes we get lost in that so much that we don't realize that there is always a bright side,” Marley said.

The 432 Hz experiment

The album also experiments sonically: Marley recorded Brightside using 432 hertz tuning instead of the standard 440 hertz in most mainstream music. Advocates of 432 hertz believe it produces a warmer, more meditative sound better synced to the natural world. (You can hear the difference for yourself here.)

“It's a lower musical frequency, but it's a higher frequency in a next sense of your spirituality and emotion,” he said. “So even though the numbers go down, the frequency actually go up.”

Marley sees the move as part of a larger search for new creative approaches.

“I'm very open-minded and always trying to evolve and just experiment with life and music,” Marley said.

The Grammy winner, who joins James Blake and Ed O’Brien of Radiohead as the most high-profile artists to record at the lower frequency, floated the idea of a larger movement among artists.

“Let's just have a revolution in the music industry,” he said. “Let's change the frequency.”

Building a dream

Marley works out of his Rebel Lion Studio in North Hollywood, its name a nod to his 2018 album Rebellion Rises while also a play on the word “rebellion.”

He described the studio as an extension of the independent spirit his father built with Tuff Gong Studio in Jamaica.

Musicians set up for rehearsal ahead of the next leg of Ziggy Marley's tour.

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Josie Huang

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LAist

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“My father had a dream, and I had a dream too,” Marley said.

Like with Tuff Gong, Marley also plans to expand the studio operation to include vinyl pressing as records continue their resurgence in the streaming era.

“There’s always gonna be a vinyl present going on,” Marley said. “A thousand years from now, people that we're still gonna need vinyl records to listen to music.”

Ziggy Marley in the hallway of his new studio in North Hollywood.

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For years, Marley said, he worked out of smaller home setups and rented facilities before deciding to build a larger permanent space in L.A.

Marley said the city has become central to his own creative evolution over the last two decades of living and working here.

Drawn initially by music, friends and the city's small but tight-knit Jamaican community, he says being surrounded by creatives from different backgrounds helped push his artistry in new directions.

“I left my safety and my community, my tribe, and come out by myself to L.A.,” he said. “But it's a great experience. It really helped my growth as a human being being here.”

What’s next

Fresh off the release of Brightside, Marley says he’s already working on another album – a notably quicker turnaround since his last album, the family-music release More Family Time in 2020,

“We're doing back to back,” he said.

Ziggy Marley will be performing at the Hollywood Bowl on June 21 as part of a tour supporting his new album Brightside.

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Astrida Valigorsky

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Getty Images

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He’s also busy writing a children’s book based on his feel-good hit anthem “True to Myself” and eyeing opportunities in front – or behind the camera – inspired by his time working on One Love and making the video for “Racism Is A Killa.”

“Same philosophy, same message, but within visuals, you know?” Marley said excitedly. “I want to create some stories and try out. I feel it coming. I can feel it.”

A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half.

The ad hoc committee on Measure ULA voted 2-1 to set aside a proposal by Councilmembers John Lee and Marqueece Harris-Dawson that would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

However, the ballot measure proposal was also referred to the City Council’s rules, elections, and intergovernmental relations committee, which could still choose to move it forward.

Instead, the ad hoc committee advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects.

The pilot program won't need voter approval in the form of a ballot measure. Committee Chair Ysabel Jurado, who introduced the substitute language, said she believes the city should avoid a ULA ballot measure because it’s still too early to evaluate the measure’s long-term effects.

“ I'm against going to the ballot, but I'm for making fixes that make this better,” Jurado said.

Voters will see a separate proposal on their ballots by the Howard Jarvis Taxpayers Association to effectively repeal Measure ULA.

If the L.A. City Council does not approve reforming the measure, the only decision on the ballot in November may be whether to keep the mansion tax in its current form or end it.

About the mansion tax

L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department.

The city projects it will generate about $500 million in the coming fiscal year — about half of what proponents initially promised. It has funded about 800 new affordable units and helped stabilize thousands of renters facing eviction, according to the housing department.

But critics say the tax has suppressed housing development. Several studies link the tax to a slowdown in apartment construction in Los Angeles, but ULA supporters say high interest rates and broader economic conditions are to blame.

The City Council's ad hoc committee on Measure ULA was formed earlier this year to study how the measure is working and develop potential reforms. That work took on more urgency inside L.A. city hall after the Howard Jarvis Taxpayers Association qualified a statewide ballot measure for November that would effectively repeal Measure ULA entirely.

Joe Donlin, director of the United to House LA coalition, which campaigned for the original measure, said the City Council committee made the right call by rejecting broader exemptions.

“By not taking up the extreme calls for broad, 15-year waivers that could cost the program about a third of its revenue, the committee acknowledged that ULA is working,” Donlin said in a statement.

A separate group of housing developers, union workers and advocacy groups calling itself the “Mend It, Don’t End It” coalition has been urging city hall to make changes to ULA. On Friday, the group said it supports the measure, but believes targeted reforms are still needed.

“Independent research shows that Measure ULA has slowed housing production in Los Angeles at a time when we need more housing, not less,” said Melanie Mendoza, a coalition spokesperson.

What the data show

The debate over ULA's impact played out in the committee room Friday morning. The city's chief legislative analyst reviewed seven independent studies on ULA’s impact. Three of those studies concluded ULA had suppressed housing production and reduced property tax revenues, while four found no meaningful negative impact.

Before ULA took effect, Los Angeles collected about $22 million a month in transfer tax. After that, it dropped to about $13 million. But city legislative analyst Henry Flatt told the committee a similar decline happened in cities without the tax, including Glendale, Long Beach, Pasadena and Santa Clarita.

“We are not currently convinced that Measure ULA has had an extremely negative impact on general fund revenues,” Flatt told the committee.

The county assessor's office read the same period differently. Scott Thornberry, an assistant assessor with L.A. County, told the committee that commercial and industrial property sales are falling in the city but not elsewhere in the county.

“We are seeing, we believe, a trend line of impact to property tax revenue growth in the city of L.A. specifically," Thornberry said.

What the committee did

Instead of the ballot measure, the committee voted to develop a five-year pilot program cutting the ULA tax to 1.5% for newly constructed affordable housing projects that meet specific requirements.

Lee, whose ballot measure was replaced with language advancing the pilot program, said he hadn't seen the substitute prior to Friday’s meeting and voted against it.

“This was just placed in front of me,” he said. Lee objected to a provision in the substitute recommendations calling for $30 million in new spending on homelessness support.

“Without knowing where this money's coming from, I'm going to have to vote no,” he said.

Lee told LAist he supports stronger oversight and technical improvements to Measure ULA, but believes a ballot measure is the right approach.

“Voters deserve the opportunity to consider targeted changes that would preserve the intent of the measure while addressing its unintended impacts on housing production and real estate activity in Los Angeles,” the councilmember said, in a statement.

Friday's meeting was the committee's final scheduled hearing. The committee, which is set to dissolve June 1, also voted to advance a narrower nonprofit tax refund limited to organizations that can prove all sale proceeds went directly to affordable housing.

The committee continued a separate motion on fire exemptions for Palisades fire victims, which will be heard by another council committee. A motion to loosen eligibility rules for the ULA Citizens Oversight Committee was noted and filed.

Councilmember Imelda Padilla, who introduced several of the committee's motions, said the process had been guided by a commitment to protect the measure.

"My goal has always been to listen carefully, bring people into the conversation, and protect ULA while honoring the voters' intent," she said at Friday’s meeting.

In her closing remarks, Jurado reflected on the three-member committee’s past work.

“We released $14 million in rental assistance to the most vulnerable Angelenos and $300 million for affordable housing,” she said. “We did in six or seven meetings what others couldn't do in five years.”

The ad hoc committee's recommendations now move to the full City Council.

Harris-Dawson and Lee’s ballot measure motion will be considered by the City Council’s rules committee at a later date, officials said.

Monsterpalooza, the annual movie-monster bash for horror fans, returns to the Pasadena Convention Center this weekend, starting Friday night (May 29) and lasting through Sunday.

What to expect

Now in its 18th year, devotees can rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at practical effects that’ll make your flesh creep.

Dozens of panels and presentations are scheduled, including a deep-dive into the 95th anniversary of the Dracula and Frankenstein movies by writer Julian David Stone.

Writer Julian David Stone gives a presentation at a past Monsterpalooza event.

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Perry Shields

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Courtesy Julian David Stone

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Stone said that the two classic movies have left a lasting impact.

“Dracula is a movie about supernatural horror..... and Frankenstein is about technological or man-made horror," he said. "You can just trace those two themes all the way forward to this past year with Sinners and Megan 2.0."

Richard Redlefsen's Armageddon Rat at the PPI Booth at a past Monsterpalooza.

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Steve Jennings Photography

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Courtesy Visit Pasadena

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Stone first attended the convention in 2008, returning over the years as a fan, spectator and presenter.

“It’s just a terrific convention that celebrates all things horror,” Stone said. “There’s a lot of celebrities you can meet who were in these horror films and you can get pictures with them." He added that he’ll never forget when he met Carla Laemmle in 2010 — the last living cast member of the original 1931 Dracula.

Mike Mekash and Chris Nelson re-created Twisty the Clown on Dan Gilbert at the PPI Booth at a past Monsterpalooza.

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Steve Jennings

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Courtesy Visit Pasadena

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Who's attending

If you’re jonesing to be photographed with high-profile entertainers (expect a fee for many), this year's event has a line-up that includes musician Alice Cooper, actress Lin Shaye from the Insidious movie franchise and David Howard Thornton, who plays Art the Clown in the popular Terrifier movie series.

Cosplay and crazy costumes are encouraged, although a T-shirt celebrating a classic horror movie will also do. Just come ready to adore all things that gnaw and gash.