The Frame

The director presents a gritty version of the city in the movie about a former undercover cop confronted with her past; Producers Guild of America co-president Lucy Fisher on how the organization is operating in the #MeToo era.

The future Supreme Court Justice endured a lot of sexism in her career, and so has the director of the biopic, "On the Basis of Sex"; writer/director Adam McKay takes on Dick Cheney in the darkly comedic "Vice."

The actor has two movies debuting in the coming days, and another that opened earlier this fall, "Beautiful Boy," is still in theaters; the annual so-called "Black List" of exceptional un-produced scripts has been released.

The "Big Bang Theory" actor stars in a radio play production of "It's a Wonderful Life" at the Pasadena Playhouse.

The late night host takes aim at the U.S. Immigration and Customs Enforcement agency in her version of a holiday special; the top five Latin albums you may have missed in 2018.

New York Times theater critic Jesse Green reviews the year on the major stages; "Caparnaum" is a heart-breaking film from Lebanon about a neglected street urchin; Lindsay Buckingham dissects Fleetwood Mac's "Go Your Own Way" for Song Exploder.

The prolific producer has created shows for Nickelodeon, Cartoon Network and, now, PBS Kids; a media expert on the problem with Kidz Bop.

The director follows up the Academy Award Best Picture-winning "Moonlight" with "If Beale Street Could Talk," an adaptation of the Baldwin novel that plays like a tone poem; composer Nicholas Britell collaborates with Jenkins once again.

The virtuoso specializes in Bartók and her recording of his Piano Concerto No. 2 is nominated in the Classical Instrumental Solo category; Kristen Anderson-Lopez and Robert Lopez won an Academy Award for their song from "Coco," "Remember Me," and now it's up for a Grammy; “La Bohème” gets a hipster twist in L.A.

The musical revisits the story of the passengers from 38 airplanes who were stranded in Canada on that fateful day; Taylor Mac turns the Christmas pageant on its head with "Holiday Sauce."

The director of "Interstellar" (seen with Matthew McConaughey) is a rare creature in Hollywood; Pink Floyd revives songs that are 20 years old; Tyler the Creator transitions from rapper to carnival barker; and the AFI Fest opens in Los Angeles.

Why the biggest pop star broke up with the world's biggest streaming service; election day ends a great comedy campaign season; and two young L.A. musicians give opera a modern-day makeover.

The “Nightcrawler” writer-director (leaning on car door) explains how he cast L.A. as a character in his movie; a new stage production examines the legacy of the Black Panthers; and art writer Jori Finkel has the latest news about architect Frank Gehry and collector Eli Broad.

Our guide to Dia de los Muertos, the Mexican commemoration of All Souls’ Day, which is a popular tradition in Mexican-American communities; the Comikaze pop culture convention is in LA this weekend.

Choking, torture and waterboarding — are extreme haunts going too far?; a postcard from San Francisco's idyllic music festival; and why hasn’t there been a Wonder Woman movie?

Jake Gyllenhaal goes deeper, and darker, in his new movie; Song Exploder dissects Julia Holter's "Horns Surrounding Me"; and actors between gigs scare up some cash by working in haunted houses.

Neil Patrick Harris has become the go-to host for award shows, and now NBC will build a variety show around him; after a five-year closure for renovations, the Picasso Museum once again opens its doors.

"Ouija" won the weekend box office, but are game-based films guaranteed to be hits?; a film archivist unearths early works by some horror masters; and who are Hollywood’s MVS — Most Valuable Stars?

The chief make-up artist of 'The Walking Dead' on how to get zombie-fied for Halloween; Yarn-bombing is the new public art; Geeking out on this week in pop culture.

Benjamin Millepied's dance troupe hits the stage this weekend; soul singer Alice Russell on touring as a new mom; and ‘Freestyle Love Supreme’ mixes hip hop and improv in a new TV show.

Effie Brown talks about being a black producer in Hollywood; lovers of literature take over North Hollywood's arts district; “Laggies" director Lynn Shelton on unconventional movie relationships.

The Met debuts the controversial opera "The Death of Klinghoffer"; Del Casher's lasting mark on the sound of rock 'n' roll; and a photographer turns a van into a rolling camera.