Josh Tate

Two of the four big summer three-quels hit DVD shelves today. Neither is worth your money. Better to spend it on La Vie en Rose, featuring one of the best performances in years by the amazing Marion Cotillard. Better yet, make it a French double-feature and pick up Paris Je T'Aime, too. If you haven't yet, invest a weekend watching Berlin Alexanderplatz. And, yes, it will take the whole weekend. Christmas and South Park...

Covering the weekend box office race can sometimes be a tedious job for the simple reason that there are rarely big surprises. Typically, a movie opens on a bunch of screens, makes a large portion of its money in its opening frame, then drops 50% in each successive weekend before finally disappearing from theaters. There are, however, occasional outliers who don't follow the normal pattern and make life much more interesting. Bee Movie is...

With one very notable exception, it's a fairly dull weekend in the movie world. That exception, of course, is the sterling No Country for Old Men. After several misfires (Intolerable Cruelty, The Ladykillers, The Man Who Wasn't There), the Coen Brothers are back with their best film since The Big Lebowski. Javier Bardem, Josh Brolin and Tommy Lee Jones all give superb performances in this adaptation of Cormac McCarthy's novel of the same name....

Pixar's long streak of superb movies is starting to feel vaguely satanic, but I'm willing to keep embracing evil as long as it's this rich and funny. Ratatoille is the latest and resides in the very top tier. Michael Moore's Sicko didn't rouse as much rabble as Fahrenheit 9/11, but it's a better movie. Interesting that Seinfeld: Season 9 is dropping on the same day as Flight of the Conchords: Season 1 since Murray...

There was a welcome flight to quality this weekend as movie-goers finally gave some love to a good flick. American Gangster blasted its way to the top with an impressive haul of 46.3 million dollars. Bolstered by positive reviews and the stellar box-office power of Denzel Washington, Gangster should continue to thrive in the coming weeks. Jerry Seinfeld's initial foray into the motion picture business can certainly be called a success. Despite mediocre notices,...

This weekend is one of those weekends where--if you love movies--you'll be hard-pressed to choose which one (or two) to see. Most will probably settle on American Gangster, and I don't see anything wrong with that. Couple two powerhouse actors (Denzel & Crowe) with a reliable director (Ridley), add a compelling story that has slipped through the cracks for years and you have what looks to be a great, studio picture. If, like the...

In a year of great documentaries, Sharkwater resides in the very top tier. It is a passionate advocacy film about the immense slaughter of sharks currently going on in the world's oceans. Sharks are caught in 60-mile long lines, have their fins cut off and then are simply dumped back in the ocean to rot. I recently had the opportunity to speak with the film's writer, director and narrator, Rob Stewart. You originally started...

The opening moments of Sharkwater promise what appear to be little more than a beautiful film about the kingdoms of the deep. Plants sway with the current, silver schools of fish move as one and sharks glide effortlessly through the clear water, remote and menacing. Then, one of the more remarkable images I've ever seen suddenly appears: a man is standing on the ocean floor cradling a six-foot shark in his arms and stroking...

Like Jim Morrison before him, Ian Curtis exists in the mind's eye as more of an idea than a real person. Certainly, his early death contributes mightily to this perception. Anton Corbijn's Control, however, rescues him from the murky fog of legend and restores him to a state of full humanity. It is, simply, a remarkable film, as much for what it is as for what it is not. It resists the temptation towards...

Whether you are a devoted fan of Joy Division or simply a casual listener, Control should be high on your must-see list of movies. It is a masterfully and intimately told story about one of the more opaque musical figures of the last thirty years, Ian Curtis (my LAist review of the film is below). Yesterday, I had the chance to speak with one of the film's producers, Orian Williams, who spent ten years...