The Frame

The late L.A. artist Carlos Almaráz is the subject of a new exhibition at the L.A. County Museum of Art; filmmaker Gregory Monro spotlights Jerry Lewis' directing career in "The Man Behind the Clown;" playwright Gretchen Law remembers comedian and activist Dick Gregory, the subject of her play, "Turn Me Loose."

First-time director Geremy Jasper drew from his musical past to make "Patti Cake$," the story of an overweight, white female rapper; the film 'La La Land' gets a drag parody that's so bad it's good; summer box office numbers are down 12 percent from last year. What's keeping fans away from the multiplex?

Spotify takes down some white supremacist music; Disney Jr. show "Doc McStuffins" draws praise and some criticism for a recent episode that includes a family with same-sex parents; “Gook,” a new film written, directed by and starring Justin Chon, revisits the 1992 L.A. riots from the perspective of Korean Americans.

Apple plans to spend $1 billion on original content to rival streaming services; "Lemon" filmmakers Janicza Bravo and Brett Gelman channel their own anxieties into an uncomfortable comedy; Adam Langdon plays a character with an unspecified disorder in the stage adaptation of "The Curious Incident of the Dog in the Night-Time."

What goes into playing Jaime Lannister on "Game of Thrones?" Where did Nikolaj Coster-Waldau find the time to make the new movie "Shot Caller?" The Danish actor opens up about all this and more; investigations are underway in Vancouver where a fatal stunt occurred Monday on the set of “Deadpool 2.”

Producer Will Packer has several hit movies under his belt, and now he has the provocative TV series, "Black America," in the works at Amazon; Shonda Rhimes' move is a major development in the networks’ ongoing struggle with the aggressive streaming services.

Choreographer Kenny Ortega talks about his long-time love of musicals and his dream to make a musical about a gay teenager who comes out; Soundcloud was on the brink of shutting down until new investors surfaced; in "Morningside 5," filmmaker Mike Tollin revisits the subjects of "Hardwood Dreams," his film about high school NBA hopefuls.

In part 2 of our chat Steven Soderbergh, he talks about why "Logan Lucky" was the movie to bring him back to filmmaking. Then, we go behind the scenes at the Hollywood Bowl to find out what exactly goes into making that music sound so good out there, and with the TCA press tour over we find out what's to be learned about the state of the TV business.

With "Logan Lucky," Soderbergh returns to the big screen with a new strategy for indie filmmaking; Disney decides to go its own way with plans to launch two streaming services; a new virtual reality experience puts you into flatline mode.

Aubrey Plaza is changing things up with her role in the FX show, “Legion,” and in two movie parts this summer, including the mentally unbalanced title character in “Ingrid Goes West”; When actor Algee Smith auditioned for “Detroit,” director Kathryn Bigelow did not give him the script or tell him much about the film. Smith chats with John about Bigelow’s unusual process.

The popular politics podcast launches a weekly TV version on HBO leading up to the mid-term elections; the ReelAbilities Film Festival showcases movies and conversations to gain a greater appreciation of opportunities and challenges for differently-abled people.

The digital platform provides opportunities for comedy shows like "Everything Is Fine!"; the annual VF Summit draws the biggest names in Hollywood and Silicon Valley; Desert Daze claims a space on the music festival landscape.

The film is an attempt to understand the motives behind the horrific 2011 attack at a teen camp in Norway; Taylor Swift showed her political leanings this week, but can she make a difference?

The Academy Award-winning director takes on a biopic of astronaut Neil Armstrong; "American Saga: Gunshot Medley: Part 1" is a new play about the struggle against systemic racism.

Cinematographer Matthew Libatique talks about shooting the film's live concert scenes at Coachella and other venues; New York Times culture critic Amanda Hess on how the new TV season is addressing the #MeToo movement; Chan Marshall, aka Cat Power, breaks down her song, "Woman."

It's been 11 years since the writer/director's last film, and she returns with a personal movie about infertility; singer Luciana Souza has a new album based on Leonard Cohen's poetry.

The man who made crucial contributions to the music of Duke Ellington gets a tribute in David Rousséve's "Halfway to Dawn"; a dozen years after his death, James Brown's estate remains a muddled mess; Icelandic artist Ragnar Kjartansson has a riveting video installation at The Broad.

The dissident Chinese artist has three current exhibitions in Los Angeles; the Kavanaugh-Ford hearing gets a theatrical treatment with the gender roles reversed; Manhattan's High Line is the setting for "The Mile Long Opera."

He's currently in the films "The Sisters Brothers" and "Venom," he's about to perform in the title role of "Hamlet" for Netflix, while also furthering his career as a rapper; Donald Trump's presidency is the ultimate reality show, but will it get renewed in 2020?

Robert Redford, Sissy Spacek and the film's writer/director talk about what may or may not be the actor's final role; actress Chantal Cousineau on California's new sexual harassment laws; New Yorker magazine cartoonist Liana Finck.

The primary lyricist for Los Lobos is also a visual artist and he has paired his lyrics and drawings and paintings in a new book, "Good Morning Aztlán"; Sarah Jones' "Sell/Buy/Date" is a one-woman play with many views of the sex industry.

The iconic L.A. artist leads John Horn on a tour of his vast workspace and talks about his past and current work; media scholar Robert Thompson talks about the historic nature of Judge Brett Kavanaugh's televised confirmation hearings; Cuban pianist Dayramir Gonzalez is a rising star in jazz.