The Brief

Set builder Greg Gilday has worked on some of Disney’s big Star Wars shows, building spaceships for the franchise’s Ahsoka series. But during the Hollywood strikes that dragged on for months this year, he was busy doing something a bit more down to earth.

He organized swap meets where out-of-work entertainment industry pros could sell their stuff to make ends meet.

Now that the actors have ratified a new contract, have the jobs come back? For Gilday, not yet.

“SAG-AFTRA reaching a deal hasn’t had any impact as of this moment,” he said recently, noting that the end of the calendar year is usually a slow time for productions. “Come January, I’m sure it will be a feeding frenzy.”

Set builder and welder Greg Gilday outside Walt's in Eagle Rock.

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The dual Hollywood strikes that began with the Writers Guild of America in May, followed by the start of SAG-AFTRA picketing in July, were the heart of the hot labor summer in Los Angeles. The strikes, which together lasted more than six months, brought the writers and actors gains in their new union contracts, including guardrails around the use of artificial intelligence, wage and residual increases and more.

Now it’s time for thousands of actors, writers, costume makers, set builders and other entertainment industry professionals to get back to work. But experts say a return to business as usual will take time, and that the industry probably won’t get back to the peak employment seen after the pandemic when there was a glut of productions driven by streaming platforms.

Production stoppages that affected movies, TV shows and streaming programs are estimated to cost the economy about $7 billion, with about half of that in California, according to Kevin Klowden, chief global strategist at the Milken Institute. And when the final figures are in, that number is expected to grow.

What recovery might look like

While some of the roughly 160,000 actors guild members continued to raise concerns about artificial intelligence protections until the ratification vote deadline, the performers union ended up sealing the deal with more than 78% approval.

Striking writers and actors rallied in front of Amazon Studios in Culver City in support of a bill that would provide unemployment benefits to striking workers.

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“This is a golden age for SAG-AFTRA, and our union has never been more powerful,” SAG-AFTRA president Fran Drescher said in a statement following the ratification of the contract.

Gilday, the set builder, said he’s happy with many of the wage increases and protections writers and actors gained after the strikes, and he’s hopeful the new year will bring him an abundance of work.

Fran Drescher, SAG-AFTRA president and Duncan Crabtree-Ireland, the union's chief negotiator, address the press on Nov. 10, 2023.

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Previous strikes have shown that a return to normal could take as long as a year, according to Klowden. But, he said, mass spending from streaming companies on large numbers of high-quality shows — during what’s known as “peak TV” — is not likely to come back.

He said streaming services are moving away from the big spending days when they were searching for the next Game of Thrones or Ted Lasso, that would bring more eyes to their platforms.

“And that means that even as production numbers recover, they’re going to recover in a way that just won’t come back to quite that heady level we were seeing say in late 2021 or early, mid-2022,” Klowden said.

According to a new study from Otis College, the Hollywood strikes came at a time when the industry was seeing a downward trend in employment. Since reaching a “post-pandemic employment high” in August 2022, employment shrunk by 26% in October 2023, the study points out.

The report estimates that nearly 25,000 Hollywood workers have lost their jobs since April.

‘They just can’t survive’

Recent numbers from FilmLA, the nonprofit tasked with coordinating filming permits, show on-location permits were down about 57% during the second week of December compared to the same time last year. That was after the actors guild strike order was lifted.

But it’s still a considerable improvement over mid-November, when permits for feature films and television projects were down 83% compared to the same time in 2022.

Klowden said it’s important to note that just because productions can get back to work doesn’t mean they’re ready. Things like coordinating trailers and craft services and other support staff take time.

And he said it’s possible some of those workers might not come back at all after getting pummeled by the pandemic and the dual strikes.

“The combination of these multiple shutdowns has led to a situation where they just can’t survive,” he said.

‘Ready to work’

Actor Renée Threatte was a strike captain during the SAG-AFTRA strike.

“I’m ready to work,” Threatte told LAist. “It’s been a long couple of months. While I’m really proud of the union and for all of the volunteers and all the people that showed up on the picket line... I’m disappointed that it took so long.”

Still, Threatte said she is happy with her union’s new contract. And while auditions are slow at the moment, she’s hopeful the floodgates will open in January.

But even if the work comes back, it doesn’t mean the struggle to afford to live in L.A. will be over.

“I hope that not only can this contract inspire people to fight for a fair and working wage ... but I hope it can also inspire our politicians to make sure that they’re doing what they can to keep an effective and viable way of life here in Los Angeles,” Threatte said.

Klowden agrees that the cost of living in L.A. should be a major concern. He said Hollywood has always touted itself as a gateway to a sustainable middle class life, not just for writers and actors, but everyone who makes the dream factory run.

“That’s important. And that sense of maintaining that concentration of talent and concentration of skilled workers is a big deal in terms of Hollywood’s attractiveness,” Klowden said. “And if that goes out the window, then there is a real problem.”

Raul Malo, the leader of the country band The Mavericks and one of the most recognizable voices in roots music, died Monday night, according to a representative of the band. The guitarist and singer had been battling cancer.

He was hospitalized last week, forcing him to miss tribute shows staged in his honor at the Ryman Auditorium over the weekend. He was 60 years old.

"No one embodied life and love, joy and passion, family, friends, music and adventure the way our beloved Raul did," read a statement released by his family.

Malo's group, The Mavericks, mourned the loss of their leader in a social post.

"Anyone with the pleasure of being in Raul's orbit knew that he was a force of human nature, with an infectious energy," the statement read. "Over a career of more than three decades entertaining millions around the globe, his towering creative contributions and unrivaled, generational talent created the kind of multicultural American music reaching far beyond America itself."

Over a career that lasted four decades, The Mavericks lived up to the band's name, challenging expectations and following a roadmap crafted by Malo's expansive musical upbringing as the son of Cuban immigrants in Miami.

"I grew up in a very musical household. There was all kinds of music around always," he told WHYY's Fresh Air in 1995. "We listened to everything from Hank Williams to Celia Cruz to Sam Cooke to Bobby Darin. It didn't matter."

In 1992, Malo told NPR that his widespread influences weren't always understood or appreciated in his South Florida hometown, but he said that his struggle to fit in taught him to trust his instincts. Malo had become the guitarist and lead singer for The Mavericks in 1989, alongside co-founders Robert Reynolds and Paul Deakin, and his roaring, sentimental voice defined the band's sound and remained its constant as the group's catalog moved from slow, tender ballads to full-throttle rock songs. In 1995, the band released its biggest hit with "All You Ever Do Is Bring Me Down," a swinging country song featuring an assist from Tex-Mex accordion legend Flaco Jimenez.

As the band grew in members and devoted listeners, The Mavericks continued to push the boundaries of American music, weaving a richly layered tapestry of textures and stories. With more than a dozen studio albums, The Mavericks collected praise and recognition from the Academy of Country Music, the Country Music Association and the Recording Academy. Although they took a hiatus for several years, Malo never stopped making music — and returned to his bandmates with renewed inspiration.

Following its 30th anniversary, the group released its first full-length Spanish album in 2020, aptly titled En Español. The record reimagined Latin standards and folklore-tinged popular tunes; it also made an implicit political statement about Latin music's contributions to American culture.

"In our own little way, if we could get somebody that perhaps is on the fence on issues and hears us singing in Spanish and perhaps reminds them of the beautiful cultures that make up what this country is trying to be and what it should be, so be it," Malo told NPR at the time. "Yeah, I'm OK with that."

The following year, the Americana Music Association recognized The Mavericks with the Trailblazer Award. In 2024, the band released its last studio album, Moon & Stars. The release coincided with news of Malo's cancer diagnosis, which he discussed openly with NPR's Ayesha Rascoe.

Before being hospitalized last week, Malo had been scheduled to perform with The Mavericks at a pair of tribute concerts held this past weekend at the legendary Ryman Auditorium in Nashville. Over 30 artists, including Patty Griffin, Jim Lauderdale and Steve Earle, still gathered to pay tribute to Malo, with some of the proceeds of the night going to the cancer prevention organization Stand Up To Cancer.

According to his spokesperson, though Malo was too ill to attend, the concert was streamed to his hospital room Friday night.

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The Los Angeles County Sheriff’s Department has mostly blocked efforts to investigate misconduct within its ranks, according to the county inspector general, who announced his retirement Tuesday after 12 years on the job.

In an open letter, Max Huntsman cited examples of how the county has thwarted his efforts to watchdog the department, which in the past has been plagued with accusations that deputies use excessive force and lie on the job.

Huntsman said one example is former Sheriff Alex Villanueva’s misuse of criminal enforcement powers to discredit critics, such as opening an investigation into former County Supervisor Sheila Kuehl.

Villanueva was sheriff from 2018 to 2022.

“My requests for investigation were rejected,” Huntsman’s letter reads. “Even after receiving an official subpoena, the Sheriff’s Department has failed to turn over records regarding the improper surveillance.”

He added: “Sometimes members of the public wonder if frightening new surveillance techniques will be used for improper purposes under the guise of criminal investigation. Sadly, the answer is yes.”

Before becoming inspector general in 2013, Huntsman, 60, was a deputy district attorney who specialized in public corruption. He told LAist on Tuesday that the inspector general job wasn’t something he wanted initially.

“I didn’t want to go work for politicians,” he said. “But the need to provide some kind of independent reporting and analysis was significant.”

The Sheriff’s Department issued a statement saying it valued the Office of the Inspector General and all county oversight bodies and that it wished Huntsman and his family well in his retirement.

The department said it “continues to make great strides in advancing the department in a transparent manner.”

LAist also reached out to the county CEO and county counsel for comment, but they declined.

After George Floyd

In the letter, Huntsman says the state of California has come a long way in strengthening the power of local law enforcement oversight bodies, in part because of the 2020 murder of George Floyd by police in Minneapolis.

After widespread protests — and lobbying by Huntsman — the state provided authority to inspectors general to enforce subpoenas requiring law enforcement agencies to hand over documents and authorized external investigation of police misconduct, including deputy gang conduct.

The Sheriff’s Department — backed by county lawyers — has resisted.

“Los Angeles County may not follow those laws, but it will not be able to avoid them forever,” Huntsman wrote. “The county refuses to require the photographing of suspected gang tattoos in secretive groups that the undersheriff has identified as violating state law.”

“Just a few weeks ago, we requested some information regarding an investigation, and a pair of commanders refused to give it to us,” Huntsman said in an interview with LAist.

Origin of the office 

The Inspector General’s Office was created by the county Board of Supervisors in 2013 in response to a scandal that included former Sheriff Lee Baca covering up the abuses of jail inmates.

Baca went to federal prison.

Since then, the office has issued dozens of reports with recommendations for improving living conditions inside jails that some have described as “filthy,” stopping abuses of juveniles inside juvenile halls and providing shower privacy for inmates as part of the requirements under the Prison Rape Elimination Act.

“All of these abuses were reported by the Office of Inspector General and recommendations were ignored,” Huntsman wrote. Often, it took court orders to enact change.

“When we first blew the whistle on the torturous chaining of mentally ill prisoners to benches for 36 hours at a time, it was only a court order that ended the practice,” he wrote. “Time and time again, this pattern repeated itself.”

Huntsman wrote the county has permitted the Sheriff’s Department to block oversight and defunded the Office of Inspector General by removing a third of its staff.

“It's not surprising the county has driven out two successive chairs of the Sheriff Civilian Oversight Commission,” he wrote.

“Government always claims to value transparency and accountability, but shooting the messenger is still the most common response to criticism,” Huntsman wrote.

Despite setbacks, Huntsman values work 

Huntsman told LAist on Tuesday that he was proud of his career as a public servant.

“I’ve really enjoyed the work and I’m sad to have it end,” he said.

It’s a sentiment he echoed in his letter, adding that despite the setbacks and roadblocks, he was proud of the people with whom he shared the office.

“It has been my honor to work with a talented, brave and tireless group of public servants to ensure that the public knows what its government is doing,” he wrote.

He noted the inspector general’s reports are fact-checked by the office and public.

“When government abuses occur, they are sometimes kept secret, but that is no longer the case for much of what is happening in Los Angeles County,” Huntsman wrote. “What you do about it is up to you.,”

Huntsman’s last day is Friday.

Topline:

The backstory: Last month, the council's Transportation Committee voted to bring a proposal forward to implement a policy change that allows the city to impound and immediately destroy abandoned or inoperable RVs worth less than $4,000. The change is inspired by new state law AB 630, which was created to prevent previously impounded RVs from ending back up on the street.

The motion, authored by Councilmember Traci Park, reports that abandoned RVs pose as public and safety hazards.

What's next: Councilmember Nithya Raman requested that an implementation plan be presented to the council's public safety and housing and homelessness committees.

Go deeper: L.A. pushes policy to make it easier to remove RVs from city streets.