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The Brief

The most important stories for you to know today
  • The city gave up on funds intended for child care
    A woman wearing a dark purple blouse with a gold crossbody bag pushes her daughter on the swing.
    Santa Ana was awarded $6.7 million by the state in 2023 for child care and development programming.

    Topline:

    The city of Santa Ana let go of a nearly $7 million state grant for child care facilities and after-school programming for the city’s most vulnerable and at-risk youth.

    What we know about the program: The city was awarded the grant in 2023. The funding would have set up seven child-care facilities, serving more than 500 of Santa Ana’s most vulnerable and at-risk youth. The City Council approved the first contract with the state last November, accepting start-up funds for staff, licensing, facility upgrades and more.

    Why did the city quit the program?  Months after dropping the grant, City Manager Alvaro Nuñez told the mayor and City Council that the city was not equipped to handle the programming and pointed to financial woes.

    Transparency concerns: The decision to give up on the grant was made without any public discussion or informing the City Council. Councilmember Jessie Lopez said that’s concerning. If the city manager's office did not feel confident in rolling out the programming, “then they should have communicated that to the full council,” Lopez told LAist.

    Read on … for more on the impact these dollars could have made for Santa Ana’s youth.

    The city of Santa Ana gave up a $7 million grant from the state of California that would have created after-school programming and child care facilities — all outside the public eye and without consulting or informing the City Council. The move now is raising questions on why the city gave up on the much-needed funding for its youth.

    Santa Ana Parks and Rec commissioner Roberto Herrera said the grant was a substantial amount of money and necessary for child care, tutoring, and youth centers.

    “All of these things are what our youth need, especially in a poor park city, when so many of our youth are underserved, when so many of our youth need access and resources like this,” Herrera told LAist.

    Why was this grant so important?

    Santa Ana was awarded $6.7 million by the state in 2023 for child care and development programming. The money would pay for new staff, licensing, training, program equipment, community engagement, and state-required facility upgrades. That includes maintaining the overall operation of the program.

    Santa Ana Mayor Valerie Amezcua, who did not respond to LAist’s request for comment, applauded the milestone in her 2023 State of the City address.

    “It’s almost $7 million,” Amezcua said. “What are we going to do with it? I have a list.”

    According to the department’s grant application, the program would have created seven child care facilities, serving more than 500 children, according to city documents.

    The city was also set to use the funds for afterschool care for children ages 5 to 13 years old. The money was earmarked for full-day summer camp programming with a focus on serving low-income youth and kids at risk for drug use, gang violence, and crime.

    The department originally was planned to start programming in fall 2023 but didn’t move on the funding until a year later.

    In November 2024, the City Council unanimously approved $915,583 as the first round of funding to jumpstart the program.

    Then, six months later, with no public discussion and without informing the City Council, the city gave up on the contract.

    Why did the city quit? 

    Three months after giving up on the funds, City Manager Alvaro Nuñez explained to the mayor and the City Council in an Aug. 18 email that the Parks and Rec department was not adequately prepared to handle a program of this magnitude.

    “While Parks & Recreation staff were actively working toward implementation, it became apparent that Title 22 regulations, which had not been previously addressed, would impose significant administrative and programmatic challenges to the agency,” Alvaro told council members.

    Title 22 regulations are state rules that govern the licensing and operation of child care facilities, and when programs receive CDSS funding, they must follow those requirements. The requirements, Nuñez added, would have required “extensive” changes to the operation and staffing of the parks department.

    Although Nuñez told the council that Title 22 regulations “had not been previously addressed,” records obtained by LAist show that the city had known about the requirements since June 2023 and that the city already was in the process of hiring a certified program director to license the park’s facilities.

    Nuñez declined to speak with LAist.

    Budget woes

    Like many local governments, Santa Ana is looking for ways to tighten its budget amid slowing revenues and the looming threat of losing federal funds. The city is facing a $35 million budget deficit in the next four years.

    In Nuñez’s email to the mayor and city council, he cited these fiscal uncertainties.

    “Furthermore, with the potential for a reduction in the city’s sales tax revenue, the financial outlook does not indicate sufficient capacity to make the necessary physical improvements and sustain the program if restricted funding is reduced or eliminated,” Nuñez wrote to the council.

    City Councilmember David Penaloza said he supports the city’s decision to give up on the money.

    “All of these grants that we often get come with so many strings that municipalities across the state, not just Santa Ana, cannot commit to, and it's an ongoing burden on the city,” Penaloza said. “It is very wise for our city staff to take a pause and look at all these grants and look at the strings that are attached to it and say, 'Is this really worth it?'”

    The move to return the grant money to the state was irresponsible, City Councilmember Johnathan Ryan Hernandez told LAist.

    “I cannot say that is good governance, for us to relinquish $7 million in funding at a time where we desperately need it,” Hernandez said.

    Unanswered questions

    City Councilmember Jessie Lopez told LAist that Nuñez’s Aug. 18 email is not enough to make her understand how the city could give up on such significant funding.

    “We've had such a can-do attitude, but when it comes to this, we couldn't do it. I don't know that I necessarily believe that,” Lopez said. “I would have wanted us to see this through because it would have been better, I think, for us to learn along the way than to say, well, we're not even going to entertain this because we don't think that we can do it.”

    Lopez also questioned the lack of transparency before and after the city decided to pull out of the child care agreement. If the city manager's office did not feel they could take this on, “then they should have communicated that to the full council,” Lopez added, “The city is at a point where there isn't a lot of public trust and the city has done that to itself.”

    What has the city lost? 

    In the city’s bid to California’s Department of Social Services, the city’s parks department said the grant would relieve parents who otherwise cannot afford after-school care or similar programming.

    “Our City has a significant growing homeless and unhoused population, more than 30,000 students meet the criteria for being considered homeless and live highly unstable and often unsafe housing situations,” according to Santa Ana’s application for the grant.

    Lopez said she consistently hears from constituents who are impacted by the cost of living and who can’t afford child care. In California, child care costs even more than in-state college tuition.

    This state-funded program could have been life-changing, she added, and local governments should be thinking outside the box to address critical needs.

    “It is about … understanding that there is a serious problem in our community and we must turn every stone to be able to provide the proper support for our families and the kids of our community that need it,” Lopez said.

  • More affordable and faster option for rebuilding
    A blue grey prefab home on a lot.
    A three-bedroom, one-bath home by San Francisco Bay Area prefab builder Villa.

    Topline:

    On a small, formerly vacant, county-owned lot on Lincoln Avenue in Altadena, fire survivors can get a glimpse into one of the fastest and most affordable ways to rebuild — prefabricated and modular housing.

    What's on view: The Altadena Prefab Showcase has staged six models of factory-built homes and ADUs on the lot this month. Time is running out to visit — the showcase closes up shop after Sunday.

    Why it matters: With homes ranging between $50,000 to $200,000 and above, prefab housing can often be installed on property lots cheaper and faster than customized homes built from scratch. It means fire survivors can back home in months, not years.

    Keep reading ... for details on how to visit and prefab resources.

    On a small, formerly vacant, county-owned lot on Lincoln Avenue in Altadena, fire survivors can get a glimpse into one of the fastest and most affordable ways to rebuild — prefabricated and modular housing.

    The Altadena Prefab Showcase has staged six models of factory-built homes and ADUs on the lot this month. Time is running out to visit — the showcase closes up shop after Sunday.

    The factory-built “village” is an “educational tool to help Altadenans understand what might be a really stable, predictable, economical pathway home,” said Ryan Conroy, director of architecture at UCLA’s cityLAB, a housing and urban design research center.

    Altadena Prefab Showcase

    Where: 2231 Lincoln Ave, Altadena

    When: Open through Nov. 30

    • Wed. through Friday, 12 p.m. to 6 p.m.
    • Sat., 10 a.m. to 5 p.m.
    • Sun., 12 p.m to 5 p.m.

    Find the Altadena Prefab Handbook online here.

    The homes range between about $50,000 to more than $200,000. Prefabricated housing is built at a factory offsite, and designs already are approved at the local and state levels, so the process is often cheaper and faster.

    “So you can get a home in months, not years, essentially,” Conroy said. “Things can move concurrently, where your home is being built in the factory while you're working on permits with the county, while you're getting your site ready for foundations.”

    The homes also are built up to fire codes, and survivors can use them as a permanent dwelling, a temporary home while they rebuild their main house, or as an ADU.

    The showcase is a partnership between the UCLA’s cityLAB, L.A. County, prefab housing manufacturers (largely local) and a variety of community-based organizations. Several of the companies, such as AMEG and Liv-Connected, helped rebuild or provide temporary housing after other disasters and recent fires such as in Lahaina, Maui.

    Option to stay on property

    Tameka Alexander and her daughter still are staying in a hotel — their home was spared by the Eaton Fire, but severe smoke damage has made it unsafe to move back in. She says they’re currently waiting for their home’s insulation to be replaced. That’s why she was at the showcase on a recent Saturday — to see if a prefabricated home may help them return to their property sooner, while their house gets remediated.

    “It's been nine months, and I just don't know how much longer it'll be, but I would prefer to actually be in something that would allow me to be on the property,” she said.

    Three small factory-built ADUs on a small lot under partly cloudy blue skies.
    Various prefab housing designs at the Altadena Prefab Showcase.
    (
    Erin Stone
    /
    LAist
    )

    Casty Fortich also was at the showcase one recent Saturday with his wife. They and their two teenaged daughters, plus their dog and cat, have been living in a small apartment in Monrovia since losing their Altadena home of more than 20 years in the Eaton Fire. The rent was affordable for them for up to three years — the time Fortich estimated it could take to rebuild.

    But the apartment is cramped — and with their rebuild still years in the making (Fortich hopes it can be complete by summer 2027), the family is considering purchasing a prefab unit to live in while they rebuild, and then they can rent it out as an ADU. Even with insurance, they estimate they have about a $300,000 to $500,000 gap to rebuild.

    “A lot of us are unable to pay for a replacement, and so I think this is an option for many to stay on their property,” he said.

  • Sponsor
  • Cool and partly cloudy for most areas
    May gray skies provide a gloomy background over the Los Angeles basin in a view with homes and skyscrapers in the background. Palm trees line some of the streets below.
    Temperatures will drop to the mid 60s to low 70s.

    Quick Facts

    • Today’s weather: Partly cloudy
    • Beaches: 65 to 71 degrees
    • Mountains: 60s to low 70s degrees
    • Inland: 70 to 75 degrees
    • Warnings and advisories: A no burn alert is in effect

    What to expect: Mostly sunny skies with the exception of partly cloudy conditions along the coast.

    Read on...for more details and who is affected by the No Burn Alert.

    Quick Facts

    • Today’s weather: Partly cloudy
    • Beaches: 65 to 71 degrees
    • Mountains: 60s to low 70s degrees
    • Inland: 70 to 75 degrees
    • Warnings and advisories: A no burn alert is in effect

    Cooler weather has returned to Southern California for the weekend. Coastal communities will experience mostly to partly cloudy skies on Friday.

    Along the L.A. and Orange County coast daytime highs will drop to as low as 65 degrees with the warmest areas topping out at 71 degrees.

    The eastern San Fernando Valley will have highs from 69 to 74 degrees, meanwhile the western side will see highs from 71 to 76 degrees.

    Over in the Inland Empire, temperatures will range from 70 to 75 degrees. In Coachella Valley, communities there will see temperatures from 75 to 80 degrees.

    No burn alert in effect

    The South Coast Air Quality Management District has issued a no burn alert for most of SoCal until 11:59 p.m. because of high air pollution. That means you should avoid any burning of wood, including fireplaces or manufactured logs made from wax or paper.

    The alert applies to O.C. and L.A. County's non-desert areas and Riverside and San Bernardino counties.

    Excluded from the ban area are residents without natural gas, as well as communities in the High Desert and mountains.

  • Staffer accused of wrongdoing
    dwp-consultatng-controversy.jpg
    The LADWP headquarters in Downtown L.A.

    Topline:

    A longtime employee at the Los Angeles Department of Water and Power is being accused of misusing her city position by the L.A. City Ethics Commission.

    More details: The commission alleges Renette Anderson misused her position for personal benefit. A written determination of probable cause was issued in October.

    • Anderson is accused of asking a subordinate to take care of personal errands on city time, such as booking a flight and physical therapy appointments. 
    • In one instance, Anderson allegedly asked a staffer she supervised to purchase Snoop Dogg & Friends concert tickets at the Hollywood Bowl and then later asked for help seeking a refund when the concert was rescheduled. The ethics commission’s accusation, dated earlier this month, alleges the ticket requests were made on city time using city resources.

    What’s next? She faces seven counts against her and potential fines.

    Response from Anderson’s attorney: In a statement to LAist, Anderson’s attorney, John W. Harris, said she “has an unblemished, exemplary record of service at DWP for over 23 years. The finding of probable cause doesn't constitute a finding that the alleged violations occurred.”

    Harris added that the “baseless accusations” originated from a “former disgruntled subordinate.”

    LAist's Gillian Morán Pérez contributed to this story.

  • What's new for Thanksgiving moviegoers

    Topline:

    In addition to hits already in theaters like Wicked: For Good, this holiday week brings sequels for Zootopia and Knives Out.

    You might like: Annnnnnd they're off — blockbusters chasing award contenders everywhere you look. Disney animation, a new Knives Out mystery, an afterlife romance, a bazonkers Brazilian thriller, and a tale of Shakespeare and the healing power of art. Good thing you caught up with Wicked: For Good last week, right?

    Annnnnnd they're off — blockbusters chasing award contenders everywhere you look. Disney animation, a new Knives Out mystery, an afterlife romance, a bazonkers Brazilian thriller, and a tale of Shakespeare and the healing power of art. Good thing you caught up with Wicked: For Good last week, right?

    Here's what's new in theaters for the holiday weekend. (And here's what came out last week, and the week before.)

    Zootopia 2 

    In theaters now 

    Back in 2016, Zootopia grossed over a billion dollars worldwide — so it's no surprise we now have Zootopia 2. In the first movie, our heroes, Judy Hopps, a bunny voiced by Ginnifer Goodwin, and Nick Wilde, a fox voiced by Jason Bateman, became partners in the Zootopia Police Department, having worked together to catch a corrupt assistant mayor and put her away. Now, they're settling into their new jobs, trying to get used to the fact that she's a strict rule-follower, and he's a little more laid-back.

    And there's a new problem: a snake has appeared in a reptile-free zone, and he brings to light a mystery from Zootopia's complicated past. New voices like Ke Huy Quan and Andy Samberg add something new to what has already been a winning formula for Disney. Judy and Nick get a little help from a friendly beaver with the voice of Fortune Feimster, and they naturally cross paths with lots of their old pals from the first movie. — Linda Holmes 

    Eternity 

    In theaters now 

    Larry (Miles Teller) chokes on a pretzel, and the next thing he knows, he's on a train with just one destination: a version of purgatory known as the Junction. After that unfortunate event, however, he has two strokes of luck. The first, his assigned Afterlife Coordinator is Anna (Da'Vine Joy Randolph), an efficient, compassionate guide to help him figure out where he wants to spend eternity. The second? His wife of 60+ years, Joan (Elizabeth Olsen) joins him at the Junction shortly thereafter.

    But there's a hitch in this story co-written by Pat Cunnane with director David Freyne: Joan's first husband, Luke (Callum Turner), who died in the Korean War, has been waiting there at the Junction for Joan ever since, determined to pick up where they left off in the hereafter. So Joan has a big choice to make: stick with Larry, or gamble on a forever with her first love. — Sarah Handel 

    Wake Up Dead Man: A Knives Out Mystery

    In limited theaters; on Netflix Dec. 12 

    The following trailer contains an instance of vulgar language. 

    Rian Johnson's deliriously topical Benoit Blanc threequel is as gothic as its upstate New York church setting. A young pugilist-turned-priest named Jud (Josh O'Connor) is sent there to assist the hate-filled but popular-with-his-flock Monsignor Jefferson (Josh Brolin). Variously sketchy parishioners Glenn Close, Kerry Washington, Jeremy Renner, Andrew Scott, and Thomas Haden Church remain loyal no matter how vile, crude, or destructive their Monsignor becomes. So Jud, being the only person in close proximity not in thrall to him, is immediately the lead suspect when Jefferson drops dead during a service. The filmmaker's jests this time are often jabs at religious hypocrisy and how blind faith binds followers to leaders who are entirely focused on themselves and the power they wield.

    If there were any doubt about who exactly is being poked here, it's laid bare when Daryl McCormack, playing a craven conservative politician who's seeking favor with Jefferson, runs down a quick list of far-right talking points that have failed to land for him. There are twists enough to tangle a spider in its own web, jokes and sight gags aplenty, and Daniel Craig's Benoit Blanc is as sharply etched as ever, in what is, to my mind, the most rewarding episode in the series. — Bob Mondello

    Hamnet

    In limited theaters

    A woman in scarlet curled up among forest tree roots awaits her hawk's return from hunting in the film's opening image. Agnes (Jessie Buckley) is thought by townsfolk to be the daughter of a witch, and she certainly bewitches young Will (Paul Mescal), the Latin tutor teaching her brothers. The year is 1580, the place, a town near Stratford-upon-Avon, and the two young lovers will soon have three lovely children: firstborn Susanna, and twins Hamnet and Judith. Based on Maggie O'Farrell's acclaimed 2020 novel based on the lives of William Shakespeare and his wife, better known as Anne Hathaway, Chloe Zhao's breath-catchingly beautiful film luxuriates in these joy-filled early scenes, painting the family and the natural world around them in sumptuous, earthy tones before bringing that world crashing down around them.

    Will, who by this time is writing plays for a theater troupe, is in London when tragedy strikes at home. Buckley's Agnes faces the death of their 11-year-old son alone, and can't forgive Will for not being there. Her grief all-encompassing, she barely registers that he also grieves as he rushes back to London and the theater. The film, though, is more than a portrait of a family tragedy. In its final quarter-hour Zhao shows us that this story has always really been about the transcendent, healing power of art. That sounds almost simpleminded, and it takes some directorial sleight-of-hand and historical fudging to make it work. But work it surely does, in a knockout climax that reduced me, and much of the audience at various film festivals, to sobs. Agnes reaches for the son who is no more, Will brings forth a play that will never die, and if there's been a more staggering cinematic catharsis in recent years, I've not experienced it. — Bob Mondello 

    The Secret Agent 

    In limited theaters

    Marcelo (Wagner Moura) is a dissident on the run in director Kleber Mendonça Filho's bizarro Brazilian thriller, which takes place during Carnival, and mixes (among many, many elements) hitmen, corrupt cops, a '70s movie palace showing Jaws to a shark-obsessed public, a supernatural "hairy leg" that hops around gay cruising spots, officials intent on undermining science and marginalizing women, and an underground resistance movement that operates safe houses and a fake document mill. The central storyline involves Marcelo trying to escape the long reach of a casually brutal regime that's branded him a troublemaker. He needs papers for himself and his young son, and is also trying to find information about his late mother, for reasons that will be revealed in a modern-day framing sequence (in which Moura appears in a second role).

    If that all sounds complicated, rest assured it's just the start of a rousing, suspenseful, occasionally hilarious, and ultimately unnerving 160-minute tale of battling political oppression. Mendonça began his career as a journalist and film critic, and his stylistic choices suggest a fondness for the work of De Palma, Scorsese, Fellini, Antonioni, Hitchcock and Tarantino, among others. What he's concocted, though, is strikingly original and speaks to the current political moment. — Bob Mondello
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