Support for LAist comes from
True LA stories, powered by you
Stay Connected

Share This

Arts and Entertainment

Casiotone for the Painfully Alone

Our reporting is free for everyone, but it’s not free to make.
LAist only exists with reader support. If you're in a position to give, your donation powers our reporters and keeps us independent.
5b2bbe624488b30009269969-original.jpg

Last night my friend and I had a debate regarding why we liked the bands that we listened to in the 1990s. My friend claims that we liked them because they were good, or at least because they had some magnetism. I say that we liked them just because we didn't have enough musical diversity and choice to have the luxury to discriminate. Sources for new music were limited to MTV and...well...MTV was it really.

Our discussion was sparked by yesterday’s performance at the Echo by Casiotone for the Painfully Alone (CFTPA). CFTPA is essentially a one-man band with a lo-fi sound consisting of Owen Ashworth, his beard, his eye-glasses, and at least six keyboards. Ashworth’s songs are chaotically deliberate vignettes of electronic cacophony and afterthought. His unassuming stage-presence is both intriguing and endearing. The performance began with an unexpected homage to Bruce Springsteen’s “Philadelphia” and concluded with a collaboration with psychedelic rock band the Donkeys.

When asked by my concert companion how I first learned about CFTPA, I admitted with some embarrassment that it was not through some cool in-the-know friend or via my music review reading prowess, but instead through a Live Journal internet search to see who else finds crustaceans and dinosaurs interesting. Given that the first CFTPA CD was released way back in 1998, I am sadly late to enjoin in the Ashworth cultism.

Support for LAist comes from

Which brings me back to our debate: the World Wide Web has opened up the musical floodgates making a whole plethora of new bands and sounds available to the public. I am quite sure that I never would have been exposed to CFTPA, and numerous other bands for that matter, if not for internet music blogs and the like. All of this new accessibility to harmonic pleasures and sound-diversity makes me wonder that if the bands that I was force-fed in the 90s were new to the music scene today, would I like them? Would I listen to them? Would I send them MySpace friend requests? Or would I indulge in something more unique like Casiotone for the Painfully Alone?

Check out www.cftpa.org for Casiotone for the Painfully Alone tour dates and other stuff.

Photo by Theo Adorno via Flickr