The U.S. Supreme Court today overturned a 91-year-old precedent that has prevented presidents from removing members of independent agencies at will.
Why it matters: The decision represents a significant win for the Trump administration and a major expansion of the president's control over parts of the government once seen as a check on his powers.
More details: In a 6-3 ruling, the court found that President Donald Trump's March 2025 firing of Federal Trade Commissioner Rebecca Kelly Slaughter without cause was lawful.
Read on... for more on the ruling.
The U.S. Supreme Court on Thursday overturned a 91-year-old precedent that has prevented presidents from removing members of independent agencies at will. The decision represents a significant win for the Trump administration and a major expansion of the president's control over parts of the government once seen as a check on his powers.
In a 6-3 ruling, the court found that President Trump's March 2025 firing of Federal Trade Commissioner Rebecca Kelly Slaughter without cause was lawful.
Since its creation of the Federal Trade Commission (FTC) in 1914, Congress has held that commissioners can only be fired for "inefficiency, neglect of duty or malfeasance in office." Slaughter was presented with no such reason for her removal, only told her "continued service on the FTC is inconsistent with [the Trump] Administration's priorities."
Last summer, a lower court found her firing was unlawful, citing a 1935 landmark decision known as Humphrey's Executor, a case prompted by President Franklin D. Roosevelt's attempted firing of an FTC commissioner over ideological disagreements. The court unanimously held that while the president has the power to remove purely executive officers for any reason, that unlimited power does not extend to agencies like the FTC, whose duties, the court found, "are neither political nor executive, but predominantly quasi-judicial and quasi-legislative."
Rebecca Kelly Slaughter was appointed in 2018 to fill a Democratic seat on the Federal Trade Commission. She was fired by the Trump administration in 2024.
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Elizabeth Gillis
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NPR
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Writing for the majority, Chief Justice John Roberts wrote: "Although it is up to the Senate to decide whether to confirm those with whom the President would prefer to work, neither Congress nor the courts may saddle him with those with whom he cannot work. Subordinates who exercise the President's power are subject to removal by him. Then, and only then, can they remain accountable to the President, and the President to the people."
The three liberal justices dissented.
The independence of the Federal Reserve remains intact — for now. The Supreme Court ruled 5-4 that Lisa Cook, a member of the Federal Reserve Board of Governors, can remain in her job until litigation is resolved in the lower courts.
A final blow to a 91-year-old precedent
Thursday's decision marks a final blow to Humphrey's Executor.
"If anything more is left of Humphrey's, the Court overrules it," Robert wrote in the majority opinion.
During Trump's first term, the Supreme Court chipped away at the precedent when it let Trump fire the head of another independent agency, the Consumer Financial Protection Bureau (CFPB).
In that case, the Supreme Court held that the firing was permissible because the CFPB is run by a single director rather than a multimember board. Chief Justice John Roberts described Humphrey's Executor as applying only to multimember agencies "that do not wield substantial executive power."
Now with this latest decision, the conservative majority has found reason to give the president power over multimember agencies, too.
The ruling essentially turns FTC commissioners into at-will employees, who serve at the pleasure of the president. It also effectively ends Congress' requirement that the FTC be bipartisan, so that no one party has too much sway.
Congress dictated that no one political party can hold more than three seats on the five-member commission, recognizing the vast influence the FTC has over the lives of everyday Americans.
The agency's commissioners are antitrust experts, uniquely positioned to keep watch over all kinds of companies — big tech companies, pharmaceutical companies, manufacturers and media companies — ensuring their practices aren't harming regular people.
Now, going forward, there's nothing to stop any president from removing commissioners from the opposing party and leaving the seats vacant, which is what Trump has done.
After his firing of two Democratic FTC commissioners last year, the only remaining commissioners are Republicans.
The independence of a multitude of other agencies also in doubt
Like the FTC, those agencies play important roles in the daily lives of Americans, protecting people from discrimination and abuse on the job and unsafe products, including toys.
Congress created those agencies and many others following the Supreme Court's decision in Humphrey's Executor, assuming that they would operate with some degree of independence from the White House.
In an interview last fall with NPR, Slaughter said it was vital for the Supreme Court to preserve its independence.
"Independence allows the decision-making that is done by these boards and commissions to be on the merits, about the facts, and about protecting the interests of the American people," she said. "That is what Americans deserve from their government."
James M. Burnham, an attorney who has served in both Trump administrations, offered the counter view, arguing that Congress' limits on the president's removal powers have been unconstitutional from the beginning.
"I don't think there is such a thing as an independent agency because everything has to be in one of the three branches of government," he argued. "I don't think they've ever been independent."
Copyright 2026 NPR
Jordan Rynning
has been following this case for months, including interviewing the man at the center of allegations.
Published October 31, 2026 7:00 AM
Michael Angel Alvarez, 41, spoke with LAist on Sept. 16, 2026, about the federal body armor case against him being dismissed.
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Jordan Rynning
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LAist
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Topline:
The L.A. County District Attorney’s office dropped its felony body armor charges against Michael Angel Alvarez earlier this week. Alvarez was sentenced to time served on a lesser charge — a probation violation. He served more than 100 days in jail earlier this year while awaiting trial.
Most serious claims haven’t materialized: Though federal prosecutors made headlines claiming in court documents and on social media that Alvarez was “leading a violent street gang, while claiming to be a gang interventionist for the City,” they have not filed charges related to those claims.
The Los Angeles County District Attorney’s Office dropped its felony body armor charges against Michael Angel Alvarez on Wednesday. Alvarez was sentenced to time served on a lesser charge — a probation violation. He had served more than 100 days in jail earlier this year while awaiting trial.
Why Alvarez’s arrest made headlines: Alvarez was working as a city-contracted peace ambassador in MacArthur Park when he was arrested by federal agents in May. Federal and county prosecutors each brought felony charges against him, claiming he was in possession of body armor as a violent felon.
Bill Essayli, who leads the U.S. Attorney’s office in L.A., pointed to the case on social media to criticize city officials for allowing taxpayer money to be “shelled out to a convicted gang murderer.”
About his criminal record: Judges in federal and state court have now dismissed prosecutors’ felony charges against Alvarez, after U.S. District Judge Anne Hwang found on Sept. 9 that Alvarez did not have a violent felony conviction. Alvarez was 15 when he committed a gang-related murder. He was tried and convicted as an adult in 2002. After a change in state law increased the age at which minors could be sentenced as adults to 16, Alvarez’s case was sent back to juvenile court, and he was released in 2024. At that point, he had served more than 20 years.
A federal judge ruled Tuesday, Oct. 7 that Republican Bill Essayli is not legally serving as the top U.S. prosecutor in Los Angeles.
The ruling is the latest roadblock to the Trump administration’s effort to extend handpicked acting U.S. attorneys beyond the 120-day limit set by federal law. The strategy was designed to bypass confirmation by the U.S. Senate — something that generally requires a degree of bipartisan support.
Essayli “is unlawfully serving as a ‘de facto’ United States Attorney,” U.S. District Judge J. Michael Seabright wrote.
The order won’t take effect until the court rules on the government’s motion for a stay pending appeal. Essayli said he doesn’t agree with the court’s order. He said the president and Attorney General “have every right to select supervisors within the Justice Department.”
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Mariana Dale
explores and explains the forces that shape how and what kids learn from kindergarten to high school.
Published October 31, 2026 5:00 AM
Myrna Velasco (left) performs as Dolores Huerta in “¡Sí Se Puede!” at Boyle Heights City Hall on April 2, 2026.
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Carlin Stiehl
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LAist
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Topline:
An all-ages play about the life of Dolores Huerta and other under-told stories of the farmworker labor movement is back on tour in Los Angeles.
The backstory: Center Theatre Group commissioned ¡Sí Se Puede! from Eliana Pipes in March 2025 and it debuted in L.A. this spring. “There's this perception that farm work was only done by men,” Pipes said. “There were women on the fields, there were women on the picket lines, and there were women in leadership in the United Farm Workers movement.”
An all-ages play about the life of Dolores Huerta and other under-told stories of the farmworker labor movement is back on tour in Los Angeles.
The show's extension had been announced prior to the news that Huerta died Wednesday, Oct. 28., at her Bakersfield home. She was 96 years old.
“There's this perception that farm work was only done by men,” said playwright Eliana Pipes. “There were women on the fields, there were women on the picket lines, and there were women in leadership in the United Farm Workers movement.”
Center Theatre Group commissioned ¡Sí Se Puede! from Pipes in March 2025 and it debuted in L.A. this spring.
CSULA seeks memories from underground music scenes
Adolfo Guzman-Lopez
is an arts and general assignment reporter on LAist's Explore LA team.
Published October 31, 2026 5:00 AM
CSULA is seeking memorabilia from LA's underground music scenes for its research archives.
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Courtesy Special Collections and Archives, University Library, California State University, Los Angeles.
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Topline
There’s a whole world of underground Southern California music history that’s hidden in storage boxes — photos, fliers, cassettes and other memorabilia. Research librarians at the California State University, Los Angeles are holding a community archive event on Nov. 5 to ensure the cultural memory of L.A.’s underground music scenes are preserved for future generations.
Why it matters: The memorabilia are the physical remnants of the supportive L.A. communities built around music and enjoyment. But many of these objects languish out of sight, and run the risk of being lost, along with the memories attached to them.
Why now: For four years, archive staff have held an annual day to receive ephemera from the public. They're doing it again on Thursday, Nov. 5.
Read on… to hear how goth, rockabilly and other underground clubs in L.A. inspired the head archivist.
Right around the year 2000, there was a club night in Hollywood called Clockwork Orange. Fans of The Smiths, Depeche Mode, Bauhaus and other bands came for the DJ’s mix of their favorite songs but also for a vibe that welcomed people regardless of race, ethnicity or sexual and gender identity.
“I was a pretty shy person, and so that was a place where I could sort of be myself and express myself,” said Azalea Camacho, a regular there in those days.
She had just graduated from Workman High School in the City of Industry and was also clubbing at rockabilly music nights in Rosemead and goth club nights in downtown L.A.
Camacho said there was lots of memorabilia from those times, such as photos taken in and outside the clubs, ticket stubs and promotional fliers. They're the physical remnants of those supportive communities built around music and enjoyment, but many of them languish in shoeboxes and storage units, at risk of being lost — along with the memories attached to them.
Cal State LA has hosted Sounds of the Underground Archive for the last four years. It's an opportunity for people to donate their underground music scene memorabilia.
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Courtesy Special Collections and Archives, University Library, California State University, Los Angeles
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“I think the danger is maybe those stories are not being told, or people don't know about the story,” she said.
Keeping stories alive
More than two decades later, Camacho is now in a position to make sure those stories are kept alive. She’s head of special collections and archives at the university library at California State University, Los Angeles.
Four years ago, she and library staff created an annual day for area residents to donate or digitize memorabilia for their Sounds of the Underground Archive. This year it's on Thursday, Nov. 5. They’ll accept physical donations, but they’ll also have a scanner to digitize printed material, so people can keep items that are precious to them.
SOUNDS OF THE UNDERGROUND ARCHIVE
Date: Thursday, Nov. 5 Time: 2 p.m. – 5 p.m. Location: Cal State LA Library Community Room, 5151 State University Drive, Los Angeles
Camacho is hoping this year will bring in a bumper amount of memorabilia. It's taken time to get the word out, she said.
“From the actual community archiving day [we’ve collected] maybe 100 or less than 100 items. … It's not a lot,” she said.
She said they're on the lookout for a wide range of mementos, including:
Fliers
Handbills
Zines
Newsletters
Posters
Set lists
Photographs (prints, negatives or digital files)
Cassette tapes, CDs, or vinyl records
Ticket stubs
Wristbands
Band merchandise (stickers, buttons, patches, T-shirts)
DIY press kits or liner notes and correspondence (letters, emails, messages related to music scenes)
Venue or collective ephemera (membership cards, schedules, announcements and more)
