The Brief

This story first appeared on The LA Local.

In Los Angeles, the buzz around HBO’s “Heated Rivalry’ isn’t just about the drama on-ice, it’s sparking heated debates off the rink. 

Through her Substack, “Black Girl Watching,” critic and filmmaker Brooke Obie has been hosting in-person salons and online critique sessions about films like “Sinners” and the hit TV hockey romance.

“I believe in the power of criticism and the necessity of it as a tool to fight fascism and I am always going to create community spaces where we can think critically about the media we consume,” Obie told The LA Local.

As the show’s popularity grows, fans and advocates are asking whether its success reflects real inclusion or another moment of rainbow capitalism in sports.

Brooke Obie, creator of the Black Girl Watching Substack.

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Courtesy of Brooke Obie

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Obie said that there are many Black fans of “Heated Rivalry,” so she wanted to create a safe space for them to discuss it.

“(We) talk about some of the racial nuances of the show that impact the ways characters are treated by the fandom,” she said. “And (we discuss) how existing racist and sexist tropes can be used to interpret characters when too much is left to the imagination of the audience by the writers.”

The Canadian drama is based on the novels by Rachel Reid. It was created for TV by Jacob Tierney and follows two closeted rival hockey players, Ilya Rozanov and Shane Hollander, whose secret romance unfolds over years of competition. 

It premiered quietly on the streaming service Crave before being licensed to HBO Max, where it grew into what HBO executive Casey Bloys called a “word-of-mouth sensation,” even with little marketing.

From left, Shane Hollander (Hudson Williams) and Ilya Rozanov (Connor Storrie) in “Heated Rivalry”.

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Sabrina Lantos

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HBO Max

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The show’s success has been swift and unusual, given its origins on a small Canadian streamer and lack of marquee names. Its stars, Connor Storrie (Ilya) and Hudson Williams (Shane), have appeared at awards shows, carried the Olympic torch and posed for glossy photo shoots. Social media is flooded with fan edits and watch parties.

Recreational hockey leagues reported an uptick in queer participation.

But beneath the celebration, fans like Obie say the conversation is incomplete.

She said she noticed early on that online conversations about the show often lacked racial nuance — particularly around Shane, who is written as having a Japanese mother but rarely explores that cultural identity on screen.

“With a white author and a white showrunner at the helm, Shane’s lack of culturally Japanese experiences is a clear weak spot in a fantastic show,” Obie said.

Obie added that the goal of critical dialogue around the series is not to tear down the show but to create an inclusive space where LGBTQ+ fans of color and others in the margins can feel seen in a fandom that often skews white.

Joel Relampagos announces the casting of his new reality series.

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Courtesy of Joel Relampagos

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The show’s impact has been positive for a sports culture that has historically marginalized queer athletes. Specifically, there has been a queerification of sports since the show’s premiere, according to Emmy-winning producer Joel Relampagos.

Relampagos, who is developing a reality series focused on queer athletes, told The LA Local that he has seen more athletes willing to share their stories since the show premiered.

“We really have to eliminate that old mentality that being an athlete looks a certain way — like it’s a monolith,” Relampagos said. “When in fact, it’s so not.”

He has received submissions from queer hockey players across the United States and Canada, including many from L.A. Some are still closeted. Others say the show gave them courage to consider coming out.

Former professional golfer and LGBTQ+ sports law and policy expert Maya Satya Reddy told The LA Local that she has seen an influx of new queer hockey fans and increased interest in competitive recreational leagues such as Outloud LA, She/They Sports, GLASA Softball and Lambda Basketball in Los Angeles. 

“The impact ‘Heated Rivalry’ has had on so many, athletes and non-athletes alike, is incredible and something to be celebrated,” Reddy said. “But describing it as revolutionary in changing queer and trans sports spaces is disingenuous. It’s only been two months!”

Reddy, who is of South Asian descent, founded the Queer Asian Social Club, a Los Angeles-based LGBTQ+ advocacy group.

She said she left playing golf because of discrimination and pivoted to LGBTQ+ sports law and policy advocacy. She founded the Harvard Law School LGBTQ+ Sports Project and participated in programming for the first-ever Pride Day at PGA Championship.

“I have lived this,” Reddy said. “I have seen firsthand, both personally through my athletic career, and professionally in my law and policy work the importance of representation and its shortcomings.”

She celebrates “Heated Rivalry” but said there is still little effort to drive systemic change in the sport beyond the heavy attempt to capitalize financially on its success.

GBTQ+ sports law and policy expert Maya Satya Reddy plays golf.

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Courtesy of Maya Reddy

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Since the show debuted, Williams and Storrie’s fame has skyrocketed. So has that of their co-stars François Arnaud and Robbie G.K., who play characters that have a tertiary romance on the show.

“Hudson and Connor’s invitation to be torch bearers is the perfect example of the impact this show has had on sports,” said Reddy. “It is clear as day that the (International Olympic Committee) made this selection as a marketing ploy to capitalize on the craze.”

Reddy points out that IOC President Kirsty Coventry has recently made it a “core mission to target trans athletes.” 

In June 2025, Coventry created a working group to review “protecting the female category.” At the end of last year, it was reported that the IOC is considering a a policy that would ban transgender athletes from the Olympic Games, potentially affecting the 2028 games in Los Angeles.

Reddy also mentioned recent news of USA Hockey banning trans people from participating in certain programs. She noted that NHL Commissioner Gary Bettman, who praised “Heated Rivalry,” is the same commissioner who faced backlash for banning promotional warm-up jerseys, which included Pride-themed jerseys as well as Pride tape on hockey sticks. 

“I’m only aware of one person involved with ‘Heated Rivalry’ who spoke about any of this — Harrison Browne, a trans professional hockey player that appeared in the series,” Reddy said.

“At the same time, the two leads of the show were being congratulated and celebrated for being selected by the IOC as torch bearers for the Winter Olympics,” she added.

“Neither Hudson nor Connor has said anything about this ban in USA Hockey, nor have they, at least meaningfully, mentioned or celebrated their trans cast member Harrison.”

It’s about the size of a park bench and made of steel and wood. The bench’s arm rests are formed by the letters “L” and “A” in a design that’s unmistakable to any sports fan. But the welder-artist who created it says it’s not a Dodgers bench.

“This is about civic pride, L.A. pride. I made a design statement saying that it has nothing affiliated with the Dodgers,” said Steve Campos.

Campos grew up near Dodger Stadium, raised by parents who were die-hard Dodgers fans. So much, that they named him after Steve Garvey but that legacy doesn’t keep him from confronting how the Dodgers benefitted from the mass displacement of working-class people from Chavez Ravine after World War Two. That’s why he calls it an L.A. Bench, and not a Dodgers Bench.

The logo may be synonymous with the city's beloved baseball team, but the design of the interlocking letters was used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

“The monogram was here before the Dodgers,” Campos said.

A second-generation welder

Welding is the Campos family business. His father created gates and security bars for windows and doors for L.A. clients. That was the foundation for the work Campos has done for two decades since graduating from Lincoln High School, L.A. Trade Tech College, and enrolling in a summer program at Art Center in Pasadena.

The inspiration for the L.A. Bench came last year while he was playing around in his shop creating versions of the L.A. logo. A friend he hangs with at Echo Park Lake asked Campos to make him a piece of furniture.

“I was trying to figure out what my friend Curly wanted. He liked Dodgers and drinking and getting into fights, so I was like, 'Let me make something with the LA monogram,'” he said.

Welder-artist Steve Campos created whimsical steel sculptures with the LA logo.

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Courtesy Steve Campos

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It didn’t design itself. He said he had to lengthen the legs on the “A” and lean the back of the “L” in order to make the bench functional. In the process, he’s made a piece of furniture with a ubiquitous logo that he’s embedded with his own L.A. pride, as well as city history past and present.

LA civic pride travels to Japan

Campos vacationed in Japan the last week of April and took advantage of the trip to reach out to people who may be interested in the L.A. Bench. He was caught off guard by people’s reaction when he showed them pictures of it.

“They look at it and they go, 'Oh, Ohtani bench,'” he said.

For them, it’s still a bench embedded with pride, he said, but centered around Dodgers star Shohei Ohtani, an icon in his native Japan.

Campos has made four L.A. benches and is selling them fully assembled, he said, for $2,500 each — taking into account his labor and how costly the raw materials have become. For now, he’s offering the metal parts as a package for $500, which requires the buyer to purchase the wood for the seat and the back — an easy process, he said.

While he has no plans to mass produce the L.A. Bench, he does have one goal in mind that shows how hard it is for him to separate L.A. civic pride and the Dodgers.

“I would love to get a couple of them installed at Dodger Stadium,” he said.

The Venice Boardwalk after sunset has generally been a no-go zone for tourists and locals alike, as the beachside bars and restaurants close on the early side and safety is often an issue. Now, a group of artists is out to bring some vibrancy to the creative neighborhood with a series of new installations that will include live evening performances – and even a “Venice Opera House.”

“Let's play with light and let's play with sound and give people a reason to come to the Boardwalk after sundown,” said artist and entrepreneur Stefan Ashkenazy, who is curating the project and owns the buildings housing them. “I mean, let's just be open 24 hours a day.”

The concept doesn’t have an official name yet, but he’s been calling it “See World.”

Artist James Ostrer's space looks out from a bed through the fence to the ocean at Venice Beach.

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Laura Hertzfeld

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LAist

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William Attaway, a longtime Venice artist, created a gallery space filled with various paintings and sculptures.

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Laura Hertzfeld

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LAist

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The pair of modern buildings on the Venice Boardwalk at Thornton Ave. – with their big balconies, floor-to-ceiling glass windows, and seven open garage-style retail spaces – have sat mostly empty since Snapchat vacated their beachside offices in 2019. Ashkenazy recently bought the building and recruited artists to fill those front-facing spaces with creative work until a full-time tenant comes in.

Over the past several weeks the installations have been created in real-time, in public.

All of the projects are loosely along the theme of “home,” with each artist claiming a “room” in the two buildings that stretch across a full block on the Boardwalk. Several local Venice artists are featured, including William Attaway, whose intricate mosaic work is recognizable on the Venice public restrooms along the beach. Attaway’s space features a floating larger-than-life-sized statue and various works in a mini-gallery. In the next room is Robin Murez’s pieces, featuring carved wooden seats from her beloved neighborhood Venice Flying Carousel.

Ashkenazy is no stranger to wild (and wildly successful) art ideas. He’s the owner of the Petit Ermitage hotel in West Hollywood, a longtime haven for visiting artists, and the founder of the decade-old Bombay Beach Biennale, where artists install all kinds of work in an annual event near the Salton Sea. Many of the artists from that community are featured at the Venice project.

A "Venice Opera House" will host pop-up music events throughout the summer.

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Laura Hertfeldz

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LAist

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New York-based artist Greg Haberny's paintings on the wall of his Venice space.

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Laura Hertzfeld

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LAist

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New York-based artist Greg Haberny and London-based artist James Ostrer have brought some of their work in the Bombay Beach Biennale to the Venice project. Their windows on the Boardwalk both speak to a child-like sense of wonder and creativity.

“I think it's just kind of exploring and playing a little bit, to have the freedom to be able to do that,” Haberny says of his imagined child’s bedroom space, which includes a fort made out of puffy cheese balls. “It's a big space, too.
It's beautiful.”

Ostrer is experimenting with a performance art idea where he sits in bed amongst a room full of his own artwork, which he describes as “happy art with an edge.” Looking out at the ocean from the bed, he’s invited passersby to sit and have chats with him about his work or anything else they want to talk about.

“It’s a very intimate space, so you have a different kind of conversation,” he said. “I use art to channel human creativity, and [talk about] dark things.”

While there are open fences that block off the spaces, they aren’t sealed up at night. Both Ashkenazy and the team of artists seemed open to the idea that anything could happen and that the installations are a conversation with the public – and with that comes some risk.

Greg Haberny (right) works with his assistants on an installation featuring kid-inspired graffiti art and a "cheesy puff" fort.

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Laura Hertzfeld

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LAist

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“I don't really know if I [would] say worried, but I guess it's just the cost of doing business,” Haberny said. “I don't really make things to get damaged or broken, sure. But I have done [things like] burned all my paintings and then made paint out of ash.”

While he’s felt safe – and even slept overnight in the installation – Ostrer has been collaborating with a local female artist who performs in a pig mask in front of his installation some nights. Watching her perform, he said, has taught him about the vulnerability of women in public spaces like the Boardwalk. “I've started to, on a very fractional level, have seen how scary that is. Because I've sat in the bed behind her performing at the front here… the way in which men are approaching her and shrieking at her … it's shocking.”

Ashkenazy says he will keep the artists in the space, potentially rotating new ones in, until a fulltime tenant takes over.

“This is an experiment … and after acquiring the building, the intention wasn't, ‘let's open a bunch of public art spaces,’ he said. “It is kind of …what the building wanted and listening to what the Boardwalk needed. Let's play, let's have the artists that we love and appreciate have a space to play and engage and give the locals and the visitors to the Boardwalk something to experience.”

A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles is officially opening this weekend.

The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

The hiking trail connects one side of Elephant Hill to the other — from the corner of Pullman Street and Harriman Avenue all the way across to Lathrop Street.

It's 0.75 miles in total, but packs a punch.

"It's a pretty straight shot, but because of the terrain — the trail is kind of twisty and curvy. There's switchbacks — and great views," Elva Yañez, board president of the nonprofit Save Elephant Hill, said.

People have always been able to access the 110-acre green space, but Yañez said the new trail provides a safe and easy way to navigate the steep hillsides.

The El Sereno nonprofit has been working for two decades to preserve the land. Illegal dumping and off-roading have damaged the open space over the years. And the majority of the 110 acres are privately owned by an estimated 200 individual owners.

Mountains Recreation and Conservation Authority (MRCA) joined the efforts in 2018, spurred by a $700,000 grant from Los Angeles County Regional Park and Open Space District, in part, to build the trail. The local agency received some $2 million in grants from the Santa Monica Mountains Conservancy to add to the 10 acres of Elephant Hill it manages and conserves. This year, MCRA acquired an additional 12 parcels — or about 2.4 acres.

And the spiffy new footpath — with trail signage, information kiosks and landscape boulders — is not just a long-sought-for victory but a beginning in a sense.

"We know that it means a lot to the community," Sarah Kevorkian, who oversees the trail project for MRCA, said. "We're wrapping up the trail, but it really feels like the beginning of all that is to come."

A hint of that vision already exists — for hikers traversing the new route, courtesy of Test Plot, the L.A.-based nonprofit that works to revitalize depleted lands.

"They're able to see at the end of the trail, at the 'test plot' — exactly what a restored Elephant Hill would look like," Yañez said.

Here's a preview:

A coalition of residents from across the San Gabriel Valley are mobilizing over a battery storage project and possibly more industrial development in the City of Industry they say could pollute communities next door.

A protest is scheduled today in neighboring Rowland Heights, targeting a 400-megawatt battery energy storage facility sited on about 9 acres that was approved by the City of Industry leaders in January.

Such Battery Energy Storage Systems, or BESS, are used to keep the power grid stable, especially as output from renewable energy sources like solar and wind fluctuate. But fires involving lithium batteries at some sites have heightened environmental and public health fears.

Because of the City of Industry’s unusual, sprawling shape stretching along the 60 Freeway, it borders on more than a dozen communities, meaning what happens there can have far-reaching impact.

“Pollution does not end right at the border,” said Andrew Yip, an organizer with No Data Centers SGV Coalition. “Pollution travels.”

Some local activists with the Puente Hills Community Preservation Association have challenged the approval of the battery facility under the California Environmental Quality Act.

Beyond environmental concerns, locals have also been frustrated with how decisions are made by officials in the City of Industry, a municipality that’s almost entirely zoned for industrial use and has less than 300 residents.

Organizers say they’ve struggled to get direct responses from city officials whom they say have replaced regular meetings with special meetings, which under state law require less advance notice.

A city spokesperson has not responded to requests for comment.

The so-called Marici Energy Storage System Facility would be run by Aypa Power. The fact that the battery storage developer is owned by the private equity giant Blackstone, a major investor in AI and data centers, has only fueled concerns that a battery storage facility would lay the groundwork for data center development.

A request for comment from Aypa was not returned.

Today’s protest is taking place at Peter F. Schabarum Regional Park in Rowland Heights across the street from the Puente Hills Mall, a largely vacant “dead” mall, which activists fear could be redeveloped into a data center and bring higher utility costs and greater air and noise pollution.

Yip pointed out that industrial developments make a lot of money for the City of Industry.

“But none of these surrounding communities receive any of those benefits,” Yip said. “Yet we have to put up with all the harmful effects and impacts from this city that does all this development without really reaching out.”