The Frame

The late L.A. artist Carlos Almaráz is the subject of a new exhibition at the L.A. County Museum of Art; filmmaker Gregory Monro spotlights Jerry Lewis' directing career in "The Man Behind the Clown;" playwright Gretchen Law remembers comedian and activist Dick Gregory, the subject of her play, "Turn Me Loose."

First-time director Geremy Jasper drew from his musical past to make "Patti Cake$," the story of an overweight, white female rapper; the film 'La La Land' gets a drag parody that's so bad it's good; summer box office numbers are down 12 percent from last year. What's keeping fans away from the multiplex?

Spotify takes down some white supremacist music; Disney Jr. show "Doc McStuffins" draws praise and some criticism for a recent episode that includes a family with same-sex parents; “Gook,” a new film written, directed by and starring Justin Chon, revisits the 1992 L.A. riots from the perspective of Korean Americans.

Apple plans to spend $1 billion on original content to rival streaming services; "Lemon" filmmakers Janicza Bravo and Brett Gelman channel their own anxieties into an uncomfortable comedy; Adam Langdon plays a character with an unspecified disorder in the stage adaptation of "The Curious Incident of the Dog in the Night-Time."

What goes into playing Jaime Lannister on "Game of Thrones?" Where did Nikolaj Coster-Waldau find the time to make the new movie "Shot Caller?" The Danish actor opens up about all this and more; investigations are underway in Vancouver where a fatal stunt occurred Monday on the set of “Deadpool 2.”

Producer Will Packer has several hit movies under his belt, and now he has the provocative TV series, "Black America," in the works at Amazon; Shonda Rhimes' move is a major development in the networks’ ongoing struggle with the aggressive streaming services.

Choreographer Kenny Ortega talks about his long-time love of musicals and his dream to make a musical about a gay teenager who comes out; Soundcloud was on the brink of shutting down until new investors surfaced; in "Morningside 5," filmmaker Mike Tollin revisits the subjects of "Hardwood Dreams," his film about high school NBA hopefuls.

In part 2 of our chat Steven Soderbergh, he talks about why "Logan Lucky" was the movie to bring him back to filmmaking. Then, we go behind the scenes at the Hollywood Bowl to find out what exactly goes into making that music sound so good out there, and with the TCA press tour over we find out what's to be learned about the state of the TV business.

With "Logan Lucky," Soderbergh returns to the big screen with a new strategy for indie filmmaking; Disney decides to go its own way with plans to launch two streaming services; a new virtual reality experience puts you into flatline mode.

Aubrey Plaza is changing things up with her role in the FX show, “Legion,” and in two movie parts this summer, including the mentally unbalanced title character in “Ingrid Goes West”; When actor Algee Smith auditioned for “Detroit,” director Kathryn Bigelow did not give him the script or tell him much about the film. Smith chats with John about Bigelow’s unusual process.

As part of NPR's "A Nation Engaged," project we look at America's changing role as the world's leading exporter of pop culture; David Schwartz writes wacky music for Maria Bamford’s wacky show, “Lady Dynamite”; a San Francisco theater company wrestles with the use of "yellowface" makeup for "The Mikado"

Actress Tika Sumpter was also a producer on "Southside with You," the film about The First Couple's first date; this weekend's Telluride Film Festival once again features Oscar-hopefuls; Melora Marshall takes on an acting marathon every weekend at Theatricum Botanicum.

Matt and Ross Duffer are the brothers behind the hit Netflix show, "Stranger Things"; as part of our Cops on TV series, professor Kathleen Donovan connects the dots between TV dramas and our attitudes about police; there's a new battlefront in the fight for subscribers between Apple and Spotify.

"Complete Unknown," starring Rachel Weisz, is Joshua Marston's third film, but his first in English; in a new epsiode of "Song Exploder," Andra Day dissects "Forever Mine"; more people than ever are canceling pay TV services, and that has networks worried.

Fede Alvarez directed the thriller "Don't Breathe" with a $10 million budget and it grossed $26 million in its opening weekend; Kamala Lopez's documentary explains why women in the U.S. don't have equal protection under the law; Mexican singer Juan Gabriel died suddenly in L.A. at the age of 66.

Sam Esmail originally wrote "Mr. Robot" as a screenplay, but he realized it would work better as a TV series. The first season nabbed six Emmy nominations, including for Best Drama; Julia Holter's music is a blend of experimental compositions and indie pop.

"BoJack Horseman" creator Raphael Bob-Waksberg reveals how Hollywood awards culture led to the story arc for his show's third season; how Markees Christmas got his unexpected break as the lead in "Morris from America" after making a web series with his Big Brother mentor; are there too many mega music festivals?

Richard Tanne's film, "Southside with You," imagines the first date between Barack Obama and Michelle Robinson; "South Park" turns 20 with an interactive exhibit at the Paley Center for Media; Spanish-language TV powerhouse Univision has been buying popular English-language websites.

Jazz great Herbie Hancock has been a boundless musical explorer and now he's working with L.A. producer Flying Lotus; a U.S. District Court has ruled in favor of the Norton Simon Museum in a case involving ownership of 16th Century paintings of Adam and Eve; the Pokemon Go! craze seems to be waning.

As a fledgling screenwriter, Stephen Chin traveled to war-torn Iraq and lived to tell some of his stories in "War Dogs"; Cubans get current TV programming from the U.S. and other countries illicitly, but openly, through a home-delivery service; Paramount's woes continue with its big budget remake of a famous period film.

The filmmaker's new documentary is a look at how almost all aspects of our lives are somehow intertwined with the Internet; NBC's TV ratings for the Olympics are down, but online streaming is way up; indie director So Yong Kim's latest is "Lovesong."

The actress is both in front of and behind the camera for “A Tale of Love and Darkness”; author James Andrew Miller goes behind the scenes in “Powerhouse: The Untold Story of Hollywood’s Creative Artists Agency”; a guerrilla arts group erected nude statues of Donald Trump in several cities.