Sponsored message
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

Gallery Must See: Natalia Fabia - Hooker Safari

This story is free to read because readers choose to support LAist. If you find value in independent local reporting, make a donation to power our newsroom today.

Natalia Fabia tackles the world’s oldest profession in her fun solo exhibit Hooker Safari: A Glamorous Jungle Pageant. Giving new meaning to the term “wildlife”, her oil on panel paintings depict frequently tatted babes in various scenarios alongside safari animals.

The seductive works are fantastically original and creative. Appearing at first glance to be photographs, the artists’ skill is the first thing that jumps out at you. Unlike the “honeys” usually seen trolling Sunset & Santa Monica Boulevards; Fabia’s hookers are sexy, and sultry. Her blending of punk and classic glamour bring an edgy current freshness to these brightly colored works.

“Safari Girl Pile” (shown in the above photograph) depicts five languid femme fatales on the plains of Africa after what looks like a long night. The Jean Harlow-ish “Emerald Peafowl Queen” sits theatrically distressed with smeared mascara balancing a beautiful peacock on one shoulder. “Drawn to the Watering Hole” leads you to wonder who the true man-eater is as a gentleman with alligators at his feet is surrounded by enticing ladies of the night in a cool lounge.

A Los Angeles native, Fabia graduated from Pasadena’s Art Center College of Design. She also credits her education to The Burgundy Room, Bob’s Classy Ladies, and the Troubadour. The influences of Touluse-Latrec, and Jean Baptise Oudry are evident here in the subject matter, quick multi-colored brush strokes, and soft details.

Fabia’s latest work also branches out into fashion, with the creation of “Hooker Medallions” described as wearable art jewelry; adding another dimension to this talented up & comer. I’ll be looking forward to what she comes up with next!

Sponsored message

On view thru Dec. 3rd
Corey Helford Gallery
8522 Washington Blvd.
Culver City
www.coreyhelfordgallery.com
www.nataliafabia.com

photo of Safari Girl Pile courtesy of Corey Helford Gallery

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive from readers like you will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today