The Frame

Lady Gaga’s song “Shallow,” from the movie “A Star is Born,” earned four Grammy nominations today and it's an Oscar favorite too. Meet Mark Ronson, the man who co-wrote and produced it; Shirley Halperin, executive editor for music at Variety, talks about the other 2019 Grammy nominees; who should host the Oscars?

Alexis Bloom's documentary examines the life and career of the late political operative and TV news executive; how casting agents get pulled into sexual harassment incidents; an ex-pat Iranian composer maintains his musical ties.

Director Josie Rourke talks about her mission to reconsider history through a modern perspective on gender, power and sexuality; former L.A. Philharmonic music director Esa-Pekka Salonen will succeed Michael Tilson Thomas at the San Francisco Symphony; two generations of African-American harpists talk about their musical tradition.

The pianist and composer talks about and performs music from the movie about Don Shirley; what were the most streamed songs and albums of 2018?

Gabriel Cordell's attempt to roll across the country in a manual wheelchair is the subject of Lisa France's documentary; the endless options for TV cord-cutters

Executive producer Eric Newman talks about pivoting the focus of the Netflix series from Colombia to Mexico; YouTube is scaling back the scripted output for its streaming service; music veterans Dave Alvin and Jimmie Dale Gilmore collaborate on an album, "Downey to Lubbock."

Yalitza Aparicio went from being a fledgling school teacher to playing a pivotal role in Alfonso Cuarón's "Roma"; the New York Times reports that a faded talent agent and an actress client of his could ruin Les Moonves' chance of receiving any severance from CBS; this season's crop of new Christmas music has a little bit of everything.

The filmmaker has made some downright odd movies (e.g., "The Lobster"), but he takes a more accessible route with his new period drama; Emma Stone talks about her role in "The Favourite"; who's getting into the 2019 Sundance Film Festival?

The playwright and director talks about the real-life events in California's Central Valley that inspired the WWII-era drama, "Valley of the Heart"; Fox Nation launches as a streaming service; the pioneering post-punk band, The Raincoats.

The former Monty Python member revisits his life and career in the memoir, "Always Look on the Bright Side of Life: A Sortabiography"; Luciana Souza puts Leonard Cohen poems to music.

Kulap Vilaysack discusses her Seeso reality TV spoof “Bajillion Dollar Propertie$” and the documentary she's making about the search to find her biological father. Variety's Brent Lang reports on why and how the directors of the Han Solo spinoff movie were fired. And The Frame contributor Tim Grieving visits with the Los Angeles Percussion Quartet at Walt Disney Concert Hall to hear how they're reinventing what percussion is and could be.

'Time: The Kalief Browder story' recounts the tragic life and death of a teenager who was held a Rikers Island for years without being tried of a crime. The series' writer-director Jenner Furst puts his story into a larger context. Was Gal Gadot underpaid for starring in the smash hit “Wonder Woman?” The internet thinks so. Vulture's Kyle Buchanan helps us sort fact from fiction. Common Sense Media which rates movies and TV shows for language, violence, sex and drug use now assesses for gender stereotypes.

The new documentary, “Nobody Speak: Trials of the Free Press,” uses the Hulk Hogan/Gawker lawsuit to highlight the importance of freedom of speech — even when it’s tawdry; Singer/guitarist Benjamin Booker was in a rut in New Orleans, so he went to Mexico City to record his new album, "Witness"; Bloomberg entertainment reporter Lucas Shaw talks about Apple, Vice and Snapchat's plans to make original scripted programming.

Sofia Coppola has remade the 1971 film, "The Beguiled," which is a Civil War-era story set at a girls' boarding school in the South (starring Nicole Kidman); "Thumbprint" is an opera about a Pakistani woman who sought justice after she was gang raped in her village.

When Judd Apatow learned that Sony was releasing "clean" versions of R-rated and PG-13 movies — including two he produced — he was not happy. He tells The Frame why these edited films should have the filmmakers' consent; The Secret Sisters return to making music with their new album, "You Don't Own Me Anymore"; and we go for a run with the people in the new L.A. Film Festival documentary, "Skid Row Marathon."

Former Bravo network executive Andy Cohen now hosts two shows and has become a reality TV guru; corporations are being extra cautious about advertising in an age when opposition campaigns can quickly gain traction; after a long hiatus, the band Fleet Foxes is back.

Gabriela Cowperthwaite, who directed the documentary “Blackfish," moves to features with “Megan Leavey,” the true story of a Marine and her service dog; how the Los Angeles Film Festival distinguishes itself through a commitment to diversity; a music industry gathering in Mexico where talent from across Latin America gets showcased.

New York's Public Theater is getting heat over its production of "Julius Caesar" that depicts the Shakespeare character as Donald Trump; Tony Award-winning composers Benj Pasek and Justin Paul talk about their songs for 'Dear Evan Hansen'; director Lucia Aniello talks about her raunchy comedy, "Rough Night."

It's a rarity for a woman to direct a big budget, comic superhero movie, but Jenkins has torn down the walls with her critically-acclaimed box office smash.

Broadway will honor the best in theater on Sunday night at the 71st annual Tony Awards. But there's one group of performers who will not be recognized, despite the fact that they often make up the majority of the cast in a musical. The Ojai Music Festival highlights an arts collective from the South Side of Chicago that launched 50 years ago by giving the west coast premiere of an opera about the collective titled "Afterward."

“Beatriz at Dinner” is set at a dinner party in a Southern California mansion. The filmmakers and long-time collaborators open up about how they sought to use the setting as a means to unpack "casual racism," and comparisons between John Lithgow's character and Donald Trump.

Movie trailers are both art and advertising. A co-founder of the annual Golden Trailer Awards breaks down what goes into the making of a trailer and why they honor the best and the worst each year. And filmmaker Trey Edward Shults says that dealing with his father's death and his own fear of dying informed his new thriller "It Comes At Night."