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The Frame

'Dear White People'; NoHo's Lit Crawl; 'Laggies'

Listen 24:04
Effie Brown talks about being a black producer in Hollywood; lovers of literature take over North Hollywood's arts district; “Laggies" director Lynn Shelton on unconventional movie relationships.
Effie Brown talks about being a black producer in Hollywood; lovers of literature take over North Hollywood's arts district; “Laggies" director Lynn Shelton on unconventional movie relationships.

Effie Brown, producer of "Dear White People," talks about being a black woman and producer in Hollywood; lovers of literature take over the streets of North Hollywood's arts district; “Laggies" director Lynn Shelton on her love of unconventional movie relationships.

'Dear White People' producer says the movie hits close to home

Listen 9:17
'Dear White People' producer says the movie hits close to home

When producer Effie T. Brown first read Justin Simien's script of "Dear White People" — a satire set at a fictional Ivy League school with just a few black students — she says she found it "almost a little too close to home, to be honest. Because in my personal experience I was always the only black face in a white place."

Brown — whose credits include "But I'm a Cheerleader," "Real Women Have Curves" and "Rocket Science" — adds that her experience in the film industry hasn't been much different. Brown — who has made 17 movies as a producer, line producer or executive producer —  says that she's often been the only person of color on several films.

Her experience on "Dear White People" was different. Writer/Director Justin Simien is black, and the producers who've worked with him from the start are all people of color: Angel Lopez, Ann Lee, and Lena Waithe. Plus, executive producer Stephanie Allain ("Boys in the Hood") is African American. Brown says that they all shared the perspective of "not seeing ourselves in mainstream cinema."

Brown first heard about "Dear White People" through the "concept trailer" that Simien and his producers made for their Indiegogo campaign. That effort got them more than $40,000, but more importantly that video "went viral" among the filmmaking community and attracted the interest of people like Brown and Allain.

Brown tells The Frame that she hopes "Dear White People" will spark conversations about how "there's all different types of 'blackness' — there's no one right way to be a proper black man or a proper black woman." She also says that the white character who is "not politically correct" raises "really good points" and feels he may "give a voice to people who are not of color," which could address issues in a non-confrontational way by using humor.

Lynn Shelton directed 'Laggies' with some other films in mind

Listen 6:59
Lynn Shelton directed 'Laggies' with some other films in mind

Lynn Shelton wanted to direct "Laggies" for a few reasons — the title was not one of them. However, she couldn't come up with an alternative, so "Laggies" stuck.

Shelton tells The Frame that it a laggie — a term coined by the screenwriter Andrea Seigel — is someone who lags behind. In the film, Keira Knightly plays the one who is lagging behind her peers. She's a 20-something having a quarter-life crisis and is deviating from the traditional approach to adulthood that everyone around her is taking.

In her angst, the Knightly character befriends a 16-year-old girl played by Chloe Grace Moretz and escapes into her teen life. Shelton was drawn to the script in part because of their unusual friendship and likens it to the unconventional romantic relationship in "Harold and Maude."  

Shelton, whose credits include "Humpday" and "Your Sister's Sister," also says she wanted to make a movie about a female protagonist who is "flawed and make mistakes." She wanted to carve out territory on the big screen for a young woman to go through the crises so often portrayed by male characters in movies such as "The Graduate."