The Frame

The actor plays a film director in Pedro Almodóvar's autobiographical film; Plácido Domingo resigns as general director of L.A. Opera.

The new HBO documentary by Asif Kapadia examines the life and career of the talented and troubled soccer legend; living in the era of Big Podcast; Gaby Moreno's new album; Jessye Norman, RIP.

The documentary, shot entirely on cell phones, follows an Afghani family's efforts to flee the Taliban and seek asylum; the Endeavor talent agency's growth plan hits a snag; singer/songwriter Jay Som.

Jill Soloway closes out "Transparent" with a massive musical finale; Robbie Roberston and Rhiannon Giddens each reflect on their lives in music, we hear the remarkable story of "Unbelievable" and look back at Janet Jackson's 1989 album Rhythm Nation.

Jill Soloway on the making of the "musicale finale" of "Transparent" — without actor Jeffrey Tambor; a group of up-and-coming film composers and indie directors convene at Skywalker Ranch for some intensive collaboration.

Jim Gaffigan is best known for his comedy, but can play a mean child kidnapper too; what the retirement of the head of the Rock & Roll Hall of Fame could mean for overlooked artists; singer/songwriter Lupita Infante carries on her grandfather's legacy.

The LA-based contemporary dance company BodyTraffic debuts new works; what The Black Keys concert fiasco says about the live music industry; how the prolific musician Alex G transforms his voice.

Executive producers Susannah Grant and Sarah Timberman on their Netflix adaptation of a true story about the search for a serial rapist; concerns in Aurora, Colorado about the themes in "Joker"; the band Trashcan Sinatras.

The actress talks about playing the iconic singer and actress Judy Garland; Emmys were a big night for Phoebe Waller-Bridge, not so good for the broadcast networks; our resident "Downton Abbey" nerds revel in their big weekend.

Television is exploding and it’s time to celebrate! Join The Frame's John Horn and L.A. Times TV critic Lorraine Ali as they break down the year in television and this year's Emmy-worthy shows.

The Korean boy band performed two shows to loud audiences, cementing its place in the global pop music world; filmmaker Mike Mills made an unlikely collaboration with the band, The National; the Write Girl program gives teen girls a boost.

Latinos go the movies in numbers that far surpass their percentage of the U.S. population. So why don't studios cater more to that audience?; the HBO documentary, "At the Heart of Gold," looks at the U.S. gymnastics sexual abuse scandal; creating a soundtrack for "Conversations With a Killer: The Ted Bundy Tapes."

Bruce Springsteen's long-time guitarist has his first solo album in 20 years —and it's just one of his many gigs; Democratic presidential hopefuls are starting to make the rounds in Hollywood.

The streaming service, now mostly owned by Disney, unveiled its new projects that include big stars and an expansion of the company's comic book properties; playwright Eleanor Burgess deals with 'The Niceties'; Jonny Pierce leads the way for the band The Drums.

The musical "Hadestown" led the way with 14 nods, but the big surprise was the omission of "To Kill a Mockingbird" and "Network" in the best new play category; Michelle and Robert King talk about their hit TV series, "The Good Fight."

The campaigns of the rookie Congresswoman and three other candidates are documented in a Netflix film; filmmaker John Singleton ("Boyz n the Hood") died today at the age of 51; with "Avengers: Endgame" breaking box office records, what's next for the Marvel movie universe?

Former CBS executive speaks out about the workplace culture at CBS which she says is toxic. Then, the Victoria Riskin, daughter of Hollywood legends, writes a memoir. And one Armenian-American musician strives to keep her culture's musical history alive.

Aaron Sorkin was approved by Harper Lee to adapt "To Kill A Mockingbird" to the stage but just months before it was due to premiere her estate sued. The issues got resolved and now the play is a timely Broadway blockbuster. And, "Empire" actor Jussie Smollett's future on the show is unknown but last night his character made TV history.

Actress Kate del Castillo is back with "La Reina del Sur." She opens up about her secret meeting with El Chapo, the backlash she suffered in her career and her return in a role of a lifetime; As Disney chief Bob Iger benefits from the largess of his company, critics look at what Disneyland workers are paid and question the mogul's compensation.

The humorist, best known for his work in The New Yorker, is on tour before live audiences; students at Chapman University have successfully petitioned for the removal of posters from "The Birth of a Nation" that had been on display at the film school; Angelina Spicer fights postpartum depression through comedy.

The documentary by Penny Lane explores the misconceptions behind the Satanic Temple; L.A. Times TV critic Lorraine Ali on depictions of Muslims; Zev Feldman of Resonance Records is known as the "Indiana Jones" of lost jazz recordings.

The women behind the weekly podcast scheduled a live taping for April 18, and then had to scramble when the date was chosen for the Mueller report's release; actress Michelle Williams on playing Gwen Verdon in "Fosse/Verdon."