Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

Hope and Glory's End in 'The Standard Bearer' at SFS Theatre

StandardBearer-ProdStill 2DSC_0157_2.jpg
Neil Dickson is The Standard Bearer (Photo: Judy Geeson)

One year ago, Congress defunded public media. Now that we're 100% community funded, please become a sustaining member or increase your existing membership today.

By the time a B-list Shakespearean actor in a soiled and sweat-stained suit peers out from backstage to start Stephen Wyatt's play "The Standard Bearer," any vestiges of British cultural hegemony have long since collapsed. Addressing us as an audience of students in early-1980s West Africa, the poor sod apologizes for making us wait, but assures us that his wife will be joining him in a moment to perform an evening of the Bard's soliloquies and dramatic scenes, presented by the local British consulate. While he waits for her to arrive, he delivers as much of the show's prepared material as he can by himself, interspersing these segments with maudlin bits of small talk about his personal background and the once-grand tradition of touring English theatrical productions in the colonies.

As it becomes obvious that his wife is not going to show up, we see that the man's own identity has dwindled in vitality along a track roughly parallel to the diminishment of mighty Britannia's imperial potency. A latter-day counterpart to the degraded English music hall performer Archie Rice in John Osborne's old classic "The Entertainer," this unnamed actor ends up haplessly seeking his audience's validation not merely of his performance but of his enterprise itself.

Neil Dickson, the actor who play the actor, generates considerable laughs and pathos from his protagonist's embarrassing position. Toward the end of the play's 55 or so minutes, after he acknowledges his inability to provide a satisfactory theatrical evening, he momentarily wishes his audience a better show, and better Shakespeare, the next time a British production passes through town. His speculation a moment later, though, that this was probably the last performance of its kind resonates with all the rueful solemnity of an individual's, and an empire's, fall from grace.

"The Standard Bearer," directed by Julian Sands, plays Wednesday, Friday and Saturday nights at 8 through November 12. Tickets $22 ($13.50 for some performances using promo code 008), $18 for students and seniors, through plays411.net.

One year ago, Congress voted to defund public media, eliminating a critical $1.7 million from our budget every year going forward. But they couldn’t silence us, and we’re not going anywhere. LAist is now 100% community funded and that means we’re taking our future into our own hands and turning to you to keep local reporting strong.

You come to LAist because you want independent reporting and trustworthy local information. Our nonprofit newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our communities. We are free to follow facts wherever they lead and to hold power to account without fear or favor. Our only loyalty is to our readers and listeners and our mission: to inform, engage, and strengthen Southern California’s communities.

If this story helped you, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today