The Brief

To outside observers, parishioners at the Dolores Mission Church in Los Angeles might seem less pious this year. In the summer, attendance at the Catholic church plummeted, according to the Rev. Brendan Busse, Dolores Mission’s pastor, who said the pews were about half as full as usual.

The disappearance of a substantial portion of the faithful was not altogether surprising: It came just days after the Department of Homeland Security launched immigration raids across the city in June — followed by others around the country — at the behest of President Donald Trump.

Almost immediately, social media feeds and then television news reports brought the initial immigration raids to life: Masked federal agents tackled and arrested Latinos in parking lots, on street corners and at workplaces. Those detained looked like they could be part of Dolores Mission’s overwhelmingly-Latino parish.

Dolores Mission is in L.A.’s Boyle Heights neighborhood, an unmistakably Mexican American area where vibrant Chicano murals adorn public walls, music from Jalisco often rings out in Mariachi Plaza and 93% of residents are Hispanic or Latino.

Following the raids, some Boyle Heights residents were afraid to leave their homes. Many worried that they too might get swept up by one of the armed government agents roaming their neighborhoods, grabbing people off the streets and forcing them into unmarked vehicles.

That fear was compounded when it became clear that immigrants were being transported to far-off detention centers that have racked up human rights complaints — including places such as the so-called Alligator Alcatraz in the Florida Everglades and the much-criticized prison camp at Guantánamo Bay, Cuba.

The impression of being under siege in Boyle Heights speaks to a larger disconnect in heavily Latino and predominately Catholic communities across the country.

Despite winning 55% of Catholic voters in the 2024 presidential election, Trump’s approach to immigration enforcement has disproportionately affected many Catholic communities and organizations around the country. It has also resulted in sudden drops in church attendance, according to Catholic officials in various parishes.

That may be because even though Catholics represent fewer than 20% of U.S. adults, they make up 61% of the population at risk of deportation, according to a March report by the Center for the Study of Global Christianity at Gordon-Conwell Theological Seminary, the National Association of Evangelicals, the United States Conference of Catholic Bishops and World Relief. In 2022, about 43% of U.S. Hispanic adults considered themselves Catholic, according to Pew Research Center.

Rev. Brendan Busse stands outside his church after leading a Spanish-language Mass.

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In the months after the raids began, multiple Dolores Mission congregants told Capital & Main that their friends or family members were detained by DHS and later deported.

Among them were two nephews of Dolores Mission’s pastoral assistant; they didn’t return home from their work as gardeners one day, Busse said.

By the time church members tracked them down days later, they were at separate ICE detention centers in California, and were later deported to their home country of Guatemala, according to the pastoral assistant who asked to remain anonymous out of fear of being targeted by authorities. DHS did not respond to Capital & Main’s questions regarding both nephews’ detainment and deportation.

“Everybody here, no matter who they are, has felt the impact of fear and anxiety that has kept people from feeling safe in the streets,” Busse said.

In response to questions from Capital & Main about the impact of immigration enforcement on Catholic communities across the country, Tricia McLaughlin, the DHS assistant secretary for public affairs, said that “lawbreakers should unquestionably be living in a climate of fear and anxiety that they will be caught and sent home,” meaning the countries in which they were born.

Mass deportations

A news release on the DHS website claimed that as of Oct. 27, the agency had carried out more than 527,000 deportations during Trump’s second term.

According to the Council on Foreign Relations, the vast majority of deportation flights during the first several months of 2025 were to countries whose populations are predominantly Catholic, such as Mexico, Honduras, Guatemala and El Salvador.

The sometimes violent tactics used to detain and later deport immigrants have convinced some to abandon the United States. That includes Juan González, a longtime Catholic resident of Southern California who attended St. Andrew Church in Pasadena and earlier this year chose to move back to his home country of Mexico after three decades.

As for church attendance, Boyle Height’s Dolores Mission is far from the only heavily Latino parish to see faltering numbers as a result of immigration enforcement.

Parishioners walk past a shrine depicting the Virgin of Guadalupe in Dolores Mission Church.

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In Chicago, the Rev. Carmelo Mendez, pastor of St. Oscar Romero Parish on the city’s South Side, told NPR in November that attendance at Mass had fallen by 40% since enhanced immigration enforcement operations began in the city in September.

In Washington, the Rev. Emilio Biosca Agüero, pastor at Shrine of the Sacred Heart, estimated that one out of five parishioners had stopped going to Mass after federal agents were deployed on the city’s streets, the Religion News Service reported in August.

At St. Thomas Mission in Brownsville in Texas’s Rio Grande Valley, the Rev. Joel Flores told the New York Times that he too has seen a significant drop in the size of his flock in recent months.

The climate in California’s Southland is such that Bishop Alberto Rojas excused parishioners in the Diocese of San Bernardino from Mass if they feared immigration enforcement.

McLaughlin, who has spoken about her own Catholic faith, said that “ICE does not raid churches” but added that the Trump administration will “not tie the hands” of federal agents, clarifying that “there may be a situation where an arrest is made” inside of a church.

In Southern California, Christmas parades and other events have been canceled for fear of ICE raids targeting Latinos. Dolores Mission Church alone canceled numerous gatherings — including an annual community volunteer picnic, a women’s conference and a series of public religious services called “Misas del Barrio” (Neighborhood Masses) — to protect the community.

Parishioner Alejandra Benavides summed up the situation as she sees it: “Immigration enforcement is kicking our ass and breaking our hearts.”

Cafeteria Catholics

Trump has claimed to “stand for everything … that the church stands for,” and has selected Catholics to some of the nation’s most powerful positions: Vice President JD Vance, Secretary of State Marco Rubio, CIA Director John Ratcliffe, press secretary Karoline Leavitt, border czar Tom Homan and Health and Human Services Director Robert F. Kennedy Jr.

In January, Vance, who converted to Catholicism in 2019, defended the Trump administration’s deportation policy by invoking a Catholic theological concept called “ordo amoris” (Latin for order of love), asserting that people should love their families before loving strangers. The claim was quickly rebuked by Pope Francis, who wrote that true ordo amoris is discovered by meditating on love “open to all, without exception.”

In February, soon-to-be Pope Leo also publicly challenged Vance’s interpretation, sharing an article titled “JD Vance is wrong: Jesus doesn’t ask us to rank our love for others” on his X account.

A recent survey conducted by the right-wing Catholic media organization EWTN News and conservative pollster RealClear Opinion Research found that 54% of Catholic voters surveyed supported “the detention and deportation of unauthorized immigrants on a broad scale.”

In contrast, many Catholic leaders now say that some of the administration’s policies — such as the targeting of immigrants and the defunding of humanitarian programs — run directly counter to deeply held Catholic teachings.

“What they confused for Christianity is a white nationalist vision of racial purity and national purity that should be called out by anybody of faith as a real heresy,” Dolores Mission’s Busse said.

Good works

Catholic organizations that have long mobilized to support vulnerable communities, including immigrants, have in some cases ramped up such efforts in response to Trump’s policies.

The U.S. Conference of Catholic Bishops, hardly known for liberal beliefs when it comes to issues like abortion and same-sex marriage, seemingly stayed the course when the the nation’s bishops elected conservative Archbishop Paul S. Coakley as their new president in November.

But nearly all of those same bishops — 96% of those who voted in a fall assembly — took aim at the Trump administration’s immigration policies in a Special Message, the first such message it has agreed upon in more than a decade. In it, the bishops called for an end to Trump’s “indiscriminate mass deportation” and “dehumanizing rhetoric and violence.”

“To our immigrant brothers and sisters, we stand with you in your suffering, since, when one member suffers, all suffer (cf. 1 Corinthians 12:26),” the statement said. “You are not alone!”

The conference also praised and encouraged many activist Catholics to continue their work on behalf of immigrants.

The Archdiocese of Los Angeles, the largest in the country, is also trying to adapt.

Isaac Cuevas, the archdiocese’s director of immigration and public affairs, said parishioners who normally run food pantries are now combating hunger by delivering food to the homes of immigrants who are too afraid to go out in public.

The archdiocese has also provided court accompaniment training to about 180 priests, deacons and religious sisters. The hope, Cuevas said, is that by accompanying immigrants to court hearings, judges, bailiffs and clerks “all understand that that moral presence is there,” and that legal officials will be “as graceful as they can when dealing with these cases.”

Despite such actions, some Catholics feel the church has not taken a courageous enough humanitarian stand to protect immigrants.

Silvia Muñoz, who runs the department of social action at the Pedro Arrupe Jesuit Institute in Miami, is trying to pick up the slack.

Silvia Munoz sits at her home in Doral, Florida

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“I’m in contact with other Catholic women who are as passionate about the rights of immigrants as myself, to try to do something in South Florida to wake up a silent church,” Muñoz said.

Every Wednesday, Muñoz, who arrived in the United States as a Cuban refugee in 1961, joins other activists outside the ICE detention center in Miramar, Florida, to accompany immigrant families as they wait to learn the fates of their loved ones.

Muñoz has also attended interfaith vigils in front of Alligator Alcatraz — where Amnesty International has accused guards of subjecting detainees to cruel treatment “which may amount to torture,” such as confining shackled prisoners to an outdoor cage smaller than a standard dryer for hours — calling for operations at the site to be halted.

DHS did not respond to Capital & Main’s request for comment on alleged abuse at Alligator Alcatraz.

Despite being 79, Muñoz said, “I cannot sit at home and do nothing. I believe this is a calling from God that I, even at my age, need to do.”

On Nov.13 — the feast day for St. Francis Xavier Cabrini, the patron saint of immigrants — Muñoz helped organize a procession and prayer service in front of the immigration courthouse in downtown Miami.

That event was part of a national day of action spearheaded by the Ignatian Solidarity Network, a nonprofit Catholic organization dedicated to social justice advocacy.

Christopher Kerr, executive director of the network, told Capital & Main that the purpose of his organization’s public advocacy events is to “demonstrate that the church stands with immigrant people and that our faith, to be Catholic, is to uphold the dignity and humanity of immigrant people.”

Kerr said the gatherings are increasingly important now that the Trump administration has drastically cut funds that many Catholic organizations and institutions relied on to facilitate humanitarian services such as refugee resettlement.

On the first day of his second term, Trump suspended the U.S. Refugee Admissions Program — which just last year awarded the U.S. Conference of Catholic Bishops and its affiliates more than $62 million — and froze its funding. The move forced hundreds of layoffs of church employees and halted humanitarian services such as housing assistance and migrant child foster care for thousands of refugees across the country.

Trump later allowed his then-special adviser Elon Musk’s Department of Government Efficiency to dismantle the U.S. Agency for International Development. That action decimated Catholic Relief Services, which was the largest recipient of USAID funds, receiving about half of its $1.5 billion annual budget from the agency.

“The Trump administration has … reduced the funding so drastically that none of the organizations that were settling refugees are really able to sustain their operations,” Kerr said.

People in the pews

At Dolores Mission Church, Busse said the pews have been fuller recently.

December — with Advent, the Feast of Our Lady of Guadalupe and Christmas — is usually the busiest time of the year. But he said he sees increased attendance as more than just a sign of a loyal flock.

Busse leads a well-attended Mass during Advent — the period leading up to Christmas.

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To Busse, a well-attended church is its own defense against the immigration enforcement activities that he said many local Catholics are enduring like “a terror campaign.”

“When people are together, there’s less fear,” Busse said. “When a community actually shows up, the [ICE activity] falls apart” — not just because it becomes harder to carry out on a logistical level, but also because the community’s solidarity shows that the enforcement actions are clearly against the will of the people.

For Busse, protecting immigrants is one of the most foundational manifestations of his faith.

“It’s not an exaggeration to say that Catholics fundamentally believe that God’s self is kind of an immigrant, that the act of hospitality, of welcoming others in our homes and in our hearts is the central precept of Christianity and the Catholic faith,” Busse said. “It’s not just a nice thing to care for immigrants, it’s really the most sacred thing we can do.”

Copyright 2025 Capital & Main.

All photos by Jeremy Lindenfeld.

The Academy of Motion Picture Arts and Sciences has announced several significant rule changes for the 99th Oscars, including AI protections for actors and writers as well as expanded eligibility for international films.

In a statement to NPR, the Academy on Saturday said the changes are in response to listening to the global filmmaking community and addressing barriers to entry in its eligibility process.

The Academy added that its rules and eligibility standards have always evolved alongside technologies such as sound, color, and CGI, and that AI is no different. Awards rules and guidelines are reviewed and refined each year.

A blow for Tilly Norwood 

Among the most noteworthy changes, the Academy now explicitly states that only roles, "demonstrably performed by humans with their consent" are eligible for Acting awards. In other words, AI creations like the much-hyped Tilly Norwood cannot hope to win a Best Actress Oscar anytime soon.

Particle6, the production company behind Norwood, did not immediately respond to NPR's request for comment on Saturday about its creations' ban from consideration. In March, Norwood commented, "Can't wait to go to the Oscars!" in an Instagram post announcing its newly released music video.

The Academy also requires screenplays to be "human-authored" and said it reserved the right to investigate the use of generative AI in any submission.

Meanwhile, qualifying flesh-and-blood human actors can now be nominated for multiple performances in the same category if those performances get enough votes to land in the top five. So, someone like Anne Hathaway, who has five major movies scheduled for release in 2026, could now theoretically sweep the nominations – though that outcome seems extremely unlikely.

"If an actor has an extremely prolific year, might we even see someone swallow up three of the five nominations?," wrote Deadline's awards columnist and chief film critic Pete Hammond about the changes. "Probably won't happen, but it's now possible."

Under previous rules, an actor could only receive one nomination per category. If they had two high-ranking performances in Best Actor, for example, only the one with the most votes would move forward.

International films prioritizes filmmakers over countries

While international films can still be the official selection of their countries, now they can qualify by winning the top prize at a major international festival such as the Palme d'Or at Cannes, the Golden Lion at Venice, or the World Cinema Grand Jury Prize at Sundance.

Historically, countries "owned" the nomination, and only one film per country was allowed. The new rules allow multiple films from the same country to compete if they are critically acclaimed, and it shifts the honor from a geopolitical entity to the filmmakers themselves.

Largely positive response

The changes have prompted a largely positive reaction from the film community on social media, such as on the popular The Shade Room entertainment and celebrity-focused Instagram feed, where commenters widely praised the "human-only" move to protect creative jobs.

The Academy's Awards Committee oversees the rules in tandem with branch executive committees, the International Feature Film Executive Committee and the Scientific and Technical Awards Executive Committee.

The rules are scheduled to go into effect next year, covering films released in 2026.

Copyright 2026 NPR

Los Angeles changes fast, and oftentimes that means some of the architectural relics of our shared past get swept up and paved over in all the "progress." (RIP Garden of Allah.)

But there are still places where you can find ruins that tell a tale, like a long-forgotten speakeasy reputedly for old Hollywood near La Crescenta.

The ruins are still there 

On a recent afternoon, author and local historian Mike Lawler led me just beyond the boundary of Crescenta Valley Park. Joggers like me might have seen an old, towering stone arch shrouded by bushes there — and wondered what lies beyond.

Turns out there was once a place called the Verdugo Lodge back there and Lawler has spent years excavating its history.

A car speeds away from the lodge onto New York Avenue. The stone archway that still stands can be seen in the background.

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“It was a very high-end speakeasy for a time,” Lawler, who also helps run the Historical Society of the Crescenta Valley, said. “An amazing thing. And all the ruins are still here, just like this arch.”

Lawler said we don’t know exactly when the lodge was built, but we do have some of the picture starting in the late 1920s. The place was set up kind of like a timeshare where people bought 10 x 10 foot ‘tent lots’ that gave them access to on-site amenities. There was a golf course, stables, trout stream, a swimming pool — and a lodge with gambling and alcohol.

“The Crescenta Valley in the teens and '20s was a hotbed of moonshine, prostitution, all that stuff," Lawler said. "It was a quiet little community. But in all these canyons up here, stuff was going on. Illegal stuff!”

We don’t have a full guest list, but Lawler said it’s likely at least a few Hollywood types had gone up to the lodge to circumvent Prohibition era laws.

In some ways, it was kind of like the original glamping. Lawler said patrons probably weren’t doing much sleeping, though.

“They might have been unconscious!” he said with a chuckle.

Lawler led me to a road that swooped around a meadow. We passed by a massive swimming pool nestled into the hillside.

Once known as the “Crystal Pool,” it’s now empty and fenced off, with pitch black locker rooms below.

The exterior of the locker rooms for the old Crystal Pool.

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We continued our journey up the hill and eventually arrived at a cascading stone stairway.

And at the top, the big show: overgrown with orange monkey flowers and goliath agaves lies the foundation of the old Verdugo Lodge, with lofty stone fireplaces the only guardians keeping the surrounding oak trees at bay.

Lawler takes out a floorplan that one of the former owners drew up for him.

“This is what it was laid out like on the inside. So a dancehall, and band stand on that side... And then upstairs was the gambling,” Lawler said.

Lawler had in hand a copy of a Los Angeles Times article from 1933 he found. The headline reads: “Revelers Flee in Lodge Raid.”

“The police that raided it were here at 3 o'clock in the morning. And there were still 500 people here. And they said it was the classiest joint they had ever raided... Anyway, people were diving out of windows and everything,” Lawler explained.

In a ruin like this, covered with moss and overgrowth, the imagination can run wild, too.

The archway that still stands outside of what's now known as Mountain Oaks.

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Lawler pointed out a questionable door jam below the old dancefloor that’s been cemented over.

“That is a door. So what is behind there? So there’s a room in there that got walled in for some reason,” he said.

What we do know is that, sometime after the raid, the tawdry Verdugo Lodge and the surrounding land were purchased and then renamed Mountain Oaks by the Kadletzes — an entrepreneurial family who had run everything from a Turkish bath to a mini golf course. Over the next few decades, the family would rent the place out to local groups for recreational retreats.

The future of Mountain Oaks 

After they sold it in the ‘60s, Lawler said Mountain Oaks faced a “nightmare” of development threats. Over the years, some of the subdivided "tent lots" had been combined and sold off, Lawler said. A dozen private homes now stand on these pieces of land, next to the ruins of the Verdugo Lodge.

A map showing the Mountain Oaks public property acquired by The Mountains Recreation and Conservation Authority (MRCA).

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Last year, with help from the City of Glendale, a U.S. Department of Housing and Urban Development grant among other funding sources, the Mountains Recreation and Conservation Authority (MRCA) put up $6.1 million to acquire 33-acres of the land — not including the private lots where the homes stand — so the public can continue to roam the meadow and ruins.

Paul Edelman, MRCA's director of natural resources and planning, said his group will continue to manage the land, doing things like brush clearance, trash pickup and sign maintenance. And he said there are no current plans to remove the ruins or make any major changes to the property.

“If somebody comes up with a grand idea where they can find some funding for us to do something to enhance it, we’re always open to it,” Edelman said.

The purchase was good news for local preservationist Joanna Linkchorst.

“I grew up directly up the hill. But I always saw the sign that said ‘private property’ and didn’t really think about it until several years ago when I finally asked Mike. And he said, ‘Oh yeah, we got a resort speakeasy down the street,’” Linkchorst said standing among the oaks and overgrowth.

Linkchorst, who founded the group Friends of Rockhaven to preserve another nearby historic site, said it’s been amazing to see all of the decaying structures that were still hiding out at Mountain Oaks.

“There’s almost like these little ghosts in your head as you imagine what it was like when there was a beautiful wood floor and there was a second floor that people came jumping out of,” Linkchorst said.

Now, let’s check in to the Overlook Hotel.

That’s the fictional place Stanley Kubrick brought to life in his 1980 film The Shining, loosely based on Stephen King’s novel of the same name.

A local architect who hails from South Pasadena meticulously crafted a 3D model of the iconic space so Shining fans everywhere never have to check out.

‘I just couldn’t stop’ 

At his day job, architect Anthony Chieh mainly works on residential and boutique commercial spaces. But over the course of five months, he spent his nights meticulously recreating a virtual replica of the Overlook Hotel from the film that first scared him when he was 12.

Of course he started with the deeply haunted Room 237. That’s where Jack Torrance, played by Jack Nicholson, has a terrifying encounter with a ghostly woman.

Chieh's 3D rendering of Room 237

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“But once I started, I just couldn’t stop,” Chieh told LAist.

“I ended up modeling the Colorado Lounge, and then after that I was thinking maybe I should make the lobby and then arriving to the Gold Room, and then Grady’s bathroom.”

“It’s like a rabbit hole,” he said.

Users who download Chieh’s free 3D model can fly through all of those spaces, immersed in atmospheric sounds and music from the film.

“It’s interesting to dive into these kind of fictional environments and try to make sense of it,” Chieh said. “And the hope is people will get a different perspective once they’re in there.”

Kubrick’s take on the Overlook was famously inspired by real hotels like the Timberline Lodge in Oregon and the Ahwahnee in Yosemite. But the interiors you see in the film were created on sound stages in England.

“Real architecture, physical buildings, are built for people to live. And for movies, these are more meant to express the emotional aspect of things. It’s a psychological construct,” Chieh said.

In a recently published video essay on YouTube, Chieh dives deep into those psychological constructs and how, as he puts it, “Kubrick designed the Overlook Hotel not as a backdrop, but as the film's true villain.”

How spaces scare 

Chieh said during the monthslong process he was reminded of the power of architecture and design in the real world too – whether it’s an uncomfortably repetitive carpet design or a claustrophobic hallway.

“A physical construct can affect your emotion,” Chieh said.

“You can use it in a way to make people feel comfortable and you can also use it in a way to create fear.”

Chieh's 3D rendering of the Torrance's apartment in 'The Shining'

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What’s next for this architect moonlighting as a 3D modeler?

Chieh says he’s thinking about giving the spaceship from “2001: A Space Odyssey" the virtual treatment next. Or maybe turning to a local non-fictional space, like the Stahl House.

That is, of course, if he can ever escape the Overlook.