Robert Garrova
explores the weird and secret bits of SoCal that would excite even the most jaded Angelenos. He also covers mental health.
Published December 20, 2023 5:00 AM
Actor Renée Threatte was a SAG-AFTRA strike captain during the 2023 strike.
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Courtesy Renée Threatte
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Topline:
With the SAG-AFTRA strike wrapped, it’s time for thousands of actors, writers, costume makers, set builders and other entertainment industry professionals to get back to work. But experts say a return to business as usual will take time, and that the industry probably won’t get back to the peak employment seen in recent years when there was a glut of productions driven by streaming platforms.
Economic costs: Production stoppages that affected movies, TV shows and streaming programs are estimated to have cost the economy about $7 billion, with about half of that in California, according to Kevin Klowden, chief global strategist at the Milken Institute.
Employment shrunk: According to a new study from Otis College, the Hollywood strikes came at a time when the industry was seeing a downward trend in employment. Since reaching a “post-pandemic employment high” in August 2022, employment shrunk by 26% in October 2023, the study points out.
What's next: Hollywood pros LAist spoke with said they are ready to get back to work come early 2024, and they hope productions will begin getting back to normal after the holidays.
Set builder Greg Gilday has worked on some of Disney’s big Star Wars shows, building spaceships for the franchise’s Ahsoka series. But during the Hollywood strikes that dragged on for months this year, he was busy doing something a bit more down to earth.
He organized swap meets where out-of-work entertainment industry pros could sell their stuff to make ends meet.
Now that the actors have ratified a new contract, have the jobs come back? For Gilday, not yet.
“SAG-AFTRA reaching a deal hasn’t had any impact as of this moment,” he said recently, noting that the end of the calendar year is usually a slow time for productions. “Come January, I’m sure it will be a feeding frenzy.”
Set builder and welder Greg Gilday outside Walt's in Eagle Rock.
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Robert Garrova / LAist
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The dual Hollywood strikes that began with the Writers Guild of America in May, followed by the start of SAG-AFTRA picketing in July, were the heart of the hot labor summer in Los Angeles. The strikes, which together lasted more than six months, brought the writers and actors gains in their new union contracts, including guardrails around the use of artificial intelligence, wage and residual increases and more.
Now it’s time for thousands of actors, writers, costume makers, set builders and other entertainment industry professionals to get back to work. But experts say a return to business as usual will take time, and that the industry probably won’t get back to the peak employment seen after the pandemic when there was a glut of productions driven by streaming platforms.
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3:47
‘Ready To Work’: Hollywood Artists Hopeful New Year Will Bring Employment After Dual Strikes
Production stoppages that affected movies, TV shows and streaming programs are estimated to cost the economy about $7 billion, with about half of that in California, according to Kevin Klowden, chief global strategist at the Milken Institute. And when the final figures are in, that number is expected to grow.
What recovery might look like
While some of the roughly 160,000 actors guild members continued to raise concerns about artificial intelligence protections until the ratification vote deadline, the performers union ended up sealing the deal with more than 78% approval.
Striking writers and actors rallied in front of Amazon Studios in Culver City in support of a bill that would provide unemployment benefits to striking workers.
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Robert Garrova / LAist
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“This is a golden age for SAG-AFTRA, and our union has never been more powerful,” SAG-AFTRA president Fran Drescher said in a statement following the ratification of the contract.
Gilday, the set builder, said he’s happy with many of the wage increases and protections writers and actors gained after the strikes, and he’s hopeful the new year will bring him an abundance of work.
Fran Drescher, SAG-AFTRA president and Duncan Crabtree-Ireland, the union's chief negotiator, address the press on Nov. 10, 2023.
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Robert Garrova/LAist
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Previous strikes have shown that a return to normal could take as long as a year, according to Klowden. But, he said, mass spending from streaming companies on large numbers of high-quality shows — during what’s known as “peak TV” — is not likely to come back.
He said streaming services are moving away from the big spending days when they were searching for the next Game of Thrones or Ted Lasso, that would bring more eyes to their platforms.
“And that means that even as production numbers recover, they’re going to recover in a way that just won’t come back to quite that heady level we were seeing say in late 2021 or early, mid-2022,” Klowden said.
According to a new study from Otis College, the Hollywood strikes came at a time when the industry was seeing a downward trend in employment. Since reaching a “post-pandemic employment high” in August 2022, employment shrunk by 26% in October 2023, the study points out.
The report estimates that nearly 25,000 Hollywood workers have lost their jobs since April.
‘They just can’t survive’
Recent numbers from FilmLA, the nonprofit tasked with coordinating filming permits, show on-location permits were down about 57% during the second week of December compared to the same time last year. That was after the actors guild strike order was lifted.
But it’s still a considerable improvement over mid-November, when permits for feature films and television projects were down 83% compared to the same time in 2022.
Klowden said it’s important to note that just because productions can get back to work doesn’t mean they’re ready. Things like coordinating trailers and craft services and other support staff take time.
And he said it’s possible some of those workers might not come back at all after getting pummeled by the pandemic and the dual strikes.
“The combination of these multiple shutdowns has led to a situation where they just can’t survive,” he said.
‘Ready to work’
Actor Renée Threatte was a strike captain during the SAG-AFTRA strike.
“I’m ready to work,” Threatte told LAist. “It’s been a long couple of months. While I’m really proud of the union and for all of the volunteers and all the people that showed up on the picket line... I’m disappointed that it took so long.”
Still, Threatte said she is happy with her union’s new contract. And while auditions are slow at the moment, she’s hopeful the floodgates will open in January.
But even if the work comes back, it doesn’t mean the struggle to afford to live in L.A. will be over.
“I hope that not only can this contract inspire people to fight for a fair and working wage ... but I hope it can also inspire our politicians to make sure that they’re doing what they can to keep an effective and viable way of life here in Los Angeles,” Threatte said.
Klowden agrees that the cost of living in L.A. should be a major concern. He said Hollywood has always touted itself as a gateway to a sustainable middle class life, not just for writers and actors, but everyone who makes the dream factory run.
“That’s important. And that sense of maintaining that concentration of talent and concentration of skilled workers is a big deal in terms of Hollywood’s attractiveness,” Klowden said. “And if that goes out the window, then there is a real problem.”
Fiona Ng
is LAist's deputy managing editor and leads a team of reporters who explore food, culture, history, events and more.
Published March 1, 2026 7:39 AM
A man raises the historical Iranian Lion and Sun flag during a rally in the Westwood neighborhood on Saturday.
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Genaro Molina
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Los Angeles Times via Getty Images
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Topline:
Angelenos took to the streets of downtown Los Angeles and Westwood on Saturday in response to the U.S.-Israeli military strikes in Iran.
Details: Local demonstrations protesting U.S. intervention took place outside City Hall in downtown Los Angeles, as well as in Ventura and Orange counties. In Westwood, Iranian Americans gathered to celebrate the strikes. More demonstrations are planned for today and tomorrow.
Read on to see photos from Saturday's demonstrations.
Angelenos took to the streets of downtown Los Angeles and Westwood on Saturday in response to the U.S.-Israeli military strikes in Iran.
A coalition of organizations, including the National Iranian American Council, the ANSWER coalition and 50501, held protests nationwide in reaction.
Local demonstrations took place outside City Hall in downtown Los Angeles, as well as in Ventura and Orange counties.
In Westwood, Iranian Americans gathered to celebrate the strikes. More demonstrations are planned for today and tomorrow.
Here are photos from Saturday.
Westwood
Hundreds rally seeking regime change in Iran in Westwood on Saturday, Feb. 28, 2026, in Los Angeles. The rally was organized after word spread that the U.S. and Israel had bombed Iran overnight, Pacific time, killing Iran's Supreme Leader Ayatollah Ali Khamenei, among others.
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Genaro Molina
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/Los Angeles Times via Getty Image
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Hundreds rally waving the historical Iranian Lion and Sun and American flags in Westwood on Saturday.
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Genaro Molina
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Los Angeles Times
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Hundreds rally in Westwood seeking regime change in Iran.
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Genaro Molina
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Los Angeles Times via Getty Image
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A man walks under the colors if Iran while joining hundreds in a rally seeking regime change in Iran in Westwood on Saturday.
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Genaro Molina
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Los Angeles Times via Getty Image
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Downtown Los Angeles
A protester holds a poster reading "drop the files not the bombs" during a demonstration against the war in Iran in front of City Hall in Los Angeles on Feb. 28, 2026.
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Etienne Laurent
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AFP via Getty Images
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A crowd gathered at Los Angeles City Hall to protest against United States and Israel bombing Iran on Saturday, Feb. 28, 2026.
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Myung J. Chun
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Los Angeles Times via Getty Images
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A protester holds a portrait of Iran's supreme leader Ayatollah Ali Khamenei and a flag of Iran during a demonstration against the war in Iran in front of City Hall.
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Etienne Laurent
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AFP via Getty Images
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Protesters hold placards reading "no new US war in the Middle East" during a demonstration against the war in Iran in front of City Hall.
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Etienne Laurent
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AFP via Getty Images
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A man holds a sign at Los Angeles City Hall to protest against United States and Israel bombing Iran.
Josie Huang
is a reporter and Weekend Edition host who spotlights the people and places at the heart of our region.
Published March 1, 2026 6:08 AM
L.A. street artist S.C. Mero stands next to her latest installation in the Arts District, a utility box theater.
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Courtesy of S.C. Mero
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Topline:
Utility boxes are a popular canvas for public art, but a Los Angeles street artist has taken the idea further — transforming one into a miniature theater.
Why now: Since S.C. Mero installed the box theater just a few weeks ago, dozens of performers have already reached out and begun using the space, ranging from poets to musicians and clowns.
The backstory: Mero often transforms overlooked street fixtures into pieces about urban life. A previous installation at the same corner — an oversized mailbox symbolizing the elusiveness of homeownership — stood for about five years.
Walk through cities around the world and it's easy to spot the trend: utility boxes painted and transformed into public art to spiff up neighborhoods.
In downtown Los Angeles, street artist S.C. Mero has taken the idea of the utility box as art in a different direction with one she’s installed in the Arts District.
“Would you like me to open it up and you can see?” she asked on a recent morning.
At first glance, it looks like an ordinary electrical cabinet — gray, about the size of a refrigerator, with slotted vents. But instead of the usual fire-resistant metal, this one is made of wood with a faux concrete base.
The box theater incognito.
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Courtesy of S.C. Mero
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Mero spins two combination locks and pulls open the door.
A hidden theater
Inside, instead of a tangle of cables and cords, red crushed velvet covers the walls from top to bottom.
A gilded clock and gold-framed pictures of two other electrical boxes (“possibly its mother, and its great-grandfather”) adorn the tiny interior, inspired by one of downtown’s oldest and grandest movie palaces, the Los Angeles Theatre.
“The first time I went into that theater, the feeling that I had, I wanted people to have a similar feeling when they opened this up,” she said.
Like the theater, the box is meant to bring audiences together. Mero invites performers to step inside, and since its installation a few weeks ago, some 30 poets, magicians, puppeteers and clowns have reached out about using the space.
Many are female artists.
“Maybe it's because of the scale of it, they feel like they can actually have a chance to get inside,” Mero said.
A tradition of unexpected art
The box theater sits on the 800 block of Traction Avenue, across the street from the historic American Hotel, an early hub for artists in the neighborhood.
Jesse Easter, the hotel’s night manager, has a front-row seat to the box theater performances.
“The Arts District is still alive,” he proclaims.
Easter first arrived in the neighborhood in the 1980s, a blues and rock musician who also professionally installed art.
He said the Arts District has long been known for unconventional public art. Famously, in 1982, artist Dustin Shuler pinned a Cessna airplane to the side of the American Hotel with a 20-foot-long nail.
“I was one of the people that was in the hotel that saw the room that the nail came down into, went through the brick wall, into the floor and stopped,” Easter recalls.
Easter says Mero’s installations boldly continue that tradition of guerrilla street art in the neighborhood.
After graduating from USC in 2011, she started to make sculptural works with overlooked street fixtures, exploring issues such as addiction and homelessness.
Before the box theater, there was a giant mailbox.
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Courtesy of S.C. Mero
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Before the theater box, Mero installed an oversized mailbox at the same corner, towering over passersby, symbolizing a housing market that remains out of reach for many Angelenos.
Elsewhere in the Arts District on Rose Street, she has installed a 13-foot-tall parking meter sculpture, commentary on the overwhelming nature of parking in the city.
Realizing a dream
The box theater is perhaps the piece that has invited the most participation.
Jesse Easter, a musician and night manager at the American Hotel, prepares to perform at the box theater.
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Courtesy of S.C. Mero
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Last week, Mero asked Easter and other local artists to perform there. He played a blues song he wrote more than 40 years ago when he first moved to the Arts District.
“It was sunset, and I was thinking, this kind of is the bookend,” he said.
Other participants performed spoken word poetry and played saxophone.
One performer, Mike Cuevas, discovered the theater by accident.
An Uber driver, Cuevas was waiting for his next delivery order by the box theater as it was being prepped ahead of the night’s performance.
Mero recalls him getting out of his car to look at what she was doing.
“He's like, what's going on here? This looks so cool,” Mero said. “He said as he's driving throughout the city, in between his rides, he writes poetry.”
Cuevas, who goes by the pen name Octane 543(12), left to make a delivery in East L.A., but he said “something in his heart” told him to return that evening.
After watching others perform, he stepped up to the box and read his poetry in public for the first time, a piece about Latino pride.
Mike Cuevas, aka Mike Octane 543-12, publicly reads his poetry for the first time.
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Courtesy of S.C. Mero
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“Another generation will pass through,” he recited. “And they'll understand why we honor with proud delight, the continuous fight for the history of our brothers and sisters.”
Cuevas didn’t know Mero by name or anything about her work, but thanked her for giving him a venue.
“I just felt something beautiful with her art,” Cuevas said. “It's time for me to start expressing myself. She inspired me to do exactly what she's doing, but through poetry.”
He now plans to read again at an open mic in downtown L.A. next week.
An overture to look inside
Mero says the project has spoken to her personally, too. Growing up in Minnesota, she loved art as a child but later focused on playing lacrosse and hockey. At USC, she studied public relations.
“Once I started getting so into art, everyone was kind of shocked,” Mero said. “That's why I really want to encourage people to go inside themselves and see what's there, because you never know.”
Mero is hoping for a long run for the box theater. Its predecessor, the supersize mailbox, stayed up for five years, only toppled, she heard, after skateboarders accidentally ran into it.
In the meantime, the small theater sits unassumingly on the sidewalk waiting for its next performer, its exterior starting to collect graffiti like any other utility box.
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A Super Blue Blood Moon hovers over Los Angeles in 2018.
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FREDERIC J. BROWN/AFP via Getty Images
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AFP
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Topline:
A total lunar eclipse is happening this Tuesday. That's when the earth will move directly between the sun and moon, casting a “blood” red color onto the moon.
What: It's going to be the first lunar eclipse of the year. The process is slated to start around midnight and last until dawn on Tuesday. It’s called the “Blood Moon” because of the red hue the earth’s atmosphere refracts onto the lunar surface as light from the sun passes through it.
When: Although the eclipse begins around midnight, it won’t reach totality until 3:04 a.m., at which point it will be visible to the naked eye for about an hour. All of Southern California should be able to see it.
How else can I watch: The Griffith Observatory will be hosting a live virtual broadcast of the celestial event from midnight to dawn.
What's next: This isn’t the only lunar eclipse happening this year, but it is the only “total eclipse,” according to NASA. Another one is set to occur in August, but it will only be partially visible in North America. A solar eclipse will occur Aug. 12.
An adult gray whale and its calf approach tourists.
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Courtesy José Eugenio Gómez Rodríguez
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Topline:
With warm — relative to Alaska — spring waters, migratory rest-stops and great feeding grounds, Los Angeles County’s coast is considered part of the “Blue Highway,” a crucial whale migration corridor and one of the best places to spot the gentle giants.
What might you see? Cetacean species you may spot in our waters include humpback whales, orcas, blue whales and dolphins. Your best chance, however, is spotting a gray whale. As school-bus-sized gray whales migrate back and forth between Alaska and Baja, they consistently hug LA’s coastline.
Read on ... for tips on where and how to spot whales near you.
It’s whale watching season, which always makes me think of the novel Moby-Dick.
In the book, Captain Ahab chased a whale for vengeance. I recently chased whales off the coast of Los Angeles, but in my case, it was in pursuit of the beauty and majesty of the natural world.
With warm — relative to Alaska — spring waters, migratory rest-stops and great feeding grounds, Los Angeles County’s coast is considered part of the “Blue Highway,” a crucial whale migration corridor and one of the best places to spot the gentle giants.
According to Cabrillo Marine Aquarium program director Jim DiPompei, many whales can be seen right in our backyard.
“There’s a little over 90 species of cetaceans (marine mammals) in the world, and we see about 30% of the species we could possibly see here in Southern California,” DiPompei told The LA Local.
Cetacean species you may spot in our waters include humpback whales, orcas, blue whales and dolphins. Your best chance, however, is spotting a gray whale. As school bus-sized gray whales migrate back and forth between Alaska and Baja, they consistently hug LA’s coastline.
But where should you go to actually get a good look at whales? Don’t worry — I got you. Here’s The LA Local guide to cruising the Blue Highway.
Top spots to watch whales from shore
Point Vicente Interpretive Center 31501 Palos Verdes Drive West, Rancho Palos Verdes Free, laid-back, on the mountains!
At the Point Vicente Interpretive Center in Rancho Palos Verdes, you’ll find an overlook dedicated to whale watching. While this is a great free spot for amateurs to come and look out for whales, this is no playground. Professionals conduct the annual whale census here, tracking the migration of whales.
This is a great place to bring a picnic basket and some binoculars to relax while scanning the ocean. Even if you don’t spot any whale action, you can visit the free natural history museum inside, which focuses on the region and its most famous inhabitants: whales. Afterward, step outside and chat with a museum docent accompanying the census watch.
If you want to see whales, stick to the coastal canyons. Canyons aren’t just massive structures above water — they are also mountains beneath the surface, offering depth, cold water and nutrients that attract food for whales. Gray whales tend to follow the canyons to stay away from the dangerous orcas.
Whale spotting 101
Whale watching season typically runs from December through May. It peaks from January to March.
When looking for a whale, try to spot their water mist blowing above the water. Gray whales typically surface for air every five minutes. When they do, they’ll blow out a water mist — that’s your chance to spot and track them until they surface again.
Get on a boat!
If you want to get eye-to-eye and really feel a cetacean’s scale, there are plenty of whale-watching cruises. They typically depart from Marina Del Rey, Redondo Beach, Long Beach, San Pedro, Dana Point and almost anywhere with a port.
Many cruises have a naturalist on board to answer questions and provide expert context to ocean wildlife.
On my tour departing from Long Beach, we saw five gray whales and a swarm of common dolphins feeding.
But be warned: If you get seasick easily, this trip might not be for you. On our two-and-half-hour trip, the boat rocked emphatically as we approached feeding sites. It’s fun if you can imagine yourself on a see-saw, but it might not be that enjoyable if that sounds nauseating.
While boat captains are not allowed to approach the whales too closely due to environmental protections, the whales can approach the boat if they choose. Sometimes the whales seem curious and watch us in return — it’s up to them and how they are feeling.
Get involved
Cabrillo Marine Aquarium 3720 Stephen M. White Drive, San Pedro
If you really catch the whale-watching bug, you’re in luck.
At the Cabrillo Marine Aquarium, they offer a whale-watching naturalist program where you can volunteer and train to be a naturalist on board whale-watching cruises.
DiPompei said they train anyone over the age of 18 “who’s interested in learning about whales and volunteering their time to be on these whale-watching boats to talk to the general public and to talk to students.”
This program was started in the 1970s by John Olge, one of the founders of Cabrillo Marine Aquarium, with an emphasis on education and showing schoolchildren the beauty of our natural world.
The aquarium is also a great place to introduce whales to children. With kid-sized exhibits and educational programs throughout the year, it’s an ideal way to show young ones just how big and beautiful our oceans are.
