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The Brief

The most important stories for you to know today
  • Many fear tactics are growing more violent

    Topline:

    Videos taken by eye witnesses of federal agent encounters with immigrants in Chicago and elsewhere have shown increasingly tense incidents. Immigrant advocates and observers say they're indicative of a larger trend of aggression among federal immigration officers.

    Why it matters: A majority of Americans do not approve of the Trump administration's immigration enforcement tactics, according to a recent survey from The New York Times and Siena University. Yet in Chicago, immigrant advocate groups say federal immigration officers are escalating those tactics and becoming more violent.

    Incidents on camera: There are countless videos on social media showing similar scenes. One, filmed by a photographer in Hyattsville, Md., shows a man pinned to the ground by two ICE officers. He pleads in Spanish and English for someone to help him. During the incident, one of the officers drops his gun and fumbles for it. Then, he appears to point it at bystanders. Emily Covington, an assistant director in ICE's Office of Public Affairs, told NPR in a statement that drawing a weapon can be used as a de-escalation tactic.

    Read on... for more incidents.

    There are countless videos on social media showing similar scenes. One, filmed by a photographer in Hyattsville, Md., shows a man pinned to the ground by two ICE officers. He pleads in Spanish and English for someone to help him.

    During the incident, one of the officers drops his gun and fumbles for it. Then, he appears to point it at bystanders. Emily Covington, an assistant director in ICE's Office of Public Affairs, told NPR in a statement that drawing a weapon can be used as a de-escalation tactic.

    Another video, from Broadview, Ill., near Chicago, appears to show a man outside an ICE facility getting shot in the head with a pepper ball, a projectile filled with chemical irritants. That man, Pastor David Black, has sued the Trump administration.

    Late last month, a local CBS reporter said a masked ICE agent fired a pepper ball at her car at that same facility, causing her to vomit for hours. The reporter, Asal Rezaei, said there was no protest happening at the time. Broadview Police are now investigating.

    "These are just the tip of the iceberg," says Fred Tsao, senior policy counsel at the Illinois Coalition for Immigrant and Refugee Rights. "People being tackled, people getting pepper sprayed or tear gassed. We've seen people getting threatened. And we've seen at least two incidents involving gunfire."

    A majority of Americans do not approve of the Trump administration's immigration enforcement tactics, according to a recent survey from The New York Times and Siena University. Yet in Chicago, immigrant advocate groups say federal immigration officers are escalating those tactics and becoming more violent.

    "This administration overall seems more interested in heightening the tensions instead of trying to ramp them down," Tsao says.

    In late September, federal officers broke down doors and arrested dozens of people during a massive apartment raid on Chicago's south side.

    Earlier this month, federal officers shot a woman in the city, and a few weeks before, they killed a man in a nearby suburb. In both shootings, officials at the Department of Homeland Security said the victims threatened officers. But in body camera footage from the fatal shooting, the officer who responded says his injuries are "nothing major."

    In the case of the woman, her lawyer says officer body camera footage from the incident contradicts that narrative, too. On Thursday, a grand jury indicted her and another man, alleging that they "impeded, intimidated and interfered" with the duties of a federal officer.

    "What we're seeing is a general escalation of violence and the use of excessive force by ICE officers," says Ed Yohnka, director of communications and public policy at the ACLU of Illinois, which has brought a lawsuit against the Trump administration for violating the constitutional rights of protesters.

    In Covington's statement to NPR, she said ICE officers are "highly trained and act accordingly with law and policy." The statement also cited a sharp increase in assaults against ICE officers, though reporting from Colorado Public Radio suggests those claims are overblown.

    Gil Kerlikowske, the former commissioner of U.S. Customs and Border Protection during the Obama administration, says federal immigration officers are not prepared for what is being asked of them.

    "They do not have the training or skillset or experience to police an urban environment," says Kerlikowske, who was also the police chief in Seattle and police commissioner in Buffalo, N.Y.

    Good policing in cities, he says, relies on de-escalation, trust and public cooperation. The show of force federal agents are using in Chicago and elsewhere is unnecessary, he says.

    "These are tactics and strategies that are clearly not needed to be able to do their job," Kerlikowske says. "I couldn't be more disappointed."

    Courts have weighed in on the amount of force a police officer — whether they're local, state or federal — can legally use, and determined that any use-of-force must be "objectively reasonable."

    "What does it mean to be objectively reasonable? That term by itself doesn't actually mean anything without context," says Seth Stoughton, a law professor at the University of South Carolina who trains police officers.

    DHS, which includes ICE, uses that standard. The agency's most recent use-of-force policy notes that officers should only use force when "no reasonably effective, safe and feasible alternative appears to exist." Among the agency's principles are "de-escalation" and "respect for human life."

    For use of force to be constitutional, there must be a valid threat. But threats can range from someone with a gun, to someone resisting arrest, to many scenarios in between. How police respond to a situation also must be proportional to the danger of the situation.

    "We look at the situation through the lens of the reasonable officer on the scene," adds Stoughton. "It might be perfectly reasonable for an officer to step in front of someone, raise a hand and say, 'Stop. I need to talk to you.' And it would be totally unreasonable for the officer to put a gun in that person's face and say, 'Stop or I'm going to shoot you.'"

    Many uses of force can be legally justified, but Stoughton says just because officers can do something doesn't mean they should.

    "I don't think most people are asking the question, is this action in this particular video consistent or inconsistent with the Fourth Amendment?" Stoughton says, referring to the law that governs searches and seizures, which also protects against excessive force. "I think what they're asking is, is this a socially and democratically legitimate police action? And that's a very different question than whether it's a legal police action."

    Immigrant rights groups in Chicago, including the ACLU of Illinois, say federal agents are violating the law – by using "violent force" against protesters and others.

    Because of that, they say it's important for bystanders to document what they witness, which helps make questions of force a little less open for interpretation.
    Copyright 2025 NPR

  • Union reaches deal with studios for new contract
    A multi-story stone facade building has SAG- AFTRA on its side with a figure gesturing to the sky
    Exterior of the SAG-AFTRA Labor union building on Wilshire boulevard in Los Angeles, CA.

    Topline:

    SAG-AFTRA, the union representing Hollywood actors, reached a tentative agreement with major studios yesterday Saturday on a new contract covering films, scripted TV dramas, and streaming content.

    Why it matters: The tentative agreement still needs to be approved by the SAG-AFTRA National Board, which the union says will meet in the coming days to review the terms. Details of the new contract won’t be released before then.

    The backstory: The actors'union began negotiating with Alliance of Motion Picture and Television Producers (AMPTP) in February. In 2023, actors went on a four-month strike along with Hollywood writers after negotiations for their respective contracts fell through. In late April, the Writers Guild of America approved their new labor contract.

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  • AI protections and more

    Topline:

    The Academy of Motion Picture Arts and Sciences has announced several significant rule changes for the 99th Oscars, including AI protections for actors and writers as well as expanded eligibility for international films.

    Details: Among the most noteworthy changes, the Academy now explicitly states that only roles, "demonstrably performed by humans with their consent" are eligible for Acting awards. In other words, AI creations like the much-hyped Tilly Norwood cannot hope to win a Best Actress Oscar anytime soon.

    Why now: In a statement to NPR, the Academy on Saturday said the changes are in response to listening to the global filmmaking community and addressing barriers to entry in its eligibility process.

    The Academy of Motion Picture Arts and Sciences has announced several significant rule changes for the 99th Oscars, including AI protections for actors and writers as well as expanded eligibility for international films.

    In a statement to NPR, the Academy on Saturday said the changes are in response to listening to the global filmmaking community and addressing barriers to entry in its eligibility process.

    The Academy added that its rules and eligibility standards have always evolved alongside technologies such as sound, color, and CGI, and that AI is no different. Awards rules and guidelines are reviewed and refined each year.

    A blow for Tilly Norwood 

    Among the most noteworthy changes, the Academy now explicitly states that only roles, "demonstrably performed by humans with their consent" are eligible for Acting awards. In other words, AI creations like the much-hyped Tilly Norwood cannot hope to win a Best Actress Oscar anytime soon.

    Particle6, the production company behind Norwood, did not immediately respond to NPR's request for comment on Saturday about its creations' ban from consideration. In March, Norwood commented, "Can't wait to go to the Oscars!" in an Instagram post announcing its newly released music video.

    The Academy also requires screenplays to be "human-authored" and said it reserved the right to investigate the use of generative AI in any submission.

    Meanwhile, qualifying flesh-and-blood human actors can now be nominated for multiple performances in the same category if those performances get enough votes to land in the top five. So, someone like Anne Hathaway, who has five major movies scheduled for release in 2026, could now theoretically sweep the nominations – though that outcome seems extremely unlikely.

    "If an actor has an extremely prolific year, might we even see someone swallow up three of the five nominations?," wrote Deadline's awards columnist and chief film critic Pete Hammond about the changes. "Probably won't happen, but it's now possible."

    Under previous rules, an actor could only receive one nomination per category. If they had two high-ranking performances in Best Actor, for example, only the one with the most votes would move forward.

    International films prioritizes filmmakers over countries

    While international films can still be the official selection of their countries, now they can qualify by winning the top prize at a major international festival such as the Palme d'Or at Cannes, the Golden Lion at Venice, or the World Cinema Grand Jury Prize at Sundance.

    Historically, countries "owned" the nomination, and only one film per country was allowed. The new rules allow multiple films from the same country to compete if they are critically acclaimed, and it shifts the honor from a geopolitical entity to the filmmakers themselves.

    Largely positive response

    The changes have prompted a largely positive reaction from the film community on social media, such as on the popular The Shade Room entertainment and celebrity-focused Instagram feed, where commenters widely praised the "human-only" move to protect creative jobs.

    The Academy's Awards Committee oversees the rules in tandem with branch executive committees, the International Feature Film Executive Committee and the Scientific and Technical Awards Executive Committee.

    The rules are scheduled to go into effect next year, covering films released in 2026.

    Copyright 2026 NPR

  • Ruins of a forgotten speakeasy in La Cresenta
    A brick and wood structure is seen in black and white. The Verdugo Lodge is at the top of a hill.
    The main structure of the Verdugo Lodge.

    Topline:

    Even in rapidly changing and often paved over L.A., there are still places where you can find ruins that tell a tale. Take the Verdugo Lodge: a long-forgotten speakeasy for old Hollywood near La Crescenta.

    The background: According to Mike Lawler of the Historical Society of the Crescenta Valley, the timeline isn’t perfectly clear, but some of the compound was built in the 1920s. It was set up kind of like a timeshare where people bought 10 x 10 foot "tent lots" that gave them access to on-site amenities. There was a golf course, stables, trout stream, a swimming pool... and a lodge with gambling and alcohol.

    From speakeasy to 'Mountain Oaks': Sometime around the early 1930s, the tawdry Verdugo Lodge and the surrounding land were purchased and then renamed Mountain Oaks by the Kadletzes — an entrepreneurial family who had run everything from a Turkish bath to a mini golf course. Over the next few decades, the family would rent the place out to local groups for recreational retreats.

    The future of Mountain Oaks: Last year, with help from the City of Glendale, a U.S. Department of Housing and Urban Development grant and other funding sources, the Mountains Recreation and Conservation Authority (MRCA) put up $6.1 million to acquire 33-acres of the land — not including the private lots where the homes stand — so the public can continue to roam the meadow and ruins.

    Los Angeles changes fast, and oftentimes that means some of the architectural relics of our shared past get swept up and paved over in all the "progress." (RIP Garden of Allah.)

    But there are still places where you can find ruins that tell a tale, like a long-forgotten speakeasy reputedly for old Hollywood near La Crescenta.

    The ruins are still there 

    On a recent afternoon, author and local historian Mike Lawler led me just beyond the boundary of Crescenta Valley Park. Joggers like me might have seen an old, towering stone arch shrouded by bushes there — and wondered what lies beyond.

    Turns out there was once a place called the Verdugo Lodge back there and Lawler has spent years excavating its history.

    A car speeds away from the lodge onto New York Avenue. The stone archway that still stands can be seen in the background.
    A car speeds away from the lodge onto New York Avenue. The stone archway that still stands can be seen in the background.
    (
    Kadletz Family Archives)
    )

    “It was a very high-end speakeasy for a time,” Lawler, who also helps run the Historical Society of the Crescenta Valley, said. “An amazing thing. And all the ruins are still here, just like this arch.”

    Lawler said we don’t know exactly when the lodge was built, but we do have some of the picture starting in the late 1920s. The place was set up kind of like a timeshare where people bought 10 x 10 foot ‘tent lots’ that gave them access to on-site amenities. There was a golf course, stables, trout stream, a swimming pool — and a lodge with gambling and alcohol.

    “The Crescenta Valley in the teens and '20s was a hotbed of moonshine, prostitution, all that stuff," Lawler said. "It was a quiet little community. But in all these canyons up here, stuff was going on. Illegal stuff!”

    We don’t have a full guest list, but Lawler said it’s likely at least a few Hollywood types had gone up to the lodge to circumvent Prohibition era laws.

    In some ways, it was kind of like the original glamping. Lawler said patrons probably weren’t doing much sleeping, though.

    “They might have been unconscious!” he said with a chuckle.

    Lawler led me to a road that swooped around a meadow. We passed by a massive swimming pool nestled into the hillside.

    Once known as the “Crystal Pool,” it’s now empty and fenced off, with pitch black locker rooms below.

    A large stone structure behind which are locker rooms for an out of use pool.
    The exterior of the locker rooms for the old Crystal Pool.
    (
    Robert Garrova / LAist
    )

    We continued our journey up the hill and eventually arrived at a cascading stone stairway.

    And at the top, the big show: overgrown with orange monkey flowers and goliath agaves lies the foundation of the old Verdugo Lodge, with lofty stone fireplaces the only guardians keeping the surrounding oak trees at bay.

    Lawler takes out a floorplan that one of the former owners drew up for him.

    “This is what it was laid out like on the inside. So a dancehall, and band stand on that side... And then upstairs was the gambling,” Lawler said.

    Lawler had in hand a copy of a Los Angeles Times article from 1933 he found. The headline reads: “Revelers Flee in Lodge Raid.”

    “The police that raided it were here at 3 o'clock in the morning. And there were still 500 people here. And they said it was the classiest joint they had ever raided... Anyway, people were diving out of windows and everything,” Lawler explained.

    In a ruin like this, covered with moss and overgrowth, the imagination can run wild, too.

    A large stone archway is seen shrouded with bushes and shrubs.
    The archway that still stands outside of what's now known as Mountain Oaks.
    (
    Robert Garrova / LAist
    )

    Lawler pointed out a questionable door jam below the old dancefloor that’s been cemented over.

    “That is a door. So what is behind there? So there’s a room in there that got walled in for some reason,” he said.

    What we do know is that, sometime after the raid, the tawdry Verdugo Lodge and the surrounding land were purchased and then renamed Mountain Oaks by the Kadletzes — an entrepreneurial family who had run everything from a Turkish bath to a mini golf course. Over the next few decades, the family would rent the place out to local groups for recreational retreats.

    The future of Mountain Oaks 

    After they sold it in the ‘60s, Lawler said Mountain Oaks faced a “nightmare” of development threats. Over the years, some of the subdivided "tent lots" had been combined and sold off, Lawler said. A dozen private homes now stand on these pieces of land, next to the ruins of the Verdugo Lodge.

    A map with red lines denoting a large area in La Crescenta.
    A map showing the Mountain Oaks public property acquired by The Mountains Recreation and Conservation Authority (MRCA).
    (
    Courtesy MRCA
    )

    Last year, with help from the City of Glendale, a U.S. Department of Housing and Urban Development grant among other funding sources, the Mountains Recreation and Conservation Authority (MRCA) put up $6.1 million to acquire 33-acres of the land — not including the private lots where the homes stand — so the public can continue to roam the meadow and ruins.

    Paul Edelman, MRCA's director of natural resources and planning, said his group will continue to manage the land, doing things like brush clearance, trash pickup and sign maintenance. And he said there are no current plans to remove the ruins or make any major changes to the property.

    “If somebody comes up with a grand idea where they can find some funding for us to do something to enhance it, we’re always open to it,” Edelman said.

    The purchase was good news for local preservationist Joanna Linkchorst.

    “I grew up directly up the hill. But I always saw the sign that said ‘private property’ and didn’t really think about it until several years ago when I finally asked Mike. And he said, ‘Oh yeah, we got a resort speakeasy down the street,’” Linkchorst said standing among the oaks and overgrowth.

    Linkchorst, who founded the group Friends of Rockhaven to preserve another nearby historic site, said it’s been amazing to see all of the decaying structures that were still hiding out at Mountain Oaks.

    “There’s almost like these little ghosts in your head as you imagine what it was like when there was a beautiful wood floor and there was a second floor that people came jumping out of,” Linkchorst said.

  • LA architect builds 3D model of Overlook Hotel
    The interior of a large hotel has a staircase, furniture and several lamps
    A screen capture of one of Chieh's 3D rendering of the Colorado Room inside the fictional Overlook Hotel

    Topline:

    A local architect who hails from South Pasadena has meticulously crafted a 3D model of the iconic and fictional Overlook Hotel made famous in the Stanley Kubrick film, The Shining.

    The background: At his day job, architect Anthony Chieh mainly works on residential and boutique commercial spaces. But over the course of five months, he spent his nights recreating a virtual replica of the Overlook Hotel.

    What’s next? Chieh says he’s thinking about giving the spaceship from “2001: A Space Odyssey" the virtual treatment next. Or maybe turning to a local non-fictional space, like the Stahl House.

    Now, let’s check in to the Overlook Hotel.

    That’s the fictional place Stanley Kubrick brought to life in his 1980 film The Shining, loosely based on Stephen King’s novel of the same name.

    A local architect who hails from South Pasadena meticulously crafted a 3D model of the iconic space so Shining fans everywhere never have to check out.

    ‘I just couldn’t stop’ 

    At his day job, architect Anthony Chieh mainly works on residential and boutique commercial spaces. But over the course of five months, he spent his nights meticulously recreating a virtual replica of the Overlook Hotel from the film that first scared him when he was 12.

    Of course he started with the deeply haunted Room 237. That’s where Jack Torrance, played by Jack Nicholson, has a terrifying encounter with a ghostly woman.

    Room 237 from the film 'The Shining' is furnished in hues of pink and green. A bathtub can be seen in the background.
    Chieh's 3D rendering of Room 237
    (
    Anthony Chieh
    )

    “But once I started, I just couldn’t stop,” Chieh told LAist.

    “I ended up modeling the Colorado Lounge, and then after that I was thinking maybe I should make the lobby and then arriving to the Gold Room, and then Grady’s bathroom.”

    “It’s like a rabbit hole,” he said.

    Experience the virtual Overlook Hotel
    You can download Chieh's digital model of the Overlook Hotel by clicking the link in the comments section of his YouTube essay on the subject.

    Users who download Chieh’s free 3D model can fly through all of those spaces, immersed in atmospheric sounds and music from the film.

    “It’s interesting to dive into these kind of fictional environments and try to make sense of it,” Chieh said. “And the hope is people will get a different perspective once they’re in there.”

    Kubrick’s take on the Overlook was famously inspired by real hotels like the Timberline Lodge in Oregon and the Ahwahnee in Yosemite. But the interiors you see in the film were created on sound stages in England.

    “Real architecture, physical buildings, are built for people to live. And for movies, these are more meant to express the emotional aspect of things. It’s a psychological construct,” Chieh said.

    In a recently published video essay on YouTube, Chieh dives deep into those psychological constructs and how, as he puts it, “Kubrick designed the Overlook Hotel not as a backdrop, but as the film's true villain.”

    How spaces scare 

    Chieh said during the monthslong process he was reminded of the power of architecture and design in the real world too – whether it’s an uncomfortably repetitive carpet design or a claustrophobic hallway.

    “A physical construct can affect your emotion,” Chieh said.

    “You can use it in a way to make people feel comfortable and you can also use it in a way to create fear.”

    A white fridge is seen in the foreground of the Torrance's apartment from 'The Shining'
    Chieh's 3D rendering of the Torrance's apartment in 'The Shining'
    (
    Anthony Chieh
    )

    What’s next for this architect moonlighting as a 3D modeler?

    Chieh says he’s thinking about giving the spaceship from “2001: A Space Odyssey" the virtual treatment next. Or maybe turning to a local non-fictional space, like the Stahl House.

    That is, of course, if he can ever escape the Overlook.