Support for LAist comes from
Local and national news, NPR, things to do, food recommendations and guides to Los Angeles, Orange County and the Inland Empire
Stay Connected
Listen

Josh Tate

  • I'm ashamed to admit how long it took me to finally catch Sidney Lumet's latest film, Before the Devil Knows You're Dead. After all, Lumet is one of the true grandmasters of the craft (he directed his first significant film, 12 Angry Men, over fifty years ago!). What's more, the cast he brought together for Devil is absolutely top-notch: Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, Albert Finney and Rosemary Harris. Worst of all,...
  • It's such a great shame that Adrienne Shelly's life was cut so tragically short last year. Her last film, Waitress, was one of the true, unexpected delights of the summer season. Hot Rod, however, was one of the bigger disappointments. Maybe Andy Samberg is better in two minute increments. I Know Who Killed Me may one day rival Showgirls as a guilty pleasure. It's odd. I really like Rowan Atkinson as a performer...except when...
  • To no one's surprise, Enchanted handily won the weekend box-office crown. Though early estimates ranged as high as 58 million dollars for the 5-day holiday weekend, the actual returns were a still robust $50.048M. Excellent word of mouth and a strong appeal to families should ensure that the Disney fantasy flick continues to do good business during the Christmas season. Speaking of which, This Christmas surprised somewhat with a strong $27.1M since its Wednesday...
  • The buzz on Enchanted--and especially Amy Adams--has been high for the last few weeks. Weren't they saying the same thing about Adams, though, after Junebug? Either way, I'll see Enchanted this weekend. In a strange way, it reminds me of Galaxy Quest. Stay with me here. I thought Galaxy Quest looked horrible when I saw the previews, but I ended up loving it. Will the same hold true for Enchanted? I'm actually a fairly...
  • In the world we live in now, Pixar is nothing less than an institution. Every film it releases is an event and each of them receive excellent reviews and make piles of money. Of course, Pixar wasn't always so admired and ubiquitous. It was once a money-losing division of LucasFilm that was sold off to Steve Jobs for a paltry 5 million dollars. All of this is laid out in a behind-the-scenes feature on...
  • Hearts of Darkness is such a perfect complement to Apocalpyse Now that it's hard to watch one without thinking of the other. Though it's not the greatest print, the former is finally available on DVD. Now that the year is coming to an end, people are starting to talk about Oscar contenders. Why is the superb Rescue Dawn being left out of the mix? Live Free or Die Hard doesn't play like a Die...
  • I decided to hold this review (and the Pixar Short Films DVD) for as long as I could because I wanted it to be fresh in everyone's minds as they prepared for the start of the Christmas shopping season this Friday. Whether you are looking for something for a girlfriend or a nephew or even a grandparent, Ratatouille belongs in your basket. It is another in the increasingly long string of delightful movies that...
  • While it easily won the weekend box-office crown, Beowulf disappointed somewhat with a 28.1 million dollar opening. If it's anything like Zemekis' last film Polar Express, though, the amazing 3-D will continue to pull in audiences for weeks to come. Having seen it at the IMAX theater at the Bridge, I can say that it is totally worth the price of a ticket. Bee Movie stayed strong in its third week, adding $14.3M and...
  • It almost feels like summer again as Beowulf comes crashing into theaters with a huge amount of hype. From where I'm sitting, though, that hype actually looks deserved. If 3-D is (once again) the future of film, consider me an early adopter. Combine a technical innovator like Zemekis with two--and I mean this as a true compliment--odd birds like Avary and Gaiman and you get a movie that is relentlessly beautiful and compelling. Love...
  • No Country for Old Men is so profoundly good, so rich in depth and meticulous in craft that if someone were to ask me what I thought of it, I would only be able to stammer, "Just...go see it. Quickly!" Adapted from the Cormac McCarthy novel of the same name (its title lifted from Yeats' Sailing to Byzantium), No Country for Old Men tells the deceptively simple story of a man who finds a...

Stories by Josh Tate

Support for LAist comes from