The Brief

Dwayne “The Rock” Johnson in Moana. Antonio Banderas in Puss in Boots. Ellen DeGeneres in Finding Nemo. Chris Pratt in The Lego Movie, The Super Mario Bros. Movie, Garfield, and… a couple others.

All these big-name actors and comedians have lent their voices and talents to lead roles in animated features. And they’re just a handful of the many, many examples.

So when did this phenomenon start happening?

As the story often goes, the practice of casting celebrity-level actors rather than trained voice actors in animated films can be traced back to Robin Williams’ casting in the 1992 Disney hit Aladdin.  

The idea is that the popularity of the character led other producers and directors to want big-name actors in their films too — in an effort to draw in more adult viewers. The consequence, so the argument goes, is that the practice led to a decrease in opportunities for trained voice actors (similar to actors and celebrities replacing models on magazine covers.)

But according to Eric Goldberg, the supervising animator for the Genie and co-director of Pocahontas, and veteran animation casting director Mary Hidalgo (The Lego Movie, Spider-Man: Across the Spider-Verse): that’s not exactly how it happened. (The two recently spoke with The Academy Museum Podcast host Jacqueline Stewart, for an episode focused on casting in animation.)

The history of casting celebrities in animation

Goldberg says that while many people do point to Williams’ casting in Aladdin as a turning point, “being an animation geek, I know of many other cases where they did cast famous people.”

Ed Wynn and Lucille Ball in a photo from May 18, 1953. The caption reads, "'Best young comedienne we have,' said Wynn after she made TV debut in his show."

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Los Angeles Herald Examiner Photo Collection / Digital Collections of the Los Angeles Public Library

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A few examples:

“Cliff Edwards, the voice of Jiminy Cricket [in Pinocchio] was already a well-known recording star, known as Ukulele Ike. And everybody knew Ukulele Ike back in 1940. In the 1950s, they cast Ed Wynn and Jerry Colonna as the Mad Hatter and the March Hare, respectively [in Alice in Wonderland], and they were both vaudeville and radio comedians. Very, very well known,” says Goldberg.

“So it certainly has had its history,” Goldberg says. “But I think in this particular case, because the humor was so linked to Robin's rhythms and Robin's style of delivery, I think that made it a turning point for an awful lot of people.”

How Robin Williams’ Genie did change things 

According to Goldberg, what was new in Williams’ portrayal of the Genie was his style of humor.

“Disney humor was not exactly ‘gut-buster’ humor. It could be a little bit tame,” Goldberg says.

“And truth be told, Disney films went more for the characterization than the gut-busting laugh, let's put it that way. Hopefully with a character like the Genie, we got both. And with this humor, there had never been that kind of humor in a Disney film before. So we all kind of felt a little subversive, you know, sticking this stuff in a Disney movie and just wondering if we're going to be be allowed to keep it in.”

Robin Williams recording the voice for his character in the 1996 sequel "Aladdin and the King of Thieves."

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Courtesy of the Everett Collection

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For casting director Mary Hidalgo — who didn’t work on Aladdin, but cast other Disney films like Tarzan and Finding Nemo — Williams’ casting had a wide-ranging impact in another way.

“I think that triggered something,” Hidalgo says. “That kind of set the bar — his comedy and his presence — he really, totally ‘plussed’ that character and that role. And I think from that moment there was a lot of high demand for that kind of actor. Somebody that will come in and read your words, but also really plus it, you know? That's why we go a lot of times for comedians.”

A push for “names”

But Goldberg and Hidalgo both say that there’s no denying that there has been — and still is — pressure from studios and producers to cast big big-name actors in animated films, particularly when it comes to lead roles.

Hidalgo recalls recommending actor/comedian Will Ferrell for the character of Sully in the 2001 film Monsters, Inc.

“He was so great, but they didn't know who he was. They knew like, ‘Oh, that guy on Saturday Night Live.’ But that's part of the whole job is trying to sell them on this thing that they don't know about, you know? And then they do always go kind of for the bigger star.”

The role ultimately went to actor John Goodman, who Hidalgo calls “the most perfect voice in animation.” And Ferrell was cast in The Lego Movie, which Hidalgo worked on, years later.

The drawbacks of celebrity

There are some times, Goldberg says, when casting a celebrity in a role can take something away from the magic of an animated character.

“You always want the characters to be their own characters,” Goldberg says. “You don't just want them to be a paper-thin carbon copy of who the voice actor is, for example."

In that sense, Goldberg says, casting lesser-known actors can help, because "you aren't necessarily referencing the persona of a previously known actor."

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Andy Pages drove in two runs with a bases-loaded single in the seventh inning to give Los Angeles the lead, and the Dodgers beat the Atlanta Braves 4-1 on Wednesday night to clinch their NL Division Series.

The Dodgers won back-to-back games in Atlanta to take the best-of-five matchup 3-1 and advance to the National League Championship Series as they seek to become the first NL team to win three straight World Series.

Pages lined a 3-2 pitch from Robert Suarez up the middle to drive in Teoscar Hernández, who singled off starter Tyler Mahle, and pinch-runner Tommy Edman for a 3-1 lead. Didier Fuentes walked pinch-hitter Josue De Paula and Kyle Tucker to load the bases. Edman ran for De Paula.

Max Muncy’s solo shot off Raisel Iglesias in the ninth padded the lead and gave the slugger 19 postseason homers with the Dodgers, extending his franchise record.

Dodgers right-hander Tyler Glasnow, making his first start since Sept. 24, allowed only one hit but walked five batters in 4 2/3 innings. After he issued two walks in the fifth, left-hander Alex Vesia ended the inning on Matt Olson’s groundout to second base.

The missed opportunity left the Braves with 18 walks in the series, and none scored.

Glasnow and four relievers combined to give up just three hits. Tanner Scott pitched a perfect eighth before Edwin Díaz got three quick outs for the save.

Mahle, a native of Newport Beach, California, who grew up a Dodgers fan, allowed two runs — one earned — in 6 1/3 innings.

Michael Harris II hit Glasnow’s first pitch for a single before stealing second and eventually scoring from third on a wild pitch that bounced off catcher Will Smith’s chest protector.

The Dodgers pulled even in the second with the help of two Atlanta errors. Shohei Ohtani walked, stole second and advanced to third on catcher Sean Murphy’s errant throw into center field. Muncy’s pop fly into shallow left field was dropped by shortstop Mauricio Dubón for another error, allowing Ohtani to score.

Hernández crashed into the wall while attempting to catch Ozzie Albies’ double off Vesia leading off the sixth. Hernández pointed to his head and neck when talking to an athletic trainer but remained in the game.

Edgardo Henriquez stranded Albies at second. Henriquez allowed one hit in 1 2/3 scoreless innings for the win.

Injury report

Dodgers second baseman Miguel Rojas was held out after leaving Tuesday night’s 3-1 win during an at-bat in the eighth inning with lower back soreness. Los Angeles manager Dave Roberts said Rojas would not be available off the bench.

Ronald Acuña Jr. started in right field for Atlanta one day after being moved to designated hitter in a late lineup change due to right knee soreness.

Up next

The Dodgers will face Milwaukee or San Diego in Game 1 of the NLCS on Sunday.

The Democratic National Committee on Wednesday sued President Donald Trump’s administration for recent television advertisements that promoted his political message while costing taxpayers millions of dollars.

The complaint, filed in the U.S. District Court for the District of Columbia, alleges that the ads are illegal government-sponsored propaganda and accuses Trump of personally directing them. It asks the court to declare the ads illegal and stop the use of federal funds to pay for them.

Trump has faced bipartisan backlash for the ads, which glorify him and echo his campaign pitch as voters cast early ballots with the midterm elections less than a month away.

The spots, which began airing in September, already have cost more than $12 million to run, according to the media tracking firm AdImpact, and a total of $20 million in Homeland Security Department funding has been tapped to pay for them.

Responding Monday to the criticism, Trump defended the ads as “positive promotion for our Great U.S.A.” but said he’d pay for them using his MAGA Inc. super PAC going forward.

But on Tuesday, the fifth ad in the campaign began airing with the notice “paid for by the U.S. Government,” promoting Trump’s military actions in Venezuela earlier this year. The same day, Trump made it clear he hasn’t committed to reimbursing any money that has already been spent, telling reporters “we’ll decide.”

DNC Chair Ken Martin said in a statement that Trump is misusing taxpayer dollars in “a last-ditch attempt to save Republicans in November.”

“Americans deserve better than to have their hard-earned tax dollars used for Trump’s illegal schemes,” he added.

Legal experts have suggested the ads run afoul of a federal statute against congressionally appropriated money being used for “publicity or propaganda,” and potentially other federal laws. The Homeland Security money tapped for the ads comes from a $175 million package Congress gave to the department as part of Trump’s immigration enforcement agenda.

The White House has defended the ads as public service announcements akin to what past administrations have done to promote various policies. Legal experts have said the recent ads differ from many past public service announcements because they aren’t aimed at helping members of the public benefit from specific government programs.

The defendants in the lawsuit — Trump, the White House, DHS and the Office of Management and Budget — didn’t immediately respond to requests for comment.

Fall has only just begun, but it's already time to start thinking about the quintessential winter bug: the flu.

The annual flu season usually starts in October or November. But this year, it looks like the flu started to pick up in early September.

"There are enough signs pointing in the same direction to make me think, 'OK, yes. This is the start of flu season,'" says Caitlin Rivers, an epidemiologist at the Johns Hopkins Bloomberg School of Public Health.

The percentage of people testing positive for the flu in the West has been rising steadily since around the beginning of September, she says. And the number of people showing up in emergency departments because of the flu has also been rising for weeks, she adds.

"It's very uncommon to see flu activity rising this early. It's activity that we might normally see more like November or December," she says.

The timing of the flu season isn't the only thing that's odd. It's also unusual that flu activity seems to have started in Western states, such as California, Washington, Hawaii and Alaska.

"It typically starts in the South and then expands from there," Rivers says. "So two uncommon developments there."

Rivers stresses that the amount of flu activity is still very low in most parts of the country. But that's starting to change as the flu picks up nationwide.

It's unclear why flu activity would have started so early, and in such an unusual part of the country. But one clue might be a new variant that evolved a mutation, which appears to make it better at evading existing immunity, especially among teenagers.

"That's our best argument for what's going on right now in terms of this early flu season," says Dr. Alex Greninger, a virologist who heads infectious disease diagnostics at the University of Washington. Doctors there are seeing as much flu right now as they usually would around Christmas, and the mutated variant appears to be common, he says.

So Greninger, Rivers and others are urging people to think about getting their flu shot earlier than usual.

"It's crucial that people get an influenza vaccine," says Scott Hensley, a virologist at the University of Pennsylvania. "And this might be a year that people might want to get a vaccine early."

But the Centers for Disease Control and Prevention hasn't been promoting flu shots as it usually does. Health Secretary Robert F. Kennedy Jr., who oversees the CDC, is a long-time vaccine skeptic.

"It is disappointing that CDC is quiet given that flu kills of hundreds of kids a year and can result in tens of thousands of hospitalizations and tens of thousands of deaths," says Dr. Demetre Daskalakis, who resigned last year as the director of the National Center for Immunization and Respiratory Diseases at the Centers for Disease Control and Prevention to protest what he called political interference at the agency.

The CDC declined to make an official available to NPR for this story. In a statement, a CDC spokesperson said, "CDC is developing a communications strategy to provide clear, accessible information about influenza vaccination and other critical steps people can take to protect themselves during respiratory virus season. This includes information about the benefits and risks of vaccination to support informed decision-making."
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