The Frame

George C. Wolfe, an accomplished writer and theater director, talks about his Broadway musical, inspired by the 1921 show, “Shuffle Along"; The Broadway hit "Hamilton" won't be on the West Coast until 2017, but devoted fans here have figured out a way to bring it to life now.

Oscar-winning documentarian Charles Ferguson turns his camera to the climate crisis with "Time To Choose"; Stephanie Allain, Director of the L.A. Film Festival is on a mission to showcase filmmakers who Hollywood typically ignores; The rock duo The Kills are back with a new album, and they reveal why they don't have a drummer.

Comedian Quincy Jones was diagnosed with terminal cancer, but that didn't stop him from achieving his goal of filming a stand-up special. This week it airs on HBO; Fandango Fronterizo is an annual event that brings together musicians across the U.S.-Mexico border in celebration and in protest; L.A. theater company Chalk Rep mounts a play in a cluttered garage to bring an immersive experience to their audience.

Bryan Cranston is busier than ever with a number of films in various stages of production and distribution. He reflects on his life in acting — lessons learned and given; Slate culture writer Aisha Harris discusses the piece she co-wrote with Dan Kois, "The Black Film Canon: The 50 Greatest Movies by Black Directors."

"Honky" is a play by Greg Kallares that takes a humorous and provocative look at race, racism and marketing; Starting in September, Netflix will have exclusive rights to valuable Disney titles; South Africa is an increasingly popular locale for American films and TV shows.

Aziz Ansari wasn't happy with the parts he was being offered, so the comic actor created “Master of None” for Netflix; Ellis Ludwig-Leone of the band San Fermin brings together classical music and pop for his own brand of indie rock; Slate culture writer Aisha Harris previews this year's highly-anticipated slate of summer movies.

Kate Beckinsale opens up about Lady Susan, her role in "Love & Friendship," an 18th Century character who behaves very much like a 21st Century woman; DC Comics reboots its universe of familiar characters with "Rebirth"; the González siblings prepare to perform together for the first time in 20 years.

Director Susanne Bier on adapting John Le Carré's novel 'The Night Manager' for TV and lifting women filmmakers by example; meet musician Will Toledo, aka Car Seat Headrest, whose latest album is getting good reviews; Spotify is the leading streaming service with close to 100 million users, but the Swedish company isn't yet making a profit.

Nick Stoller's huge success directing the first "Neighbors" movie led to the inevitable sequel, which centers around a sorority; Asian-American men have a particularly difficult time landing lead roles in films and TV shows; HBO programming chief Michael Lombardo steps down and leaves challenges for his successor.

We visit the set of Maria Bamford's Netflix show “Lady Dynamite” to see how she blends the absurd with autobiography. The filmmakers of the documentary "Song of Lahore" track how musicians revived their art form and found an international audience with their cover of the Dave Brubeck song, "Take Five." What's hot and not at this year's Cannes Film Festival.

The director presents a gritty version of the city in the movie about a former undercover cop confronted with her past; Producers Guild of America co-president Lucy Fisher on how the organization is operating in the #MeToo era.

The future Supreme Court Justice endured a lot of sexism in her career, and so has the director of the biopic, "On the Basis of Sex"; writer/director Adam McKay takes on Dick Cheney in the darkly comedic "Vice."

The actor has two movies debuting in the coming days, and another that opened earlier this fall, "Beautiful Boy," is still in theaters; the annual so-called "Black List" of exceptional un-produced scripts has been released.

The "Big Bang Theory" actor stars in a radio play production of "It's a Wonderful Life" at the Pasadena Playhouse.

The late night host takes aim at the U.S. Immigration and Customs Enforcement agency in her version of a holiday special; the top five Latin albums you may have missed in 2018.

New York Times theater critic Jesse Green reviews the year on the major stages; "Caparnaum" is a heart-breaking film from Lebanon about a neglected street urchin; Lindsay Buckingham dissects Fleetwood Mac's "Go Your Own Way" for Song Exploder.

The prolific producer has created shows for Nickelodeon, Cartoon Network and, now, PBS Kids; a media expert on the problem with Kidz Bop.

The director follows up the Academy Award Best Picture-winning "Moonlight" with "If Beale Street Could Talk," an adaptation of the Baldwin novel that plays like a tone poem; composer Nicholas Britell collaborates with Jenkins once again.

The virtuoso specializes in Bartók and her recording of his Piano Concerto No. 2 is nominated in the Classical Instrumental Solo category; Kristen Anderson-Lopez and Robert Lopez won an Academy Award for their song from "Coco," "Remember Me," and now it's up for a Grammy; “La Bohème” gets a hipster twist in L.A.

The musical revisits the story of the passengers from 38 airplanes who were stranded in Canada on that fateful day; Taylor Mac turns the Christmas pageant on its head with "Holiday Sauce."

Lady Gaga’s song “Shallow,” from the movie “A Star is Born,” earned four Grammy nominations today and it's an Oscar favorite too. Meet Mark Ronson, the man who co-wrote and produced it; Shirley Halperin, executive editor for music at Variety, talks about the other 2019 Grammy nominees; who should host the Oscars?

Alexis Bloom's documentary examines the life and career of the late political operative and TV news executive; how casting agents get pulled into sexual harassment incidents; an ex-pat Iranian composer maintains his musical ties.