The Brief

Thousands of marchers took to downtown L.A. streets Saturday to rally against the Trump administration's immigration actions.

The crowd was festive — and creative.

Axl Juarez dressed as Spider-Man, saying it symbolized him rising above his position as an ordinary civilian. "Someone that stands up for rights, values that America stands for," he said. "And I think that America stands for, you know, being able to just be who you are, and safe."

Alex Favacho, of Camarillo, came out to engineer a set by local rock band Ozomatli. The goal, he said: "to have the band just keep the crowd going."

Many in that crowd carried homemade signs in their hands, on sticks and even in unfurled banners.

Helen Taylor, who moved to L.A. from New Jersey 10 years ago, said she was immediately struck by the variety of signs.

"You can tell a lot of people here have taken a lot of like time and care to not only just develop the sayings on the poster," she said, "but to like genuinely make them look beautiful, like they're gorgeous."

Here are some the signs that caught the eye of LAist:

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Before they ever picked up a paintbrush, youth artists behind a new mural in MacArthur Park started by listening.

“We interviewed people in MacArthur Park about their experiences living in the community,” said Tania Castro, a recent high school graduate and one of 20 young artists who worked on the project. “Some stories were a little bit sad because they said they lost their jobs and they need more opportunities.”

Those conversations shaped “Roots of Our Labor,” a new mural unveiled this week by LA Commons across the street from MacArthur Park. The project, led by artists Luis Mateo and Shakir Manners, draws from stories collected in a yearlong process from more than 75 residents in and around MacArthur Park.

Castro says those stories were about more than struggle.

“They also said they loved the community. In the park, you can see a lot of vendors selling things like fruit and ice cream,” she said. “And the kids love it.”

Youth artists and members of LA Commons pose for a photo in front of the "Roots of our labor" mural during its unveiling event on Thursday, April 23, in MacArthur Park.

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The mural shows a tree bearing avocados and oranges, with a trunk made of intertwined hands and a farmer harvesting the fruit. On one side, a tamale vendor is depicted selling food, and on the other, an ice cream vendor pushes a cart as children gather around him. In the background, scenes from MacArthur Park play out. 

In a neighborhood where ongoing immigration raids have fueled fear and instability, and where MacArthur Park is often defined by visible homelessness and crime, organizers said the mural is intended to highlight the diverse communities who live there and to frame the park as a shared space of connection, culture and daily life.

“I enjoyed making it because it really teaches us about the importance of community and being more inclusive and kind to each other,” said high school artist Leslie Gonzalez. “Most of the people we talked to told us about their backgrounds and they weren’t that pleasant but they still pushed through and got together for each other.”

Painted in March at the Central American Resource Center (CARECEN), the mural is installed on the southeastern side of the UCLA James Lawson Jr. Worker Justice Center.

“Immigrants are critical to the community, especially here in MacArthur Park,” said Beth Peterson, community arts program director at LA Commons. “And I think the mural does a beautiful job of really sharing that story. It really shows how the hands of immigrants have really hung together to form this very beautiful community that we live in today.” 

Detail of "Roots of Our Labor" mural at UCLA James Lawson Jr. Worker Justice Center. The mural celebrates workers in the Westlake community.

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For the lead artists, working alongside youth was central to how the art took shape.

“This artwork honors both the neighborhood and the people who shape it,” Mateo said. “Working with youth was essential to the process, allowing the mural to emerge from shared reflection rather than a single perspective.”

The new mural builds on LA Commons’ ongoing work in the area, following another mural unveiled last September at MacArthur Park Elementary School. “Roots of Our Labor” is the organization’s second mural supported by Stop the Hate, a statewide initiative led by the Asian American and Pacific Islander community aimed at addressing hate incidents and promoting cross-cultural understanding.

LA Commons, a nonprofit arts organization that creates community-based public art projects through partnerships and a mix of public and private funding, has been in the MacArthur Park area for more than 20 years. Its first public art project in the neighborhood was in 2003. “Roots of Our Labor” is its 22nd public art project in MacArthur Park.

Detail of "Roots of Our Labor" mural at UCLA James Lawson Jr. Worker Justice Center. The mural celebrates workers in the Westlake community.

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Manners, the artist, described the mural as a reflection of what he sees as the underlying spirit of MacArthur Park.

It represents “the unseen hands that sustain communities, emphasizing that true progress is built collectively through persistence, sacrifice and shared purpose,” he said.

For Gonzalez, the mural is personal as well as something tied closely to her community.

“I feel like a light has shone on me and I’m proud of it because I’ve never done anything this big before,” she said. 

The post New mural celebrates labor, multicultural community around MacArthur Park appeared first on LA Local.

The phone lines at the East L.A. Sheriff’s Station are back up after more than two months of outages caused by copper wire theft.  

The update comes just one week after Boyle Heights Beat reported on the issue, and residents raised concerns at a Maravilla Community Advisory Committee (MCAC) meeting on April 7 about difficulty reaching the station by phone for non-emergencies.

According to the East L.A. Sheriff’s Station, service was restored on Thursday, April 23. By Friday, all dispatchers were back working in the station after temporarily operating out of an off-site communications trailer connected via satellite. 

“This was made possible due to the concerted efforts of the East Los Angeles Sheriff Station Captains Hinchman and Kusayanagi, AT&T, and our Communications & Fleet Management Bureau,” the station said in a statement to the Beat. 

The station also thanked Assemblymember Jessica Caloza’s office and community stakeholders who contacted AT&T to express urgency.

Sheriff’s officials previously said they had called Caloza’s office to help speed up repairs by communicating with AT&T.

What went wrong

According to Sgt. Michael Mileski, the outage was caused by an incident on Feb. 13, where several thousand dollars’ worth of copper wiring was stolen from an electrical vault near the station. Fiber optic cables were damaged in the process, which affected a significant portion of the Eastern Avenue corridor in Boyle Heights and East L.A., disrupting phone lines for 100,000 residents for five days, Mileski said. 

AT&T said in a statement that copper cable outages generally take five times longer to repair on average than fiber outages. 

Copper wire theft has plagued the Eastside in recent years, leaving communities in the dark and disabling public facilities.  

LA Documenter Alex Medina contributed reporting for this story. LA Documenters trains and pays LA residents to take notes at local government meetings around Los Angeles. You can find meeting notes and audio at losangeles.documenters.org

The story Phone lines restored at East LA Sheriff’s Station after 2-month outage due to copper wire theft appeared first on LA Local.

Californians this fall will decide whether to require voters to show proof of citizenship before casting ballots.

A GOP-backed voter ID ballot initiative on Friday qualified for the Nov. 3 ballot, marking a significant win for San Diego Assemblymember Carl DeMaio, who led the signature-gathering campaign. DeMaio and other Republican operatives have pushed for tighter voter restrictions in deep-blue California for years.

If voters approve it, they would be required to show a government-issued ID each time they go to the polls, while mail-in ballots would need the last-four digits of an ID, such as a driver’s license. The secretary of state and county election offices would also be required to verify voters’ registration each time they vote.

Currently, voters only need to provide an ID and Social Security number when they register to vote. Thirty-six states require or recommend voters show some form of identification at the polls, according to a 2025 report by the National Conference of State Legislatures.

“This is an initiative that’s incredibly popular amongst Democrats and Republicans,” GOP state Sen. Tony Strickland of Huntington Beach told CalMatters. “I think the only way we don’t get this passed is if we get [outspent]. So we’re working very hard with an on-the-ground campaign apparatus.”

Strickland and others who have helped lead the campaign attribute the initiative’s rapid certification to Julie Luckey, mother of tech billionaire Palmer Luckey who helped seed the majority of the $10 million the campaign committee has raised in the past year.

Voting rights groups say the initiative will suppress turnout among eligible voters who don’t have the documents on hand, many of whom are disproportionately poor and people of color.

Opponents, including the state’s most powerful labor unions, plan to campaign heavily against it.

Voter fraud is rare in California. However, claims of fraud and concerns about election integrity have risen since President Donald Trump touted false claims that the 2020 election was stolen.

Californians broadly support voter identification at the polls but are split along ideological lines when given specific details about the ballot measure, according to a 2026 poll from the UC Berkeley Institute of Government Studies. When told the measure is meant to combat voter fraud and that it could suppress eligible votes, support dipped to 37%.

A hundred million years ago during the late Cretaceous period, the oceans were filled with giant predators, prowling for their next meal. There was the mosasaur — a giant toothy marine reptile (and a surprise hero in Jurassic World). There were large sharks.

And now, in the journal Science, researchers present evidence for ancient colossal octopuses — what they believe are the largest invertebrates ever described. Using innovative fossil reconstruction techniques, the researchers revealed remnants of two extinct species locked inside large rocks. They appear to have been up to 60 feet long — longer than a school bus — rivaling other apex predators of the time, and calling to mind the Kraken of legend.

"I wasn't expecting any octopus of this magnitude at all," says Fernando Ángel Fernández-Álvarez, a zoologist at the Spanish Institute of Oceanography who wasn't involved in the study. "And we now have the proof that they were living in the past."

The findings also reveal that these squishy leviathans likely feasted on crunchy prey items (think shrimp and lobster) and favored one side of their jaw over the other.

"I already thought octopuses were extraordinary animals," says Yasuhiro Iba, a paleontologist at Hokkaido University and lead author on the new publication. "But this study made me feel even more strongly that their uniqueness has deep evolutionary roots."

Jaws encased in ancient rocks

The findings are all the more remarkable because octopuses don't tend to preserve well.

Fossils usually form from bones and other hard materials. So a creature like an octopus — which is made up of almost entirely soft tissue — has been harder to come by in the fossil record.

"There are very few, very rare records about the octopus and their evolution," says Jörg Mutterlose, a paleontologist at Ruhr University Bochum in Germany and one of the researchers. This has limited our understanding of the development of these creatures and their habitats across time.

But more than a decade ago, Iba approached Mutterlose with an idea. He wanted to examine the fossilized contents of big rocks called concretions that had formed on the seafloor some 100 million years ago in what's now northern Japan.

"We thought there was a real possibility that octopus remains might also be hidden inside them," says Iba, "even if nothing was visible from the outside."

So he approached Mutterlose and they worked together, using a new technique that they call digital fossil-mining. They cut the concretions into thin slices, took pictures of any preserved fossils, and then created 3D reconstructions, a process facilitated by an AI model.

And there, locked inside, were octopus jaws, "which is very similar to the beak of a bird," says Mutterlose. They consist of a lower jaw, "which is like a shovel" and an upper jaw. Octopus jaws are hard, so they can fossilize.

And the animals use them like we do — to chomp down on food. The jaws aren't big enough to swallow a large animal, says Mutterlose, so the ancient octopuses would have used their long, strong arms to catch prey and "tear it apart into pieces."

A majestic view

The lower jaws were the biggest ones ever found for an octopus, and they offered a window into the lives of these animals. Considering work done in other species, Mutterlose says, "archaeologists reconstruct quite a lot about evolutionary history simply based on the size and form of teeth."

To that end, he and his colleagues used the jaws to estimate the body size of the octopuses. And that's when their calculations revealed that these animals were probably gargantuan — well larger than the giant Pacific octopus, today's biggest member of the family whose arm span often exceeds 13 feet.

Closer inspection of the specimens revealed numerous chips and scratches. "Obviously, something happened to the jaws," observes Mutterlose.

That something was likely the consumption of prey with hard exoskeletons, including shrimp, bivalves, lobsters and nautilus-like animals that would have worn away the jaw as they were crushed and eaten, leaving the marks behind.

These were active carnivores — and the researchers say they may have even hunted other large predators, but this remains speculative.

In addition, the right side of the jaws tended to be more worn down than the left side. "Single-sided usage might indicate that the brain was already fairly well developed," suggests Mutterlose. This means that these early octopuses may have already been displaying the advanced intelligence that they are known for today.

"Modern octopuses are intelligent, flexible and very unusual predators," says Iba. "Our results suggest that some of those remarkable traits may already have been emerging in early octopuses during the Cretaceous."

One can discern quite a lot from a few key specimens, says Mutterlose. "Just [a] few fossil findings may shed very new light on the evolution of the biosphere," he says.

Fernández-Álvarez says the results paint a vivid picture of the ocean ecosystem of the late Cretaceous — one that would have been filled with myriad large and hungry predators.

It must have been, he says, "a very majestic view."