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The Brief

The most important stories for you to know today
  • LAPD gives report of calls received this year
    Three men sit at an elevated dais. In front of each of them is a large monitor. In the foreground is a digital clock that reads 3:00 in red numbers.
    LAPD Chief McDonnell and the Inspector General Matthew Barragan at the Police Commission meeting on March 3, 2026.

    Topline:

    Los Angeles Mayor Karen Bass issued a directive last month requiring the LAPD to produce monthly reports, aiming to increase transparency about policing amid immigration sweeps. The report follows weeks of mixed messaging from the department, as LAPD Chief Jim McDonnell refused to enforce new laws requiring federal agents to remove masks and identify themselves.

    A breakdown of calls: Deputy Chief German Hurtado told the Police Commission Tuesday the department received eight calls in January from the public about immigration operations and none in February. Three of the January calls were in the department’s Northeast Division and two in Rampart Division. Harbor, Southeast and Olympic divisions had one call each.

    Once officers arrived on scene: Officers submitted two crime reports of actions by federal agents, but Hurtado provided no further details. In several cases, the people who called the police and the alleged federal agents weren’t actually there when officers arrived. And in most cases, the department took no further action after confirming the individuals worked for federal immigration agencies. The department had not received any reports of federal agents refusing to identify themselves to police officers, he told the commissioners.

    Two masked men dragged a landscape worker into a vehicle and drove off.

    Another masked pair in green fatigues detained a man walking out of a grocery store. 

    Four masked people in a black SUV circled a block. 

    These were all calls LAPD received in January from people alarmed by what they were witnessing and unsure about who they could trust as immigration agents carried out operations across the city.

    They were also among the first details that the department has released of how its officers have responded to calls for help from neighborhoods targeted by the federal government’s immigration crackdown.

    Los Angeles Mayor Karen Bass issued a directive last month requiring the department to produce monthly reports, aiming to increase transparency about policing amid immigration sweeps. The report follows weeks of mixed messaging from the department, as LAPD Chief Jim McDonnell refused to enforce new laws requiring federal agents to remove masks and identify themselves.

    Bass’ order prompted McDonnell to change course last week — a reversal he continued in Tuesday’s meeting. He sent a note to the department establishing a new policy requiring officers and supervisors to identify federal agents, document encounters with them and refer cases for possible criminal charges if misconduct is suspected.

    Deputy Chief German Hurtado told the Police Commission Tuesday the department received eight calls in January from the public about immigration operations and none in February. The LA Local has reached out to ask why this is the case and will update if more information is available. 

    Three of the January calls were in the department’s Northeast Division and two in Rampart Division. Harbor, Southeast and Olympic divisions had one call each.

    Officers submitted two crime reports of actions by federal agents, but Hurtado provided no further details. 

    In several cases, the people who called the police and the alleged federal agents weren’t actually there when officers arrived. And in most cases, the department took no further action after confirming the individuals worked for federal immigration agencies.

    In one instance, Hurtado said police received information that two taco vendors had been kidnapped. “No report was taken,” Hurtado said, because video of the confrontation appeared to show the masked men were federal agents. The two were detained, he said, not kidnapped.

    A man in the department’s Southeast Division reported being assaulted by immigration agents. Hurtado said officers found he had been knocked over while agents were chasing someone else: “They cleared the scene once they realized that it was a federal enforcement action,” Hurtado added.

    The department had not received any reports of federal agents refusing to identify themselves to police officers, he told the commissioners. And he emphasized that the department’s longstanding policy is not to assist or impede immigration enforcement.

    “The officers are not going to interrupt the actions of another law enforcement agency,” Hurtado said. “They’re there to keep the peace.”

    Commission President Teresa Sanchez-Gordon pressed Hurtado to provide more details on how the department is clarifying its role for the city’s residents who are also immigrants. 

    “They’re still fearful that they can’t call LAPD for help,” Sanchez-Gordon said.

    Hurtado responded that the department’s new immigrant affairs liaison, along with at least two officers at each station, were redoubling efforts to communicate that the LAPD does not contribute to immigration enforcement.

    “When police do not help with immigration arrests, it’s not about protecting criminals,” Hurtado said. “It’s about protecting communities. It’s about making sure that everyone feels safe enough to seek help for a crime and participate in everyday civic life. Public safety works best when fear is replaced with trust and in Los Angeles that trust has saved lives.”

    McDonnell, who was present for the presentation, also issued a new policy on Tuesday clarifying how city policing intersects with federal immigration enforcement. Here are some of the requirements:

    • When officers are dispatched to calls about apparent immigration sweeps, they are expected to turn on body cameras before exiting their patrol cars.
    • They’ll record interactions with the apparent agents, verifying their identities and the agencies they work for. 
    • If it’s a confirmed federal immigration enforcement action, the officer is expected to maintain public safety and help deescalate any tense confrontations.
    • Officers will write reports about these encounters and label all body camera footage for review.

    The chief’s policy update brings the department into compliance with Mayor Karen Bass’ executive order from February requiring the changes. 

    Apart from the new policy, Sanchez-Gordon said more must be done to ensure the community understands what LAPD officers are and aren’t responsible for during what have often been tense confrontations. She said she wants to work with McDonnell to host meetings with immigrant advocacy groups to better understand community concerns.

    “I think we all have our work cut out for us,” she said. “It’s a new era for the city of LA.”

    The post Here’s what happened when people called LAPD to report potential ICE activity appeared first on LA Local.

  • Fire now 70% contained
    A photo of a lot of smoke from a fire burning in a mountainous area.
    The Walnut Fire burning in Burbank.

    Topline:

    A brush fire burning in Wildwood Canyon above Burbank has prompted evacuation orders for DeBell Restaurant and Golf Course and Stough Canyon Nature Center, according to the city of Burbank.

    What we know so far: The Walnut Fire broke out Saturday afternoon near the intersection East Harvard Road and Wildwood Canyon Road.

    Read on ... for more on evacuations and weather conditions.

    This is a developing story and will be updated. For the most up-to-date information about the fire you can check:

    Evacuation orders for DeBell Restaurant and Golf Course and Stough Canyon Nature Center remain in place for a fire burning in Wildwood Canyon above Burbank.

    Evacuation warnings for Churches Ct. and Country Club Drive were lifted at 6:20 p.m.

    As of 5:55 p.m., the fire had burned 40 acres and 70% contained, according to Burbank.

    The Walnut Fire broke out Saturday afternoon near the intersection East Harvard Road and Wildwood Canyon Road.

    Hiking trails around the area are closed. The Starlight Bowl concert scheduled for tonight has been canceled.

    Listen to our Big Burn podcast

    Listen 39:42
    Get ready now. Listen to our The Big Burn podcast
    Jacob Margolis, LAist's science reporter, examines the new normal of big fires in California.

    Fire resources and tips

    Check out LAist's wildfire recovery guide

    If you have to evacuate:

    Navigating fire conditions:

    How to help yourself and others:

    How to start the recovery process:

    What to do for your kids:

    Prepare for the next disaster:

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  • Things are not looking good

    Topline:

    A report Friday from the Labor Department shows that employers cut 23,000 jobs last month, and job gains for May and June were revised sharply lower.

    Why it matters: The unemployment rate dipped to 4.1%, but only because more than 260,000 people dropped out of the workforce.

    Why now: It was the second month in a row that the monthly jobs tally came in weaker than forecasters had expected.

    The U.S. job market unexpectedly stalled in July.

    A report Friday from the Labor Department shows that employers cut 23,000 jobs last month, and job gains for May and June were revised sharply lower.

    The unemployment rate dipped to 4.1%, but only because more than 260,000 people dropped out of the workforce.

    It was the second month in a row that the monthly jobs tally came in weaker than forecasters had expected.

    "We are increasingly hearing from workers that they are anxious about their job security and they are frustrated by the fact that they are stuck in roles that are not necessarily good for them," said Daniel Zhao, chief economist at the job search website Glassdoor. "And that's on top of workers who are not in a job right now and feel frozen out of the job market."

    Glassdoor's worker confidence index slumped in July to a record low.

    The Fed's job gets harder

    Restaurants and retailers cut thousands of jobs last month, and local government also saw large job losses. Healthcare continued to add workers, but at a more modest pace than earlier in the year.

    The softening job market may complicate the Federal Reserve's job, since it's also battling stubborn inflation. The Fed may be more cautious about raising interest rates at a time when the labor market appears less stable.

    For people who are working, average wages have risen 3.2% in the last 12 months. That's likely not enough to keep pace with inflation, however, so workers' paychecks don't stretch as far as they used to.

    "Part of the reason that workers are feeling bad about today's job market," Zhao says, is that "a lot of those wage gains have been eaten up by rising energy prices."

    Copyright 2026 NPR

  • Listening parties held in OC planetarium
    Indie artist Phoebe Bridgers wearing a black suit plays guitar against a nightscape.
    Phoebe Bridgers plays with her band Boygenius during the 2023 Coachella Valley Music and Arts Festival.

    Topline:

    Phoebe Bridgers is giving Southern California fans an unusual way to hear her new album Lost Weekend with a listening session inside the Orange Coast College planetarium in Costa Mesa.

    Why now: Lost Weekend, Bridgers’ first studio album in six years, is out Friday, with listening sessions taking place at dozens of planetariums around the world next week.

    The backstory: Orange Coast College already has a tradition of pairing music with visuals through popular laser shows featuring the music of everyone from Pink Floyd to Taylor Swift. But the Bridgers event is by far the most high-profile, pairing the album with both a laser show by Laser Fantasy and a full-dome presentation with imagery by taken by astrophotographer Babak Tafreshi.

    Next week Phoebe Bridgers fans in Southern California will get an otherworldly way to enjoy her new album ahead of its official release Friday.

    And a Costa Mesa institution will enjoy the chance to introduce indie music lovers to what it does beyond astronomy lectures and field trips.

    The Orange Coast College Planetarium is one of dozens of planetariums around the world – and the only in Southern California – hosting listening sessions next week for Lost Weekend, one of the year’s most anticipated indie releases and Bridgers’ first solo studio album in six years.

    The Pasadena native is not expected at any of the planetarium shows. But that doesn’t matter to her fan base.

    An audience of dozens sits under a planetarium dome projected with images of planets.
    Phoebe Bridger fans can listen to her album in the planetarium's 125-seat dome theater.
    (
    Courtesy Orange Coast College Planetarium
    )

    Twelve shows in the 125-seat theater sold out within four hours of going on sale Thursday, according to the planetarium. So staff added 16 more, bringing the total to 28 screenings over four days, Aug. 10 through 13. (At last check, tickets for showings earlier in the day were still available.)

    “We have never had an event that was this anticipated,” Rhiannon Graffio, lead speaker and educator at the planetarium.

    Listening to Lost Weekend...at a planetarium

    When: Aug. 10–13. Shows are scheduled throughout the afternoon and evening, with both fulldome and laser show experiences.

    Where: Orange Coast College Planetarium, 2701 Fairview Road, Costa Mesa.

    Tickets: $20. Tickets are available through Orange Coast College’s ticketing site.

    Phone-free: Phones must be placed in locking Yondr pouches during the listening sessions. Smartwatches, cameras, Meta glasses and other recording

    There’s two ways to experience the record from start to finish, which is a little over 50 minutes long.

    One is a full-dome show featuring images taken by renowned astrophotographer Babak Tafreshi.

    “It's gorgeous,” Graffio said. “There's some that are of the night sky, where you can see the paths of the stars as the Earth rotates, or auroras or lightning.”

    The other option is a laser show created by Laser Fantasy, with scenes and storylines moving in time with the music.

    Graffio said the planetarium had been approached by Bridgers’ label Dead Oceans to host the shows, which are being presented in partnership with Spotify.

    A white woman in her early 20s wearing a blue polo shirt and sporting blue tinted hair looks at the camera.
    Rhiannon Graffio, a lead speaker at the Orange Coast College Planetarium, has been working with Phoebe Bridgers' label on next week's listening sessions.
    (
    Courtesy Rhiannon Graffio
    )

    The events are strictly phone-free. To prevent album leaks, attendees will have to put their phones in pouches provided by Yondr, a company that works concerts and other events. Smartwatches, and Meta glasses also aren’t allowed.

    The Lost Weekend events are the most high-profile but certainly not the planetarium’s first experiment with mixing music and visuals.

    The theater regularly hosts laser shows set to music, cycling through different artists like Taylor Swift and Beyoncé each month while keeping some crowd favorites like Pink Floyd in rotation. Graffio said in the last year KPop Demon Hunters laser shows have been especially popular.

    Accommodating the Lost Weekend shows has meant bringing extra staff to handle the weekday crowds at the community planetarium.

    But Graffio said there's a big upside to introducing music fans to a place they may never have thought to visit.

    “It’s a wonderful experience,” she said. “And most of the shows that we do are also educational in some sense. As cool as the visuals are, they are about the universe and what we know about it.”

    And for those who can't make it to the planetarium shows, there's a more traditional route to marking Bridgers' new album. A dozen record stores around Southern California are hosting listening sessions at midnight Friday.

  • The little-known jazz salon takes place at a gym
    A black woman in a hot pink one piece illuminated under a spotlight as she sings in a jazz club.
    Maria Howell performs at the Jazz Salon.

    Topline:

    Every Sunday night, a semi-secret event at the tony Los Angeles Athletic Club lets anyone experience a near-private concert from jazz legends — for just $10.

    Why it matters: The revolving cast draws from a repertory group of about 15 artists, including: saxophonist Rickey Woodard, who played for Ray Charles, Ella Fitzgerald and more; trumpeter Nolan Shaheed, who backed Duke Ellington, Count Basie, and Stevie Wonder.

    Read on ... to find the details of this hidden gem ...

    It seems that jazz is everywhere in Los Angeles. Blue Note opened a club last year, venues like Sam First, Catalina’s, Vibrato and the Baked Potato draw large crowds, and hotels and bars are adding jazz to their schedules.

    But every week, a semi-secret event at the tony Los Angeles Athletic Club lets anyone experience a near-private concert from legends such as Rickey Woodard, who played saxophone for Ray Charles, Ella Fitzgerald, Sarah Vaughn and others; and Nolan Shaheed, trumpeter for Duke Ellington, Marvin Gaye and more.

    That’s before you get to the evening’s singer, who might be 96-year-old pianist Betty Bryant, former Raelette Val Monroe or singer and Grammy-winning songwriter John Proulx.

     

    Until recently, the Sunday night Jazz Salon was free. Now it charges a nominal $10 per person, which is still an outrageous bargain, so be sure to add something to the tip jar on the piano, and maybe try one of the cocktails or the steak frites.

    Inside the club 

    Walking into the club earlier, you see black-and-white photos of all types of healthy pursuits on the walls, as well as trophies and mementos of the club’s nearly century-and-a-half history. Plush sofas, high ceilings and book-filled shelves are the order of the day, and alongside members in gym gear or lugging laptops, you go up in one of the elevators to the third floor, where the Jazz Salon takes place.

    A man in a dinner jacket standing next to a huge jazz bass that's taller than him.
    Dave Ross, bassist and founder of the Jazz Salon.
    (
    James Bartlett
    /
    LAist
    )

    The bassist who built it 

    Earlier in the day, Dave Ross, 76, was setting up the amps, drum kit, mixer and mic stands. He also administers the website, acts as MC and plays double bass as part of the ensemble. He began the venture over a decade ago, when he persuaded the LAAC, of which he had long been a member, to host concerts in their redecorated restaurant and bar.

    Ross draws from a repertory group of about 15 artists, and the concert takes place opposite the bar in a wood-paneled room of just a few dozen leather chairs and tables. This small scale makes the night intimate and unique.

    Sunday Night Jazz Salon

    Location: Invention (3rd Floor), The Los Angeles Athletic Club, 646 S Olive St., Downtown Los Angeles

    Time: Sundays, 6:00 PM – 8:30 PM (with a brief intermission)
    Cost: $10 cover charge at the door
    Make reservations and check out the weekly artist schedule

    “No gig is ever the same,” says Ross. “We don’t rehearse, and every time we play a song, we're never trying to play it the same way we played it before.”

    That makes the night fun, too. Since you’re right near the musicians, you can hear their laughter and banter, as well as their impressive solos. Ross, stage left, stays out of the limelight — which is how he prefers it — and often says he's just happy to be there playing.

    “You're there to keep the beat, the pulse of the music,” he says. “And then, secondarily, the notes that you play help the other musicians understand what the chord, what the harmony is. I'm just doing it for the pleasure of playing the music.”

    A dream snare with the words "The Jazz Salon" on it.
    The Jazz Salon is a $10 Sunday night concert at the Los Angeles Athletic Club.
    (
    James Bartlett
    /
    LAist
    )

    Why $10 barely covers it 

    Once a month, Ross and some of his stable join a touring artist — recently five-time Grammy-nominee Karrin Allyson — in the club’s 250-seat ballroom for a more formal ticketed event, but there have been just two complete sellouts of them this year: tributes to Bill Evans and Dave Brubeck/Paul Desmond.

    Donations and the tip jar on Sunday evenings sometimes haven’t been enough to break even, either, which led to Ross reluctantly introducing the $10 charge. No matter what, he is determined the Jazz Salon will keep going.

    “When I was younger, there was a receptionist I knew who was a nun. She said: “‘You know what your problem is? You’re too optimistic!’”