Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

Movie Review: Up

This story is free to read because readers choose to support LAist. If you find value in independent local reporting, make a donation to power our newsroom today.

Every time Pixar releases a new film, one wonders, "Is this the one that breaks the long string of phenomenal critical and commercial success?" I mean, surely a film studio can't continue to release inventive, profitable movies ad infinitum, right? It's just too implausible; even the very brilliant have slumps. Christ, the gold standard that is the Coen Brothers made the god-awful The Ladykillers, didn't they?! And yet...Pixar keeps churning out absolutely top-notch work and -- against all probability -- Up may just be their best film yet.

The film opens with a brief review of the long and very happy life shared by Carl and Ellie Fredricksen. With a lovely simplicity, the effortless harmony of their relationship is communicated wordlessly. Indeed, all is well until -- almost shockingly for an animated family film -- Ellie dies and leaves Carl alone, quickly throwing his world into chaos. Heartbroken and defeated -- and assailed by the outside world -- Carl decides to go on one final adventure. He's going to fly his house to its final resting place atop Paradise Falls in South America.

Initially, everything goes as planned. In a completely absurd yet thrilling piece of cinema, Carl's house is ripped from its moorings by thousands of balloons and floats out of the city. Carl is a renewed man as he pilots his unlikely vessel through the urban canyons. And then -- when the house is thousands of feet up -- there's a sudden knock at the door. Uh-oh. The knock, of course, comes from Russell, the portly and hyper young scout who'd been trying to earn a merit badge by "aiding the elderly". Carl has an unwelcome stowaway.

After a brief joust with a forbidding thunderhead, the pair quickly make their way to South America and find Paradise Falls without undue difficulty. Another problem quickly presents itself, though. Many balloons were lost during the tussle with the storm and the house has lost considerable lift. Worse, they are still some distance from Paradise Falls, but the balloons are gradually losing their helium. What to do? In one of the many wrinkles that define the fantastical universe of Up, they simply pull the house like a floating wagon.

To say more -- and what I've described so far is only the first ten minutes -- would spoil the constant delights that pop up as the film unspools. Friends have said that Up didn't really capture their imagination based on the trailer. Let me assure you that -- unlike most movies -- the trailer for Up doesn't spoil the best parts of the film. In fact, I'd guess that none of the funniest scenes in the film are represented in the advertising. For instance, Dug the Talking Dog seems silly in the trailer, but is both hilarious and poignant in the film.

Up covers much of the ground that is endemic to the Pixar brand. There is plenty of humor and whimsy; there is a journey; there are fabulously unique characters and complex storytelling. What Up has in greater measure than previous efforts, though, is a wisdom about the seriousness of life. Carl is a lonely old man who lost the love of his life. Russell is a fatherless kid who desperately wants someone to fill that void. Together, they may not repair each other, but they do make each other genuinely happier. That may not sound grand, but it is.

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive from readers like you will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today